Marble Paintings

"Transfiguration" is a captivating original abstract painting by the talented artist Pawel Kontny (also known as Paul Kontny), created during the mid-20th century. This unique composition was crafted using a combination of marble dust, gesso, and oil glaze on masonite, resulting in a striking raised texture that adds depth and dimension to the artwork. The use of marble dust and gesso gives the piece a rich, tactile quality, making it visually stunning. The painting is rendered in a harmonious palette of neutral tones, including shades of brown, beige, yellow, and grey, creating a subtle yet powerful interplay of light and shadow. These muted hues evoke a sense of calm and contemplation, allowing the viewer to immerse themselves in the abstract forms and textures that dominate the canvas. This piece is presented in its original black and gold frame, which enhances its vintage charm and complements the sophisticated color palette. "Transfiguration" is an exceptional work of art, perfect for collectors of mid-century abstract art...

Taysha Oil, Marble Powder, Asphalt, Burlap On Canvas 73.25 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...

Spanish Windows III Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in th...

In these testing times it's become easy to turn inwards rather than looking outwards into the world. In a painting that is archetypical of Sax Berlin Angel of Peace is a reflection ...

Funny Weather is part of my latest series: Roots of a City. Each painting in this series is based on the urban environments of places that I have visited or lived in. There is an emo...

Cement & marble powder on foam panel. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in the construction and ship buildin...

In classic Sharp Edge 21st Century New York Style, Berlin acknowledges and shows solidarity with the world mourning the cruel death of George Floyd in the United States, and starting...

“Refraction 2022–25” is a 30 x 24 inch mixed-media painting by contemporary artist Fenway Fan, composed of oil and marble dust on canvas. Created in a deep state of meditation, this ...

Mosaics is part of my latest series: Roots of a City. Each painting in this series is based on the urban environments of places that I have visited or lived in. There is an emotional...

Promenades is part of my latest series: Roots of a City. Each painting in this series is based on the urban environments of places that I have visited or lived in. There is an emotio...

Having made fantasy 1, I found that he needed a companion with very sober forms that make us think of a presence charged with calm and benevolent authority. The two suit me perfectly...

Rising Collection, combines two key elements of my process --- my signature use of needlepoint, plus, mixing powdered pigments, gesso, and marble dust to create my own colors. These ...

Poignant bronze sculpture of nurturing mother elephant and her calf. Rich brown patina with hints of verdigris. By American sculptor Dan Ostermiller. Signed and dated 1992. Casting n...

Exploring shapes, materials and relief is a much more complex challenge than it seems. It is a demanding process that requires patience, technique and a deep understanding of materia...

"Balance 1" abstract acrylic paint on linen panel 120x120cm 2022 While walking in Japan, I spent a long time in a temple contemplating a wall where traces of time created black, g...

"Guarantee of freshness" abstract acrylic paint on linen panel 81x100cm 2022 In these days of pleasant but disturbing heat, I pay tribute to the foliage of trees on the banks of pe...

"Methaphysics of light" abstract acrylic paint on linen panel 100x100cm 2022 Listening to a quantum physicist talking about matter and light… This level of knowledge, this new loo...

"They were very great winds on the earth of men" abstract on aluminium canvas 100x100 cm I believe it is increasingly necessary to rise above the mediocity of men: barbarism, vulgari...

"Fascination" abstract acrylic paint on bristol paper linen panel 54x81cm 2014 The title is enough on its own… tonic color chords.

"Homage to African craftsmanship" abstract acrylic collage 120x120cm 2022 everyday soulless plastic objects make me miss the traditional materials that I had so admired during my e...

"Balls game" figurative painting on wood panel 80x80cm Return of an exhibition in Beijing… An interpretation of the sensations felt…

"And the tenderness?" figuratif portrait acrylique on linen canvas 100x100cm in this age of digital communication and social networks, the lack of courtesy ...

abstract acrylic collage marble powder on canvas linen beige white grey send in wooden crate at cost Second confinement, the slaughter of a teacher: a sense of a world that is losing its bearings, saturated with narcissism and intolerance, like a return to a society that no longer knows how it will manage. emmanuelle vroelant...

abstract "Blue Clearing" acrylic linen canvas 80x80cm certificate wood crate During a walk in the forest, the shade of the trees suddenly appeared...

