Paper Paintings

Details: Title: Between the Depths Medium: Mixed Media Painting on Watercolor Paper Size: 105x 70 ( 41.7 x 28 inches) Year: 2026 * Frame is for illustrative purposes only. Artwork sh...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

"Pastel Constructivist Triangles" is an abstract painting by Spanish artist Natalia Roman. It is a beautiful combination of geometric shapes in a classy gamut of colors. The use of p...

"Serene Pause” is a striking contemporary abstract woman’s body portrait in expressive gestural style by French artist Natalya Mougenot, part of her intimate series exploring women’s...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

This piece titled "Elder, December" is an original artwork by Allison May Kiphuth and is made of watercolor and gouache on hand-cut paper in an antique box. This piece measures 6"h ...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

Beautifully framed - ready to hang Peter Max Land of the Free, Home of the Brave, 2005 Acrylic and collage on heavy art paper Hand signed in acrylic paint on the front, the back bears the artist's copyright and unique catalogue/inventory # This work is elegantly framed with a raised float - a gorgeous aesthetic touch in a handmade white wood museum frame under UV plexiglass. Land of Free, Home of the Brave, is an original signed painting, an acrylic and collage on heavy art paper, that was part of a series the artist did in response to the 9/11 terrorist attacks in New York City, with each variation in the series unique. It is hand signed in acrylic paint on the front and bears the artist copyright and stamp and the Peter Max unique inventory/catalogue on the back. Measurements: Framed 28 inches vertical by 22 inches horizontal by 2 inches Painting 24 inches vertical by 18 inches No artist of our time has reached such a vast global audience and influenced so many others who paint and draw than the legendary Peter Max. On a level comparable to Andy Warhol, but appealing to a broader base of art lovers, Max is the celebrity painter par excellence, an inescapable presence on the cultural consciousness since he burst on the scene in the 1960s. His art is in the collections of more than a hundred museums, many of which have given him solo exhibitions, as well as United States embassies, corporate headquarters and prominent private collections. Max was the first rock-star-scale artist. Even when he was only in his twenties, he was featured on the cover of Life magazine and appeared on late-night talk shows. Now revered as an “Old Master” of Neo-Expressionism, Max’s legacy has gone way past his graphic design origins and inspired generations of artists, including many gathered under the Park West umbrella. An instant media sensation when he made his debut in the 1960s as the go-to artist for the leading rock bands in the heyday of the Woodstock era, Max’s career became ever more public over the decades. At the invitation of the White House, he has made the portraits of six sitting United States presidents and scores of world leaders. He was named the official artist for the Grammies as well as the United States 2006 Winter Olympics team, the World Cup, the U.S. Open tennis championships, the Super Bowl and several music festivals, high-profile events that carried his signature style literally to billions of viewers. Peter Max’s amazing life story, as captivating as his art, was shaped by world events from the start to this day. The literal journey around the world has all the drama of an epic movie. He was born in Berlin in the perilous year of 1937. The next year, his father Jacob recognized that the family could narrowly escape the Nazis by taking the long ocean voyage to join the extensive Jewish refugee community in Shanghai. He has vivid memories living in an old villa across the street from the bright red columns in front of a Buddhist temple where the bells and incense made an indelible impression on him. He watched in fascination as they practiced their calligraphy with giant, five-foot long brushes that made huge Chinese characters on pieces of paper they laid on the ground. The young Peter was given brightly colored crayons and paper to play with by his mother Salla, but when she left the room, he started to draw on her beautiful set of Louis Vuitton steamer trunks...

Bold Abstract and Figurative Composition in Blue and red Acrylic on Paper Bright and colorful abstracted figural painting by California-based artist, Ricardo de Silva (American/Bra...

In this piece, I poured vibrant emotions through acrylic, oil pastel, and colored pencil, blending expressionism, impressionism, and pop art to capture the delicate yet bold spirit o...

Artist: Dale Chihuly Medium: Original Painting Title: Untitled (Green and Yellow Basket) Size: 42" x 29.5" Year: c. 2000 Inscription: Signed "Chihuly" in gold paint on front Dale Ch...

«lovi II», 100x140 cm, acrylic / canvas

Antique American Impressionist/Luminist watercolor and gouache painting by Lucien Whiting Powell (1846–1930), of a Virginian wooded landscape, circa 1890. The very fine painting by P...

Landscape Watercolor Original Painting Artist: Lin Qingyi Title: Summer Medium: Watercolor on Paper Year: 2024 Style: Impressionism Dimensions: 7.5" x 3.5" x 0.1" inch ( 19x 9 x 0.1c...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatund...

"Thinking About Cy" is an abstract expressionist painting by Romina Milano where a dance of black and orange gestures unfolds across turquoise vertical b...

'Amaryllis in a Tall Vase'. Watercolor on paper measuring 40 1/4 x 22 3/4 inches. Currently unframed. Gary Bukovnik fuses sensual vitality with fluid yet powerful colorations to cre...

