Paper Paintings

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

This painting named "Lost in the beauty of pink dahlias" celebrates my love for these beautiful elegant delicate flowers growing in terracotta pots. Van Gogh and my admiration for h...

The painting is acrylic on cartoon, according to my opinion evoking a good illusion of depth and imagination. Delivered in an easy frame - recommendation -leave it as it is and put t...

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...

Giacomo Guardi (Venice 1764 - Venice 1835) - Venice, view of the island of San Lazzaro degli Armeni. 11 x 17 cm unframed, 28 x 34 cm with frame. Tempera on paper, in a wooden frame...

Cascading Folds (Aqua Footer) by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on Yupo paper create the depth and smooth,...

A set of three fine hand painted botanical watercolour studies on silk of tulips by La Roche Laffitte. The works are signed bottom right. Some are titled and numbered (see photos) Th...

This artwork showcases a vibrant bouquet of sunflowers arranged in a simple white vase, capturing the essence of rustic charm. The sunflowers are depicted in varying stages of bloom,...

Mobile Shapes and Curves, is an original painting that presents a lyrical study in movement and form. This large-scale triptych orchestrates a dance of organic silhouettes across a ...

This contemporary abstract poured painting by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on Yupo paper create the dept...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

The Weight of Simple Things” is a quiet, observational still life executed in oil on paper. The artist works with a tactile, impressionistic technique, using layered, textured brushs...

'Reclining Nude', Paris, Louvre, Salon d'Automne, Acad. Chaumière, LACMA, SFAA ------ Painted circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with Victor di Ges...

Sichuan Forest (2019), oil painting, ecosystem, animals, panda, monkey, fauna "Sichuan Forest" by Alexis Kandra. Figurative oil painting with pigmented metal foil in metallic green ...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

America Martin "Woman & Bird" Ink on Paper 11.5 x 7.5 inches America Martin is an internationally represented Colombian-American fine artist based in Los Angeles. America is a pain...

This new series of works by the multidisciplinary artist TUSET (1997, A Coruña) shows us a completely unique dynamic. In these works he uses the concrete of the construction as picto...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

This contemporary seaside landscape, infused with the spirit of Impressionism and a hint of Expressionism, is part of my ongoing series celebrating the essence of summer. Titled "Dre...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...

Willy Oster Untitled Geometric Abstract Mixed Media Collage; Acrylic, Paper 1990 27.55 x 39.37 inches (70 x 100 cm) Signed, dated and annotated by hand on verso COA provided *Condit...

"A Vase of Flowers" Eugene Paul aka Gen Paul (French, 1895-1975) Oil crayon on paper 20 1/2 x 14 (28 x 21 1/2 frame) inches "Gen Paul is undoubtedly the greatest representative, and...

Frederick Serger (1889-1965). Still Life, ca. 1950. Oil on gessoed paper mounted to illustration board. Image measures 16 x 17 inches. Framed measurement: 25.5 x 25.5 inches. ...

This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves of Bauhaus architecture, while at the same time exploring bright an...

Untitled #542 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray Dunc...

Columbus, Georgia-based artist Kellie Newsome specializes in dynamic and expressive animal portraits that radiate vitality and personality. Her unique style combines abstracted forms...

In this semi-abstract expressive artwork named "Evidence" I experience the world of nature through various colors such as purple, green, blue, red. While painting, I sought to capt...

This contemporary abstract impressionist nature painting, infused with a touch of modernity and expressive flair, is titled "Serenity in the Mountains." Vibrant and evocative, this ...

This contemporary vivid expressionist floral painting, “The Language of Roses”, was created by French artist Natalya Mougenot and belongs to her ongoing series of still life composit...

Shiryu Morita (1912-1998) forget 1964 Ink on paper, mounted on board in frame 32,2 (37) x 45,5 (50) cm Title, signature and seal on label on plate (back side) Catalogue Raisonné N...

