Tempera Paintings

Provenance: Private Collection, San Diego, CA. Framed Giovanni Martino, National Academy of Design* member, was born on May 1, 1908 in Philadelphia PA where all seven brothers and one sister, Filomina, Frank, Antonio, Albert, Ernest, Giovanni, Edmond, and William became painters. They were under the tutelage of their eldest brother, Frank, who in the late 1920s, founded the first commercial art* studio, Martino Studios, at 27 South 18th Street. Besides studying with his two eldest brothers, Giovanni also studied with Albert Jean Adolph at La France Institute, The Pennsylvania Academy of the Fine Arts*, The Graphic Sketch Club, and Spring Garden Institute in Philadelphia. In his mid teens he accompanied his two eldest brothers to New Hope searching for subjects to paint. In the 1930s, he also started to paint in Manayunk, a hilly mill town along the Schuylkill River. At this time he signed his paintings M. Giovanni. These colorful impressionistic* works proceeded more thinly painted dramatically poetic street scenes of the mill town. These images developed into impasto* laden oils in the 1960's with some of the paintings worked with a palette knife*. In Manayunk, he was a common sight on the streets and sidewalks, painting on-the-spot with his wife, Eva Marinelli and his two daughters, Nina & Babette. In the 1980's and 90's he also painted in Conshohocken and Norristown with his youngest daughter, Babette. His paintings became more sharply executed like his earlier work but were more colorful. In the late '90's he worked in his studio to enlarge paintings. He is the recipient of over 100 awards and honors. He received the Benjamin Altman Prize in Landscape Painting in 1975 at the National Academy of Design, NYC where he was elected an Academician (NA) in 1944. He mentored not only his wife and two daughters but also taught at Lehigh University and the Graphic Sketch Club, Philadelphia. He died at his home in Blue Bell on February 1, 1997. (Babette Martino...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Winter (The Skaters) by Orovida Camille Pissarro (1893-1968) Egg tempera ...

Suburbs is an original modern artwork realized by Renso Vespignani in 1970s. Mixed colored tempera on canvas. Stamp behind the artwork. Provenance: Vivaldi Collection.

Soriano nel Cimino is an modern artwork realized by Luce Balla in 1970. Mixed colored tempera painting. Hand signed on the lower margin. Title, signature and date on the back. I...

Virgin of Tijvin, after a Russian icon of the 17th century. Egg tempera, gold leaf on gesso over a wooden board. Measurements in centimeters: 44 x 33 x 3 cm / In inches: 17.32 x 12.99 x 1.18 " Author: Oliver Samsinger...

"Birth of Christ", after a Russian icon of the 15th century. Tempera and gold leaves on gesso, wooden board. Dimensions: (H) 68 x (W) 52 x (D) 4 cm. This icon sums up the events of the birth of Christ. At the top left the three wise men from the Orient approach on horses. ABOUT THE ARTIST Oliver...

Signed lower right: KEN DAVIES

Costume is an original painting in mixed media, tempera and watercolor on paper, realized by the Greek-French artist Alkis Matheos . Very good conditions. Signed by artist's stamp....

Autumn is an original tempera painting on paper, realized by the artist Antoine Mayo, art name of Malliarakis (1905-1990) Hand-Signed on the lower right margin In very good condition. Antoine Mayo (Port Said, Egypt 1905 - Seine Port1990). Greek painter naturalized French citizen, active from 1924 in France, was a Surrealist artist and a polyhedric artist: painter, decorator, costume, designer, illustrator and much more. His father was Greek and his mother French, friend of Prévert and Desnos, he is also known for his work as a decorator and costume designer of masterpieces such as Les Enfants du Paradis, Golden helmet or Hiroshima my love.

Highly energetic and abstracted garden flowers and the hint of a figure emerge from this abstract expressionist explosion of color and form, by Dana Wegter (American, 20th-21st Century), 2000. Signed and dated "Dana Wegter '00" lower right. Displayed in a bright yellow mat...

