Paper Paintings

This painting was inspired by the spring rain and flowering trees. I really like to paint abstract flowers. I paint them with feelings and the energy of the inner body. This painting...

Abstract Expressionist Composition by Marie Deloume (French born 1942) signed on back, inscribed verso oil on card stuck on canvas, unframed canvas size: 46 x 35 inches condition: ov...

Sweetie Pie is a Cyanotype by Cynthia MacCollum. It is 30x22 on archival paper. It is currently unframed. It is a beautiful botanical artwork filled with a range of blues. MacColl...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Paper Year: 2025 Style: Figurative art Title: Nude Size: 16" x 12" x 0.1'' inch...

ink on paper

In the Kingdom of Transience, everything is temporary, subject to constant change. Everything is unstable and volatile like the wind. The precariousness of our existence reminds us t...

In the Kingdom of Transience, everything is temporary, subject to constant change. Everything is unstable and volatile like the wind. The precariousness of our existence reminds us t...

WALERIA MATELSKA (born 1994 in Belarus) In 2012-2015 she studied at the Faculty of Painting at the Academy of Fine Arts in Krakow, where in the years 2015-2018 she her diploma from t...

This dog painting, a stunning black and white ink painting of a sweet Dachshund dog, is a contemporary minimal portrait in black ink on Fabriano 300gsm paper. This Dachshund is loo...

A set of four fine hand painted botanical watercolour studies on silk by La Roche Laffitte. The works are signed bottom right and titled below three of the watercolours in Latin and ...

The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and unique uses of media. Through a combination of collage ...

On An Autumn Day - Original Impasto Oil Painting Original oil landscape painting depicting a small wood sided cabin surrounded by trees of green and orange. A focal point of a brig...

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space and time through painting a...

abstract. light and black background Original artwork by Spanish artist Rafael Ruz. virtual frame Acrylic on paper in perfect condition. RUZ, Rafael (Barcelona 1956) While contempl...

'Wisteria' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. Internatio...

They were created as an investigation into the beginnings of the current human social conditions with a focus on materiality and evolutionary information gathered from Paul Shepards ...

Cowboy Hunting Pronghorn Deer ("American Antelope") in Watercolor and Gouache Detailed western scene by H. Rich (American, 20th Century). A cowboy is on a ridge, with two horses, ha...

Jesse’s imagery often merges playful and gritty elements, blending floral patterns, vintage-inspired designs, and bold outlines with a touch of whimsy. His artwork exudes a sense of ...

Shadow of Light - Nude Figurative Study with a Bottle of California Wine Abstract expressionist watercolor and charcoal painting depicting a nude woman lounging by acclaimed bluegra...

'Les Alyscamps Arles', watercolour on art paper, by Yves Brayer (1977). This term has its origins and is related to the Elysian Fields, also called Elysium, which is the final restin...

Guiseppe Capineri (1923-1994) Ponte Veccchio, 1959 Ink on paper, image measures 10.5 x 13.5 inches. Framed measurement: 13.5 x 16.5 inches. Signed in red ink lower right. Titled ...

Jane Skingley b. 1963 Hokusai Indigo VIII, 2025 mixed media on vintage book pages laid onto canvas 100 x 100 cm 39 3/8 x 39 3/8 in signed, titled and dated on reverse Jane Skingley ...

This black, red, and beige abstract painting titled "breathe out" is an original artwork by 108 made of paint on paper. This piece measures 12"h x 12"w. 108 is an Italian artist in ...

This contemporary colorful floral artwork, titled "Fresh Spring Bouquet", is part of the “Floral” series by French artist Natalya Mougenot. A celebration of spring, the painting feat...

Paula Valenzuela Botanical Experiment #3, 2025 Watercolor and alcohol inks on paper 12 x 9 inches This one-of-a-kind work on paper comes unframed and ships in a tube. External, visi...

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene face on a mat board in w...

This abstracted figure painting by Juniper Briggs is made with mixed media on Arches paper with deckle edges. It features a vibrant, contrasting palette...

This vibrant artwork " Summer flowers bouquet by the window" features a dynamic still life composition of flowers in a vase. Bold brushstrokes bring energy and movement to the canvas...

