Pastel Paintings

This painting and 'Release' are pure abstracts, demonstrating the effects of different attitudes. Passion Waves reflects anticipation, liveliness, and happiness. It's a very active p...

Edmund Daniel Kinzinger (1888-1963) Waco Artist Image Size: 18.5 x 24 Frame Size: 28.75 x 33.25 Medium: Pastel Dated 1943 "Adobe Church" New Mexico Biography Edmund Daniel Kinzinger ...

​Helen Taylor (Contemporary) Tender Marsh Signed with monogram, inscribed with title verso Oil and pastel on board 7½ x 7½ inches 9¼ x 9¼ inches including the frame Helen Taylor’s p...

Philip Leslie Hale New England Autumn, 1910 Pastel on canvas 25 x 30 inches Provenance: Estate of the artist Sotheby's New York, American Paintings, Drawings and Sculpture, May 24, 1990, Lot 125 R. Anne McCarthy Rose Art Museum, Waltham, Massachusetts (gift from the above) Private Collection, Massachusetts Exhibited: Philadelphia, The Pennsylvania Academy of the Fine Arts, Tenth Annual Philadelphia Watercolor Exhibition, November 10 - December 15, 1912, no. 13. Painter, teacher and writer, Philip Leslie Hale is recognized for his decorative paintings of the female figure and for his interior scenes with figures as well as for his progressive approach to painting. However, his career went through several phases that included sporting scenes, figural studies of women including nudes, portraits, and allegorical works reflecting the overwhelming forces of nature. Of the Boston painters of his time, he seemed the most fully committed to Impressionism, and his technique suggests the influence of French impressionist Edgar Degas. In most of his paintings, the landscape was more important than the figure. He was a prolific writer in local newspapers and periodicals about the contemporary art scene, discussing the work of his Boston colleagues. He also wrote numerous books on art and art history including a study of Vermeer that was published in 1913. Among his writings are 1892 newspaper columns for Arcadia Magazine titled "Letters from Paris", art criticism for the Boston Herald from 1905 to 1909; and art criticism for the Boston Evening Transcript. He argued for the Boston School of Art as led by Edmund Tarbell whose style was based on Impressionism with elements of Realism, especially figure painting. Hale was born in Boston in 1865, the son Reverend Edward Hale, a Boston clergyman and a relative of Nathan Hale. He studied with Ellen Day Hale, his sister, and Edmund Tarbell at the Boston Museum School, with J. Alden Weir at the Art Students League in New York City, and then went to Paris for further studies at the Academie Julian and the Ecole des Beaux-Arts. He remained in France for fifteen years, returning to America about 1895. During that time, from 1888, he spent summers at Giverny, France with his good friend, artist, Theodore Butler, and became well acquainted with Claude Monet. Traveling throughout Europe, Hale visited the major museums, and copied the works of Ingres, Vermeer, Watteau and Michelangelo. Hale married Lilian Westcott Hale...

Sea 40x30 cm

pastel on paper

Sprinchorn, Carl (American 1887-1971). ON THE BOARDWALK. Pastel, not signed or dated. Provenance: The Artist's estate. 23 1/2 x 17 1/2 inches, 597 x 445 mm. In excellent condition, f...

Girl with a pigeon. Symbol of peace

Hand Painted - signed on reverse Blake Jones ARTIST (Born in Texas, 1988) Blake Jones is a Chicago based artist. Blake’s use of graphic line work and bright color palettes illustra...

Untitled Landscape, an original mixed media on paper by Tom Perkinson, is a piece for the true collector. His use of saturated violets, vivid yellows, and resplendent oranges pushes ...

pastel on paper

Frammenti Mineral Oxide on Paper (Fabriano Elle) 50x70 cm 2024 Original Art Marilina Marchica's research delves into the relationship between Man and Nature and the emotional impl...

Title: Amongst The Wildflowers Abstract Contemporary Bold Statement Striking AMONGST THE WILDFLOWERS Let's remember how to belong, play, be free, limitless, abundant, connected, fi...

Through my window II (Abstract painting) Mixed media - acrylic, oil pastels, gouache on cotton canvas - Unframed. This artwork will be shipped rolled in a dent-resistant tube. This ...

The painting is titled Tuscany Landscape and it is signed but the signature is indistinctly signed on the lower right. It is a Pastel on heavy rag p...

