Marble Paintings

In the Same Time, Abstract Acrylic on Linen, 120 x 120 cm, new A dense mist of water-greens, silvery grays, and off-whites envelops the entire surface of the canvas, with no light s...

"Zen Pebbles" acrylic, art paper, marble powder, pigments, oxidation on linen canvas With Zen Pebbles, Emmanuelle Vroelant creates a space of retreat. “It’s a small, dreamlike Zen g...

"They were very great winds on the earth of men abstract aluminium canvas 2022" The elongated horizontal format unfolds across three clearly distinguishable panels. Vast swirls of gr...

We are excited to bring this incredible painting to public attention. Berlin is renowned for his use of colour, pigments and texture but this piece is truly exceptional. Sumptuous in...

Warning, Abstract Acrylic on Linen Panel, 95 x 62 cm, New Artwork The vertical format of Alert! accentuates the tipping effect between a tormented sky, almost set ablaze with dark re...

Childhood Sand acrylic, marble powder and collage on linen, 50 × 140 cm, new A long panoramic format stretches the canvas like a strip of dune seen from very close up. The material,...

Open Space 4, Contemporary Landscape, Acrylic on Linen, 60 x 180 cm Three times longer than it is high, the largest canvas in the ‘Open Space’ series unfolds a landscape so pale that...

"Equilibre" acrylic, art paper made with slate dust and linseed, bronze oxidation on linen , 100x100cm On a slightly textured white background, two sheets of handmade paper answer ...

Artist: Warren Wolf, American (1924 - 2003) Title: Zebuwl 2 Year: 1990 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 34 in. x 31 in. (86.36 cm...

"The Unspoken" abstract painting, acrylic and collage on Linen 81x65 cm new Painted in April 2024, this vertical 81 × 65 cm linen builds its surface like a chalky wall, thickened wit...

Fantasy 1 Abstract Painting, Acrylic and Gold Leaf on Linen, 80x80cm, 2010+ Emmanuelle Vroelant starts from an observation shared by many: people feel weighed down, anxious about th...

Abstract painting Acrylic, marble powder, sand on linen 100 × 100 cm, new A warm light bathes the whole surface, made of saffron yellows, ochres and oranges that intensify along the...

Abstract painting acrylic on linen Canvas, 50 x 100 cm, 20 The bottom of the painting is overrun by a deep red rising in long vertical streaks, like dense vegetation or a raw wound...

acrylic, marble powder, art paper, oxidation, pigments, protective varnish on linen canvas The Role of Pebbles lays out a veritable collection of stones of disparate textures and hu...

Fantasy 2 Abstract Mixed Media Artwork on Linen, 80x80cm After painting Fantasy 1, Emmanuelle Vroelant felt that it needed a companion with very solar forms that suggest a presence ...

Sezione Aurea 2024-015 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 64 × 43.5 × 5 cm (25...

"Internal cosmos" abstract acrylic marble powder wooden tryptic 67x102cm The Inner Cosmos begins with a thoroughly contemporary fascination: that of the images sent back by the Hub...

Black Globe Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...

Stroll 2, Abstract Acrylic on Linen Panel, 120 x 120 cm, The canvas takes up the same palette of blacks, greys and beiges as Ballade 1. Fine white drips, almost stalactites of pain...

"Winter wind" abstract acrylic marble powder on canvas 120x120cm On this large square, a light mist envelops the whole composition: pale beige at the top, lavender gray growing de...

Nostalgia, Large 120x120 Abstract Acrylic on Canvas, Nostalgia envelops a large square in pastel tones — cream, bluish grey, faded gold, a few touches of coral. A cloud-like mass oc...

The Salty Air of Roscoff, Abstract Acrylic on Linen, 100 x 80 cm Blue, white and grey answer one another across the entire surface of the canvas, creating an atmosphere in which one...

"The effectiveness of red n°2" abstract acrylic collage 120x120cm The second panel in the series, this large square format shifts register: the vivid red of the first painting gives...

What's Left, Abstract Acrylic Marble Collage, 54 x 73 cm, “The layout of this work forced itself upon me one night, probably in resonance with what remains after fanaticism and barb...

"Promise of freshness" abstract acrylic paint on linen panel 81x100cm A Promise of Coolness unfolds a dense canopy of greens and blue like branches seen from slightly below, its fo...

A golden-yellow sky fills the upper two-thirds of the canvas. The paint is applied thickly there, then scored with fine horizontal striations that give it the look of wind-rippled s...

"Blue Clearing" abstract acrylic on linen canvas 80x80cm A dark trunk rises on the left of the canvas, from top to bottom, surrounded by foliage made of turquoise, ochre, rust and yellow-green patches, applied in relief. Close by, in the centre, a small source of pale yellow light pierces the mass of vegetation. The rest of the upper part is bathed in a deep, veiled blue-grey, where other barely sketched trunks can be made out on the right. The lower part of the painting grows warmer: russets, oranges and burgundies spread across it in a broad band, crossed by a pale green patch that evokes sunlit ground. The marble powder and the sand give the surface a tight grain, like that of bark. Emmanuelle Vroelant recounts the moment that gave rise to the painting: ‘During a walk in the...

Cool slate blue anchors the left edge of this canvas, dissolving into warm bands of copper, rust, and glowing amber that shift and pool across the surface like light passing through ...