Abstract image made using egg tempera on hardboard panel.

Mimosas is an original contemporary artwork realized by Gina Ceccagnoli in 1996. Acrylic Tempera on Canvas. Hand signed and dated on the lower left margin Artit's Atelier on rear....

Elizabeth Osborne (b.1936). Irises, 1966. Casein and charcoal pencil on paper, sheet measures 10.5 x 12 inches. Unframed. Excellent condition with no fading or damage. A very tiny area of paper loss in lower right corner. Biography: Elizabeth Osborne, born in Philadelphia PA, has exhibited extensively throughout the United States for over forty years. She lives and works in Philadelphia. Her work is included in the collections of the Philadelphia Museum of Art; the Pennsylvania Academy...

Infiniment Tendre by Lélia Pissarro (b. 1963) Tempera on paper 14 x 21.5 cm (5 ¹/₂ x 8 ¹/₂ inches) Signed lower left, Lélia Pissarro Executed in 2020 Provenance Studio of the artist...

Blue Lines is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2020. Mixed media in tempera and watercolor on paper Hand-signed and dated by the artist on the lower ri...

Casein on board. Ethel Magafan is known for her abstracted Western landscapes as well as, earlier in her career, the murals she created during the Great Depression for the Works Prog...

Gouache Nealopitane Marine, Italy, 2011, cm.22x33. Lacquered wooden frame. Delicious gouache made in 2011 by an unknown artist, using the method of the ancient masters of the landscape. Gouache paint is a non-permanent, water-based, opaque and opaque paint made opaque with the addition of a chalky white pigment. Invented in Europe in 500, it was initially used to carry out preliminary sketches of large oil works. It is characterized by a great ease of drafting and a lively color rendering, but it requires great skill, certainty in drawing and an extreme speed of execution, as it dries quickly and cannot be retouched. Precisely these characteristics give a particular liveliness and freshness to the works, characterized by light and opaque tones, very different from the glossy compactness of egg tempera and the transparency of the oil. Widely used in canvas paintings and miniatures. The technique was often used by landscape painters, such as Xavier Della Gatta, Pietro Fabris, Alessandro d'Anna...

Signed lower left: MEDEARIS; on verso: MISSOURI FARM / 16” x 24” / PAINTED IN EGG TEMPERA / (WITH ACRYLIC POLYMER EMULSION) / PAINTED ON HARDBOARD PANEL WHICH HAS / BEEN COATED WITH ...

ANNA WARDĘGA Studies at Painting Departament at Academy of Fine Art in Cracow, Poland. She's dealing with easel painting, wall painting as well as drawing. Finalist of Competition fo...

Suhas Roy - Radha - 20 x 20 inches ( unframed size) Tempera Coloured Conte on Pastel on Paper , 2005 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or sof...