Winslow Tee is an emerging artist living in the Brooklyn, NY area. This rare gouache on paper comes in a found antique frame.

Abstract drawing of a blue house in a yellow field by German-American painter, Wolf Kahn. Signed and dated by the artist in the lower right corner. Framed and matted in a silver wood...

This contemporary abstract expressionist still life painting, created by French artist Natalya Mougenot, is part of her ongoing still life series that celebrates the beauty of everyd...

This contemporary abstract painting is part of a collection in soft, neutral earth tones—grey, brown, suede, black, and white—designed to bring calm and harmony to modern interiors. ...

Sunday on the Wye [2021] SOLD UNFRAMED Please note that insitu images are purely an indication of how a piece may look The artist comments "I painted 'Sunday on the Wye' after a day on the river canoeing with the family. It was a wonderful day meandering down stream near Symonds Yat. We turned the bend to see other boats congregated on the pebbles for a Sunday picnic. We beached our boat to take in the surroundings. The day was a great experience with sparkling light on the water and the sounds of the water over rocks. A few quick sketches and many photographs allowed me to then work at a large scale in the studio. It was painted with large brushes with watercolour. The chosen colours are blue and green. The painterly brush marks hold an energy and excitement of the days paddling." This work is sold unframed Artwork by artist Leigh Glover...

Details: Title: Field of Color Medium: Acrylic Painting on Watercolor Paper Size: 100x 70 cm (40x 28 inches). Year: 2026 Artist: Alberto de Blobs Artist's signature: Right corner *...

“Marine Mirage ” is a contemporary abstract painting inspired by the fluid motion of ocean currents. Layers of blue tones intertwine with flowing yellow lines, evoking the depth and...

TROPIC 1 is a unique acrylic on paper mounted on wood painting by contemporary artist Ramon Enrich, dimensions are 94.5 × 134 cm (37.2 × 52.8 in). The artwork is signed, sold frame...

This Woodblock Print is the celebrated "Fujimigahara in Owari Province" (尾州不二見原 Bishū Fujimigahara), by the master Japanese ukiyo-e artist Katsushika Hokusai. It is a work from his f...

De Hirsh Margules (1899-1965). Christopher Street, 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15.5 x 20 inches. Window in matting measures 15 x 19 inches. Framed measurement: 23 x 30 inched. Bears fragment of original label affixed on verso. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC Exhibited: The American Federation of Arts Traveling Exhibition. From the facade of The Waverly at Christopher is depicted One Christopher Street, the 16-story Art Deco residential building erected in 1931. It is not a casual coincidence that the structure appears in this cityscape: 1 Christopher Street is the subject. The original intention of this project was to transform the neighborhood, bring a bit of affluence and make a bid to rival the Upper West Side. Margules, a sensitive aesthete, understood how a massive piece of architecture such as One changes a neighborhood. Sound, scale and focal points are forever altered. A pedestrian's sense of depth and distance becomes pronounced. All of these factors contribute to the intent behind this image. Tall buildings disrupt the human scale, change the skyline and carve up space. In this piece, negative space conforms to the man-made geometries. Clouds become gems fixed in settings. De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

A striking Art Deco watercolor created after an original design by René Vincent (1879-1936), this lively golfing scene beautifully captures the wit, movement, and graphic sophisticat...

K. Laxma Goud Intaglio 12 x 9 inches 30.5 x 22.9 cm 2022 ( Framed & Delivered ) Style : Goud displays versatility over a range of mediums, from printmaking, drawing, watercolour,...

'Cabane de Cacharel', gouache on paper, by Yves Brayer (circa 1950s). In the Camargue region of Southern France, there is an historic Mas (farmhouse / ranch) called Cacharel, nearby ...

The artwork on paper will be sent unframed to you. Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting i...

Damien Hirst Spin Painting, 2009 (Damien Hirst Circle): A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless...

Untitled (Pastel #19), c. 1920-30 Pastel on sandpaper 8 x 11 inches (20.3 x 27.9 cm) Framed dimensions: 16 1/2 x 18 1/2 inches Estate stamp on verso Provenance The artist; Estate of...

James Floyd Clymer (1893-1982), ca.1930. Watercolor and pencil on paper measures 14 x 20 inches. Signed lower margin. James Floyd Clymer ( 1893-1982 ) known for his Regionalist st...

Delicate layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. No frame. I...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Dessert Landscape, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.

Judith Williams’ Moonlit Musings evokes a dreamlike moment of introspection. This charcoal drawing features soft shadows and flowing lines that suggest movement, memory, and quiet th...

This original painting by muralist Perrine Honoré radiates warmth through sweeping gestures of coral, saffron, and turquoise layered over a luminous yellow ground. Fluid brushwork an...

