Monoprint Paintings

This is an exclusive handprinted limited edition cyanotype. "Pacific Sunset Waves" is an original cyanotype that abstractly shows the sunset reflections on the sea. Details: + Titl...

This is an exclusive handprinted limited edition cyanotype. "Nighttime Firework Flaring" is a beautiful cyanotype of the New Years Eve Fireworks Lights. Details: + Title: Nighttime ...

This is an exclusive handprinted limited edition cyanotype. "Glowing Fireworks Lights" is a beautiful cyanotype of the New Years Eve Fireworks Lights. Details: + Title: Glowing Fire...

This is an exclusive handprinted limited edition cyanotype. "Serene Cove Waters" is a handmade cyanotype print portraying fresh ripples movements in a Greek Islands cove...

Tatiana Flis’ “Shifting Horizons” is a 48 x 36 inch abstract acrylic painting created with multiple monoprinting methods on a birch wood panel. Heavy contrast among the layers evoke ...

Alfred Ortega (American, 20th C.) Abstract Monoprint with wash Ghost of Champs-Élysées (Paris, France) Born in Philadelphia, Alfred Ortega studied painting and sculpture at the Pennsylvania Academy of the Fine Arts. Ortega’s work is currently represented by the Atlantic Gallery, Nantucket; the Ligne Roset Gallery, New York; Millésimé, Philadelphia; and CSM Art, New Jersey. Ortega has exhibited at the Woodmere Museum and Knapp Gallery in Philadelphia. The artist’s work is represented in the permanent collection of the Pennsylvania State Museum and in private collections. Noted for his bold use of color, Ortega’s paintings and oil prints emanate primal energy. His prominent, Abstract Expressionism, large canvases reveal a dynamic world populated with vibrant forms and figures barely contained within their frames. A master monoprint maker, Ortega’s vivid oil prints of abstracts...

Larry Zox Dexter's Choice, State II, ca. 1990 Mixed media, Watercolor pochoir, and Oil stick Wax, Water-Based Crayons, on heavy Arches museum watercolor rag paper with deckled edges ...

Monoprint on paper, green scale. Unique. Biomorphic abstraction. Hand-signed by artist Framing available This work includes a certificate of authentici...

Tatiana Flis’ “Prairie Night” is a 48 x 84 inch abstract acrylic triptych painting on birch wood panels. Using multiple monoprinting methods, two distinct sets of window...

Tatiana Flis’ “A Satellite’s View” is a 48 x 36 inch abstract acrylic painting created with multiple monoprinting methods on a birch wood panel. Bold black graphic shapes overlay a r...

Tatiana Flis’ “Under Such Sparse Sun” is a 47 x 23 inch abstract acrylic painting created with multiple monoprinting methods on a birch wood panel. Two sets of window...

Tatiana Flis’ “Averted Vision” is a 47 x 23 inch abstract acrylic painting created with multiple monoprinting methods on a birch wood panel. Three sets of window patterns — one with pastel rainbow...

Tatiana Flis’ “Observer Effect” is a 48 x 36 inch abstract acrylic painting created with multiple monoprinting methods on a birch wood panel. A black and white grid of rectangles for...

Tatiana Flis’ “Radio Silence” is a 48 x 36 inch abstract acrylic painting created with a monoprinting process on a birch wood panel. Pastel rainbow tones of blue, purple, red, green,...

Hand signed and dated. Untitled minimalist abstract composition, diptych monotype. Dimensions: 22" X 30" each sheet; 31.5" X 70" with the frame. Carole Seborovski was born in San Diego, California. She received her BFA from the California College of the Arts in 1982. She continued her studies at the New York Studio School and received her MFA in painting from Hunter College in 1987. Her work has been widely exhibited in galleries and museums both nationally and internationally since 1984. She has had solo shows at Galerie Karsten Greve, Paris, Cologne, and Milan. Haines Gallery, San Francisco, Mitchell-Innes & Nash, NYC, Locks Gallery, Philadelphia, and John Berggruen Gallery, San Francisco among others. Her work has received favorable reviews in publications such as Art in America, Hyperallergic, Art News, Art Net, The New York Times, The Los Angeles Times, Kölner Stadt-Anzeiger and the Frankfurter Allgemeine. Carole Seberovski has received grants and awards from the National Endowment for the Arts, the American Academy of Arts and Letters, the Art Development Committee Grant, and the Jackson Pollock- Lee Krasner Foundation. Seborovski’s work is represented in numerous museum collections including the Museum of Modern Art, NY, Metropolitan Museum, Whitney Museum, Brooklyn Museum, San Francisco Museum of Art, National Gallery of Art, Washington D.C., and the Museo Cantonale d’Arte, Lugano, Switzerland among others. This was printed at Garner Tullis...

"O. Phalenopsis 2" is a contemporary hand-painted intaglio print by Wisconsin artist Mark Brueggeman. Printed with black ink onto white paper, the pri...

Individual technique on grey military blanket Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of F...

Individual technique on grey military blanket Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of F...

Small abstract expressionist style monotype in navy blue, green, light violet, and soft yellow 'Untitled 4' by Jenny Nelson Monotype, mad...