Original vintage 1941 Colorado landscape painting with autumn leaves and Pikes Peak blanketed in snow by Charles Bunnell (1897-1968). Inscribed verso, "To Laura, November 22, 1941", egg tempera on board. Signed by the artist in the lower left corner and titled verso. Presented in a custom frame, outer dimensions measure 15 ½ x 19 ¼ x 1 ¼ inches. Image size is 7 ¾ x 11 inches About the Artist: Artist and teacher, Charles ("Charlie") Bunnell worked in a variety of styles throughout his career because as an artist he believed, "I’ve got to paint a thousand different ways. I don’t paint any one way." At different times he did representational landscapes while concurrently involved with semi- or completely abstract imagery. He was one of a relatively small number of artists in Colorado successfully incorporating into their work the new trends emanating from New York and Europe after World War II. During his lifetime he generally did not attract a great deal of critical attention from museums, critics and academia. However, he personally experienced a highpoint in his career when Katherine Kuh, curator at the Art Institute of Chicago, personally chose one of his paintings - Why? - for its large exhibition of several hundred examples of abstract and surrealist art held in 1947-48, subsequently including it among the fifty pieces selected for a traveling show to ten other American museums. An only child, Bunnell developed his love of art at a young age through frequent drawing and political cartooning. In high school he was interested in baseball and golf and also was the tennis champion for Westport High School in Kansas City. Following graduation, his father moved the family to Denver, Colorado, in 1916 for a better-paying bookkeeping job, before relocating the following year to Colorado Springs to work for local businessman, Edmond C. van Diest, President of the Western Public Service Company and the Colorado Concrete Company. Bunnell would spend almost all of his adult life in Colorado Springs. In 1918 he enlisted in the United States Army, serving in the 62nd Infantry Regiment through the end of World War I. Returning home with a 10% disability, he joined the Zebulon Pike Post No. 1 of the Disabled American Veterans Association and in 1921 used the benefits from his disability to attend a class in commercial art design conducted under a government program in Colorado Springs. The following year he transferred to the Broadmoor Art Academy (founded in 1919) where he studied with William Potter and in 1923 with Birger Sandzén. Sandzén’s influence is reflected in Bunnell’s untitled Colorado landscape (1925) with a bright blue-rose palette. For several years thereafter Bunnell worked independently until returning to the Broadmoor Art Academy to study in 1927-28 with Ernest Lawson, who previously taught at the Kansas City Art Institute where Bunnell himself later taught in the summers of 1929-1930 and in 1940-41. Lawson, a landscapist and colorist, was known for his early twentieth-century connection with "The Eight" in New York, a group of forward-looking painters including Robert Henri and John Sloan whose subject matter combined a modernist style with urban-based realism. Bunnell, who won first-place awards in Lawson’s landscapes classes at the Academy, was promoted to his assistant instructor for the figure classes in the 1928-29 winter term. Lawson, who painted in what New York critic James Huneker termed a "crushed jewel" technique, enjoyed additional recognition as a member of the Committee on Foreign Exhibits that helped organize the landmark New York Armory Exhibition in 1913 in which Lawson showed and which introduced European avant-garde art to the American public. As noted in his 1964 interview for the Archives of American Art in Washington, DC, Bunnell learned the most about his teacher’s use of color by talking with him about it over Scotch as his assistant instructor. "Believe me," Bunnell later said, "[Ernie] knew color, one of the few Americans that did." His association with Lawson resulted in local scenes of Pikes Peak, Eleven Mile Canyon, the Gold Cycle Mine near Colorado City and other similar sites, employing built up pigments that allowed the surfaces of his canvases to shimmer with color and light. (Eleven Mile Canyon was shown in the annual juried show at the Carnegie Institute in Pittsburgh in 1928, an early recognition of his talent outside of Colorado.) At the same time, he animated his scenes of Colorado Springs locales by defining the image shapes with color and line as demonstrated in Contrasts (1929). Included in the Midwestern Artists’ Exhibition in Kansas City in 1929, it earned him the gold medal of the Kansas City Art Institute, auguring his career as a professional artist. In the 1930s Bunnell used the oil, watercolor and lithography media to create a mini-genre of Colorado’s old mining towns and mills, subject matter spurned by many local artists at the time in favor of grand mountain scenery. In contrast to his earlier images, these newer ones - both daytime and nocturnal -- such as Blue Bird Mine essentially are form studies. The conical, square and rectangular shapes of the buildings and other structures are placed in the stark, undulating terrain of the mountains and valleys devoid of any vegetation or human presence. In the mid-1930s he also used the same approach in his monochromatic lithographs titled Evolution, Late Evening, K.C. (Kansas City) and The Mill, continuing it into the next decade with his oil painting, Pikes Peak (1942). During the early 1930s he studied for a time with Boardman Robinson, director of the Broadmoor Art Academy and its successor institution, the Colorado Springs Fine Arts Center from 1930 to 1947. In 1934 Robinson gave him the mural commission under the Public Works of Art Project (PWAP) for West Junior High School in Colorado Springs, his first involvement in one of several New Deal art...

