Paper Paintings

French Art Deco Fauvist portrait, oil on paper laid on canvas by Auguste Chabaud. The painting is signed bottom right and carries an atelier label, with date, to the rear of the canv...

This contemporary abstract expressionist portrait was created by French artist Natalya Mougenot as part of her ongoing exploration of emotional identity, inner truth, and the human s...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

This contemporary vivid abstract-expressionist still life painting depicting everyday objects and red apples has been created by French artist Natalya Mougenot. Known for her express...

Contemporary tiger painting in acrylic on Fabriano paper featuring a surreal repeating animal composition with strong decorative pattern and movement. This surreal tiger painting tra...

The red fish is a symbol of confidence, stable good fortune, and abundance. It represents moving in one’s own rhythm, trusting intuition, and inner stability. The red color emphasize...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

This original painting by Romina Milano presents a lyrical field of poppies and wildflowers, where gestural brushwork and simplified forms create a vivid, contemporary botanical comp...

This artwork showcases a vibrant bouquet of sunflowers arranged in a simple white vase, capturing the essence of rustic charm. The sunflowers are depicted in varying stages of bloom,...

Indistinctly signed in Bengali, dated ‘79 Bangladesh/Indian Indistinctly signed in Bengali and dated ‘79 Untitled - Fishermen 1979 Watercolour on paper Paper size: 34 x 53 cm Frame Size: 46 x 62.5 cm Provenance: From a private UK family A fabulously evocative watercolour painting showing fisherman, struggling against the elements. This is Bangladesh, 1979, not long after Independence, when the focus was on the working classes, the everyday struggle to make a living and when the artists depicting these times were concurrently exploring and establishing a new aesthetic. The painting combines naturalism with the wash method of watercolour painting and a reduced palette which allows for a rich harmony of shadow and light. Although appearing to simply utilize monotone colours, closer inspection reveals splashes of quite vivid colours; the yellow on the horizon, a deep crimson on the trousers of one of the figures, blue in the nets etc. The colour is subtle but adds a richness to the overall composition implying that this artist has received an academic training; knowing how to get the most from the materials. Add to this the beautiful watery effect from the wash on the paper and we can immediately see references to Bengal school art techniques. It is not surprising that the artist employs this medium. Neuroarthistory points to the rich heritage of Bengal school painters and the fascination with wash technique emanating from their connection to the water which provides the backbone for the region. From supplying food; fish and seafood, to transportation, agriculture and festivities. Bengal and Bangladesh live and die with the water. Some of the leading protagonists of the mid 20th century Bengal school of painters were equally captivated by the same subject and ideology. D P Roy Choudhury was a leading figure in the academic art institutions in the first half of the 20th century. He was also a great experimenter of style. In the image shown,, we can see Choudhury’s treatment of the same subject and how he to chose the monotone palette. It is through observing the similarities and differences that we begin to learn more about the times these artists were painting in and in the case of the Bangladeshi artists how they were approaching the political traumas of the time. The label to the back of the frame tells its own story;. Saju Arts & Crafts, Dacca-12. “Saju was born in 1944 in Ramu, Cox's Bazar. At one point, he became friends with Shamsul Islam Nizami, one of the veteran painters of Bangladesh. At that time, Nizami was a teacher of the Institute of Fine Arts (now Faculty of Fine Arts, University of Dhaka). Nizami introduced Saju to all the notable painters in the contemporary art scenario -- from master painters like Zainul Abedin, Quamrul Hassan...

Bull III is a unique acrylic on paper painting by contemporary artist Christophe Dupety, dimensions are 65 × 50 cm (25.6 × 19.7 in). The artwork is signed, sold unframed and comes wi...

Venus Trap Bloom is a bold diptych that reimagines botanical forms through vibrant color and dynamic brushwork. Oversized leaves and exotic blossoms—some reminiscent of Venus flytrap...

Sergio Valenzuela “Valenz” is a contemporary Guatemalan artist who tells stories with everyday objects, primarily expressing them with graphite and acrylic on canvas. His artworks pr...

The Road is a unique oil on canvas painting by contemporary artist Valérie de Sarrieu, dimensions are 160 × 160 cm (63 × 63 in). The artwork is signed, sold unframed and comes with a...

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's red gown, evening wear. Artwork size: 11 x 8 1/2 inches. Archivally matted to 16 x 12 inches. P...

A French Impressionist Fauvist Colour-Field gouache and watercolour on paper landscape by Gabrielle Ricard-Cordingley. The painting is not signed but there is another painting of a m...

"Make Believer (V3)" is a one-of-a-kind original work by Amanda Marie (Mando), created using acrylic and aerosol on paper. The piece measures 19.75 × 15.75 inches and is pencil signe...

This contemporary expressive impressionist floral piece with a touch of abstract and art brut, Morning’s Rose Bloom, was created by French artist Natalya Mougenot in her Lyon studio ...

Geometric shapes in shades of blue from cobalt to pale periwinkle, and delicate angular lines in black and dark gray are dynamic against a soft background fading from dark navy at th...

