Paper Paintings

Frederick Serger (1889-1965). Still Life, ca. 1950. Oil on gessoed paper mounted to illustration board. Image measures 16 x 17 inches. Framed measurement: 25.5 x 25.5 inches. ...

"Serene Pause” is a striking contemporary abstract woman’s body portrait in expressive gestural style by French artist Natalya Mougenot, part of her intimate series exploring women’s...

Signed lower left, 'Hessam' for Hessam Abrishami (Iranian, born 1951) and painted circa 2000. Titled by artist, 'Color Me Music'. Paper dimensions: 28 x 21.75 inches. Hessam Abrisha...

Acrylic painting on canvas Size: 65 × 70 × 2 cm (unframed) Blue Tulips Acrylic Painting, Minimalist Still Life, Matisse & Hockney Inspired Art The artwork comes with the Certif...

An original mixed media monotype and painting by American contemporary artist Monica Angle. This is the title work from a major exhibition for the artist at the Burchfield Penney Ar...

"Phenomena Procession Falls" is a watercolor on paper work by Paul Jenkins, made in 1975. The artwork size is 41 3/4 x 30 inches. The framed size is 47 1/8 x 35 1/4 x 1 1/2 inches. T...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us and reminds us of its natural beauty and the importance of its preservation. Details: Title: Sea of Blue N10 Medium: Mixed Media on Paper Size: 63 x 90 cm (28.4 x 35.4 inches). Year: 2021 * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. * Certificate of Authenticity provided. Enric Servera (Ciutadella de Menorca, 1970) lives and works between Barcelona and Menorca, Spain. His works explores the colors and forms of the ocean, inspired by the fauna and flora of the Mediterranean Sea. His work has shown in galleries across Spain, and is part of several public and private collections. Words that may describe this series of artworks are: Mediterranean-inspired art, abstract sea...

Vacation Dreams 1 is an original oil painting on paper by Allison Chambers, capturing the relaxed appeal of a coastal landscape. Measuring 30 x 23 inches, the work offers enough scal...

Allison Chambers’ Citadelle is an original Provence-inspired landscape painting in oil on paper. At 4 x 4 inches, the petite format offers an intimate glimpse into the character of t...

Artist: Peter Max Title: Delta Libertyhead Medium: Mixed Media on Paper Size: 29.75" x 24" Year: 1999 Inscription: Signed "Max" on front Peter Max Studio Registration number: Reg #: ...

Ballet dancers in red with sky blue stripe in 'Toss Up' from multidisciplinary visual artist Kim Frohsin, who created the series, 'Dancers and Athletes', from a variety of media—acry...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Near Aboukir is a unique painting by contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions are 100 × 30 c...

This contemporary abstract impressionist painting with touches of expressionism, "The French Coast" is a delicate and emotive creation by French artist Natalya Mougenot. Part of a su...

"Springtime Mushroom Harvest I" is a illustration style painting diptych by Romina Milano that captures the whimsical essence of nature's bounty through two panel paintings . Each pa...

Artist: Marilina Marchica (1984, Italy) Title: Frammento CN Year: 2025 Medium: Charcoal on translucent drafting paper Frame: Custom, handcrafted solid wood frame Dimensions: Framed:...

"Oh Geez" is a one-of-a-kind original work by Amanda Marie (Mando), created using acrylic and aerosol on paper. The piece measures 9"h x 12.5"w framed and shipped in the featured woo...

De Hirsh Margules (1899-1965). North on West Street , 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15 x 22 inches. Framed measurement: 27 x 34 inched. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

"Road to Castle Valley" by Lorenzo Chavez (US based) is a handmade, landscape, pastel painting that depicts a meandering dirt road flanked by majestic sandstone cliffs. “Road to Ca...

The Liquied series is inspired by transformation, the speed with which things change, and the material's ability to adapt to its environment. As Zygmunt Bauman describes, liquid life...

