Tempera Paintings

Tempera and gold lieaf on canvas Miyuki Takanashi is a Japanese artist born in 1961 who lives & works in Sapporo in Japan. She is graduated from Hokkaido University of Education Iwa...

Red Optical Composition is an original artwork realized by the Italian contemporary master, Carlo Montesi in 1966. In good conditions. Tempera, oil pai...

"Meerblick," meaning "Sea View," by Susanne Zuehlke (b. 1962), is a tranquil and reflective work that embodies the spirit of the ocean. The canvas is filled with varying shades of bl...

Provenance: Achillito Chiesa, Milan Luigi Albrighi, Florence, by 1 July 1955 with Marcello and Carlo Sestieri, Rome, 1969 Private Collection, Connecticut Exhibited: Mount Holyoke College Art Museum, South Hadley, Massachusetts (on loan, 2012) Literature: Carlo Volpe, “Alcune restituzioni al Maestro dei Santi Quirico e Giulitta,” in Quaderni di Emblema 2: Miscellanea di Bonsanti, Fahy, Francisci, Gardner, Mortari, Sestieri, Volpe, Zeri, Bergamo, 1973, pp. 19-20, fig. 18, as by the Master of Saints Quiricus and Julitta (now identified as Borghese di Piero). This fine predella panel depicting the Baptism...

While walking in Jackson Square in New Orleans, you can't help but hear the trumpets and trombones of the Jackson Street band that spends their time entertaining the tourists and locals alike. Setting up on the square to paint, Melinda captured the sounds and sights of New Orleans. She depicted the talented Jackson Street NOLA musicians as they walked through the street. This painting is dedicated to all the working artists making their way through life doing what they love and are called to do. NEW ORLEANS SOUNDS by E. Melinda Morrison...

'Schwanken' by Fides Becker Acrylic and Egg Tempura on Cotton Canvas 95 x 70 cm -2009 Fides Becker The leading theme of the artist’s interventions is the staging of temporality, t...

"Floating Thoth and Two Boat Fish" is a fantastical Japanese and Byzantine inspired artwork by Greek artist Konstantinos Papamichalopoulos. It shows a dynamic sea, and beautifully il...

Abstract Composition is a drawing in Tempera and Watercolor on paper realized by Giorgio Lo Fermo in 2020. Good Conditions. The Artwork is Depicted through strong strokes in a well...

Few artists have mastered the use of pigments in the way that Sax Berlin has and his delicate touch with them imbues this painting with warmth and love. The dark inked lines surround...

Scared is an original painting realized by Sergio Barletta. Applied on passepartout: 65 x 50 cm. Hand-signed on the lower left. In very good conditions, except for small ripping a...

Composition 14 is an original painting realized by Clément Kons (1879-1956). The artwork is on tempera and in very good conditions. Image Dimensions: 47...

Artwork measures 48" x 30" and framed 56 ¼" x 38 ¼" x 3" Provenance: John Heller Gallery, NYC, circa 1975 (label verso) The artist's daughter Corbino Galleries, Sarasota, FL (1990)...

'Tischgruppe' by Fides Becker Acrylic and Egg Tempura on Canvas 50 x 65 cm, 2010 The leading theme of the artist’s interventions is the staging of temporality, transience, and cha...

Constellation is beautiful original painting in tempera on paper realized by Monique Bertrand-Picard. In good conditions, except for some folding. The artwork represents a composit...

'Schlüsselloch' by Fides Becker Acrylic and Eggtempera on Canvas, 33 x 54 cm, 2017 The leading theme of the artist’s interventions is the staging of temporality, transience, and c...

Provenance fron the Family Atelier of the artist. Framing options* available. * Frame at an additional charge Free US CONTINENTAL Shipping, incl Europe and Asia. Born in Paris, the ...

Bright figurative abstract with rich layers of texture and color by Chaz Cole (American, 20th Century). Irregular perimeter. Signed and dated "Chaz Cole" lower right. Signed and date...

15th Century Maestro della Pala Sforzesca Title: Ecce Homo Medium: Tempera on Panel Dimensions: without frame 64.9 x 53.2 – with frame 82 x 70 x 5 cm Beautiful "cassetta" frame in e...

Fred Wessel's "The Constellation Sagittarius" is a stunning egg tempera painting on gold leaf. Created in 2018, this piece depicts a young woman, holding an arrow and looking in the ...

