Paper Paintings

Al Dickstein New York school Abstract Geometric work. Came in with small collection of his work including signed letters and a signeed card and some monogrammed pieces.. Signed with monogram and inscribed and signed verso. Showed at New York's Stable Gallery...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Joseph Margulies (1896-1984). Blue Vase with Roses, ca. 1950. Gouache on paper, image measures 19 x 23 inches. Measuring 26.5 x 30.5 inches framed. Signed lower right. Double-...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Bob Stuth-Wade (American, Born 1953) "Vidya Maya," 2006 charcoal and acrylic on paper 55 1/2 x 46 inches signed "Bob Stuth-Wade" at lower right Eleanor Jones Harvey, Chief Curator a...

Pilots - Double-sided Figurative Composition in Oil on Paper Expressive figurative compositions by Carmel, California artist David Amland (American, 1931-2010). On one side, a pilot...

Pt. Pinos California, Coastal Figural Landscape Watercolor Striking depiction of a lighthouse by Donald J. Phillips (American, 20th Century). Signed and dated "DONALD J. PHILLIPS WW/7-89" in the lower right corner. Tag on verso with artist and exhibition information. Presented in a double mat of white and cream, in a green metal frame with glass. Image size: 21"H x 15"W Donald J. Phillips (American, 20th Century) is an artist from San Leandro, CA. He attended California College of Arts and Crafts in Oakland, where he met his wife. Phillips served in Marine Corps Reserve and was called to duty from 1950-1951 during the Korean War. Exhibitions and Memberships: 21st Annual Santa Cruz Art Exhibit, 1950 New England Watercolor...

Fig and Marmalade Orange, Oil on Paper on board ADDITIONAL INFORMATION: Fig and Marmalade Orange, Oil on Paper on board Kate Verrion [2024] Original painting Oil Paint on paper on b...

Luigi Loir (French, 1845-1916), Les Invalides, Paris, Gouache and Watercolor on Paper, signed "Loir Luigi" lower right, carved wood frame. Image: 10.5" H x 16" W; frame: 18.75" H x 2...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Genre: Judaic prayer scene Subject: Landscape Medium: watercolor Surface: Paper Country: United States EMANUEL ROMANO Rome, Italy, b. 1897, d. 1984 Emanuel Glicenstein Romano was born in Rome, September 23, 1897. His father Henryk Glicenstein was a sculptor and was living in Rome with his wife Helena (born Hirszenberg) when Emanuel was born his father obtained Italian citizenship and adopted the name Enrico. Emanuel was brought up in Italy, Switzerland, Germany, England and Poland. In 1926 Emanuel and his father sailed for New York. They briefly visited Chicago. Romano's sister, Beatrice, and mother only joined them in New York years later. Romano changed his name on his arrival to America and some have erroneously speculated that this was to avoid antisemitic anti Jewish discrimination. In truth, as the son of a highly-regarded artist, Romano changed his name to ensure that any success or recognition he would later attain, would be the result of nothing other than his own merit as an artist, and not on account of his father's fame. In 1936 Romano was worked for the Federal Art Project creating murals. During and immediately after World War II, Romano created a series of allegorical works depicting graphic holocaust images that were held closely by the family until after his passing. One of these works is now on permanent display in the Florida Holocaust Museum in St. Petersburg Florida. Emanuel's father died in 1942 in a car accident before they could realize their shared dream of visiting Israel. In 1944 Romano, having completed his degree at the Pennsylvania Academy of Fine Arts and the Art Institute of Chicago, began teaching at the City College of New York. Romano moved to Safed, Israel in 1953 and established an art museum in his father's memory, the Glicentein Museum. COLLECTIONS Indianapolis Museum of Art Metropolitan Museum of Art Boston Fine Arts Museum Fogg Museum Musée Nacional de France Recently his work has been added to the Florida Holocaust Museum collection. His notable works include his holocaust themed allegorical paintings as well as portraits of Marianne Moore, his father and William Carlos Williams...

Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorporated photographs. His artistic jo...

ANDRZEJ FOGTT (born in 1950) He graduated from the PWSSP in Poznań in 1974 where he studied in the studios of prof. Z.Kępiński and M. Abakanowicz. Initially, his art was considered t...

Cubist gouache figural of a man wearing a sombrero and boots contrasted against a scumbled and dry-brush background of ochre, deep crimson red and umber. Signed lower left, "Jakobse...

Gorgeous pair of two 1920's watercolor portraits of Gibson girls, one in blue and one in pink, by Charles Hollman (Dutch, 1877-1953). Each portrait renders...

