Paper Paintings

Watercolor, mixed media, using resists and metalic paints and old pastels. For Octopus and cephalopod fans. Janet Morgan’s explosive art captures the exu...

This large contemporary assemblage by Swedish artist Bo Sällström has a strong visual character. It is a assemblage with volume that has an intriguing thr...

Act 96. 2021. Paper, mixed media, 61x43 cm on the backside of the artwork lithography

David Hockney The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 5 May, 2011 Signed, dated and numbered in pencil iPad painting in colours on wove paper 139....

Oniric Seascape is a beautiful mixed-media diptych that reimagines the ocean as an abstract cartography of color, texture, and movement. The artist blends collage, paint, and mark-m...

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

"California Poppy" Original Vintage Oil Painting Like a scientific illustration, Edith Bruning (American, 1899-1961) depicts California Poppies in budding and flowering stages. Brig...

Hibiscus Oasis is an original painting by Romina Milano that celebrates nature in full expansion. Exotic flowers rendered larger than life, pressing outward with color, movement, an...

In this contemporary painting in acrylic on Yupo paper, gradient stripes of color in purple, pale blue and light green hues are vibrant and carefully ordered. Signed, dated and title...

Jacques Laurent Geometric Abstract Composition Circa 2025 Mixed media and vintage paper collage Signed lower right and stamped lower left Presented in a vintage French frame A strik...

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea coll...

Rahul Kumar Untitled Natural Pigment on Paper 35.5cm x 26.5cm Rahul Kumar is from a family of traditional miniature painters working in Jaipur. The atelier where his family learnt t...

Cézanne & Matisse Inspired – Abstract Expressionist Landscape – "Nestled in Silence" – Original Acrylic Painting on Heavy-Weight Professional Paper (50 × 65 cm / 19.7 × 25.6 in), Unf...

2026 Acrylic on matte heavyweight paper 16 × 12 × 0.4 inches (41 × 31 × 1 cm) Unframed One-of-a-kind original artwork Tropical Haute Couture Floral Zebra Dress Female Silhouette Ori...

La Vallée de la Seine Raymond Thibesart (France, 1874-1968) Pastel on paper, 1939 Signed l.l. 12.5 x 9.5 (16 x 13 framed) inches INV Nbr. 1939 This...

Antique Dog Painting of a Hunting Dog Jules Chardigny (1849-1892) Circa 1870 Oil on paper. 8 x 6 (18 1/2 x 15 1/4 frame) inches In Jules Chardigny's signature style, a beloved compa...

Near Aboukir is a unique painting by contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions are 100 × 30 c...

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.5 x 17 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper sheet of Russian manufacture. Sheet is carefully hinged at corners and can be removed from cardboard backing with relative ease. Estate of Giovanni and Dagmar Migliuolo, NYC. Giovanni Migliuolo is the former Italian Ambassador to the United Nations, USSR and Egypt. Yuri Larin, also Yuriy Larin (1936–2014) is a Russian painter and graphic artist, a member of the Union of Artists of the USSR since 1977. Larin was born in Moscow to the family of a key Soviet political leader, Nikolay Bukharin, and Anna Larina. Following the arrests of his parents in 1938 and until 1946, he lived with his relatives, and following the arrest of his step-father, he was taken to an orphanage near Stalingrad. A hydraulic engineer by training, he worked at the construction of the Saratov Hydro-Electric Plant and at design institutions. In 1960, he began his studies at the department of drawing and painting of the Krupskaya People’s University of Arts, and then, from 1965 until 1970, he studied at the department of art design at the Moscow State Higher School of Arts and Industry (the former Stroganov Institution). His career as a professional artist began in the early 1970s. From 1970 until 1986, he taught at the Moscow 1905 Memorial Arts School. His letter to prof. Vittorio Strada sent in 1980 contained the first statement of his artistic method he would later dub the “concept of the limit state”. He quit teaching after a serious illness, when he lost the ability to use his right hand. He only worked with his left hand since 1986. He died and was buried in Moscow. Exhibitions: 1981 The sixth All-Union watercolor exhibition. Moscow 1982 Personal exhibition in Moscow Drama Theater after M.N.Ermolova (together with Ye.Kravchenko). Moscow. 1985 The eighth All-Union watercolor exhibition. Moscow 1987 The ninth All-Union watercolor exhibition. Moscow. 1989 Personal watercolor exhibition. Gallery “Books&Company Art”, NY, USA Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow. 13 Biennale of the countries of the Baltic Region in Rostock, Germany. 1992 Personal exhibition of Russian and German landscapes. Duren, Germany. The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany. 1993 Personal exhibition in exhibition hall of magazine “Nashe Nasledie” (Russian Cultural Foundation), Moscow 1994 Personal watercolor exhibition. Gallery “The Art of the XX century”. Bonn, Germany 1996 Personal exhibition of portraits and landscapes. World Bank Moscow Office 1997 Personal exhibition “From Italian cycle”. The State Institute of Art Studies. Moscow Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow. 1998 Personal exhibition “The seasons of Yuriy Larin. From the Russian cycle”. Moscow State Museum of Vadim Sidur...

'Providenza' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inche...

Flamenco Dancer. Romantic French pastel portrait on paper of a Spanish beauty by Louis Fortuney. The work is signed bottom left, and presented in a very fine carved gilt rococo wood ...

PAPERLANDSCAPE Original Art Ready to Hang 80x80x2 cm certificate of authenticity original painting one of a kind by Marilina Marchica ready to hang

Artist: Pierre Marie Brisson (French, 1955-) Title: "Figure Sur Rouge (Figure on Red)" *Signed by Brisson lower right. It is also signed and dated on verso Year: 1983 Medium: Origina...