Emotions and Textures bursts with gestural freedom and expressive layering, capturing the raw vitality of contemporary abstraction. With bold brushstrokes, spray textures, and a vibr...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

A very attractive and meticulously executed view of a rocky landscape within the woods dating to 1823. This would suit a library or study with its muted tones and skifull draughtsmanship. William Nicholson (1781-1844) Near Croxdale Hall Signed with initials and inscribed with title and date 1823 Pen, ink and grey wash 11 x 8 inches, image only 17 x 13 inches without frame The portrait-painter and etcher William Nicholson was born in Ovingham-on-Tyne, Northumberland, on Christmas Day 1781. His family transferred to Newcastle when his father was appointed Headmaster of the city's Grammar School. At an early age, though, Nicholson appears to have moved to Hull where he made his artistic debut, painting miniatures of officers garrisoned there. He was almost entirely self-taught, learning his craft through the close study of artworks in private and public galleries. He subsequently returned to Newcastle where he received many commissions to paint portraits of the old families of Northumberland. In 1808, he began to exhibit at the Royal Academy, continuing to do so until 1822. By 1814, Nicholson, whose mother was a Scot, had moved to Edinburgh where he set up as a miniaturist and painter in oils. Soon, however, he began to specialize in watercolour portraits. Early subjects included the actor Daniel Terry and the poet and novelist James Hogg. In 1818 he began to publish a series of Portraits of Eminent Scotsmen, etched from his own portraits and those of other painters. Besides Scott and Hogg, the subjects included the writers Robert Burns, John Wilson ('Christopher North'), and Lord Jeffrey, the painters Sir Henry Raeburn, the divines Alexander Carlyle and Alexander Cameron, the engineer James Watt, the architect John Playfair, and the song-collector and composer George Thomson...

This artwork commands attention with its vibrant and dynamic use of color and form, creating a visually striking composition. At the center of the piece there is a vase combining blu...

Ink & gold on paper

Jamie Wyeth Corbett House, Monhegan Island, Maine, 1973 Signed lower left Watercolor on paper 20 3/4 x 28 1/2 inches The house depicted in the present work is on Monhegan Island, Ma...

This contemporary abstract mixed media composition is red in colour. The enigmatic and lyrical artwork of Shireen Kamran is rooted in her own spiritual journey and her rich Pakistan...

Coffee Peloton XXXVIII is an original coffee on paper drawing by artist Eliza Southwood. This piece is a part of Eliza's coffee peloton series which combines the love of cycling with...

This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves of Bauhaus architecture, while at the same time exploring bright an...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Coming soon

This large contemporary assemblage by Swedish artist Bo Sällström has a strong visual character. It is a assemblage with volume that has an intriguing thr...

Original Mid Century Pen and Ink on Paper "Cowboy and Bronco" Western Genre Compelling pen and ink western picture of Cowboy wrangling the bro...

In this series, water and pigments dance in a liquid choreography, intertwining and painting their own destinies. Each brushstroke traces ephemeral paths that are born, intersect and...

This artwork belongs to my “Floral” series which is full of expressive brush strokes where I could experience a floral theme. It is a bold and eclectic mix of art which radiates str...

James Floyd Clymer (1893-1982), ca.1930. Watercolor and pencil on paper measures 15 x 20 inches. Signed lower margin. Tape residue marks on back. Glue marks at bottom left and ri...

From London with Love is a drawing series by Shizico Yi, composed of en plein air studies capturing quiet and private moment between the artist and the city in corners of London. Shi...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

Contemporary acrylic abstract using eye catching hues of orange, red, green and blue, circa 1970. Original artwork on paper displayed on a white mat with a gold border. Archival p...

Delicate strokes and natural hues shape Shiri Phillips' watercolor, ink, and colored pencil artworks, showcasing her exploration of minimalism and organic forms. Departing from her u...

Antoine-Ignace MELLING (1763 Karlsruhe - 1831 Paris) View of the surroundings of Saint-Cloud from the terrace of Bellevue in Meudon Watercolor and gouache H. 62.5 cm; W. 93.5 cm Sign...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Mid Century Mountain Stream Modernist Landscape by Honora Berg This mid century modernist landscape painting by Honora Berg (American, 1897-1985) depicts a vibrant mountain stream, ...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Igor Vishnyakov is a Russian Postwar & Contemporary artist who was born in 1968 in Moscow. Igor spent his childhood in Africa and Southeast Asia. After returning to Moscow in the mid...

A rabble of butterflies Guy Allen’s etchings inspired by the fauna of Norfolk have a remarkable level of detail. His etchings capture the character and spirit of his subjects. Sig...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper stamped Image : 25 x 19.75 inches Superbly decorative 1960's French portrait painting. Id...

Judd Mercer's (US based) "056 - Plein Air-Apex Trail, CO" is a gouache painting depicting a mountainscape. Artist bio/statement Judd Mercer is a contemporary landscape painter and ...

Colourful and witty portrait with lively patterns and still life elements. Painted in acrylic on paper and framed in a gorgeous chunky black wooden frame. A small painting with a big...

Kotah School, c.1880 A fine Kotah School miniature painting, c 1880. Examined by the British Museum in 2015. There is a similar known composition in the collection of LACMA depicti...

Vibrating Corals captures the rich diversity and texture of underwater coral life. The artist uses confident lines and bold, layered colors—reds, blues, yellows, purples, and earthy ...