Chihung Yang American (b. 1947) Untitled (Black and Brown Composition) (1986) Mixed media (acrylic, pastel) on paper Hand signed lower right Sheet 38 x 50 inches, frame dimensions: 45 x 57 x 2 inches, wood frame with glazing Provenance:= From a Corporate Art Collection Yang Chihung (Chinese: 楊識宏; pinyin: Yang Chihung; born 1947) Taiwanese-American artist. Yang Chi-hung was born on 25 October 1947, in Chungli, Taiwan. He developed an interest in art in early childhood, and found inspirations to pursue an artist career after reading Lust for Life – The Life of Vincent van Gogh, translated by poet Yu Kuang-chung, in junior high school. Between 1965 and 1968, he attended the National Taiwan College of Art, developing a sound foundation in oil painting under the tutelage of famous Taiwanese artists of the Japanese Colonial period, such as Liao Chi-chun, Li Mei-shu and Yang San-lang. Meanwhile, he actively attended events organized by the modern art groups of Taiwan, namely the Fifth Moon Group and Ton Fan Group, only to find himself both intimidated and dissatisfied with the then relatively conservative art environment in Taiwan. In 1979, he emigrated to the United States of America with his wife, Jane, and their son, Daniel. His pioneering works soon landed him the “Outstanding Asian-American Artist” award. The concept and style of abstract expressionism as represented by the works of Jackson Pollock in the 1950s had great impact on Yang’s work. With the sense of nihilism that gave rise to abstract expressionism in the post-war period, artists no longer clamored to depict the external environment, but rather chose to focus on their own inner experience. Yang Chihung embraced this spirit about the early 1990s when his style turned abstract. In 1984–85 and again in 1985–86, he was twice awarded a year's residency at The Clocktower Studio in New York City by MoMA P.S.1. In 2013, Yang, along with Xu Bing, Zhang Huan, and Li Chen, were the four artists featured in the Discovery Channel Asia documentary series, Chineseness, a multi-series production that focused on postwar Chinese contemporary artists. He is of the generation of artists such as Chen Tingshi, Liang Yifeng, Yang Yuyu, Pang Jiun, Yinhui Chen, Jui-Ling Hung, De-Jinn Shiy, Yong-ik Cho, Wan Chuan Chang, Kuosung Liu, Sanlang Yang, Chetsai Shen, Fu-sheng Ku, Chunxiang Zhao, Ming Ju, Ming-Che Huang, Jiutong Liu, In-Ting Ran, George Chann, Yi Hong, Tzu-Chi Yeh, Max Liu, Yi-Hsiung Chang, Che Chuang Awards and recognition 1989, Outstanding Asian American Artist Award, by Governor of New York 1984–1986, MoMA P.S.1 National Studio Program, Residency at Clocktower Studio, New York SELECTED GROUP EXHIBITIONS 1969 Contemporary Young Artists Exhibition, U. S. I. S. Lincoln Center, Taipei, Taiwan 1974 Asian Contemporary Art Exhibition, Ueno Museum of Art, Tokyo, Japan 1977 10 Chinese Leading Artists, Metropolitan Museum of Art, Tokyo, Japan 1978 Contemporary Chinese Art from Taiwan, Hong Kong Arts Centre, Hong Kong 1978 International Exhibition of Prints, National Museum of Modern Art, Seoul, South Korea 1979 6th British International Print Biennial, Bradford Art Galleries and Museum, England 1980 4th Miami International Print Biennial, Metropolitan Museum Coral Gables, Florida 1982 Summer Invitational, Susan Caldwell Inc, New York City 1982 Four Artists, SoHo Center for Visual Artists, New York City 1983 New Acquisitions and Trustee's Choice, The Aldrich Museum of Contemporary Art, 1983 Cleveland (UK) 6th International Drawing Biennale, Middlesbrough Art Gallery, England 1983 Dreams Demons Madness, Alternative Museum, New York City 1984 Rambunctious, Siegel Contemporary Art, New York City 1984 Invitational Painting Exhibition, Part II: Eight Imagist Painters, Siegel Contemporary Art, NYC 1984 Salvo, Ruth Siegel Ltd, New York 1984 Modern Art, Ted Greenwald Gallery, New York City 1985 Exotica, Paintings and Works on Paper, Stephen Rosenberg Gallery, New York City 1985 The Art of the 1970s and 1980s, Aldrich Museum of Contemporary Art, Ridgefield, CT 1985 Large Figurative Drawings...