Interesting portrait of 1881, on the back there is a letter in French. Set historical relic

A milk truck is seen caressed in the golden light of early morning as a woman bends down to feed her cat. The artist depicts a precious moment as an older woman reaching down to pick...

Victor Mikhail Arnautoff (1896 - 1979) Motion (Mile Rocks Lighthouse), San Francisco, 1939 Oil and tempera on board 60 x 40 inches Signed lower left Provenance: The artist California School of Fine Arts (CFSA) John & Lynne Bolen Fine Arts, Huntington Beach, California Exhibited: New York, World's Fair, Exhibition of Contemporary American Art, 1939. San Francisco Museum of Art, 1962. Literature: American Art from the New York World's Fair 1939, Poughkeepsie, 1987, no. 11, p. 41, illustrated. Robert W. Cherny, Victor Arnautoff and the Politics of Art, Urbana, Illinois, 2017. The lighthouse in the distance is the Mile Rocks Lighthouse in San Francisco Bay, built in 1906 after many shipwrecks made the lighthouse necessary. In 1962 the lighthouse was reduced in size to make room for a helipad. Arnautoff was the son of a Russian Orthodox priest. He showed a talent for art from an early age and hoped to study art after graduating from the gymnasium in Mariupol. With the outbreak of World War I, he enrolled in the Yelizavetgrad Cavalry School. He went on to hold military leadership positions in the army of Nicholas II and the White Siberian army. With the defeat of the Whites in Siberia, he crossed into northeastern China and surrendered his weapons. Arnautoff remained in China for five years. He again tried to pursue art, but was impoverished and took a position training the cavalry of the warlord Zhang Zuolin. He met and married Lydia Blonsky and they had two sons, Michael and Vasily. In November 1925 Arnautoff went to San Francisco on a student visa to study at the California School of Fine Arts. There he studied sculpture with Edgar Walter and painting with several instructors. His wife and children joined him, and they all continued to Mexico in 1929, where, on Ralph Stackpole...

Bright figurative abstract with rich layers of texture and color by Chaz Cole (American, 20th Century). Irregular perimeter. Signed and dated "Chaz Cole" lower right. Signed and date...

Lalu Prasad Shaw - Untitled - 25 x 20.5 inches Tempera on Board, 2015 Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Prasad Shaw’s works lay the most emphasis on his subject’s physical characteristics. Capturing the expressions of his subjects perfectly with the greatest economy of line and colour each of Shaw’s paintings has an intimate feel to it. Influenced by the pre-independence Company School of art, the traditional Kalighat Pat and the Ajanta cave paintings, Shaw’s works, mainly executed in gouache or tempera, like his own person, are simple and graceful, having a very still, well-composed and smooth exterior. This senior artist draws his inspiration primarily from nature and the milieu surrounding the great Bengali middle class, often depicting pleasant and quiet scenes from his own life on his canvases and papers. His style is unique and modern in its adaptation of academic and traditional Indian formats. A particularly notable aspect of Shaw's paintings is their simple yet sophisticated look. One notices a seamless synthesis of different stylistic elements to achieve a phenomenal effect. About the Artist and his work : Born : 1937 in Bengal. Education : completed his education in fine arts at the Government College of Arts and Crafts in Kolkata. International Shows : 1970 - Second British Biennale in London; 1974 - Norwegian Print...

Mural Study 1933 Depression Era Mid-Century WPA Modern American Scene Drawing. Study to Scale Mural Sketch for “Evolution of Textile Production” East. All,...

The present illuminated page was once part of a larger manuscript, as evidenced by the tears along the right edge, illustrating a story from the Islamic world. The scene presents two figures in a landscape, one on horseback and another gesturing to a fallen deer. The stylization of the landscape shows influence from the Byzantine tradition of painting, with jagged rocks jutting into a golden sky. The page contains handwritten text on both sides, and is surrounded by gold illustrations of peacocks and a running deer. 11 x 6.5 inches, artwork 18.63 x 14 inches, frame accompanied on the back with an image of the verso framed to conservation standards with a 100% rag silk-lined mat in a gold gilded frame A Persian miniature is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature...