Oswaldo Guayasamín creates a soulful and insightful portrait of a young black girl. The artist is known for his sensitive depictions of the raw human condition, systemic injustice, a...

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea coll...

Untitled #SP-214, by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray...

Provenance: Galerie Krinzinger in Vienna Martha Jungwirth has always worked on the border between abstract and representational painting with waterco...

Welcome to Heritage, our carefully curated collection of French vintage and antique paintings. We scour the flea markets and fairs for these gems: poignant portraits of long-gone Me...

“Reaching for Beauty” is a contemporary figurative painting created by French artist Natalya Mougenot as part of her ongoing Women series, dedicated to inner life, self-connection, a...

“Vibrant Spring Flowers” is an abstract floral painting that captures the luminous energy and emotional freshness of spring. In this artwork, French artist Natalya Mougenot explores ...

'Portrait of a Young Man in a Red Tie', gouache and ink on art paper, French School (1956). Step into the world of mid-20th century European art with a striking portrait that capture...

Judd Mercer's (US based) "051 - Plein Air-Englewood, CO" is a gouache painting depicting a landscape during sunset. Artist bio/statement Judd Mercer is a contemporary landscape pai...

Landscape Watercolor Original Painting Artist: Lin Qingyi Title: Park Medium: Watercolor on Paper Year: 2024 Style: Impressionism Dimensions: 6" x 10.5" x 0.1" inch ( 15x 27 x 0.1cm)...

Artist's Statement "When I first began to paint landscapes in college, European and American landscape painters heavily influenced me. I loved the immediate qualities of the Barbizo...

On Hansen bears the traces of lived experiences, exploring the possibilities of formal abstraction, seeking an organic experience between space and time through painting and photogra...

Chromatic Shoal is a tropical seascape diptych by Enric Servera where gestural abstraction and fluid color rhythms evoke the movement of a lively school of fish. Interlacing, serpent...

Walter Anderson ( American, 1903 - 1965) Hydrangeas, circa 1950 Mixed media on paper 11 x 8 1/2 inches Provenance: Luise Ross Gallery, New York Private Collection, New Jersey Acquired from the estate of the above, 2021 Walter Anderson firmly believed that quality art was an important part of life and should be made available to everyone. As he said, "There should be simple, good decorations, to be sold at prices to rival the five-and-ten." Noticing that only poor quality art was available in stores and little was available for children, he resolved to make art which could be reproduced easily and sell inexpensively — linoleum block prints. This technique enabled him to provide affordable, quality art. The technique of linoleum block printing is a simple concept; however, it requires much skill and talent to actually produce memorable art. Anderson purchased surplus "battleship linoleum," thicker than ordinary linoleum with a burlap backing for better support, to create his blocks. During the mid-1940s, he created almost 300 linocuts working in the attic of the sea-side plantation house, Oldfields, his wife's family home in Gautier. Masses of linoleum chips accumulated at the foot of the attic stairs as he often worked night and day. He began with sketching out a design directly on the linoleum. Once he had carved the image into the surface, he used the back of faded, surplus stock wallpaper that a friend sent him, laying long strips on top of the inked linoleum. A roller made of sewer pipe filled with sand served as his press. When the print was completed, he often colored it by hand with bold strokes and vivid colors. The prints were sold at Shearwater Pottery, the family business, for a mere dollar a foot. But "what about a well-designed fairy tale for a child's room?" he asked himself. Since there was a lack of affordable art for children, much of his work with linoleum blocks focused on subjects for children. He depicted fables and fairy tales ranging from Arabian Nights, to Germany and the Grimm Brothers' Rapunzel, to the French story of The White Cat, to the Greek tales such as Europa and the Bull, and to tales from China, India, and other cultures. Anderson also created "mini" books featuring the alphabet and Robinson Cat. The blocks are not only alive with the story being depicted, but they are also filled with designs taken from Best-Maugard's Method for Creative Design. Swirls, half-circles and zig-zag lines fill every available space on the linoleum block making them come alive and capture their audience. But fairy tales, children's verses and the "mini" books, consisting of about 90 blocks, were not the sole subject of Anderson's linoleum block prints. In total, he created approximately 300 linoleum blocks with subjects ranging from coastal flora and fauna, coastal animals, and sports and other coastal activities. Anderson even created linoleum blocks to be used to print tablecloths and clothing, some worn by his own children. Color and subjects of the linoleum block prints were not the only things that got them noticed. In 1945 when Anderson was creating these prints, the standard size of linoleum block prints was only 12 by 18 inches. These small dimensions were due to the common size of the paper available and the restrictions made by national competitions. Since Anderson used wallpaper...