Larry Brown Long-time established New York painter as well as faculty member the The Cooper Union, Brown works in oil on canvas and tempera paints on paper. He deals with themes of science and universality. EDUCATION: 1970 M.F.A. in Painting, University of Arizona 1967 BA in Painting, Washington State University SELECT GROUP EXHIBITIONS: Mixed Company: Women Choose Men, AIR Gallery, New York, NY Easy Breezy, Sears-Peyton Gallery, New York, NY From Stone and Plate: Contemporary Prints from Tamarind Institute, California State University Change of View Tamarind Institute Gallery, Albuquerque, NM Animal As Muse, The Norton Museum of Art, W. Palm Beach, FL Painting--Larry Brown, Joseph Haske, David Schoffman, Helander Gallery, New York, NY Paper Houses, David Beitzel Gallery, New York, NY Curators Choice, Albright-Knox Art Gallery, Buffalo, NY Current Trends in Abstraction-- Larry Brown, Bill Drew...

Individual technique on grey military blanket Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of F...

Individual technique on grey military blanket Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of F...

Maggie LaPorte Banks Reflexions [2020] Original Abstract Acrylic and monoprint on canvas art board. Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x ...

Blue and orange abstract monotype print in an expressionist style. The work is framed in a black wooden frame with a white matte. The artist signed the work in the bottom left corner. Dimensions without Frame: H 40 in x W 32 in. Artist Biography: Scott Swezy...

Sarah du Feu Swaledale 2 Original Monoprint Image size 40 x 65 cm Mounted size 51 x 77 cm Framed in solid oak wood frame Printed on acid free Somerset Velvet 280gsm paper This monop...

Larry Brown Long-time established New York painter as well as faculty member the The Cooper Union, Brown works in oil on canvas and tempera paints on paper. He deals with themes of science and universality. EDUCATION: 1970 M.F.A. in Painting, University of Arizona 1967 BA in Painting, Washington State University SELECT GROUP EXHIBITIONS: Mixed Company: Women Choose Men, AIR Gallery, New York, NY Easy Breezy, Sears-Peyton Gallery, New York, NY From Stone and Plate: Contemporary Prints from Tamarind Institute, California State University Change of View Tamarind Institute Gallery, Albuquerque, NM Animal As Muse, The Norton Museum of Art, W. Palm Beach, FL Painting--Larry Brown, Joseph Haske, David Schoffman, Helander Gallery, New York, NY Paper Houses, David Beitzel Gallery, New York, NY Curators Choice, Albright-Knox Art Gallery, Buffalo, NY Current Trends in Abstraction-- Larry Brown, Bill Drew...

Lee Wells Double Sophia, 2018 Hand embellished monoprint on canvas with projection mapped video 125 x 150 cm Contact for video link. Currently on view as part of Sentient Electroics at Wallplay Seaport Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...

Maggie Laporte Banks. It takes allsorts. Acrylic, collage, graffiti spray paint, carborundum, monoprint. H. 50 cm x W. 50 cm. x D 2 cm , unframed. Insitu images are purely an indicat...

Erica #1, 2018 Hand embellished monoprint on canvas 25 3/5 × 21 7/10 in 65 × 55 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...

Sarah du Feu Cornwall Seascape 1 Original Monoprint Image size 40 x 50 cm Mounted size 55 x 63 cm Unframed Printed on acid free Somerset Velvet 280gsm paper Please note that insitu i...

Maggie LaPorte Banks. Changing blues to greys. Acrylic, Monoprint, Collage, Carborundum on Canvas. Canvas Size: H 65cm x W 65cm x D 5 cm Sold in a White Wood Frame. Please note that ...

Sarah du Feu Langdale Pikes in the Distance 2 Original monoprint Image size 40 x 65cm Mounted size 51 x 77cm Unframed Printed on acid free Somerset tub sized 410gsm paper This monoprint was inspired by the beautiful Langdale Pikes in the Lake District. As a child Sarah visited this area of Cumbria on frequent occasions as she had an aunt and uncle who owned a hotel in the area. Climbing up Dungeon...

Sarah du Feu Kentmere Horseshoe Original monoprint Image size 40 x 50cm Mounted size 53 x 65cm Unframed Printed on acid free Somerset Velvet 280gsm paper This monoprint was inspired...

Sarah du Feu From Harlyn 3 Original Monoprint Image size 30 x 64 cm Framed size 48 x 80 cm Framed in a solid oak wood frame Printed on acid free Somerset Velvet 280gsm paper Please n...

Sarah du Feu Drizzly Day in Haweswater Original Screen print Image size 90 x 90 cm Paper size 103 x 103 cm Unframed Printed on acid free Somerset tub sized 410gsm paper Please note t...

This is a beautiful whimsical original butterfly painting on watercolor paper, currently floated on a matboard, ready to be frame. Painting does not include frame. One of the Owls fr...