Cartoccio Viola is an artwork realized by Claudio Palmieri, in 1985. Oil on Canvas, cm. 150x80. Signed, titled and dated on rear.  Good conditions!

Poetry In A Vase 8.0 × 10.0 × 1.0, 2.0 lbs Pastel on archival paper Hand signed by the artist Artist's Commentary: "My son-in-law recently sent us the most beautiful bouquet of fl...

Rainy Days and Mondays 14.0 × 11.0 × 0.1, 1.0 lbs Pastel on archival paper Hand signed by the artist Artist's Commentary: "I love a moody sky! This painting was looked at with fre...

Frank Reaugh (1860-1945) Dallas Artist Image Size: 3 3/4 x 5 1/2 Frame Size: 15 x 18 Medium: Pastel on paperboard Circa 1881 "Residence At Terrell" From the collection of Lucretia Coke. Signed F.R. Lower Left & S7 On Verso 1881 or 2, 2 or 3 miles from next house. Frank Reaugh (1860-1945) Charles Franklin Reaugh. THE FRANK REAUGH GALLERY AT THE PANHANDLE-PLAINS HISTORICAL MUSEUM by Michael R. Grauer, Curator of Art, Panhandle-Plains Historical Museum Called the pejorative "Rembrandt of the Longhorn" and "Longhorn Leonardo," and the gentler "Painter to the Longhorns," Charles Franklin "Frank" Reaugh was a master pastellist unparalleled in Texas and the greater Southwest. While he advertised himself as a "landscape and cattle painter" and insisted he was the historian of the Texas longhorn, he has effectively, and unfortunately, pigeonholed his art. More appropriately, Frank Reaugh is often called the "Dean of Texas Painters." His name is synonymous with the "old guard" of Texas art history, along with Robert Onderdonk, Hermann Lungkwitz, William Henry Huddle, Henry McArdle, and others. Reaugh's paintings focused on the landscape of the American West generally, and the American Southwest, specifically. He captured subtleties in a land of high contrast where others only saw the rawness. He painted the overwhelmingly blue sky, the illimitable plains, and the great gashes in the land that are called canyons, arroyos, or breaks in the West. And he painted the Texas longhorn, or Texas cattle, as he referred to them. Usually no more important than the mesquite, yucca, sagebrush, and cholla that also populate his compositions of the Western landscape, the Texas longhorn became his recognized symbol. Today, some commercial galleries even insist that one of his works is more valuable if it has a cow in it! These commercial zealots in their search for a longhorn often overlook the beauty of his landscapes; they cannot see the landscape for the longhorns. Born near Jacksonville, Illinois in 1860, Reaugh first came to Texas in a wagon in 1876 at the age of fifteen. He moved with his parents to a farm near Terrell, Texas, until 1890 when they moved to Dallas and settled in what is now the Oak Cliff area. Reaugh had no formal education but fared well without it for his mother, Clarinda Reaugh, was his teacher in all things. The daughter of a Presbyterian minister, his mother instilled in her only child an appreciation of nature, grounded in her own readings in zoology, botany, and natural history. Her teachings were infused with the philosophies of the famed Swiss zoologist Louis Agassiz and John Burroughs, supporter and contemporary of Walt Whitman, who wrote extensively on his symbiotic relationship with nature. Clarinda Reaugh also encouraged her son's interest in drawing through her own interest in the fine arts. Reaugh's father, George Washington Reaugh, was a mechanic, carpenter, cabinetmaker, and farmer, who had participated in the Gold Rush of 1849. It was from his father that Reaugh learned to be extremely adept with his hands, and later made his own picture frames and patented several inventions. George Reaugh's sense of adventure may have spurred his son's annual trips to West Texas and beyond, which began in the early 1880s. Reaugh's first exposure to art came through reproductions in popular magazines such as Harper's, Scribner's, and Century Illustrated. Rosa Bonheur's Horsefair, the Dutch painter Paulus Potter's Young Bull, and the landscapes of Frederic Edwin Church and J. M. W. Turner were favorites of his. (In fact, his late works are often especially reminiscent of Church and Turner.) From these early reproductions in black and white, Reaugh learned well the lessons of value and composition. While he studied and copied magazine reproductions, Reaugh also became interested in bovine anatomy. Using a "two-bit" book on cattle and sheep anatomy as his text, the young artist collected bones near the Reaugh farm and made measurements from family livestock. He supplemented his scientific studies with sketches made from longhorn cattle brought up from South Texas to fatten on grass nearby. In the early 1880s, Reaugh met two cattlemen, Frank and Romeo Houston, who had interests throughout North Texas, and accompanied them on cattle drives and roundups near present-day Wichita Falls and in Indian Territory (now Oklahoma). His first documented trip to Western Texas came in 1883; probably near present day Wichita Falls and Henrietta, Texas. Reaugh made numerous