Alan Bray’s landscape paintings of his native, central Maine explore the ever-ebbing dynamic between nature and humanity. His paintings capture an asymmetrical pas de deux. Painted with uncompromising precision by his quick-drying casein tempera paint, Bray’s trailheads, shorelines, and vast horizons show evidence of previous human presence as it succumbs to natural growth. Bray’s stylized scenes center on these afterimages of human interference as well as other natural phenomena. Inundated with detail, nature reclaims swaths of scarred land, fallen trees, and dilapidated structures, returning them to their wild form. Natural phenomena such as wild overgrowth, animal tracks, mysterious forms, bogs, and mist are resplendently captured as homage to the rugged and uninhabited corners of secluded Maine. Alan Bray builds his landscapes with numerous layers of quick-drying casein tempera. Often used in Italian Renaissance painting...

The Lamentation Of The Death Of Christ, 17th Century after Pier Francesco Mazzucchelli (1573-1626) Fine huge 17th Century Italian Old Master depiction of the Lamentation at the Dea...

Signed (lower right): Robert Vickrey

Beyond the door, 2019 Tempera and watercolor on paper on canvas inch 18.5 x 40.9 Drawer, painter, illustrator. Laura Zuccheri is a professional illustrator and started her career in 1992 as a comics author. In 1993 she started her collaboration with Ken Parker Magazine...

L' Amour a ses raisons que la raison ignore Painting Tempera on Panel In Stock. Including frame 58 x 38 cm Gérard Willemenot (1943, Paris, France) gr...

Gouache on board, 20 x 24 in. Signed (at lower right): Atherton Painted about 1940 RECORDED: Art News (May 11, 1940), illus. [clipping citation] EXHIBITED: The Art Institute of Chicago, 1940, The International Watercolor Exhibition, no. 156, illus. on cover as Bird in Cage...

Modernist reclining female nude figurative painting by an unknown artist (American, 20th Century). This vivid late 20th-century figural piece featur...

Fuel, 2018 Tempera and watercolor on paper on canvas inch 23.6 x 50.7 Drawer, painter, illustrator. Laura Zuccheri is a professional illustrator and started her career in 1992 as a comics author. In 1993 she started her collaboration with Ken Parker Magazine...

Grande Cantate Tempera on Canvas Painting Contemporary Architecture In Stock Paul Delmée (Brussels, 1944) received his education at the Academie des Beaux...

Defilè is an original mixed colored tempera on cardboard realized by Danilo Bergamo in 1970s.. Hand signed on the lower right margin...

This French early 20th Century folding screen is made up of four canvases entirely painted with textured tempera featuring a marine l...

Tempera on wood depicting a half-length female figure; she wears a red dress over a light-colored tunic, while a green drape rests on her right shoulder. The red hair is tied up with a central parting and is partly covered by a white headdress; the full face has an absorbed expression: a thoughtful gaze, arched eyebrows and slightly furrowed lips. Presented in a frame made with parts of an ancient larger frame. Historical-critical analysis: Our table in question is one of the numerous derivations from a lost fresco by Andrea del Sarto...

Ancel E. Nunn (1928 - 1999) Figure of a Boy Walking, 1970 Egg tempera on board 20 x 16 inches Signed and dated lower right Provenance: Private Collection, Long Island, New York, circa 1970s Born in Seymour, Texas, Ancel Nunn began drawing at age 12. He added to his early art education through summer workshops under noted artists such as Dong Kingman and Alexander Hogue. In 1944 his dry point etching, The Domino Players, won Honorable Mention in the prestigious Ingersoll Competition. The following year his watercolor, The Cockfight, was awarded first place. Nunn graduated from high school in Abilene in 1946. He entered the U.S. Army in 1947, spending several different active duty periods and attaining the rank of Major. During this period he did little or no painting...

