Screen Paintings

Amas de Chanel (Noir) is a dramatic and atmospheric work from Burton Morris’ Chanel No. 5 Series, presented in his solo exhibition Icons in Bloom at MASH Gallery in West Hollywood. T...

Unique hand embellished with acrylic paint and silver marker on serigraph. Hand signed and dated by Ronnie Cutrone. Artwork size: 40 x 30 inches. Frame size: approx 44 x 34 inches...

Created for Icons in Bloom, Burton Morris’ first Los Angeles solo exhibition in over fifteen years at Mash Gallery, Pop! Silver from the Pop! x Bang! series reflects a pivotal shift ...

Jardin Blanc is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work belongs to the artist’s Sea of Roses series, where the single rose is exp...

This limited edition is an exciting new collaborative project between Sir Elton John, world-renowned photographer Terry O’Neill, and innovative artist David Studwell. In the lead-up ...

Part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery, Couture l'Argent presents the rose as a luminous emblem suspended between image, object, and symbol. Rendered t...

Limited edition screen print of a man and his dog in the Canary Wharf underground, London. Additional information: Mychael Barratt Wes Anderson's Dog - Canary Wharf [2023] Screen ...

Jardin de Mode is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work belongs to the artist’s Sea of Roses series, where the single rose is t...

Born in Denver, Colorado, in 1931, Peterson spent four years at sea with the U.S. Navy. His principal duty – as a hand on an ocean-going tug sailing the Aleutian islands, North Pacif...

Unique hand painted silkscreen on canvas. Hand signed on verso by Steve Kaufman. Canvas is stretched. Canvas size 30 x 30 x 2 inches. Artwork is in excellent condition. Certifica...

Unique oil painted silkscreen on canvas. Hand signed 'SAK' on verso by Steve Kaufman. Canvas size: 17 x 45 x 2 inches. Canvas is stretched. Artwork is in excellent condition. Cer...

John Hitchcock uses the print medium with its long history of social and political commentary to explore relationships of community, land, and cu...

Original and unique artwork by Russell Young. Acrylic paint and enamel screen print on linen, unframed dimensions 62 x 48 inches, 2008, from the series "Fame + Shame". Red and dark c...

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Fishing Lure on Gold II Year: 1987 Medium: Acrylic and Screenprint on Canvas, signed, dated, and stamped verso Image Size: 1...

Artist: Darryl Hughto, American (1943 - ) Title: Oh, Susanna Year: 1981 Medium: Silkscreen with Acrylic Painting, signed l.r. Image Size: 39 x 22 inches Size: 42 x 30 in. (106.68 x 7...

This Blue Dog work consists of 3 different outlined portraits of dogs. One frame is 1 dog on a red background, another is 2 dogs on a dark blue background with a moon and the 3rd is ...

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Fishing Lure on Gold I Year: 1987 Medium: Acrylic and Screenprint on Canvas, signed, dated, and stamped verso Image Size: 11...

Unique oil painted silkscreen on canvas. Hand signed 'SAK' on verso by Steve Kaufman. Canvas image size: 36 x 50 inches. Canvas is not stretched. Artwork is in excellent conditio...

Artist: Francesco Scavullo Title: Lena Horne Year: 1984 Medium: Screenprint and Enamel on Canvas, Signed Verso Size: 34.75 x 32.25 in. (88.27 x 81.92 cm)

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover traveled to Liege from the US, and the three in combination with two of the factories master glassblowers, realized Mr. Winters' work over six weeks time. A portion of the works, a group of glass heads and hats that the artist had produced at the factory, were exhibited in 1990 at the Centre d’Art Contemporain Geneve in Geneva, Switzerland. Later in the year they were included in his solo exhibition at Brooke Alexander Gallery in New York City. They were also shown at Facts and Rumours, an exhibition at the Witte de With Center for Contemporary Art in Rotterdam, the Netherlands in 1991. Winters had a solo exhibition at Van Esch Galerie in Eindhoven, the Netherlands called I am not Indifferent in 1991. The show consisted of paintings, glass heads, and bronze sculpture. Two years later he had another solo exhibition at the Renaissance Society at the University of Chicago, entitled Human Nature. Several hundred heads, made of glass and ceramic, lined the walls and were arranged in rings on the floor. Also on display were various paintings and bronzes. In 1994 Winters had a show at the Michael Klein Gallery in New York City entitled Notes from the Finishing Room, a solo exhibition of paintings. The artist also collaborated with fellow Benicia natives and glass artists Leroy Champagne and Michael Nourot...