This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves of Bauhaus architecture, while at the same time exploring bright an...

A beautiful 19th century copy by Giuseppe Rocchi of Baldassarre Franceschini's Sleeping Cupid, presented in a very attractive gilt frame with hand carved mouldings. A very peaceful i...

At our gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Auth...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...

This artwork captures a serene, lush landscape, artfully combining impressionistic techniques with vibrant colors. Tall trees, with varied hues of green and purple, line a softly lit...

Artist: Sam Gilliam Title: Untitled (Purple) Year:1996 Medium: Original Mixed Media on Paper Size: 11" × 14" Inscription Front: Signed and dated lower left edge, "Sam Gilliam 96" Ins...

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...

David Hockney 21 April 2021, Yellow Flowers in a Small Milk Churn, 2021 Signed and dated in pencil iPad painting printed on paper 89 x 63.5 cm 35 x 25 inches Edition of 50 David Hoc...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

French Fauvist landscape drawing on card by Auguste Chabaud. The drawing is signed bottom left and carries the atelier stamp and reference numbers to the back. Presented in a fine bl...

An early 20th century art nouveau watercolour of a male centaur by French artist Paul Hogg. Signed and dated 1919 to the bottom right. Presented in fine custom frame with mount. A f...

Black And White Minimal Painting is an original artwork realized by TUSET in 2020. The painting is unframed, we can frame it in natural wood or black on request. The title of this w...

This expressive oil pastel sketch on paper captures the atmospheric essence of Alcalá de Henares, Spain—the birthplace of Miguel de Cervantes, the legendary author of Don Quixote. Re...

encaustic on paper

Paris rooftops 4th II is a unique painting by French contemporary artist Guillaume Chansarel. The painting is made with Ink and acrylic on old book pages mounted on canvas, dimension...

Croatian artist Bernard Simunovic plays with color, form, and minimalist lines in his abstract figurative cubist works, analyzing the sculptural capa...

Ten Rorschach tables, framed in high quality black frames under art glass. Could be purchased as one item all 10/or individually per pieces's. Price is different for the item 10 piec...

About Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloquially referred to as the hormone of love and happiness. Why is this organic che...

“Marine Mirage ” is a contemporary abstract painting inspired by the fluid motion of ocean currents. Layers of blue tones intertwine with flowing yellow lines, evoking the depth and...

This contemporary abstract expressive Impressionist floral painting was created by French artist Natalya Mougenot, whose signature style brings emotion and energy to every brushstrok...

Introducing the latest creation from Lebanese American artist Sally K, a mesmerizing series of embellished mixed media artworks that redefine the boundaries between art and beauty. S...

“Tranquil Provence” is a luminous landscape by French artist Natalya Mougenot, inspired by her travels in the south of France, a region renowned for its sweeping coastal views, cypre...

Contemporary Fauvist-inspired floral still life, expressive acrylic painting on heavyweight professional acid-free paper (50 × 65 cm / 19.7 × 25.6 inches), radiant bouquet compositio...

This acrylic painting on 400 g/m² Fabriano “Pittura” paper is part of a series of works created for Furtif, a French magazine, around the theme of “Lost Worlds.” In Nature Fluorescen...

"Quiet Observation" is a contemporary still life painting by French artist Natalya Mougenot, depicting a serene interior scene with a yellow table, a striped lamp, a blue vase of red...

De Hirsh Margules (1899-1965). North on West Street , 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15 x 22 inches. Framed measurement: 27 x 34 inched. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

Signed lower right, 'Hessam' for Hessam Abrishami (Iranian, born 1951) and painted circa 2000. Titled by artist, 'Quiet Moment'. Paper dimensions: 22 H x 28 W inches Hessam Abrisha...

This vibrant abstract composition evokes the fluid movement of a school of fish, translated into a dynamic network of looping white forms drifting across turquoise and coral fields. ...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

Coffee Peloton Series XVI by Eliza Southwood [2021] original Coffee on paper Image size: H:64.2 cm x W:94.6 cm Complete Size of Unframed Work: H:64.2 cm x W:94.6 cm x D:0.1cm Sold U...

Sarita’s Twist by Judith Brenner [2022] original mixed media on paper Image size: H:84.1 cm x W:59.4 cm Complete Size of Unframed Work: H:84.1 cm x W:59.4 cm x D:0.2cm Sold Unfra...

Artist: Peter Max, German/American (1937 - ) Title: Statue of Liberty Year: 2009 Medium: Acrylic and Mixed Media on Paper, signed lower right Size: 11 x 8.5 inches Frame Size: 32 x 2...

Artist: Alec Cumming Title: To the Sound of the Temple Medium: oil on paper Size: 97 x 63 cm (38 x 25") Year: 2016 Alec Cumming Exhibited at Alec Cummin...

This original abstract watercolor painting by Nealy Hauschildt features a warm pink, orange, and lavender palette, with three large organic planes of washy color layered over one ano...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us and reminds us of its natural beauty and the importance of its preservation. Details: Title: Sea of Blue N10 Medium: Mixed Media on Paper Size: 63 x 90 cm (28.4 x 35.4 inches). Year: 2021 * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. * Certificate of Authenticity provided. Enric Servera (Ciutadella de Menorca, 1970) lives and works between Barcelona and Menorca, Spain. His works explores the colors and forms of the ocean, inspired by the fauna and flora of the Mediterranean Sea. His work has shown in galleries across Spain, and is part of several public and private collections. Words that may describe this series of artworks are: Mediterranean-inspired art, abstract sea...