Attributed to Bonifacio Bembo c.1444-1477 Italy Saint Cosmas and Saint Damian Tempera on panel These exceptionally rare early Renaissance panels of Saint Cosmas and Saint Damian are an extraordinary new discovery. Based on the research of art historians Marco Tanzi and Andrea de Marchi, it is believed that these represent the missing panels from the famed polyptych formerly displayed on the altar of the Chapel of San Nicola da Tolentino in the Church of Sant’Agostino in Cremona, Italy. To find two matching early Renaissance panels outside of a museum or church, particularly in such remarkable condition, is an extraordinary rarity. The central and left-sided panels of the original five-part polyptych are currently in the collection of the Museo Civico Ala Ponzone in Cremona. These panels have luckily remained intact, and respectively portray the Madonna and Child Enthroned with Angels and Donor, Saint Nicholas of Tolentino (the chapel’s namesake) and Saint George. While the present panels have since been reduced, that they belong to the Cremonese altarpiece is confirmed by a number of stylistic elements. All five panels contain the same rich decorative arabesque pattern on their stamped gold background, while the figures’ knurled haloes are identical in both their fineness of line and use of perspective. The proportions of the figures coincide perfectly; Saints Cosmas and Damian would have originally also been depicted as full-length figures, fitting into the vertical, Gothic style of the altarpiece. According to the Christian religion, Saint Cosmas and Saint Damian were 3rd century physicians born in Arabia. Little is known about their lives except that they were reputedly twin brothers and that they were martyred in Syria during the persecution of Emperor Diocletian. It was believed that the saints were skilled in healing, and when their medicines failed, their faith and prayers could always perform miracles. Thus, the saints are often depicted with their medical equipment while wearing the traditional medieval doctor’s garb of crimson robes and distinctive round red hats. The saints are similarly depicted in the present panels, though considering the manner in which they have been cut, their medical tools are not immediately evident. The saints were highly popular as patrons of wealthy families during the Gothic and Renaissance eras, particularly the Medici, and thus they occur frequently in art from the era. The twins, for instance, are found in the famed San Marco Altarpiece by Fra Angelico in the San Marco Museum (Florence), as well as in a set of Medici panels crafted by Filippo Lippi...

Colliers Magazine 1947 American Scene Social Realism Modern Families in the Snow Katherine Wiggins (American 20th Century) "The Shrimp" 20 x 24 inch...

The work, tempera on canvas in a great state of conservation, is part of a series of four big paintings of various authors documented in origin in the Villa La Zambra in Sesto Fioren...

Image dimensions: 20 x 28 cm. Easter is an original artwork realized by Esy Beluzzi in 1958. Original tempera on paper. Hand-signed and dated in pencil on the lower right margin: Esy 58. On the lower right corner "Pascal Avenue Montaigne" is written in capital letters in pencil. Mint conditions. Colored work representing bright decorated eggs...

Defilè is an original mixed colored tempera on cardboard realized by Danilo Bergamo in 1970s.. Hand signed on the lower right margin...

Autumn Landscape, by 1958, tempera on Masonite, 24 x 36 inches, signed lower left, exhibited: 1) 133rd Annual Exhibition of the National Academy of Design, New York, NY, February 20 – March 16, 1958 (Henry Ward Ranger Purchase Prize); and 2) Henry Ward Ranger Centennial Exhibition, National Academy of Design, New York, NY, September 25 - October 12, 1958, #133 (see Levin, Meyer, Illustrative Paintings Gathered for Ranger Show at National Academy, St. Petersburg Times, October 13, 1958 (“There’s a warm, low-keyed picture of golden fields, with distant structures, called “Autumn Landscape,” by Robert Vickrey, whose magic realism is felt in so “regular” a subject.”), literature: 1) Watson, Ernest William, Composition in Landscape and Still Life, Watson-Guptill Publications, New York, 1959, pp. 24, 155 and 157 (illustrated); and 2) Vickrey, Robert and Cochrane, Diane, New Techniques in Egg Tempera, Watson-Guptill Publications, New York, 1973, p. 111 (illustrated); ex collection National Academy of Design Reflecting on his art, Robert Vickery...

Costume is an original painting artwork in mixed media, tempera and watercolor on paper, realized by the Greek-French artist Alkis Matheos. Very good conditions. Signed by artist's...

"Sea Shore" (2024) by Susanne Zuehlke (b. 1962) is a tranquil and evocative painting that captures the essence of a coastal landscape. The canvas features a harmonious blend of blues...

An Intriguing 1991 Surrealist painting of downtown Chicago by artist James Mesplé. Artwork size: 22 1/2" x 18 1/2". Framed size: 25 1/2" x 21 1/2". Mesplé studied painting at th...

Fred Wessel's "Our Yellow Orchid" is a stunning egg tempera painting on gold leaf. Created in 2020, this piece features a beautiful branch of yellow Orchids, among its leaves, juxtap...

Fred Wessel's "Orange Lily - Purple Vase" is a stunning egg tempera painting on gold leaf. Created in 2022, this piece features a beautiful single orange lily, fully bloomed, in a de...

LLalu Prasad Shaw Babu - Biwi ( A Bengali Man & Woman ) Tempera on Board 20 x 15 inches 2018 ( Framed & Delivered ) Style : Known widely for his highly stylized portraits of Benga...

Tempera on board, 87cm x 60cm (framed 106cm x 78cm). Stuart Maxwell Armfield (1916-2000) was renowned for his use of the traditional egg tempera technique, a skilled process that us...

