Monoprint Abstract Paintings

Tatiana Flis’ “Action Refraction” is a 24 x 54 inch abstract acrylic triptych painting on birch wood panels. Using multiple monoprinting methods, a window pattern with pastel purple,...

Details: Title: Chromatic Shoal 9 & 10 Medium: Acrylic Paint on Watercolor Paper Size: 80x120 cm total ( 31.5x47.3 inches), each panel measures 80x60cm (31.5x24 inches) Year: 202...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

Details: Title: Chromatic Shoal 7 & 8 Medium: Acrylic Paint on Watercolor Paper Size: 80x120 cm total ( 31.5x47.3 inches), each panel measures 80x60cm (31.5x24 inches) Year: 2026...

Unusual Seascape is a striking mixed-media diptych that reimagines the ocean as an abstract cartography of color, texture, and movement. Layers of vibrant blues and orange tones coll...

Oniric Seascape is a beautiful mixed-media diptych that reimagines the ocean as an abstract cartography of color, texture, and movement. The artist blends collage, paint, and mark-m...

Chromatic Shoal is a tropical seascape diptych by Enric Servera where gestural abstraction and fluid color rhythms evoke the movement of a lively school of fish. Interlacing, serpent...

At our gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Auth...

Chromatic Shoal is a tropical seascape diptych by Enric Servera where gestural abstraction and fluid color rhythms evoke the movement of a lively school of fish. Interlacing, serpent...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

Chromatic Shoal is a tropical seascape diptych by Enric Servera where gestural abstraction and fluid color rhythms evoke the movement of a lively school of fish. Interlacing, serpent...

Hand signed bottom center This is a mixed media on paper. The August Series is a prominent group of mixed-media monotypes and handmade paper works created by American artist Terence...

This diptych draws on the visual language of the seascape, using flowing, interlaced lines to evoke the movement of water and shifting currents. Contrasting tones of turquoise and de...

At our gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Auth...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

This expressive diptych explores the emotional tension between land and sea through layered gestures, saturated color fields, and raw mark-making. The surface bears traces of movemen...

At our gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Auth...

At our gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Auth...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

Small abstract expressionist style monotype in navy blue, green, light violet, and soft yellow 'Untitled 4' by Jenny Nelson Monotype, mad...

At our gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Auth...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

At our gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Auth...

Hand Painted & Signed by Sylvester Stallone Mixed Media Print Unique Piece SS 1906

Larry Brown Long-time established New York painter as well as faculty member the The Cooper Union, Brown works in oil on canvas and tempera paints on paper. He deals with themes of science and universality. EDUCATION: 1970 M.F.A. in Painting, University of Arizona 1967 BA in Painting, Washington State University SELECT GROUP EXHIBITIONS: Mixed Company: Women Choose Men, AIR Gallery, New York, NY Easy Breezy, Sears-Peyton Gallery, New York, NY From Stone and Plate: Contemporary Prints from Tamarind Institute, California State University Change of View Tamarind Institute Gallery, Albuquerque, NM Animal As Muse, The Norton Museum of Art, W. Palm Beach, FL Painting--Larry Brown, Joseph Haske, David Schoffman, Helander Gallery, New York, NY Paper Houses, David Beitzel Gallery, New York, NY Curators Choice, Albright-Knox Art Gallery, Buffalo, NY Current Trends in Abstraction-- Larry Brown, Bill Drew...

Jonathan Moss NV17 Bright Contemporary Art Unique Relief Print printed on Somerset, 300gsm, paper. Sheet Size: H 76cm x W 111cm x D 0.1cm Sold unframed Please note that in-situ images are purely an indication of how a piece may look. NV17 is an original minimalist print...

Jonathan Moss NV5 Bright Contemporary Art Unique Relief Print printed on Somerset, 300gsm, paper. Sheet Size: H 76cm x W 111cm x D 0.1cm Sold unframed Please note that in-situ images...

Alfred Ortega (American, 20th C.) Abstract Monoprint with wash Ghost of Champs-Élysées (Paris, France) Born in Philadelphia, Alfred Ortega studied painting and sculpture at the Pe...

Larry Brown Long-time established New York painter as well as faculty member the The Cooper Union, Brown works in oil on canvas and tempera paints on paper. He deals with themes of science and universality. EDUCATION: 1970 M.F.A. in Painting, University of Arizona 1967 BA in Painting, Washington State University SELECT GROUP EXHIBITIONS: Mixed Company: Women Choose Men, AIR Gallery, New York, NY Easy Breezy, Sears-Peyton Gallery, New York, NY From Stone and Plate: Contemporary Prints from Tamarind Institute, California State University Change of View Tamarind Institute Gallery, Albuquerque, NM Animal As Muse, The Norton Museum of Art, W. Palm Beach, FL Painting--Larry Brown, Joseph Haske, David Schoffman, Helander Gallery, New York, NY Paper Houses, David Beitzel Gallery, New York, NY Curators Choice, Albright-Knox Art Gallery, Buffalo, NY Current Trends in Abstraction-- Larry Brown, Bill Drew...

Funny Business Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, includin...

