Screen Paintings

Eggermont, Marjan (Contemporary Dutch Canadian), Big Seeds 2006, mixed media, patina and silkscreen painting on steel, 20 x 20 inches Hand signed, titled and dated on wood bar vers...

Eggermont, Marjan (Contemporary Dutch Canadian), Ghost Island 2006, mixed media patina and silkscreen painting on steel, 20 x 20 inches Hand signed, titled and dated on wood bar ve...

Laura Jordan Central Park NYC Limited Edition Print Edition 20 Image Size: H 49cm x W 54cm Sheet Size: H 59.5cm x W 59.5cm x D 0.1cm Sold Unframed Please note that in situ images ar...

Peter Tunney (b. 1961) Audrey Hepburn 2015 Acrylic paint Hand-pulled silkscreen with hand coloring on archival museum board. 40 x 32-1/4 inches (101.6 x 81.9 cm) (sheet) Hand signed and dated in ink lower right This is from a series titled The movie stars. Each is a unique silkscreen based on a licensed photograph of a movie actor. Each is unique due to the colors and patterns created by the artist on the photo image. Audrey is a unique, hand-pulled silkscreen on hand painted archival museum board Peter Tunney (b. 1961) is a legitimate force of nature with boundless creative energy, spreading his positive messages in unconventional ways and delivering works of art to a worldwide collector base. He creates in almost every medium: paint, collage, wood, photography, found objects, and discarded materials. Peter Tunney is an American visual artist, publisher, art dealer, socialite and former Wall Street executive. He currently lives and works between New York City and Miami, Florida. Tunney first made his fortune investing in biotechnology stocks on Wall Street. He then went onto found for the now closed SoHo gallery "The time is Always Now" where for nine years he showed a vast collection of work by the famed wildlife and fashion photographer Peter Beard, some of which was created on site. In 1994 Tunney was featured on Lifestyles of the Rich and Famous, as profiled by Robin Leach, and mentioned as one of the worlds most eligible bachelors. Later Beard and Tunney had a dramatic falling out. A tumultuous period followed leading to Tunney's living in the nightclub Crobar while doing a performance piece and eventually to rehab. Today Tunney is a visual artist who works in the genre of neo-pop and whose work has been compared to that of Mel Bochner and Christopher Wool. Tunney is also known for his "Tunney Money" a system of art given in place of cash relinquished. one of his more high profile works so far was a billboard he did in the New York City borough of the Bronx alongside the Major Deegan Expressway which spelled out "GRATTITUDE" (in all capital letters with an extra T added on for emphasis) a word which Tunney has articulated frequently in his visual works. Tunney is also known for his surfboards which he turns into artworks often with his sayings such as "City of Dreams" or the aforementioned "GRATTITUDE" embellished onto them rendering the pieces of sports equipment works of art. In 2009 Tunney was commissioned by now Senior advisor to the President of the United States Jared Kushner (for whom Tunney had previously created a stencil overlay taken from his work "Don't Panic" for Kushner's newspaper The New York Observer) to establish an immersive work called "The Experiment" in the lobby of Kushner's fifth avenue sky scraper 666 Fifth Avenue. In the Wynwood section of Miami he opened a gallery dedicated to his work called the "Peter Tunney Experience". Now forthcoming with the kickoff of the new NFL season at Hard Rock Stadium, home of the Miami Dolphins in Miami Gardens, Florida, is a large scale multiple mural project mostly of bright colorful abstract works some with a tip of the hat to Football, a project which arose out of a dialogue between Tunney, Jessica Goldman Srebnick (CEO of Goldman Global Arts and daughter of the late famed real estate developer, preservationist and arts visionary Tony Goldman) and the Dolphins. Among the artists whose efforts are included in the body of work are; Assume Vivid Astro Focus...

Born in Denver, Colorado, in 1931, Peterson spent four years at sea with the U.S. Navy. His principal duty – as a hand on an ocean-going tug sailing the Aleutian islands, North Pacif...

ust Out Of Reach by Carne Griffiths is a Limited Edition Print on 330 gsm Somerset Paper with hand torn edges and is signed and editioned by the artist. Please note that insitu images are purely an indication of how a piece may look ADDITIONAL INFROMATION: Edition of 50.  sold unframed Print Medium: Giclee with screenprints varnish layers and 24 carat gold detailing. These detailing's are used to enhance the elements within the print; Griffiths is known for using unique mediums to create his art works primarily working with products such as tea, vodka, whiskey, brandy and calligraphy inks.  Image size: Height: 50cm (19.69 in) Width: 70cm (27.56 in) Complete size of sheet  Height: 60cm (23.62 in) Width: 80cm (31.50 in) Depth: 0.1cm (0.04 in) ARTIST BIOGRAPHY: Originally from Liverpool, Griffiths graduated from the Kent Institute of Art and Design in Maidstone in 1995. After completing a one-year KIAD fellowship and moving to London he served an apprenticeship at the longest-established gold wire embroidery firm in the world. Here he worked as a gold wire embroidery designer for twelve years, eventually becoming the creative director. Carne produced intricate designs for the military and the film, theatre...