Gestural abstract expressionist painting on canvas in colorful hues green, blue, and orange on a gold and silver background "Untitled Green", 2022 by Bruce Murphy 40.5 x 40.5 inches...

Seascape Watercolor Original Painting Artist: Lin Qingyi Title: Riverside Town Medium: Watercolor on Paper Year: 2024 Style: Impressionism Dimensions: 7" x 7.5" x 0.1" inch ( 18x 19 ...

Barbara Keidel Park XVI Mixed media, pastel on handmade, toned laid paper 1997 Size: 29.5 × 21.25 inches (75 × 54 cm) Signed and dated in pencil Additionally hand-signed, dated, tit...

'The Cabaret Dancer', crayon on art paper, by Kolomon Moore (circa 1930s). The Crazy Years (les Années Folles) of Paris in the 1920s hit an abrupt end in...

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

George Dannatt (1915-2009) 'Gates' No 1 1976 Medium: Oil & crayon on oil wash Image: 21.0 x 33.0 cm Reference no: 0450 George Dannatt’s long career as a painter and sculptor ended ...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

This vibrant artwork captures a serene rural landscape, where rustic charm meets vivid color. A cluster of barns, their roofs painted in striking hues of red and blue, sit nestled am...

Masterful watercolor painting up Seascape with fence. Naturalistic colors, delicate brush work. With the Frame, this piece measures approximately 18” x 21“ PLEASE NOTE There is no ...

This work is about the first encounter with the world through winter, when the garden becomes a boundless white field of discovery. Childhood games on the snow turn into the first ge...

This work employs mixed techniques of acrylic and watercolor pencils, giving it a unique expressiveness. The dimensions of the painting are 41.5 by 29.5 cm. The composition focuses o...

Mary Ann Robertson (1923-1911). Persian Morning II, 1964. Oil and paper on canvas. 25 x 36 1/2 inches. overall frame size 37 1/2 x 26 inches. notes: Nashville, IN woman artist....

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

This Iconic painting by Shizico Yi is in a private collection in Florida, and it was also sold out on its Limited edition and artist’s Proof. 2026, we are proud to offer its latest...

This artwork vividly captures a coastal landscape, where a rugged cliff meets an expansive, shimmering ocean. Perched atop the cliff, a lighthouse stands as a sentinel, complemented ...

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...

Important work by one of the greatest artists of the Italian artistic avant-garde Fausto Pirandello It depicts one of his iconic subjects ‘Bathers’ with five characters depicted in ...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

'Sailors in the Port of Nice', mixed media - gouache, pastel and oil on paper, by Alfred Salvignol (circa 1950s). The Port of Nice is one of the key hubs of Nice and, in fact, of the entire French Riviera, standing out as one of the main harbours for the boats which sail across the Mediterranean Sea. It accommodates both the ships operated by ferry companies and the private yachts of visitors who come to Nice by sea. The artist here depicts a group of crusty sailors watching...

The abstract floral artwork "Flourish of Colors" by French artist Natalya Mougenot is part of her Floral series. This vibrant painting bursts with energy, capturing a rich array of c...

"There is a legend known among the wee ones of the forest, that near the southeast of the center of the forest, when a new moon sets with the sun, tiny wishing stars fall to the eart...

J. Blot (France, 20th Century). This gouache painting features a still-life execution of exotic fishes in a very typical Mid-Century-Modern 1950s design style., Bursting with vintage...

“Art Deco Crick Triptych” is a unique handmade monotype cyanotype triptych inspired by Miami Art Deco architecture. Repeating geometric forms echo breezeblock facades, while soft cya...

Untitled #SP-206 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray D...

"Fantasy with Flowers" (series of 300+ pictures) paper 59x42cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Sold and sent unframed -V...

This contemporary abstract expressionist woman's portrait "What she holds within "was created by the French artist Natalya Mougenot. With her hand gently resting against her chin and...

"The Weaver" Series inviting viewers into a world where memory and present interweaving in a mesmerizing display of visual creativity. - An Artist Proof's of only Three is offered as...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Mixed media on paper by New York artist Peter Opheim, titled "Untitled 8," created in 2008. This signed original work measures 26 x 20 inches and represents an important period in Op...

Karlo Kacharava (1964-1994). Harlequin in a Landscape, ca. 1985. Enamel paint and marker on gloss paper, sheet measures 19.5 x 15.25 inches. Signed lower left. Unframed. Wit...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

This vibrant artwork captures a bouquet of pink flowers displayed in a glass vase, enveloped by expressive, swirling brushstrokes. This artwork named " Floral Inspiration" belongs ...

Gian Domenico Tiepolo Follower Period Italian Painting A beautiful and important painting fan-shaped on parchment produced by an 18th century Venetian artist from the circle of Gian ...

'The Parade Ring at the Races', gouache and pastel on art paper, by Maurice Empi (circa 1970s). The Parade Ring, otherwise known as the paddock, is the pla...

This expressive mixed media sketch on paper (study for a large painting) captures the essence of a dense forest landscape with bold brushstrokes and layered textures. The interplay o...

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...