Artist: La Pun, Campbell Title: Liquid Icons - Boston Series: Liquid Icons Date: 2025 Medium: Aerosol on canvas Unframed Dimensions: 35.2" x 57.3" Signature: Signed Edition: ...

Unique hand embellished with silver marker on serigraph. Each print has been embellished by Ronnie Cutrone differently, making each unique. Hand signed lower right by Ronnie Cutron...

This is done on a very interesting handmade paper (Japanese?) it is hand signed and numbered. In this print the artist Sam Messer uses bold contrasting colors in a gestural manner. Messer's work, so apparently spontaneous or impulsive in its emphasis on highly dramatic gestural brushstrokes and intense color, is, in fact, carefully considered. The treatment of the composition conveys dynamic movement through the sweep...

Summer I. 1972, cardboard, mixed media, silk screen printing, 80x100 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in L...

Nicolas DE STAEL, Oeuvre gravé, Bibliotheque Nationale Exhibition, 1979 Original print poster, size is framed Excellent condition

Chuck Sperry Bacchante Panel Edition out of 30 7 color screen print on oak panel 26.75 x 20 inches Signed and numbered by the artist

Unique acrylic painting on top of 1 color screen print on 300gsm plike paper. Paint is thick and adds around 5mm of height. Hand signed and dated lower right by Shane Turner...

Nick Veasey Easy Listener Silver Silkscreen 2025 From Print Series Signed and numbered by artist 75 x 105 cm frame included Numbered 5 out of 75

France-Lise McGurn (British, b. 1983) In Pub-Lik, 2021 Medium: Painting on silkscreen base, on paper Dimensions: 60 cm x 60 cm Edition of 10 (with same silkscreen base): Hand-signed,...

Orignal and unique artwork by Russell Young. Acrylic paint, enamel and diamond dust screen print on linen, unframed 62 x 48 inches, from the series "Diamond Dust". Dark colors, hand...

Unique oil painted silkscreen on canvas. Hand signed 'SAK' on verso by Steve Kaufman. Canvas size: 16.5 x 14 x 2 inches. Canvas is stretched. Artwork is in excellent condition. C...

Unique acrylic painting on top of 1 color screen print on 300gsm plike paper. Paint is thick and adds around 5mm of height. Hand signed and dated lower right by Shane Turner...

Original and unique artwork by Russell Young. Acrylic paint screen print on canvas, unframed dimensions 60 x 45 inches, 2006, from the series "White rabbit". Dark and vivid colors, h...

Chuck Sperry Sappho Panel Edition out of 30 7 color screen print on oak panel 20 x 30 inches Signed and numbered by the artist

Chuck Sperry Mystai Blue Edition out of 30 screen print on oak panel 20 x 30 inches Signed and numbered by the artist

Hand embellished with oil painting on silkscreened canvas. Hand signed on verso by Steve Kaufman. Hand numbered 32/89 on verso. Canvas size: 20.5 x 25.5 x 2 inches. Canvas is str...

Augmented (Hand painted) screenprint by Patricia A. Pearce (American, b. 1948). Presented in a new double mat of black and gray. Unsigned, but was acquired with a collection of Pearc...

Screen print with stencil, acrylic and spray paint on wove paper. Hand signed on front; signed and dated on verso with studio catalog number and thumbprint. Artwork size: 30 x 22 ...

Pierre Carrilero Fucked by the System, 2015 Screenprint on fabric in situ with steel bar construction 140 x 260 cm

John Hitchcock uses the print medium with its long history of social and political commentary to explore relationships of community, land, and culture. Hitchcock’s works on paper an...