Looking at a painting by Colin Hunt is like watching someone pass through a hole in our consciousness. As the landscape refracts through the sitter’s absence and fills that emptiness...

Fishermen's happiness. Cardboard, tempera, 21x29 cm

L' Apprentissage du vol Painting Tempera on Panel Balloon Birds In Stock. 98 x 80 cm including frame Gérard Willemenot (1943, Paris, France) graduate...

Costume is an original painting in mixed media, tempera and watercolor on paper, realized by the Greek-French artist Alkis Matheos. Very good conditions. Signed by artist's stamp....

Tempera on wood

Composition 15 is an original painting realized by Clément Kons (1879-1956). The artwork is on tempera and in very good conditions. Image Dimensions: 48...

Gurukinkar Dhang - My Limitation is You Tempera on Canvas , 36 x 78 inches, 2021 Inclusive of shipment in roll form. About Artist Gurukinkar is an Indian contemporary and modern artist born in 1977 in Howrah, West Bengal. He lives in Pantihal, Jagatballavpur, Howrah & Kolkata. Gurukinkar inspired by none other than renowned psychologist Sigmund Freud. Conflict between human beings and society. He believes that though several millennia ago civilization took place, yet human beings possess a few remnants of prehistoric fragments within themselves, intriguing him no end. Started painting when he was 15 years and has been doing so ever since, drawing inspiration from Freudian theories on the unconscious mind, sexual desires transference, etc. He participated in many national and international exhibitions. Academics • 1992 - Passed Madhyamik Pariksha ( W.B.S.E ) • 1994 – Passed Higher Secondary ( W.B.C.H.S.E ) • 1999 – passed Second year from G.C.A.C (C.U) • 2001-2002 : B.V.A from Govt. College of Art and craft with 1st class ( Calcutta University) Exhibitions SOLO EXHIBITIONS 2016 Triveni Art gallery, New Delhi 2015 Sridharani Art Gallery, Kolkata. 2014 Gaganendra PradarsanSala, Kolkata. 2013 Abanindra Gallery ICCR, Kolkata. 2012 Rabindra Bhaban, Lalit kala Akademi, New Delhi. 2011 Chemould Art Gallery , Kolkata. 2010 Academy Of Fine Arts, Kolkata. 2009 Academy Of Fine Arts, Kolkata. 2004 Triveni Art gallery, New Delhi GROUP EXHIBITIONS 2018 Elegancy of Color at Habitat Art gallery ,New Delhi 2018 Chemould Art gallery ,Kolkata 2017 Chemould Art gallery ,Kolkata. 2017 Asian Art House ,Hydrabad, Telengana 2017 Elegancy of Color at Rabindra Bhawan,New Delhi. 2016- M.S University, Faculty of Visual arts,Vadodara,Gujrat. 2016- “Black” at Chemould art Gallery, Kolkata 2015- Elegancy of Color at Rabindra Bhawan,New Delhi. 2015- Chemould art gallery, kolkata 2014- India art festival, Neavue art gallery ,Delhi at Mumbai. 2014 - "REVELATIONS “at Visual Art Gallery, India Habitat Center, New Delhi. 2014- “REVELATIONS” at Dubai international art, Dubai. 2014- Art NOUVEAW AT INDIAN ART FESTIVAL, MUMBAI 2014 - Galleria M presents “Lyrical reflection” at Galleria M, Kolkata. 2014 – “ Art Bangalore ” by Asian Art House, Bangalore. Karnataka. 2014- “black ” a group of contemporary art, at Academy of fine arts, Kolkata. 2014- “ Subhalove” at galleria M, Kolkata. 2013- Nirvana Gallery present “Tryst with color “at Lalit kala Akademi, Delhi 2012 - Conflux: at Jahangir art Gallery, Mumbai. 2012 – “Kolkata Canvas”Academy of fine arts, Kolkata. 2012 – Chemould art gallery, Kolkata. 2012 - Tomorrow..group show at Lalit kala Akademi, Rabindra bhavan, Delhi. 2012- “Black” at Academy of fine arts. 2012 "Kolkata canvas" present Contemporary art show in Academy of fine arts, Kolkata. 2011 – ‘PANACHE’ Artizon present Contemporary at show, Hyderabad. 2011 Black present contemporary art show at " The Stadel" Kolkata,India. 2011 "Multiform “contemporary art show at " The Stadel" Kolkata,India. 2010 – Bangladesh Gallery, Kolkata 2010 – Academy of Fine Arts, Kolkata 2009 – Academy of Fine Arts, Kolkata 2009 – Art Entrance Kalaghoda, Kolkata 2009 – Bodhi Tree Monastery of Art, Kolkata 2009 – Khilat Art Gallery, Kolkata PARTICIPATIONS 2012- Audi Art Show in Gurgaon, Haryana. 2012- “Multiversal” Muse art gallery, Hyderabad 2009 – Modern art at Burland Art Gallery, London 2012- Art Show at Aralias ,Delhi. 2011- India art festival at Nehru centre, Mumbai. 2010 - International art show in Denmark Bed Hotel. 2010 - nice expro in France curated by PK Maheshwari, Delhi. 2009- Burland galleries presents Indian Modern Art. The Old court room, Lincoln's Inn, London, WC 2A3TL. 2009- International group show at Royal Academy (U.K) London, Organized by Burland Art Galleries, United Kingdom, England. 2009 - contemporary fine art exhibition at Art Attic Gallery, organized by Indian Art Ideas gallery, New Delhi. 1999,2000 All India National art exhibition, organized by Indian Society of Oriental, Kolkata. 2009 – Pegasus Art...