Marine is a painting realized by Lucie Navier in the 1927. Tempera on paper. Mint conditions. Impressionistic work realized with a Realistic technique and representing a natural...

Gorgeous architectural landscape painting by artist Anthony V. Martin, titled "Annora Residence." Framed in a beautiful hand painted frame. Artist Biography: Anthony V. Martin grew...

Patchwork,80x100,2020

Fred Wessel's "Brugmansia Datura (Big Pink)" is a stunning egg tempera painting on gold leaf with coral cabochons. Created in 2024, this piece features a bloomed stem of Brugmansia D...

Zombie girl and red shoes 40x40.Tempera/canvas

Clarence Holbrook Carter (American, 1904-2000) Over and Above Surprise (Serpent), 1967 Casein on board Signed lower right 7.75 x 5.5 inches Clarence Holbrook Carter achieved a lev...

Fred Wessel's "West Hartford Canna" is a stunning egg tempera painting on gold leaf. Created in 2022, this piece features a beautiful single stem of an orange Canna Hybrida lily, amo...

SURREALIST STILL LIFE Size: 29.5 x 34 cm (including frame) Tempera on board A brilliantly executed and characterful surrealist still life composition, executed in tempera on board, ...

PEARS & GLASS VASE Size: 29.5 x 37 cm (including frame) Tempera on board A brilliantly executed and characterful surrealist still life composition, executed in tempera on board in 1...

"Mandarin" (2022) by Susanne Zuehlke (b. 1962) is a warm and inviting painting that evokes the richness and vitality of its namesake fruit. The canvas is dominated by a vibrant orang...

Interior of a Dacha is an original painting in tempera on paper realized by Leonid and Rimma Brailowsky. Hand-signed on the lower right. The state of preservation of the artwork i...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 42" x 2" About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Highly energetic and abstracted garden flowers and the hint of a figure emerge from this abstract expressionist explosion of color and form, by Dana Wegter (American, 20th-21st Century), 2000. Signed and dated "Dana Wegter '00" lower right. Displayed in a bright yellow mat...

Armony in blue and red is an original artwork realized by Clement Nicolas Kons in 1920s. Original mixed colored tempera. The artwork is glued on ...

Once The Master - Mid Century Figurative Landscape "Once the Master" a portrait of a Zuni Master Potter in contrast with the emergent modernism around him. He is beneath an adobe an...

Composition 18 is an original painting realized by Clément Kons (1879-1956). The artwork is on tempera and in very good conditions. Image Dimensions: 36...

Abstract Composition is an Original tempera and watercolor on Paper applied on wood realized by Lucian in the 20th century. Hand-signed , also the stamp of Atelier Montmartre.

Study for Decoration is a graceful preparatory sketch for a decoration of the French artist, stylist, decorator and illustrator Adolphe Giraldon. This is a small painting in tempera ...

Blue Circle is an artwork realized by Clement Nicolas Kons in 1920s. Original mixed colored tempera. Good conditions except for yellowing of p...

Costume is an original painting artwork in mixed media, tempera and watercolor on paper, realized by the Greek-French artist Alkis Matheos . Very good conditions. Signed by artist's stamp. The artwork is a very beautiful and colorful representation of a costume in brownish with green accessories...

Fred Wessel's "Red Trillium" is a stunning egg tempera painting on gold leaf with garnet cabochons. Created in 2024, this piece features a fully bloomed flower of Trillium Erectum, a...

Subha Basu - The House Beside River Tempera & Charcoal on Acid Free Paper, 17 x 22 inches, 2019 Born - 1982 at Kolkata. B.V.A from The Indian College of Ar...

Geometry Game is an original artwork realized by Clement Nicolas Kons in 1920s. Original mixed colored tempera. Good conditions except for yellowing of paper due to the time. Th...

Irene Rice Pereira Composition with Figure, 1951 Inscribed, signed and dated Salford/Pereira 2/51 (lr); inscribed I Rice Pereira/2669 Great Clowes St/Sa...

Abstract composition is an original contemporary artwork realized by Leo Guida in 1970s Mixed colored tempera on plywood. Leo Guida (1992 - 2017). Sensitive to current issues, art...

Siamese Cat with Kittens by Orovida Pissarro (1893-1968) Egg tempera on linen 39 x 48 cm (15³/₈ x 18⁷/₈ inches) Signed lower right Orovida and dated lower left 1934 Provenance J Ankri, 8th October 1967 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 51, p. 56 (illustrated) Exhibition London, The Leicester Galleries, Paintings by Orovida, February 1935, no. 6 Women’s International Art Club, 20th February - 13th March 1937, no. 273 London, Redfern Gallery, Ten Years of Work by Orovida, 5th-28th May 1938, no. 7 London, The Royal Society of British Artists, Summer Exhibition, 1947, no. 281 (possibly the etching) London, O’Hana Gallery, Paintings, Drawings and Coloured Etchings: Orovida, 3rd-18th October 1957, no. 13 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...