California Farmhouse Landscape in Watercolor on Paper Original watercolor painting of a farmhouse at the top of a hill by Bertram Spencer (American, 1918-1992). A small farmhouse si...

False Bar II Oil, bitumen, graphite, sand, dry pigment on paper laid on canvas 38" x 50" I am a visual artist whose work investigates small and large -scale abstraction primarily i...

Gorgeous mid century landscape of High Sierras full of clouds and cool lake water. some impasto texture also. A well done oil by a California plein air painter. Image 24"H x 30"W Oi...

Kamal Mitra - Untitled - 28 x 22 inches (unframed size) & 19.5 x 13 inches (Palette Size) Etching on paper. Inclusive of shipment in ready to hang condition. About Kamal Mitra’s Wo...

Francis, Shingo (Japanese/American, born 1969), W3 , 1999 Encaustic and watercolor painting on Arches paper, 23.5 x 22.5 inches, Hand signed and dated verso Provenance: Garner T...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Woman with billowing skirt and french curls in red, blue and black, 'Parisian Fllip' from multidisciplinary visual artist Kim Frohsin, who created the series, 'Dancers and Athletes',...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

36. FROM PIER ROAD, WHITBY The print edition is 150 The size of print is  40cm X 44cm image size 50cm X 54cm paper size ( approx ) Each print is signed and numbered by Susan Br...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Gouache on paper Paper size: 14.25 x 8.75 inches Framed size: 20 x 14.25 inches Signed lower left

Outstanding American / English Impressionist, Sunset over a lake in Connecticut. Charles Bertie Hall is a painter from England and America. He pain...

Beautiful pastel on archival paper by the well known American pastelist, Gene Sparkman. In excellent condition and very nicely custom gallery frame. Signed lower right. Overall framed 23.75 by 32 inches. Gene Sparkman (1941-2010) Master pastelist, Gene Sparkman’s work is in many private, corporate and permanent public museum collections world-wide, such as, the Butler Institute of American Art, Franklin Library, The Smithsonian, et al. He was a director of the Pastel Society of America and elected Master Pastelist in 1984. Exhibitions and major awards include Salmagundi Club, NYC; Allied Artists of America, NYC; Pastel Society of America, NYC; Manchester Institute of the Arts, NH; Canton Art Institute, OH; Butler Institute of American Art, OH; New Britain Museum of American Art, CT; Society of Illustrators, NYC; Society of Illustrators, CA; Rameau Palais, Paris, France, etc.. Gene Sparkman studied with such formidable masters of their genre as California artists Joseph Henniger, Harry Carmean...

Margaret Putnam (1913-1989) San Antonio Artist Image Size: 14.25 x 13.25 Frame Size: 20.25 x 21.25 Medium: Mixed Media "The Dance" Biography Margaret Putnam (1913-1989) Margaret Putnam left an artistic legacy rare even in the art world. Revered for her innovative techniques and inimitable style prior to her death in 1989 , her renown continues today. She was a 20th century woman with a Renaissance soul who lavished her work with brilliant color, always breaking and making the rules to achieve the desired effect. An explorer, Putnam was basically self-taught; it could not be otherwise because no one had the vision that she had. She worked in oil, watercolor, wax resist, casein, and pastel, exploring new avenues, developing new techniques, combining mediums, and creating a unique style, instantly recognizable, unlike any other. A background in fashion illustration was evident in the color, texture, and design that adorned both male and female figures. In abstract work, there was always a keen but unique sense of design. She worked over 8 hours a day, 363 days a year. Even after becoming partially paralyzed from amyotrophic lateral sclerosis (Lou Gehrig...

Artist: Jose Canes (aka Dore) [Spanish, 1931 - ] Title: Woman in Red Medium: Acrylic and Pastel on Paper, signed "Dore" l.r. Year: circa 1980 Size: 19.5 x 25.5 inches

Abstract Vines by natalia Roman channels the spirit of Bauhaus with a modern sensibility, balancing geometry, symmetry, and refined color interaction. This composition is structured ...

The Cosmos and Tree - Original Abstracted Composition by Dave Francis Unique and thought-provoking abstracted composition with cosmos and oak tree by California artist Charles "Dave...

This beautiful painting by Nacho Reina is a formidable example of the interplay between form and color forms as the central axis of his work, where he starts from architectural shape...