sketches during these trips, often from the saddle, and later enlarged and composed them in the studio. His field sketches resulted in his first two pastel masterpieces, Watering the Herd (1889) and The One-O Roundup (1894). and his oil The Approaching Herd (1902). These trips with the Houstons, begun as early as 1883, spurred a wanderlust for West Texas that lured Reaugh until he was nearly eighty. Reaugh took his first formal art training at the Saint Louis Museum and School of Fine Arts during the winter of 1884-85. He spent most of his time there drawing from plaster casts of Greek, Roman, and Italian sculpture and possibly live models. Reaugh also met Halsey C. Ives, director of the school, who lectured on avant-garde art trends in Europe, particularly French Impressionism. Later, Ives was instrumental in the acceptance of Reaugh's work for display at the Louisiana Purchase Exposition, held in Saint Louis in 1904. Following his studies at Saint Louis, Reaugh returned to Terrell and began teaching art to young ladies in the area. He supplemented his art classes with a stint at teaching public school, and by November 1888 had saved enough money for a trip to Europe. Upon arriving at Paris, Reaugh enrolled at the Academie Julian, a school very popular with international students, especially Americans. He drew and painted from the figure while at the Academie under Jules Lefebvre, John-Joseph Benjamin Constant, and Henri-Lucien Douciet, all members of the "juste milieu" in France. Reaugh studied at the Academie for half of each day then supplemented his formal instruction by making copies of or studying paintings in the Louvre and the Luxembourg Palace. Logically he was especially drawn to the pastels in what he later called the 'pastel room' in the Louvre. In his 1927 pamphlet, Pastel, Reaugh wrote of the pastel painters he saw in the gallery: "[John] Russell, of England, and [Maurice-Quentin de] La Tour, [Jean Etienne] Liotard, [Jean Simeon] Chardin, and [Madame Vigee] Le [sic] Brun. These were great painters. . .the work of all of them may be seen in the pastel room of the Louvre, as fresh and bright, apparently, as on the day it was done." In addition to the pastellists he mentioned, Reaugh also saw pastels in the Louvre by Rosalba Carriera, Francois Boucher, and Pierre Paul Prudhon. At the end of March 1889, Reaugh traveled through Belgium and Holland, studying paintings of the Flemish and Dutch schools, and particularly those of The Hague School, of which Anton Mauve was a part. He returned to Paris in time to see the Exposition Universelle, at which paintings by French Impressionists Cezanne, Manet, Monet, and Pissarro were exhibited. This may have been Reaugh's initial exposure to Impressionism. Reaugh returned to Texas at the end of May 1889. Between 1890 and 1915, Frank Reaugh enjoyed his greatest success as an artist. He exhibited works at two world's fairs: the World's Columbian Exposition at Chicago in 1893 and the Louisiana Purchase Exposition in 1904. He also exhibited at the prestigious National Academy of Design at New York, the Pennsylvania Academy of the Fine Arts at Philadelphia, and the Art Institute of Chicago. Moreover, Reaugh became a member of the Society of Western Artists and exhibited with that group all over the United States. Finally, Reaugh toured his pastels with much success, especially in the upper Midwest. Simultaneously, Reaugh continued his trips to the West and, beginning in the 1890s, he started using a camera as a sketching tool. He photographed the landscape as well as cattle, and in 1893 photographed in Palo Duro Canyon; perhaps his first trip to the 'Grand Canyon of Texas'. After 1900, Reaugh turned his genius to inventing and patented several devices including a folding lap easel, a water pump, and a cooling mechanism for internal combustion engines, among other things. He also patented Reaugh Pastels, using a formula he developed and shaped into an octagonal-shape stick for easier gripping. Allegedly, either John Singer Sargent or William Merritt Chase used Reaugh Pastels. Reaugh also became more active in Dallas art and civic circles. After first offering private art lessons, he organized the Dallas School of Fine Arts in 1899. He urged Dallas to build the city's first art gallery in 1900, to which he donated a painting, and helped found the Dallas Art Association in 1903. Furthermore, Reaugh arranged the loan of paintings from then-contemporary American artists in the East and Midwest for the State Fair of Texas. An vocational naturalist, Reaugh also organized a popular nature study club in Dallas, members of which were young ladies who grew to be influential Dallas civic leaders. Nevertheless, despite his ground-level work to bring art to Dallas, as the Dallas Art Association grew Reaugh was pushed aside by socialites and his contributions forgotten. Around 1910 and possibly earlier, he began taking students with him on his trips West. Among them were Texas artists Edward G. Eisenlohr, Florence McClung, Lloyd Goff...