Unique oil painted silkscreen on canvas. Hand signed 'SAK' on verso by Steve Kaufman. Canvas image size 47 x 47 inches. Canvas is not stretched. Artwork is in excellent condition...

Screen print with stencil, acrylic and spray paint on wove paper. Hand signed on front; signed and dated on verso with studio catalog number and thumbprint. Artwork size: 30 x 22 ...

Champagne City, Aqua Blue Thames Clare Halifax very limited edition of 10 prints featuring hand gilded champagne gold leaf 22.5ct with aqua blue thames. This 2 colour screen print wi...

John Hitchcock uses the print medium with its long history of social and political commentary to explore relationships of community, land, and culture. Hitchcock’s works on paper an...

Rocky Horton is a conceptually based multi-disciplinary artist whose work spans painting, sculpture, video, and performance. Horton received his undergr...

ALISTAIR MACK (1955-) Scottish painter and print maker. He trained at Edinburgh College of Art after working as a lab technician for 12 years and his artistic work is often inspired ...

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Fishing Lure on Gold III Year: 1987 Medium: Acrylic and Screenprint on Canvas, signed, dated, and stamped verso Image Size: ...

Three two-color screen prints on handmade Hahnemühle paper (300 g/m²), each 70 x 50 cm, numbered and signed by the artist. Fusing European Expressionism with American pop culture, w...

Chuck Sperry Flora Panel Edition out of 30 7 color screen print on white oak panel 20 x 33 inches Signed and numbered by the artist

Limited edition screen print of a man and his dog in the Canary Wharf underground, London. Additional information: Mychael Barratt Wes Anderson's Dog - Canary Wharf [2023] Screen ...

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Fishing Lure on Gold I Year: 1987 Medium: Acrylic and Screenprint on Canvas, signed, dated, and stamped verso Image Size: 11...

Halcyon Evenings by Emma Reynolds [2021] limited_edition Screenprint Edition number 15 Image size: H:59.5 cm x W:74.5 cm Complete Size of Unframed Work:...

Artist: Darryl Hughto, American (1943 - ) Title: Oh, Susanna Year: 1981 Medium: Silkscreen with Acrylic Painting, signed l.r. Image Size: 39 x 22 inches Size: 42 x 30 in. (106.68 x 7...

Just Out Of Reach by Carne Griffiths is a Limited Edition Print on 330 gsm Somerset Paper with hand torn edges and is signed and editioned by the artist. Edition of 50. Print Medium:...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover traveled to Liege from the US, and the three in combination with two of the factories master glassblowers, realized Mr. Winters' work over six weeks time. A portion of the works, a group of glass heads and hats that the artist had produced at the factory, were exhibited in 1990 at the Centre d’Art Contemporain Geneve in Geneva, Switzerland. Later in the year they were included in his solo exhibition at Brooke Alexander Gallery in New York City. They were also shown at Facts and Rumours, an exhibition at the Witte de With Center for Contemporary Art in Rotterdam, the Netherlands in 1991. Winters had a solo exhibition at Van Esch Galerie in Eindhoven, the Netherlands called I am not Indifferent in 1991. The show consisted of paintings, glass heads, and bronze sculpture. Two years later he had another solo exhibition at the Renaissance Society at the University of Chicago, entitled Human Nature. Several hundred heads, made of glass and ceramic, lined the walls and were arranged in rings on the floor. Also on display were various paintings and bronzes. In 1994 Winters had a show at the Michael Klein Gallery in New York City entitled Notes from the Finishing Room, a solo exhibition of paintings. The artist also collaborated with fellow Benicia natives and glass artists Leroy Champagne and Michael Nourot...

Mini Sweets Diptych by Gavin Dobson Consists of Mini Gummy Bear Mini Cola Bottle Each piece individually is £60 Each piece individually is H21cm x W14.8cm x D0.1cm Both pieces so...

This beautiful layered floral work is by Cara Enteles. Her work is motivated by a fascination with nature and a concern for the environment. She splits her time between NYC and rural...

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Fishing Lure on Gold II Year: 1987 Medium: Acrylic and Screenprint on Canvas, signed, dated, and stamped verso Image Size: 1...

Three two-color screen prints on handmade Hahnemühle paper (300 g/m²), each 70 x 50 cm, numbered and signed by the artist Fusing European Expressionism with American pop culture, wh...

John Hitchcock uses the print medium with its long history of social and political commentary to explore relationships of community, land, and cu...

Anuk Naumann. Spring fields- mixed media acrylic and silkscreen painting.

Unique hand painted silkscreen on canvas. Hand signed and dedicated on verso by Steve Kaufman. Canvas is stretched. Canvas size 34 x 40 x 2 inches. Artwork is in excellent condit...

Chuck Sperry Mystai Blue Edition out of 30 screen print on oak panel 20 x 30 inches Signed and numbered by the artist

Summer I. 1972, cardboard, mixed media, silk screen printing, 80x100 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in L...

Unique hand painted silkscreen on canvas. Hand signed on verso by Steve Kaufman. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. ...