Description im Solliday's pastel painting, "Moonlit Arroyo Pathway," invites the viewer to a moonlight hike along a meandering trail that gently vanishes into the undulating landscape of hills. The rolling clouds above accentuate the fullness of the landscape while a radiant moon bathes the scene in a celestial glow, casting its luminous enchantment upon the scene. Solliday's meticulous attention to delineated edges skillfully captures the rich textures and authentic essence of the natural world, transporting the observer into a mesmerizing nocturnal dreamscape. Provenance Acquired by the gallery directly from the artist Exhibitions 20th Anniversary Exhibition: Celebrating a Legacy of Excellence, American Legacy Fine Arts, Pasadena, California, November 10 – December 16, 2023 Theodore N. Lukits (1897-1992): An Aesthetic Realist and Peter Adams and Tim Solliday: Continuing the Lukits Legacy at Palos Verdes Art...

A very whimsical and bold depiction of a woman standing gracefully in a white gown against a pink background. This piece captures the essence of fashion in Pairs. Done in a very mode...

Intersections 7 is an original painting realized by the Italian artist Salvatore Travascio in the 2010s. This is a beautiful oil painting on paper on wooden support. Hand-signed on ...

An abstract, whimsical and bold depiction of a woman standing gracefully in a white gown against a pink background with delicate details. This piece captures the essence of fashion i...

Contemporary organic abstract watercolor painting by Texas-based artist Tina Ruyi. The work features red, blue, and yellow cylindrical shapes in a wavy pattern reminiscent of a rolli...

Works on Paper About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints in Santa Fe, New Mexico. She discovered her love of abstract ...

Island Title: Island Artist: Marilina Marchica Year: 2019 Technique: Mixed media on cotton canvas and papyrus paper Dimensions: 97 x 67 cm (plus custom frame) 115x81 cm Format: Dipty...

Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...

Watercolor on paper laid on board: An exceptional watercolor in terms of quality and presentation. During this earlier period of Day's career he exhibited extensively and was inspir...

Female figure, foliage, florals; acrylic ink, flashe and pastel on 300g Arches hot press paper; custom framed, shallow shadow box frame. Deep blue, marigold yellow gold. Frame dim...

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...

Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers and still life. She is one of the most productive wate...

Sword Fight, 2018, pen and crayon on paper

Portrait of a young girl in a lilac dress with a black bow. Circa 1860. Signature below right, partially visible. Size with frame 59cm x 49cm Size without frame 33cm x 24cm The portrait depicts a young girl with an elegant hairstyle, her hair carefully tied back. Dressed in the fashion of the 1860s, her light lilac dress reflects the synthetic aniline colors, a novelty in fashion at the time. A black bow at the neck and slightly black straps accentuate her attire. Represented at mid-length, with a mysterious and melancholic gaze, suggesting a mourning endured over a year ago. The portrait, executed in pastels, chalks, and charcoals on paper, highlights the mastery and speed of the artist's execution. Framed in a vintage oval frame...

'Two Pools ' still life painting of a pair of women's heels on stripes by California artist Kim Frohsin, who employs mixed media, acrylic, Stabilo pencil, Prismacolour, watercolor, w...

A ca. 1949, Mid-Century, yellow-toned watercolor on paper of Rome -- Piazza Esedra by Guy de Neyrac. Artwork size: 24" x 18 1/2". Framed size: 32 1/2" x 27 1/2". Guy de Neyrac w...

Original painting on paper by Agnese Negriba- In this artwork a female figure is depicted in a sitting position. She holds a book placed in front of her. The depicted person has retr...

This softly colored pastel of summer roses is superbly rendered by important French symbolistt artist De Scevola. He studied at the atelier Cormon and exhibited first with the Artist...

The Country House - Farm Landscape Highly detailed scene with a country house, workers, and a hare with rider by an unknown artist (19th Century). Five people - one on a horse - are...

Ernest Fiene China Town, 1925 Signed and dated to lower right ‘Ernest Fiene 1925’. Watercolor on paper 18 1/2 x 14 5/8 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Lesley Anne Spowart (American, born 1957) "Friendship Garden" 2021 Acrylic Paint, Paper, Mixed Media, Canvas The artist signed the back of the painting. Friendship Garden by Lesley ...

Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers and still life. She is one of the most productive wate...

Evocative abstract expressionist figurative painting of earth-toned highly abstracted couple by Michael William Eggleston (American, 20th Century). ...

Wonderful painting of mist at the base of Grand Teton Peak in the Grand Tetons titled "Morning Mist" by Keith Fay (American, 1920 - 2008), circa 1980), C. 19...