Screen Abstract Paintings

A pop piece depicting Mickey Mouse juxtaposed with a Smith & Wesson Gun. With impasto painting, thrown paint and quick brushwork we are drawn to the movement, as the artist is able t...

The work of Sam Gilliam is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, ...

The Limp conjures the image of Rene consumed with energy and righteousness, then resignation: "He was pushing the door in, I was pushing him out / He won". The words are scrawled in ...

Joseph Nechvatal The Oedipal God of Oil Paint and Destruction, Diptych Oil and screenprint on two canvases, 1985, both signed 'Joseph Nechvatal', titled and dated on the reverse, with label from Brooke Alexander, NY. Joseph James Nechvatal (born 15 January 1951) is a post-conceptual digital artist and art theoretician who creates computer-assisted paintings and computer animations, often using custom-created computer viruses. Joseph Nechvatal was born in Chicago. He studied fine art and philosophy at Southern Illinois University Carbondale, Cornell University and Columbia University, where he studied with Arthur Danto while serving as the archivist to the minimalist composer La Monte Young. From 1979, he exhibited his work in New York City, primarily at Galerie Richard, Brooke Alexander Gallery and Universal Concepts Unlimited. He has also solo exhibited in Berlin, Paris, Chicago, Cologne, Atlanta, Los Angeles, Aalst, Belgium, Youngstown, Senouillac, Lund, Toulouse, Turin, Arles and Munich. His work in the early 1980s chiefly consisted of post minimalist gray graphite drawings that were often photo mechanically enlarged. During that period he was associated with the artist group Colab and helped establish the non-profit cultural space ABC No Rio. In 1983 he co-founded the avant-garde electronic art music audio project Tellus Audio Cassette...

La Femme en Rose is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work is a vibrant piece from the Sea of Roses series in which the rose exp...

Jardin Bleu is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work is a luminous piece from the Sea of Roses series, where the single rose ex...

Palais de Pétales is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work is a monumental triptych from the Sea of Roses series, where the sin...

"Hill Top" Screenprint in Ink on Paper Dramatic abstracted landscape screen print by Sidney Jonas Budnick (American, 1921-1994), C. 1980. Procured as part of larger collection. Cond...

Amas de Chanel (Rose) is a dramatic and atmospheric work from Burton Morris’ Chanel No. 5 Series, presented in his solo exhibition Icons in Bloom at MASH Gallery in West Hollywood. T...

Adrian Barquero For Now, 2025 Mixed media 60h x 40w in 152.40h x 101.60w cm ABQ018 Influenced by his Colombian heritage and background, Barquero uses his personal experience to exp...

Nicolas DE STAEL, Oeuvre gravé, Bibliotheque Nationale Exhibition, 1979 Original print poster, size is framed Excellent condition

Just Out Of Reach by Carne Griffiths is a Limited Edition Print on 330 gsm Somerset Paper with hand torn edges and is signed and editioned by the artist. Edition of 50. Print Medium:...

Nocturne en Roses is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work belongs to the artist’s Sea of Roses series, where the single rose, ...

Jardin Rouge is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work is a commanding monochromatic piece from the Sea of Roses series. At firs...

François Morellet (French, 1926-2016) Untitled (from 6. Kölner Kunstmarkt 72), 1972 Medium: Screenprint on paper Edition of 180: Hand-signed Dimensions: 45 x 65 cm Condition: Excellent

This piece, titled "Altered Dimension" is artwork by Peri Law made from acrylic gouache, watercolor and colored pencil. It measures 31.5"h x 25.25"w x 1.75 framed. It is signed en ve...

Kenny Scharf Val Wong Worm, 2006 Oil, acrylic, silkscreen and rhinestones on paper Signed, dated and titled by the artist on the die-cut window on the back Frame Included: elegantly ...

Eggermont, Marjan (Contemporary Dutch Canadian), Ghost Island 2006, mixed media patina and silkscreen painting on steel, 20 x 20 inches Hand signed, titled and dated on wood bar ve...

Frustration is center stage, written in cursive: "It's one of those days nothing works out right -- bump into any sharp corner – can’t tell flesh from white or brown from…or green fr...