Knight and Girl is an original painting realized by an anonymous artist in the 1950s. Painting in tempera, watercolor, and China ink on paper. Included a Passepartout: 41 x 51 cm. ...

Lalu Prasad Shaw - Biwi - 21 x 15 inches Tempera on Board, 2017 Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Prasad Shaw’s works lay the most emphasis on his subject’s physical characteristics. Capturing the expressions of his subjects perfectly with the greatest economy of line and colour each of Shaw’s paintings has an intimate feel to it. Influenced by the pre-independence Company School of art, the traditional Kalighat Pat and the Ajanta cave paintings, Shaw’s works, mainly executed in gouache or tempera, like his own person, are simple and graceful, having a very still, well-composed and smooth exterior. This senior artist draws his inspiration primarily from nature and the milieu surrounding the great Bengali middle class, often depicting pleasant and quiet scenes from his own life on his canvases and papers. His style is unique and modern in its adaptation of academic and traditional Indian formats. A particularly notable aspect of Shaw's paintings is their simple yet sophisticated look. One notices a seamless synthesis of different stylistic elements to achieve a phenomenal effect. About the Artist and his work : Born : 1937 in Bengal. Education : completed his education in fine arts at the Government College of Arts and Crafts in Kolkata. International Shows : 1970 - Second British Biennale in London; 1974 - Norwegian Print...

Venetian Canal, c. 1910-11 Tempera on board Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of water...

Colin Fraser Colin Fraser is a contemporary Scottish painter, who is recognized for his intricate still lifes, interiors, and landscapes...

Illusion is one of the best tempera paintings on paper realized by LisArtventure in 2020. Art is illusion. The illusion of witnessing a precipitous fall of an ethereal vortex made w...

Egg tempura on panel 24" by 24"

Liberation is one of the best tempera paintings on paper realized by Contempologyc E.M. in 2020. The art of the author, barely held back by a sketched frame that imprisons her, expl...

Egg tempera on panel 32" by 36.5"

Douglas Safranek's Touch of Red calls back to 17th century Dutch still lifes. Filled with humor and complexity, Safranek's rather constra...

Never ending visions (Abstract Painting) Egg tempera and pencils on canvas - Unframed This artwork is exclusive to IdeelArt. German artist Petra Schott...