Gestural abstract expressionist painting on archival paper with gold and silver metallic powders and accents of blue, burgundy, and green enamel paint "Platonic Solids...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Camille Pissarro 1830-1903 French Berger et bergère à la barrière, Bazincourt (Shepherd and Shepherdess at the Gate, Bazincourt) Stamped "C.P." (lower left) Gouache and wash on pa...

Gian Domenico Tiepolo Follower Period Italian Painting A beautiful and important painting fan-shaped on parchment produced by an 18th century Venetian artist from the circle of Gian ...

This landscape is inspired by the saltwater lagoons around Peyriac-de-Mer in the south of France, where land and water interlace. She sought to convey this fragile harmony through th...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves of Bauhaus architecture, while at the same time exploring bright an...

Still life painting by French artist Madeleine Scali (1911-2000), circa 1960. Original one-of-a-kind vintage work of art on paper displayed on a white mat with a gold border and fi...

French Impressionist oil on card view of a garden, forest and mountainscape beyond by Henri Clamen. Though not signed the painting was acquired from the atelier of the artist with ot...

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea coll...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Portrait of Andy Warhol with Purple Hair in Pastel and Gouache on Paper Whimsical portrait by Ricardo de Silva (Brazilian, 20th Century). Andy Warhol is l...

Antonio Monasterio - Woman in a Dream. no.1 Technique: Mixed media on paper (pastels, wax, and pen) Dimensions: Approximately 45 x 55 cm Period: 1970s This work presents an enigmatic...

This artwork vividly captures a serene, sun-drenched landscape dominated by pruned trees, their twisted trunks and limbs reaching skyward. The leaves, painted in vibrant shades of ye...

This is a signed, original acrylic landscape painting on paper with collage elements depicting river rocks beneath running water. The vibrant, abstract composition features greens, y...

Best Laid Plan (Mixed Media Collage on Board in Bright Colors), made by Hudson Valley based artist, Donise English, in 2025 mixed media collage on board, framed Image size: 20.50 x 2...

Obsessive, meticulous, almost monastic, Kramer immerses us in a universe of graphic and sculptural repetitions. His drawings on kraft paper glued with rabbit glue recall both ancient...

Royal Eyes, oil paint, holographic foil, domestic cat, figurative, animal, grid

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

A vintage watercolor capturing a daily scene in the Spanish colonial town of Taxco, Mexico by Theodore Ernest Langguth (German-American, 1861-1952). Titled, dated and signed lower ma...

"Fantasy with Flowers" (series of 300+ pictures) paper 59x42cm  For sale and sent unframed -VIRTUAL FRAME. The painting is NOT STRETCHED. You will receive it rolled up in a tube.The...

“Goofy Eyes” is a contemporary acrylic painting by French artist Natalya Mougenot, created on heavyweight Italian paper as part of her expressive series of character-driven animal po...

P Solomon Raj Adoration Watercolour on Paper 2006 Sheet Size: 19cm x 24.6cm Image size: 14.6cm x 19.6cm

«lovi II», 100x140 cm, acrylic / canvas

Lot of 2 original works by TUSET (A Coruña, 1997) made with ink and seawater on paper. The works can be framed on request or sent to you in a protected envelope for you to place, onc...