Evocative figurative painting of a woman seated in a studio by an unknown artist (20th Century). A woman dressed in red is sitting in a chair atop a platform. There are studio lights...

Sin titulo original pastel abstract painting Manel Font Díaz (Barcelona, 1950) es un artista centrado especialmente en la pintura, primero formado en la facultad de Bellas Artes de ...

Women, 2023, 78x54 cm The work is sold without a frame.

Brightly colored Fauvist coastal landscape of a vivid purple cypress tree at the edge of the water, under a bright yellow sky and orange sun by Karen Druker (American, 1945). Signed ...

Original pastel painting. framed Maria Vich is an artist from the Balearic Islands. Influenced by her teacher Tito mCittadini, she focuses her work on reflecting the countryside env...

Untitled (ID 1289) (Abstract Painting) Pastel on paper - Unframed In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that e...

Beautiful 1940s pastel still life of apple blossoms in pink monkey vase by Eugenie May Pack Stiffler (American, 1870-1959). Signed lower left corner; title lower right edge. Present...

Frammenti Mineral Oxide on Paper (Fabriano Elle) 100x70 cm 2023 Original Art Marilina Marchica's research delves into the relationship between Man and Nature and the emotional imp...

The painting "Inspiration Catcher" takes the viewer into the space between reality and imagination. The artist captured a fleeting moment - the very moment when an idea is born in th...

Artist Commentary: Found material, pastel, paper, ink on a cardboard box. A piece about hurting yourself for the love of another. Will professionally frame in float frame if purchase...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

pastel on paper, signed lower right. Henri Bernard Goetz (September 29, 1909 – August 12, 1989) was a French American Surrealist painter and engraver. He is known for his artwork, a...

16 x 12" oil, pastel and cold wax on a cradled wooden panel.

Nicolas Party Untitled, 2018 Signed dated and inscribed on verso Oil, pastel and gold leaf 18 x 13 cm 7.1 x 5.1 inches Throughout a practice that spans painting, drawing, sculpture...

Exhibited: 2003 Oakland Museum of California "Fred Martin Retrospective" A native Californian, Fred Martin was born in San Francisco in 1927, and received both his BA (1949) and MA (1954) from University of California, Berkley. At the San Francisco Art Institute Martin studied with Clyfford Still, Mark Rothko and David Park...

Setting Sun in the Meadow 18x 24 x 0.1, 0.1 lbs Pastel on paper Hand signed by the artist Artist's Commentary: "This pastel painting was inspired by the warm light of the setting sun in early summer in Virginia. I was attracted by the light hitting part of the flowers when others stayed in the shade. The blue haze of the distant mountains and a small barn added to the beauty of the piece." About the Artist: I am a Russian born plein air oil and pastel artist...

Painting of the series “Not a dicky bird”, 100x80cm, acrylic, pastel, canvas

Jogen Chowdhury - Untitled, 14 x 11 inches ( Unframed Size ) Ink with Brush & Dry Pastel on Paper, 2014 Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised - the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist & his works : Born : 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background: His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury's father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education: 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience: 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled 'Hridoy Train Beje Othey'. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions: 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi . 1979: The Sao Paolo Biennale . 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale 1989: 'Festival of India', in Geneva 2002: Saffron art...

'Ashes From the Snow'. Original Artwork. Framed ready to hang _________________ All winter long we burned the old dead elms in the hearth, watching it release mythical dancing dream ...

