Gouache Paintings

Medium: Gouache on Paper Dimensions: 19.50" x 21.00" Signature: Signed Lower Right "There's Two Kinds of Heroes," by Maurice Beam and illustrated by Peter Helck for the Saturday Eve...

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘77’, in upper left corner, German copyright label on...

Pullman Limousine Adler Standard. Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘93’, in upper lef...

by Paul-Louis Bolot (French 1918-2003) original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tears whic...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Antique illustration of a golfer getting out of a sand trap by well listed illustrator Leslie Saalburg whose work appeared in Vanity Fair and Esquire.

From our collection of original designs. To see more, scroll down to 'More from this seller'. George Horace Davis (1888-1963) Design for publication in The Illustrated London News...

Covers 13 Red Orange (Abstract painting) Gouache on handmade paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape t...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tea...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

by Paul-Louis Bolot (French 1918-2003) signed verso original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edg...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

by Paul-Louis Bolot (French 1918-2003) original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tears whic...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

by Paul-Louis Bolot (French 1918-2003) signed initials original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Nude by Paul-Louis Bolot (French 1918-2003) original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tears ...

P3.13 (Abstract painting) Gouache on Japanese paper. Unframed. This gouache paint on Japanese paper is a result of working with the accidental arrangements of found colored papers ...

An incredibly vibrant and eye catching painting in gouache showing a young woman a hardened young woman sitting on the floor, smoking a cigarette in her boarded up home. She is surrounded by supplies for the apocalypse with an iPad at her side showing the breaking news...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

Running the Light (Abstract painting) Gouache on matte board. Unframed. This work is part of an early series made in 1998 where Gordon explored with free flowing interacting with c...

Covers 13 Red 2 (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape ...

Gouache on rag tracing vellum - Unframed. This work on paper is part of a series of collaged paintings titled “Jazz: Herbieʼs ʻDolphin Danceʼ #1-22”. Those brush paintings are Pri...

Louis Wolchonok was a social realist painter and member of the Woodstock Art Association. His work was exhibited at the Whitney Museum of American Art, the National Academy of Design...

P1.13 (Abstract painting) Gouache and collage on Japanese paper - Unframed This gouache paint with collage on Japanese paper is a result of working with the accidental arrangements...

Artist Commentary: Exploring color, form and texture. 15.5 x 17.75 mounted to 22 x 30 Arches. About the artist: Richard Levine, born in Newark, NJ, is a painter and photographer whose professional career has spanned more than 30 years in the graphic arts working for prominent design firms and corporate clients. He studied oil painting for four years with artists Alan Turner and Andrew Lattimore and photography with Gary Winogrand...

VOID is a multilayered composition created with paper, painted tyvek and silkscreen cut-outs. The panel was initially created as part of the “Kudzu Season” series, exhibited in the C...

Margaret Mary Virdet (American) Signed: Virdet, Paris (Lower, Right) " Return From The Masked Ball at The Opera ", circa 1880s Watercolor with Gouache on Board 21" x 14" Housed ...

“Harbor 8” — Oil, Acrylic, and Ink on Canvas, 48 x 60 inches "Harbor 8" is a brightly colored abstract painting with richly layered blue tones...

Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape to mask out shapes and employ hard e...

Abstract harbor scene with boats, in bold, vivid colors on heavy mould made paper. Hand signed and dated, 1980 22 X 30 not frame Robert Freiman, deaf from birth, was born in March 1917 in New York City. He attended an oral program near his home and later transferred to the Lexington School for the Deaf when he was six. Early in his childhood, his love for drawing, painting and studying became apparent, and as an adult, he continued his studies in New York at the National Academy of Design, Pratt Institute, the Art Students League and the Parsons School of Design. In Paris, France he studied at the Ecole des Beaux Arts. Bob Freiman was especially focused on painting portraits and figures in motion in various mediums, especially the mixed-media combination of watercolor, acrylic and pen. Among his subjects were acrobats, ballet dancers, cyclists and other athletes. He as well focused on abstracts for a time, discovering new media in his works with quick brushwork and expressive movements. In the latter part of his career, his style became abstract and surreal with images of metaphysical landscapes with architectural elements such as arches, towers, pyramids and castles floating in the air. The famed art critic Pierre Rouve wrote: “It is therefore refreshing to see them revitalized by the colourist wealth and virile handwriting of Robert Freiman, probably the best American water-colorist since John Marin. He worked in Provincetown and Nantucket and regularly exhibited there. He showed at Doll & Richards gallery of Boston alongside John Chetcuti, Lloyd Goodrich, Tod Lindenmuth, William Meyerowitz, Dwight Shepler, Elizabeth O'Neill Verner, Stanley Woodward, Andrew Wyeth, and others. His work bears the influence of the mid century school of Paris in particular Jean Carzou. He was a regular exhibitor at the Sidewalk Art...

(Abstract Painting) Gouache, pencil and collage on Japanese paper. Unframed. This gouache paint with collage on Japanese paper is a result of working with the accidental arrangeme...