Ann’s journals and original prints are based on direct observation and daily sketch book studies. Her subject matter includes recent travels to Asia, collections of objects and selected moments from everyday activities. Themes for her artwork include textiles, stories and childhood memories. From 1995 – 1999 Ann studied at Yale College and Glyndwr University obtaining a First Class Honours in Design. She specialised in illustration through drawing and printmaking. Ann now works from her studio in Kent. She is a member of the Royal Cambrian Academy and is represented in North Wales by Ffin y Parc Gallery, Llanwrst. Ann has also worked as an Artist in Residence for two years at Chester Zoo, making works based on the Aquarium, the Twilight Zone...

8.5 x 7 inches sold with white 8 ply matte board that is 21.5 x 19 inches This little gem is a unique print made by the artist that she then hand embellished with oil paint. This w...

Portraits of Androids, Blond Sophia #1, 2018 Hand embellished monoprint on canvas 47 1/5 × 35 2/5 in 120 × 90 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...

Erica with Pearls, 2018 Hand embellished monoprint on canvas 47 1/5 × 39 2/5 in 120 × 100 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...

Lee Wells Double Sophia, 2018 Hand embellished monoprint on canvas with projection mapped video 125 x 150 cm Contact for video link. Currently on view as part of Sentient Electroics...

Aibo 4th Generation, 2018 Hand embellished monoprint on canvas 21 7/10 × 29 1/2 in 55 × 75 cm Sophia’s Safehouse in an Uncanny Valley examines the rece...

Erica #1, 2018 Hand embellished monoprint on canvas 25 3/5 × 21 7/10 in 65 × 55 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Blond Sophia #1, 2018 Hand embellished monoprint on canvas 47 1/5 × 35 2/5 in 120 × 90 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid A...

Phillip K. Dick, 2018 Hand embellished monoprint on canvas 21 7/10 × 17 7/10 in 55 × 45 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...

Erica #1, 2018 Hand embellished monoprint on canvas 25 3/5 × 21 7/10 in 65 × 55 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a ...

Erica with Pearls, 2018 Hand embellished monoprint on canvas 47 1/5 × 39 2/5 in 120 × 100 cm Sophia’s Safehouse in an Uncanny Valley examines the recent c...

Lee Wells Double Sophia, 2018 Hand embellished monoprint on canvas with projection mapped video 125 x 150 cm Contact for video link. Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...

unique chromoskedasic monoprint on B&W photo paper 14 x 11 inches unframed 20 x 16 inches in black metal frame with non-glare glass This contemporary, abstract style chromoskedasic ...

unique chromoskedasic monoprint on B&W photo paper 14 x 11 inches unframed 20 x 16 inches in black metal frame with non-glare glass This contemporary, abstract style chromoskedasic ...

10 x 8 inches sold with white 8 ply matte board that is 24 x 17 inches This little gem is a unique print made by the artist that she then hand embellished with oil paint. This work...

We are please to present Ceravolo's "Alphabet Series" of iconic portraits. Ceravolo has been a master of creating intriguing portraits of iconic personalities for more then 4 deca...

We are please to present Ceravolo's "Alphabet Series" of iconic portraits. Ceravolo has been a master of creating intriguing portraits of iconic personalities for more then 4 decades, and rose to fame when he was commissioned to create 5 large-scale portraits for the lobby of the Palladium Theatre in New York City of Linda Ronstadt, Jackson Browne, Neil Young, Frank Zappa and Hall and Oates. In addition to those portraits, his paintings are in the private collections of Sir Elton John, Rod Stewart, Hugh M. Hefner, and Prince Jefri of Brunei to name only a few. With his new Alphabet series, Ceravolo combines an image of his stylized black and white portrait painting, combined with letters of the alphabet and adds color to the negative space formed by the letters. As a result, you see the portrait of...

Swept Away 4 ( Unique Gestural Abstract Camerless Photograph in Black and Pink) Abstract photograph, chromoskedasic monoprint 20 x 16 inches 28 x 24 inches framed, custom black wood,...

One of The Hampton's most popular urban Pop artists whose work is collected by Elton John, Rod Stewart, and Alice Cooper among others. He has been call the "Rock and Roll Painter" an...

We are please to present Ceravolo's one of a kind "Alphabet Monroe Lavender/Pink". Ceravolo has been a master of creating intriguing portraits of iconic personalities for more then 4 decades, and rose to fame when he was commissioned to create 5 large-scale portraits for the lobby of the Palladium Theatre in New York City of Linda Ronstadt, Jackson Browne, Neil Young, Frank Zappa and Hall and Oates, In addition to those portraits, his paintings are in the private collections of Sir Elton John, Rod Stewart, Hugh M. Hefner, and Prince Jefri of Brunei to name only a few. With his new Alphabet series, Ceravolo combines an image of his stylized black and white portrait painting, with letters of the alphabet and adds color to the negative space formed by the letters. As a final touch, he places color in the letters that make up the iconic subjects first or last name. This creates a contemporary, yet classic look to this unique creation. This work is titled, "Alphabet Marilyn lavender/Pink" and is printed on Rag paper size is 36x30" framed size measures 42x36". It is a one of a kind work and is signed by Ceravolo. I have included an image of Ceravolo with some of his Celebrity collectors as well as a vintage...

Abstract camera-less photograph Neutral palette on white Unique chromoskedasic monoprint on black and white photo paper mounted on foamboard 20 x ...