Abstract painting, large, acrylique, linen canvas, 2020. Chinese Mythology sets ablaze a vertical format saturated with red and orange, as if incandescent from within. A sinuous form of vivid turquoise blue, born of oxidation, snakes from the top to the bottom of the canvas, drifting between depths of black and brown and evoking, without naming it, the long, slender silhouette of a dragon. The deep red of the background and the vibrant turquoise of this trail resonate with each other. A travel memory, a need to paint red... Emmanuelle Vroelant...

Forgetting, Abstract Acrylic on Linen Canvas, 81 x 65 cm, Emmanuelle Vroelant approaches Forgetting with disarming candour: « forgetting words, names… it's so annoying! » The painting starts from this very concrete irritation to build a broader reflection on memory and what it leaves behind. The canvas's relief becomes the very site of this reflection: « the relief is worked like an inscription of memory, and covering it all with China paper...

A rare Italian painting from the second half of the 16th century. This octagonal oil-on-marble painting depicts the Assumption of the Virgin and is attributed to the Marche painter E...

Wanawhite (Abstract painting) Cement & marble powder on foam panel. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in th...

Stroll 1, Abstract Acrylic on Linen, 120 x 120 cm, Textured Finish, The canvas sets a vast expanse of cream and sand, almost luminous and finely veined with grey, against a wide bl...

Cherished Liberty, Abstract Acrylic on Linen, 100 x 82 cm, In March 2022, barely a few weeks after the start of the war in Ukraine, Cherished Liberty bears the immediate imprint of c...

And the Tenderness?, Figuratif Acrylic on Linen, 100 x 100 cm, 2021 Faces gently emerge from a pale, crackled background, as if rising out of a mist or a sh...

A World on the Brink, Abstract Acrylic on Linen Canvas A World on the Brink sets two very distinct territories against each other: on the left, a light, vaporous space, almost empty, in off-white and bluish grey; on the right, an imposing, rugged mass in anthracite grey and brown, where the collage of Laotian paper creates a dense relief, almost a rock face or a piece of bark. Between the two, at the edge, a slender dark silhouette barely stands out, tiny in front of this mass that seems ready to topple onto it. At the bottom left, a murkier area, streaked with red and beige, seems to spill out of the frame. The art paper, thick and grainy, gives the whole composition a raw, almost tactile materiality. A World on the Brink was born of a shock, that of a tragic news story which Emmanuelle Vroelant...

"Traces" abstract acrilyc oxidation on linen canvas 100x120cm A saffron ochre, warm and deep, covers almost the whole canvas, run through with vertical drips and horizontal streaks...

Abstract painting, acrylic on Linen Canvas, 100 x 100 cm, 2019 This triptych displays a resolutely organic material: grey, almost mineral forms stand out against a background of nat...

Cala Pragonda Oil, bitumen, graphite, marble powder, burlap on canvas 66" X 56" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medi...

The Goat Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of...

The Source Oil, bitumen, graphite, marble powder, burlap on canvas 60" X 48" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium ...

Kimono, abstract acrylic, marble powder and gold leaf on linen, 80 x 100 cm, new Kimono assembles flashes of red, burnt orange and sienna, cut like fragments of heavy, torn silk, la...

Big Little 119 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of Yellow Pink & bu...

Sax Berlin is emphatically back in the studio!  Emblem of Peace has been woven onto the canvas with the rarest of pigments, precious metal and glistening marble. These precious ingre...

Something so special it's hardly ever seen - creative silver and gold leafing. The face passed through seven stages before it was complete and crushed marble is used to adorn her fac...

From Sax Berlin's "Sharp Edge 21st Century New York City Style Series" Berlin has loved Manhattan & New York City for decades. This love is passionately brought to life in the dynam...

Brouhaha: acrylic, marble powder, collage, copper leaf on linen, 80 x 80 cm Emmanuelle Vroelant started this painting after watching a report on the National Assembly, struck by a c...

Summer acrylic, marble powder on linen, 54 x 73 cm Back from summer, Emmanuelle Vroelant still wants to transcribe her joy in the clear water, the well-being of the sun, the light-h...

Gratitude acrylic, marble powder, collage and mortar on linen, 80 × 120 cm., 2010+ A golden disc, almost solar in its very substance — metallic deposits, impastos of marble powder t...

Spanish Windows IV Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the...

Edges of a Summit II Oil, bitumen, graphite, marble powder, burlap on canvas 60" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

Wind Dancing Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the mediu...

Manana Blanca II Oil, bitumen, graphite, marble powder, burlap on canvas 73" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the m...

In classic Sharp Edge 21st Century New York Style, Berlin acknowledges and shows solidarity with the world mourning the cruel death of George Floyd in the United States, and starting...

Balsam, ground marble and hand ground pigments give this work great depth. This piece from Sax Berlin works on different levels; the beautiful, subtle palette & the contemplative dra...

The Parade Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium ...

Berlin has loved Manhattan & New York City for decades. This love is passionately brought to life in the dynamic & vibrant series of Guradian Angels that he's created to protect the areas that he loves so much with his own Guardian Angels in the Sharp Edge style.The first of these Angels has been created to protect SoHo, the now historic cast iron district in Lower Manhattan south of Houston Street north of Little Italy. During the dark hours when people are sleeping and the district has emptied this first, primary coloured Angel watches...

OCBLK009102723 Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Pawel Kontny (Polish-American, 1923–2002) Cosmos, Circa 1965 Mixed media with marble dust, gesso, and oil glaze on masonite Framed dimensions: 25½ × 28½ inches A striking example of...

Adaizan Oil, Marble Powder, Asphalt, Burlap On Canvas 73.3 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...