Jennifer Losch Bartlett #7 (Glass Houses), 2000 Mixed Media: 3D Sculpted plate glass over silkscreen grid on baked enamel and steel plate, housed in a box frame Signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Unique Frame included Floated and framed in a museum quality white wood frame with UV plexiglass and a die-cut window in the back revealing the artist's original label and signature Provenance: The original owner acquired this work directly from the artist; bears the artist's bespoke studio label and signature This unique, exceptional 3-D mixed media work is signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Measurements: Frame: 15.75 x 15.75 x 2 inches Artwork: 12 x 12 inches About Jennifer Bartlett: By the mid-1970s, Jennifer Bartlett (1941-2022, b. Long Beach, California) had emerged as a leading American artist of her time—particularly following the landmark presentation at Paula Cooper Gallery of Rhapsody (1976), Bartlett’s magnum opus, now in the collection of the Museum of Modern Art, New York. Bartlett’s first survey exhibition was held in 1985 at the Walker Art Center, Minneapolis, and traveled to the Brooklyn Museum, New York, and the Carnegie Museum of Art, Philadelphia, among others. In 2006, the Addison Gallery of American Art surveyed Bartlett’s early enameled steel plate paintings in the period from 1968–76. In 2013-14, Klaus Ottmann curated her second traveling survey, which visited the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum, New York. In 2014, the Cleveland Museum of Art united her three monumental plate...

Victor Vasarely (1908-1997) Axo This piece is hand signed and numbered circa 1972-1977 I have seen it described as enamel on steel and enamel on aluminium. it is a serigraph on meta...

Presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery, La Vie en Rose is a commanding work from the Sea of Roses series, where the single rose is expande...

Presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery, Clair de Roses is a striking work from the Sea of Roses series in which the rose is expanded into ...

Amas de Chanel (Noir) is a dramatic and atmospheric work from Burton Morris’ Chanel No. 5 Series, presented in his solo exhibition Icons in Bloom at MASH Gallery in West Hollywood. T...

Jardin Blanc is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work belongs to the artist’s Sea of Roses series, where the single rose is exp...

Presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery, Jardin d’Or is a monumental work from the artist’s Sea of Roses series, where the single rose expa...

This large 119" x 72" mixed media painting by the artist, XVALA, is from his series 'Pandemic Collection: 8' and depicts bright colorful cartoon chara...

In Jardin D’Argent, Burton Morris transforms the rose into a luminous silver field, dissolving the single bloom into a soft constellation of layered silhouettes. Part of his Sea of R...

Darren Goins, (American, b. 1993) Acrylic paint and metal flake glitter with silkscreen on paper Not signed on front. (presumably signed verso but has not been examined out of fram...

Augmented (Hand painted) screenprint by Patricia A. Pearce (American, b. 1948). Presented in a new double mat of black and gray. Unsigned, but was acquired with a collection of Pearc...

Three two-color screen prints on handmade Hahnemühle paper (300 g/m²), each 70 x 50 cm, numbered and signed by the artist. Fusing European Expressionism with American pop culture, w...

Three two-color screen prints on handmade Hahnemühle paper (300 g/m²), each 70 x 50 cm, numbered and signed by the artist Fusing European Expressionism with American pop culture, wh...

'I'll Be Back,' by XVALA is a mixed media painting and colorful screen print with iridescent oil stick painting featuring the theme of the 'New World Order.' It was produced in 2015/16. The phrase 'I'll Be Back' is printed on the top and bottom margins of the work with the words 'New World Order' on the top margin. Three heads are stacked in the center of the canvas with the 'all seeing eye' on the top of the head. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His 'Fear Google' campaign exposed the decay of privacy and 'No Delete' used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

Eggermont, Marjan (Contemporary Dutch Canadian), Big Seeds 2006, mixed media, patina and silkscreen painting on steel, 20 x 20 inches Hand signed, titled and dated on wood bar vers...