Artist: Alexandre Sacha Garbell, French (1903 - 1970) Title: Israel Year: circa 1958 Medium: Gouache on Paper, signed Image Size: 4.5 x 6.5 inches Frame Size: 12.75 x 15.25 inches

"Summer's End " captures the soft patterned shadow of the leaves. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates a...

Small Grey Test Pattern 2 (Abstract Painting) Acrylic/gouache on wood - Unframed Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural respo...

Gouache on Japanese paper - Unframed This gouache paint on Japanese paper is a result of working with the accidental arrangements of found colored papers that are in piles all over ...

4.29 15 (Abstract Expressionism painting) Gouache on archival paper - Unframed. Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing...

Srinivas Pulagam - Empire - 28 x 40 inches ( without framing ) Watercolour & Gouache on Paper Inclusive of shipment in roll form. Academic Background : B.F.A (painting)Andhra unive...

Original gouache illustration on board for "The Joy of the Elephant." London, 1971. Unframed. Unsigned.

Ben Zion Magal (1908 - 1999) Ben Zion Magal was born in 1908 in Kishinev - Russia and there, years later, graduated from the Art Academy. He arrived to Erertz Israel together with hi...

Gouache on rag tracing vellum - Unframed. This work on paper is part of a series of collaged paintings titled “Jazz: Herbieʼs ʻDolphin Danceʼ #1-22”. Those brush paintings are Pri...

"Horseman" by Washington DC artist Jeanne Cosimano. Painting in gouache on paper and dated 2021. Artist is known for her dynamic compositions and skillful ...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 9 x 9 inches condition: very good and impressive provenance: all the paint...

Chhotu Lal - Untitled, 10.25 x 14 inches Gouache and Gold on Acid Free Paper, 2020 ** Shipped in roll form. Born in 1957, Chhotu lal is an acclaimed artist based in Udaipur, Rajasth...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Subha Basu - Night - 10.5 x 9.5 inches (unframed size) Gouache on Acid Free Paper. Born - 1982 at Kolkata. B.V.A from The Indian College of Art & Draftsman...

Neapolitan school (early 19th Century) A visit to Pompei on the the Grand Tour Gouache on paper Inscribed ‘Porzione del quartiere a Pompei’ and ‘In Nap...

Gouache painting by William Hoey featuring a small fisherman walking to the coast. Circa 1970s. Dimensions of painting without frame: H 6.5 in. x W 8.5 in. x D .25 in. Artist Biogr...

Hidden by Clouds is an original framed painting by artist Rosie Phipps. Featuring her gestural and expressive use of mark making to create these beautifully intimate landscapes. Rosi...

Basketball Player Gouache on card stock, c. 1940 Signed by the artist in ink lower center A study for the fresco mural in the Social Security Buildin...

P3.15 (Abstract Painting) Gouache and collage on Japanese paper. Unframed. This gouache paint with collage on Japanese paper is a result of working with the accidental arrangements...

WINDOW V captures the soft patterned shadow of the trees veiled by a sheer curtain. This painting is is part of an on-going series that explores the light and landscape in Tennessee....

Approximate Date: 1895 Medium: Gouache on paper laid to card Signature: Signed and dated 'R.F. Zogbaum/ 95' bottom right Size: 18 x 13 3/4 in. Harper's Weekly: A Journal of Civilization, New York, December 28, 1895, vol. XXXIX, no. 2036, (cover illustration). The present painting represents a battle fought August 9 and 10, 1877, between the United States troops and Chief Joseph...

Very vibrant, dynamic orchestra scene reminiscent of the work of Mopp (Max Oppenheim) David Aronson, (1923-2015) son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work. In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts. included in the catalog Contemporary Religious Imagery in American Art Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others. Selected Awards 1990, Certificate of Merit, National Academy of Design 1976, Purchase Prize, National Academy of Design 1976, Joseph Isidore Gold Medal, National Academy of Design 1976, Purchase Prize in Drawing, Albrecht Art Museum 1975, Isaac N. Maynard Prize for Painting, National Academy of Design 1973, Samuel F. B. Morse Gold Medal, National Academy of Design 1967, Purchase Prize, National Academy of Fine Arts 1967, Adolph and Clara Obrig Prize, National Academy of Design 1963, Gold Medal, Art Directors Club of Philadelphia 1961, 62, 63, Purchase Prize, National Institute of Arts and Letters 1960, John Siimon Guggenheim Fellowship 1958, Grant in Art, National Institute of Arts and Letters 1954, First Prize, Tupperware Annual Art Fund Award 1954, Grand Prize, Third Annual Boston Arts Festival 1953, Second Prize, Second Annual Boston Arts Festival 1952, Grand Prize, First Annual Boston Arts Festival 1946, Traveling Fellowship, School of the Museum of Fine Arts 1946, Purchase Prize, Virginia Museum of Fine Arts 1944, First Popular Prize, Institute of Contemporary Art 1944, First Judge's Prize, Institute of Contemporary Art Selected Public Collections Art Institute of Chicago Virginia Museum of Fine Arts Bryn Mawr College Brandeis University Tupperware Museum, Orlando, Florida DeCordova Museum Museum of Modern Art Print Collection, New York Atlanta University Atlanta Art...