We are pleased to offer this Ceravolo's classic "New York Model in Zebra with Yellow Stripes" a strong minimalist portrait, with great presence and po...

Mirrored glass and silkscreened plexiglass wall sculpture. Incised artist signature and edition on verso. From the EA edition of 20 (there is also the main edition of 99). Artwork...

In this mixed media 24"x24" painting by XVALA, 'Meme Money 000: Goochi Sponge,' the artist colorfully plays with the 'Gucci' brand in tandem with the childhood cartoon series, SpongeBob. SpongeBob as a Goochi sponge takes center stage with orange glasses glasses in a palette of purple, green, and red on a fuschia pink background. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His Fear Google campaign exposed the decay of privacy and No Delete used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

In this mixed media 24"x24" painting, 'Meme Money 007: Green Goochi,' by XVALA, the artist colorfully plays with the 'Gucci' brand in tandem with the childhood cartoon series, SpongeBob. SpongeBob, as a green 'Goochi Sponge,' takes center stage with a green letter pattern on the canvas background. The work is a screen print with additional painting and iridescent oil stick by the artist with predominant colors of green and gold. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His 'Fear Google' campaign exposed the decay of privacy and No Delete used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

'I'll Be Back,' by XVALA is a mixed media painting and colorful screen print with iridescent oil stick painting featuring the theme of the 'New World Order.' It was produced in 2015/16. The phrase 'I'll Be Back' is printed on the top and bottom margins of the work with the words 'New World Order' on the top margin. Three heads are stacked in the center of the canvas with the 'all seeing eye' on the top of the head. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His 'Fear Google' campaign exposed the decay of privacy and 'No Delete' used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

Nick Veasey Handcuff Handbag Silver Silkscreen 2025 From Print Series Signed and numbered by artist 75 x 75 cm frame included Numbered 5 out of 75

Unique hand embellished with acrylic paint and marker on screen print. Hand signed and dated lower right by Ronnie Cutrone. Hand numbered 59/150 lower left. Artwork size: 42 x 27....

Unique oil painted silkscreen on canvas. Hand signed 'SAK' on verso by Steve Kaufman. Canvas size: 16.5 x 14 x 2 inches. Canvas is stretched. Artwork is in excellent condition. C...

Unique hand painted silkscreen on canvas. Hand signed on verso by Steve Kaufman. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. ...

Pop Roses! is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work belongs to the artist’s Pop! x Bang! series, where his signature popcorn bo...

The Alphabet (beige) Jules Engel Hungarian/American (1909–2003) Date: 1970 Screenprint, signed and numbered in pencil, verso Edition of 25 Image Size: 15 x 15 inches Size: 21.5 x 2...

Rose Couture II is also featured in Icons in Bloom at MASH Gallery. The work introduces a luminous atmospheric field that surrounds the rose in layered red and violet gradients. Unli...

Rose Couture III is also featured in Icons in Bloom at MASH Gallery. The work introduces a luminous atmospheric field that surrounds the rose in layered red and violet gradients. Unl...

Jardin Noir is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work belongs to the artist’s Sea of Roses series, where the single rose is expa...

Created for Icons in Bloom, Burton Morris’ first Los Angeles solo exhibition in over fifteen years at Mash Gallery, Pop! Black from the Pop! x Bang! series reflects a pivotal shift i...

Created for Icons in Bloom, Burton Morris’ first Los Angeles solo exhibition in over fifteen years at Mash Gallery, Pop! Gold from the Pop! x Bang! series reflects a pivotal shift in...

Rose Couture I is also featured in Icons in Bloom at MASH Gallery. The work introduces a luminous atmospheric field that surrounds the rose in layered red and violet gradients. Unlik...

Part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery, Couture Noir presents the rose as a luminous emblem suspended between image, object, and symbol. Rendered throu...

Presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery, Rose Couture IV distills the rose into a singular, commanding icon set against a saturated pink gr...

Part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery, Couture Rouge reimagines the rose within a circular format that references both design object and symbolic meda...