Artist: Miguel Dominguez – American (1941-) Title: Winter Vignette Year: ca. 2000 Medium: Watercolor Image size: 14 x 22.5 inches. Framed size: 22.5 x 31.5 inches Signature: Signe...

Columbus, Georgia-based artist Kellie Newsome specializes in dynamic and expressive animal portraits that radiate vitality and personality. Her unique style combines abstracted forms...

Bernard Segal (1907-1986). Cubist painting, ca. 1960. Gouache and watercolor on paper, sheet measures 14 x 15.5 inches. Unsigned. Estate stamp on verso side. Excellent condition. ...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

About the artist: Kate Breakey is internationally known for her large-scale, richly hand-colored photographs including her acclaimed series of luminous portraits of birds, flowers a...

pastel & chalk on paper

Gorgeous painterly watercolor painting of North Hagley Park in New Zealand, Spring 1997, by Jeanie Roberts (New Zealand, 20th Century). A grove of trees is softly rendered, as light ...

This painting depicts an impressionistic scene of Pink Peonies in a glass Vase, a poetic piece with beautiful details. With marks similarly captured by the French impressionists, rem...

This contemporary seaside landscape, infused with the spirit of Impressionism and a hint of Expressionism, is part of my ongoing series celebrating the essence of summer. Titled "Dre...

Original oil paint on heavy archival paper abstract by the American artist, Martin Rosenthal. Bold, vibrant colors. Signed lower right by the artist and dated 1964. Condition is goo...

Fauvist inspired, colourful oil on paper mounted onto canvas of a garden by Russian artist Anatoly Zverev. Signed and dated to the bottom right and presented in a gold wood frame. T...

America Martin "Blue & Gold" Ink on Paper 11.5 x 10 inches America Martin is an internationally represented Colombian-American fine artist based in Los Angeles. America is a pa...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

The Beauty of Movement by Judith Williams combines charcoal and mixed media in a lyrical tribute to the human form in motion. Soft washes and expressive lines create a rhythmic compo...

In this artwork, I've used oil on paper to blend the essence of realism with strokes of impressionism, crafting a vibrant scene that breathes life into an architectural ensemble. Eve...

Created with alcohol inks on synthetic paper, Pink Petals is an abstract composition that celebrates the delicacy and fluidity of nature. Soft shades of pink, crimson, and rose blend...

Created with alcohol inks on synthetic paper, Red Roses is an abstract composition inspired by the beauty and expressive power of blooming roses. Rich shades of red, crimson, and sof...

The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and original uses of media. Through a combination of paint and collage, Kuttner is able to find personal expression in the clear colors and contrasting soft textures he creates. With a focus on subtle textures, Kuttner separately creates the colorful detailed top layers of each artwork in a separate process. Each of these applied mini paintings within the larger composition is a unique cutout of paint created with a flow of colors on an intermediary glass surface. This one-of-a-kind mixed media painting measures 40 inches high by 60 inches wide. It is wired and ready to hang. It is signed by the artist on the front and back. The sides of this artwork are painted as a continuation of the front and it does not require framing. Free local Los Angeles area delivery. Affordable Continental U.S. and International shipping available. A certificate of authenticity issued by the art gallery is included. Kuttner uses familiar yet abstract details to suspend the viewer in contemplation of the universality of imagery. Using negative shapes, repetition, and emphasizing spatial relationships, he carefully considers scale and balance. Works in this series are meant to be contemporary, clean, sophisticated, colorful, uplifting, soothing, and filled with positive vibrations. Kuttner’s artworks have been featured in Architectural Digest Magazine as well as in popular films and television shows including Two and a Half Men, Californication, and Nashville. Presently, Kuttner’s work is on display in a large number of private, royal, museum, and corporate collections worldwide. Artplex Gallery has been representing and exhibiting Kuttner's original artworks since 2021. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a well-curated selection of original artworks representing a broad spectrum of major international artists. Artplex Gallery is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artplex Gallery, Los Angeles, USA EXHIBITIONS 2024 Affordable Art Fair, New York, NY Artplex Gallery, Los Angeles, CA 2023 Artplex Gallery, Los Angeles, CA 2022 “Outlook of Entity”, Artplex Gallery, Los Angeles, CA Affordable Art Fair New York, NY Winter Salon, Chicago Art Source Gallery, Chicago, IL 2021 Artplex Gallery, Los Angeles, CA Studio E Gallery, Palm Beach Gardens, FL 2020 Grace Renee Gallery, Cave Creek, AZ 2018 McVarish Gallery, Portland, OR Chicago Art Source Gallery, Chicago, IL 2017 Susquehanna Art Museum, Harrisburg, PA Ormond Art Museum, Ormond Beach, FL Kelsey Michaels...

A Unique, Mid-Century Modern 1960s Chicago Harbor Scene Watercolor by Noted Artist, Rudolph T. Pen. Artwork is formatted in a trapezoid shape, an innovative compositional device for...