Emily Mason Untitled abstraction, 1992 Silk collagraph monotype with chine collé and acrylic on handmade paper Signed and dated in acrylic paint on the front Unique Dazzling Emily Ma...

Swept Away 4 ( Unique Gestural Abstract Camerless Photograph in Black and Pink) Abstract photograph, chromoskedasic monoprint 20 x 16 inches 28 x 24 inches framed, custom black wood,...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

Larry Zox Dexter's Choice, State II, ca. 1990 Mixed media, Watercolor pochoir, and Oil stick Wax, Water-Based Crayons, on heavy Arches museum watercolor rag paper with deckled edges ...

Tatiana Flis’ "Seismicity" is a 47 x 23 inch abstract acrylic painting on panel. Created using multiple monoprinting methods, the composition combines layered geometric patterns, lin...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

At our gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Auth...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

George Dannatt (1915-2009) Nocturne in Black 1995 Monoprint & gouache Fabriano paper Image: 17.6 x 12cm Frame: 37.1 x 30.7 cm Provenance: The Estate of George & Ann Dannatt/George...

This artwork was awarded and Pre-select by Bite , the exhibition, London 2012 , at The Mall Galleries, at the centre of London's famous The Mall, an iconic Avenue, in front of Buckin...

8.5 x 7 inches sold with white 8 ply matte board that is 21.5 x 19 inches This little gem is a unique print made by the artist that she then hand embellished with oil paint. This w...

10 x 8 inches sold with white 8 ply matte board that is 24 x 17 inches This little gem is a unique print made by the artist that she then hand embellished with oil paint. This work...

Tatiana Flis’ “A Satellite’s View” is a 48 x 36 inch abstract acrylic painting created with multiple monoprinting methods on a birch wood panel. Bold black graphic shapes overlay a r...

Tatiana Flis’ “Prairie Night” is a 48 x 84 inch abstract acrylic triptych painting on birch wood panels. Using multiple monoprinting methods, two distinct sets of window...

"Service Berry" by Deirdre Murphy is a framed, one-of-a-kind monoprint with collage (chine collé - applied Japanese colored Gampi papers) in salmon pink with tangerine undertones on ...

At our gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Auth...

At our gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Auth...

At our gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Auth...

Robert Kelly (American, 1956-) Abstract Monoprint 1985 Pencil titled Donja XI and dated 1985 lower left Hand signed lower right Provenance: from the collection of a prominent US corporation. Dimensions: Sheet: 33.5" X 28" Image: 26" X 22" Robert Kelly (born 1956) is an American artist. He is based in New York City. Kelly was born in Santa Fe, New Mexico, and studied at Harvard University, Cambridge, Massachusetts (B.A. 1978). His paintings have been acquired by public and private collections in Europe and the United States, including The Whitney Museum of American Art, New York, NY; The Brooklyn Museum, Brooklyn, NY; The Museum of Fine Arts, Santa Fe, NM; Milwaukee Art Museum, Milwaukee, WI; Smith College Art Museum, Northampton MA; Jane Voorhees Zimmerli Art Museum, Rutger’s University, NJ; Montgomery Museum of Fine Arts, Montgomery; The Fogg Museum, Cambridge, MA; The Margulies Collection, Miami, FL; and the McNay Art Museum, San Antonio, TX. Kelly has traveled throughout the United States, Europe, North Africa, the Near East, and Nepal. His work often incorporates unusual materials from his journeys, among them vintage posters and printed antique paper, obscured and layered in saturated pigments on a canvas faintly scored with irregular grids. Kelly’s paintings have been likened to palimpsests and his method described as one of building “meticulously on inhabited ground, layering materials, documents, and signs, covering them, wiping out their beauty, nearly, but allowing something of the labor and their languages to persist.” Kelly worked as a commercial photographer for Polaroid in Cambridge, Massachusetts, and completed residencies at The MacDowell Colony and The Karolyi Foundation, Vence, France, before devoting himself entirely to painting in 1982. His work has been the subject of more than forty-five solo shows at venues in North America and Europe, including Spazio Bianco/AR Contemporary Art, Milan, Italy; Leslie Feely Fine Art, New York; and The John Berggruen Gallery, San Francisco, California. He has participated in more than one hundred group shows in the United States and abroad. including the Projects Inaugural Exhibition at Bentley Gallery Featuring works by Jim Dine...

Tatiana Flis’ “Under Such Sparse Sun” is a 47 x 23 inch abstract acrylic painting created with multiple monoprinting methods on a birch wood panel. Two sets of window...

Tatiana Flis’ “Radio Silence” is a 48 x 36 inch abstract acrylic painting created with a monoprinting process on a birch wood panel. Pastel rainbow tones of blue, purple, red, green,...

NV23 is an original minimalist print by Jonathan Moss. The N.V series of unique, one-off, relief prints find their origin in his videos of fl...

Monoprint on paper, green scale. Unique. Biomorphic abstraction. Hand-signed by artist Framing available This work includes a certificate of authentici...

Blue and orange abstract monotype print in an expressionist style. The work is framed in a black wooden frame with a white matte. The artist signed the work in the bottom left corner. Dimensions without Frame: H 40 in x W 32 in. Artist Biography: Scott Swezy...

Reign Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including acrylic...

Red and Black Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including...