Theodore Waddell was born in 1941 in Billings, Montana, and raised in Laurel, Montana. He studied with Isabelle Johnson, Montana's first modernist painter, before earning a scholarsh...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

Fauvist inspired, colourful oil on paper mounted onto canvas of a garden by Russian artist Anatoly Zverev. Signed and dated to the bottom right and presented in a gold wood frame. T...

In "Blooming Petals", French artist Natalya Mougenot expands the tradition of floral painting into a powerful exploration of color, emotion, and authenticity. Part of her ongoing ser...

"Beautiful Manta" is an original piece by Kevin Snipes made from ink, gouache, pastel, and acrylic on paper. This piece measures 8.25”h x 6”w and is signed en verso. Kevin Snipes (h...

'Amaryllis Study no. 3' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and s...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These triptychs are large pieces that feature lush blues, making them an impressive addition to any beautifully designed space. Each triptych is printed by hand and carefully crafted to capture the unique essence of these natural environments, with a focus on the interplay of light and shadows, and the subtle nuances of tone and texture. The beach and ocean scenes depict the dynamic beauty of waves crashing against the shore, with the cyanotype process lending a dreamy, ethereal quality to the images. Similarly, the forest and wood scenes...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Thelma Corbin Moody Blue Mountains c. 1960's Gouache on Arches Paper 19 1/4" x 24 3/4", Unframed Unsigned Lovely, mid century gouache painting, b...

Juan Carlos Amador grounds his recent work in two essential elements: cellulose and time. Using reclaimed wooden moldings from the 1980s and ’90s-originally designed for framing artw...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

"Springtime Mushroom Harvest I" is a illustration style painting diptych by Romina Milano that captures the whimsical essence of nature's bounty through two panel paintings . Each pa...

Egron Sellif Lundgren (1815–1875) Sweden Interior of a Kitchen, c. 1840 oil on paper laid on cardboard, inscribed “Lundgren Nr. 15” on the reverse. unframed 27.5 x 20.5 cm (10 ¾ x ...

This painting "Under the Maltese sun" , created by French artist Natalya Mougenot, is part of her Nature series. Completed in the summer of 2023, it reflects the artist’s desire to c...

Jiri Kolar, Czech (1914-2002) Tower of Babel Paper Collage Hand signed with Initials Lower Right. Dimensions: Sight-11.25" x 9.5". Frame-20" x 17" Circa 1970's Provenance: bears l...

This abstracted figure painting by Juniper Briggs is made with mixed media on Arches paper with deckle edges. It features a warm, contrasting palette an...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Martin Rosenthal "House with Yellow Windows" c. 1960s Encaustic & Oil paint on paper 20"x13" unframed Signed and dated in ink lower left Martin Rosenthal 1899-1974 Artist Mart...

This is a sensitive small-scale study portrait of a young girl, executed in warm monochrome brown tones. Painted during the second half of the 19th century, oil on paper and mounted ...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

La Vallée de la Seine Raymond Thibesart (France, 1874-1968) Pastel on paper, 1939 Signed l.l. 12.5 x 9.5 (16 x 13 framed) inches INV Nbr. 1939 This...

In Yellow Coral Bouquets, botanical forms expand into luminous structures that recall coral formations and marine life. Rendered in vibrant yellows, reds, and warm earth tones, the s...

This layered abstract painting evokes an indefinite seascape, where shifting bands of color and gestural line work suggest movement, depth, and natural rhythm. Built through a comple...

About the artist: Kate Breakey is internationally known for her large-scale, richly hand-colored photographs including her acclaimed series of luminous portraits of birds, flowers a...

Jesse’s imagery often merges playful and gritty elements, blending floral patterns, vintage-inspired designs, and bold outlines with a touch of whimsy. His artwork exudes a sense of ...

Nicola Ortiz Poucette (1935-2006). Ladies of the Evening, ca. 1960. Ink and casein on illustration board. Image measures 15 x 26 inches; 19 x 30 inches framed. Signed lower right...