"Along the water" abstract acrylic marble powder on canvas linen black white send in wooden crate at cost the beneficial water, which opens to tranquility, to reverie… Emmanuelle vroelant...

This 30 x 24 inch oil and marble dust painting by Fenway Fan is a radiant example of the artist’s intuitive, energy-based practice. Created in a deep meditative state, this original ...

Rising Collection, combines two key elements of my process --- my signature use of needlepoint, plus, mixing powdered pigments, gesso, and marble dust to create my own colors. These ...

Rising Collection, combines two key elements of my process --- my signature use of needlepoint, plus, mixing powdered pigments, gesso, and marble dust to create my own colors. These ...

Signed lower right. Provenance: Khromin Estate. Victor Khromin, born in Gatchina City, near St. Petersburg, Russia explored his artistic abilities from the earliest years of his life. The Russian-Finish family into which Victor was born discovered and accepted his talent as something that flowed organically through their family tree. Victor's grandfather was an accomplished artist and a student of Repin at the Academy of Art in St. Petersburg, Russia. The scenery of childhood in a small Finnish village on the outskirts of St. Petersburg continues to inspire Victor throughout his life.Victor went on to study art professionally at the Serov School of Fine Art in Leningrad. While still a student, he actively participated in non-conformist exhibitions, which were illegal during the Soviet Regime. In 1976, Victor became a member of the USSR Union of Professional Artists. This was the only Soviet organization, which could recognize an individual as a career artist. Despite membership, he continued to exhibit his works as part of the Underground Art Movement, which contradicted the code of conduct outlined by the USSR Union of Professional Artists and rejected the only officially accepted style of Socialist Realist. Victor's works stopped being presented for exhibition within official circles of the Soviet Art League. Victor became a target for government harassment and monitoring. The 1985 solo exhibition at the Kudamm Gallery, in Berlin, served as a breaking point in the semi-tolerant relationship that had previously existed between Victor and the USSR Union of Professional Artists. According to the Union, an artist was not allowed to exhibit outside of the USSR without the permission of and censorship by that organization. That same year, Victor lost the position, which he had obtained through the Union. He relocated to a small village called Sinicheno, where over the course of 5 years, he created a series of lyrical pieces. The works were displayed at a solo exhibition at Dianart Gallery in Zurich in 1988, and at Arcole Auction, Paris in 1988-1990.The Perestroika finally opened doors for Victor to exhibit within Russia at "From Unofficial Art to Perestroika," in Leningrad in 1989 and The Stanislavski Actor's House in Leningrad in 1990. In 1990, Victor received an invitation to come to New York City for a Solo exhibition at Nahamkin Gallery. During this trip, Victor applied for legal residency within the United States and was granted this status for his Extraordinary Abilities in Art. In 1996, Victor's paintings become part of the Norton and Nancy Dodge Collection of Nonconformist Art at Rutgers University. From this point on, Victor and his family move to rural upstate New York. Here he continues the development of unique techniques for creating 3D casts for oil paintings and paper. Victor's recent works are hand-made paper reliefs, with acrylic used as a color addition to the texture. He also developed a relining technic, which allow him to transfer his reliefs to canvas, and then work with oil paint over the underlying relief. He has also been represented by Jane Voorhees Zimmerli Art Museum of The Norton & Nancy Dodge Collection of Nonconformist Art from the Soviet Union (1956-1986) at Rutgers University, New Brunswick, NJ; Dianart Gallery, Zurich, Switzerland; Kudam Gallery in Berlin, Germany; Codriorg Pallas Museum , Tallinn, Estonia; Urmala Exhibition Hall, Urmala, Latvia; Regional exhibition in Russia, and solo exhibitions in St. Petersburg, Russia, etc. The specific style category...

In classic Sharp Edge 21st Century New York Style, Berlin acknowledges and shows solidarity with the world mourning the cruel death of George Floyd in the United States, and starting...

Something so special it's hardly ever seen - creative silver and gold leafing. The face passed through seven stages before it was complete and crushed marble is used to adorn her fa...