ust Out Of Reach by Carne Griffiths is a Limited Edition Print on 330 gsm Somerset Paper with hand torn edges and is signed and editioned by the artist. Please note that insitu images are purely an indication of how a piece may look ADDITIONAL INFROMATION: Edition of 50.  sold unframed Print Medium: Giclee with screenprints varnish layers and 24 carat gold detailing. These detailing's are used to enhance the elements within the print; Griffiths is known for using unique mediums to create his art works primarily working with products such as tea, vodka, whiskey, brandy and calligraphy inks.  Image size: Height: 50cm (19.69 in) Width: 70cm (27.56 in) Complete size of sheet  Height: 60cm (23.62 in) Width: 80cm (31.50 in) Depth: 0.1cm (0.04 in) ARTIST BIOGRAPHY: Originally from Liverpool, Griffiths graduated from the Kent Institute of Art and Design in Maidstone in 1995. After completing a one-year KIAD fellowship and moving to London he served an apprenticeship at the longest-established gold wire embroidery firm in the world. Here he worked as a gold wire embroidery designer for twelve years, eventually becoming the creative director. Carne produced intricate designs for the military and the film, theatre...

John Hitchcock uses the print medium with its long history of social and political commentary to explore relationships of community, land, and culture. Hitchcock’s works on paper an...

This is done on a very interesting handmade paper (Japanese?) it is hand signed and numbered. In this print the artist Sam Messer uses bold contrasting colors in a gestural manner. Messer's work, so apparently spontaneous or impulsive in its emphasis on highly dramatic gestural brushstrokes and intense color, is, in fact, carefully considered. The treatment of the composition conveys dynamic movement through the sweep...

John Hitchcock uses the print medium with its long history of social and political commentary to explore relationships of community, land, and cu...

Nicolas DE STAEL, Oeuvre gravé, Bibliotheque Nationale Exhibition, 1979 Original print poster, size is framed Excellent condition

Pierre Carrilero Fucked by the System, 2015 Screenprint on fabric in situ with steel bar construction 140 x 260 cm

Jardin Noir is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work belongs to the artist’s Sea of Roses series, where the single rose is expa...

Jardin de Mode is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work belongs to the artist’s Sea of Roses series, where the single rose is t...

John Hitchcock uses the print medium with its long history of social and political commentary to explore relationships of community, land, and culture. Hitchcock’s works on paper an...

John Hitchcock uses the print medium with its long history of social and political commentary to explore relationships of community, land, and culture. Hitchcock’s works on paper an...

Born and raised in Beverly Hills, California, Daniel Maltzman has always been interested in pop culture and advertisement. His early career consisted of promoting the hottest clubs i...

Artist: Darryl Hughto, American (1943 - ) Title: Oh, Susanna Year: 1981 Medium: Silkscreen with Acrylic Painting, signed l.r. Image Size: 39 x 22 inches Size: 42 x 30 in. (106.68 x 7...

Matthew the Fervid, 2017 Printmaking and mixed media on paper and re-board 165x121x68cm Lina Pigadioti-Tzima (b. Athens 1967) studied at Parsons School of Art & Design in Paris (BFA...

Frozen 3, 2016 Printmaking on plexiglass 46,5 x 37 cm Lina Pigadioti-Tzima (b. Athens 1967) studied at Parsons School of Art & Design in Paris (BFA, 1991) and Central Saint Martins ...

John Hitchcock uses the print medium with its long history of social and political commentary to explore relationships of community, land, and cu...

Frank Stella, Then Water Came and Quenched the Fire (from Illustrations after El Lissitzky's Had Gadya), 1984 Lithograph, linoleum cut and screenprint in colors with handcoloring and...

Just Starting Out, by Melanie Yazzie, Navajo, painting, collage, horse, green

Fusing European Expressionism with American pop culture, while taking in wide-ranging influences from the likes of Friedrich Hölderlin, Walt Disney, and Henry Ford, André Butzer...

Fusing European Expressionism with American pop culture, while taking in wide-ranging influences from the likes of Friedrich Hölderlin, Walt Disney, and Henry Ford, André Butzer...

Fusing European Expressionism with American pop culture, while taking in wide-ranging influences from the likes of Friedrich Hölderlin, Walt Disney, and Henry Ford, André Butzer has ...

Modern Art, Color Changing Art, Street Art-Staring into the Blue A B O U T T H I S P I E C E : "Staring Into the Blue (Bethyie- A9)" is custom Mixed Media, Modern Pop Art, color-cha...

This screenprint was created by the artist in 1991. Signed in pencil and numbered from the edition of 80 measuring 29 x 34 in. (73.7 x 86.4 cm.). Published by The Metropolitan Museu...