America Martin "Woman Looks for Flowers" Pastel & Ink on Paper 37.75 x 25.25 in Framed 36.25 x 28.25 in America Martin is an internationally represented Colombian-American fine ...

America Martin "Woman in Blue" Pastel & Ink on Paper 22.25 x 25.75 in Framed 28.25 x 29 in America Martin is an internationally represented Colombian-American fine artist based ...

America Martin "Woman in Black & Gold" Pastel & Ink on Paper 22.25 x 25.75 in Framed 28.25 x 29 in America Martin is an internationally represented Colombian-American fine a...

Woman is an original artwork realized by François Chapuis in the first years of the 1970s. Colored pastels on paper. Signed in pencil by the artist on...

The high, the low is a mixed media painting created using acrylic, charcoal, pastels and pencils. This is an imagined landscape that unfolds as an emotional terrain reflecting the sh...

Colors original abstract pastel Painting Manel Font Díaz (Barcelona, 1950) es un artista centrado especialmente en la pintura, primero formado en la facultad de Bellas Artes de la U...

Alessio Tacchinardi - Young Juventus Talent, UEFA Champions League 1995-96 - The Rise of a Star Technique: Charcoal on paper, Signed and dated '96 Author: Marco Silombria (Savona, 1...

Walking in the mountains is a mixed media painting created using acrylic, charcoal and pastels. This painting is inspired by childhood years spent in a Himalayan valley. Layers of te...

Abstract Composition is an original contemporary artwork realized by Claudio Palmieri in 1989. Mixed colored pastel on paper. Hand-signed and dated by the artist on the lower right ...

Sanatan Dinda - Nude Woman - 28 x 20 inches (unframed size) Pastel on Paper, 2010 shipment without frame Style : Sanatan Dinda discovers the beautiful amidst the ruins of a dilapidated city; his work becomes lyrical while he puts his signature on the curves and cleavages of sculpted human bodies. Born in the intestines of North Kolkata, the lanes and by lanes of Kumartuli, the squalor and the dirt, the refinement and nuances of a traditional craft of idol-making, the ancient river, the lonely bathing places taught him everything. Poverty all around, Sanatan had enough courage, even in his formative years, to convince himself that eternity could be invented, here and now, in a day. His art, both sculpture and painting, engages in a dialogue between tradition and modernity. Today, his work can be considered to be a prime example of contemporary Bengali visual culture. For last few years, Sanatan has been trying to stress upon traditional clay-sculpting – primarily the local popular sculpture...

Untitled is a beautiful artwork realized by Maurizio Gracceva in the 2008. Mixed media on paper: acrylic, pastels, spray Hand signed by the artist. Author of numerous philosophica...

I Am Not Alone is a mixed media painting created using acrylic, charcoal, pastel, and collage. It was developed instinctively, reflecting my memory of walking through Mam Tor in the ...

pastel on paper

James Vaulkhard Jim, 2025 Oil, charcoal, pastel and oil stick on fine linen 80 x 70 cm 31.5 x 27.6 inches James Vaulkhard Share James Vaulkhard holds a BA degree in History of Art f...

This painting is inspired by the beauty of the seascape.

Abstract Expressionism is an original contemporary artwork realized by the Italian artist Giorgio Lo Fermo in 2016. Original mixed media on plywood (pastel and oil painting). Hand...

Daydream, 80x60cm, acrylic, pastel, canvas

Joanne Seltzer was born in Philadelphia, Pennsylvania and raised in Charleston, West Virginia. After having majored in journalism at Northwestern University (she graduated in 1963), ...

This unique artwork is created through interweaving and twisting strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is fram...

Struggle teaches you a lot of things, and I am happy that I witnessed a roller coaster ride. The journey has improved me as a person and made me more mature. Life is like a roller co...

Title: PaperLandscape – Mixed Media and Collage on Canvas by Marilina Marchica (2019) Artist: Marilina Marchica (b. 1984, Italy) Title: PaperLandscape Year: 2019 Medium: Mixed media...

Rabin Mondal - Untitled Pastel on Paper 16 x 23 inches, 1981 ( Unframed & Delivered ) This striking pastel work by Rabin Mondal from 1981 showcases his signature expressionist style...