Nicolas DE STAEL, Oeuvre gravé, Bibliotheque Nationale Exhibition, 1979 Original print poster, size is framed Excellent condition

This large scale 113" x 55" mixed media painting by XVALA was created during the pandemic and features floating green robots on a silver canvas with multi-color dollar signs throughout. The COVID-19 pandemic has had a devastating effect on the global economy. The Rona Bots have canceled the economy, but it's not only our money that has been affected. XVALA appropriated this specific dollar symbol from Andy Warhol to remind us that the pandemic has also ripped through the fabric of pop culture in 2020. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His Fear Google campaign exposed the decay of privacy and No Delete used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

France-Lise McGurn (British, b. 1983) In Pub-Lik 5, 2021 Medium: Paint on silkscreen base, on paper Dimensions: 60 cm x 60 cm Edition of 10 (each uniquely painted, on same silkscreen...

This large, mixed media work by artist XVALA depicts the infamous actor Tom Cruise. The background features primarily painted gold and white tones with a variety of images of Tom Cruise enhanced by the artist with oil stick. The painting is layered with images of the actor and masks created by the artist. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His Fear Google campaign exposed the decay of privacy and No Delete used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

Unique hand painted silkscreen on canvas. Hand signed on verso by Steve Kaufman. Canvas is not stretched. Artwork is in excellent condition. Original Steve Kaufman Art Studio Certif...

Unique hand painted silkscreen on canvas. Hand signed on verso by Steve Kaufman. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. ...

John Hitchcock uses the print medium with its long history of social and political commentary to explore relationships of community, land, and cu...

John Hitchcock uses the print medium with its long history of social and political commentary to explore relationships of community, land, and culture. Hitchcock’s works on paper an...

Unique hand painted silkscreen on canvas. Hand signed on verso by Steve Kaufman. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. ...

John Hitchcock uses the print medium with its long history of social and political commentary to explore relationships of community, land, and culture. Hitchcock’s works on paper an...

Unique hand painted silkscreen on canvas. Hand signed on verso by Steve Kaufman. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. ...

Hand embellished with oil painting on silkscreened canvas. Hand signed on verso by Steve Kaufman. Hand numbered 32/89 on verso. Canvas size: 20.5 x 25.5 x 2 inches. Canvas is str...

Nicolas DE STAEL, Oeuvre gravé, Bibliotheque Nationale Exhibition, 1979 Original print poster, size is framed Excellent condition

France-Lise McGurn (British, b. 1983) In Pub-Lik, 2021 Medium: Painting on silkscreen base, on paper Dimensions: 60 cm x 60 cm Edition of 10 (with same silkscreen base): Hand-signed,...

Born in Central Jersey, Alysha Grace Marko is an NYC-based painter and the owner of AMRM Gallery. Growing up, Alysha was always involved in art: singing, dancing, and theatre. Moving...

Frozen 3, 2016 Printmaking on plexiglass 46,5 x 37 cm Lina Pigadioti-Tzima (b. Athens 1967) studied at Parsons School of Art & Design in Paris (BFA, 1991) and Central Saint Martins ...

We are pleased to offer this Ceravolo's classic "New York Model in Zebra with Yellow Stripes" a strong minimalist portrait, with great presence and po...

Unique hand embellished with acrylic paint and marker on screen print. Hand signed and dated lower right by Ronnie Cutrone. Hand numbered 59/150 lower left. Artwork size: 42 x 27....

This beautiful layered floral work is by Cara Enteles. Her work is motivated by a fascination with nature and a concern for the environment. She splits her time between NYC and rural...

Fishermen is a very common theme in Filcer's paintings. He was fascinated by both the ocean and the fishermen around the world.

21 color screen print on 300 gsm somerset paper. Rare colorstar Artist Proof edtion. Hand signed lower front by Roamcouch. Inscribed AP lower front. Frame size approx 39 x 25 inc...

Puzzled by Hijack

This beautiful floral work is by Cara Enteles. Her work is motivated by a fascination with nature and a concern for the environment. She splits her time between NYC and rural northea...

Artist: Peter Mayer Title: Jocelyn Wildenstein (Purple/Blue) Year: 1998 Medium: Acrylic and Silkscreen on Canvas, signed and dated verso Size: 11 i...

Hand embellished with oil painting on silkscreened canvas. Hand signed on verso by Steve Kaufman. Hand numbered 10/25 TP on verso. Canvas size: 48 x 37 x 2 inches. Canvas is stre...

Set of 3, Oil Ink Silkscreen on Acrylic on tondo plexiglas. Clifford Singer had produced several Spiral Series pieces in the late 1980s.

A rare serigraph by world-renowned Giancarlo Impiglia. This is an opportunity not to be missed. Born in Rome, Impiglia moved to New York in the 70s, where he established a signatur...

Unique hand painted silkscreen on canvas. Hand signed on verso by Steve Kaufman. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. ...

This Blue Dog work consists of 3 different outlined portraits of dogs. One frame is 1 dog on a red background, another is 2 dogs on a dark blue background with a moon and the 3rd is ...