Tempera Abstract Paintings

This original artwork by Mark Tobey is a Monotype with tempera, heightened with tempera on paper. Signed Tobey lower right Signed Mark Tobey with the remark GOOD! on the back. Prove...

Artist: Anja Decker (German, 1908-1995) Period: Late 1950s Painting size: 29.5 x 21 cm With frame: 63 x 53 cm. Condition: Good vintage condition. This work was exhibited in 2024 a...

Colore is an original Contemporary artwork realized in the 1970s by the italian artist Leo Guida (1992 - 2017). Original Painting in Tempera. Total dimensions: 70 x 0.1 x 40 cm. T...

German Abstract Expressionist Works on Paper by Anja Decker, Art Informel, c. 1950–1965 Anja Decker (Berlin, 1908 – Munich, 1995) was part of the generation of German artists who he...

Sigmund Shawkey (American, 1914-2000) Reflections, c. 1960 Tempera on paper Signed lower right 18.5 x 24.75 inches 25.75 x 29.25 inches, framed Exhibited: The 42nd Annual May Show,...

Roland Bierge (1922–1991) was a French artist best known for his expressive abstract paintings and work across multiple media, including sculpture, ceramics, and tapestry. Born in Hé...

This work is about hope, clouds as a symbol of lightness and aspiration. Dreams that come true.

The work is a reflection of internal states. The search for the new, the true. Silver on black is a bright glow of thoughts, amidst everyday life. The red circle is like a spark ...

Paese in estate is an original Contemporary artwork realized in 1988 by the italian Contemporary artist Leo Guida (1992 - 2017). Original drawing in beautiful colored tempera on...

Berto Lardera (1911-1989). Collage, 1958. Paper, cardboard, paint. 29 x 40.5 inches; 31.5 x 42 inches framed. Signed and dated lower right. Bears origina...

Composition. 1973, canvas, synthetic tempera, cold encaustic, 87x64 cm Cubistic composition in red, yellow, green, blue colors

The work is dedicated to memories, that aspect of life without which it is difficult to live.

Bright figurative abstract with rich layers of texture and color by Chaz Cole (American, 20th Century). Irregular perimeter. Signed and dated "Chaz Cole" lower right. Signed and date...

Artist : Kory Twaddle Title : First Floor Systems Materials : Acrylic, tempera, gouache, paintbrushes, and mixed media on drawing paper pad back with spiral Date : 2018 Dimensions ...

Optical Composition is an original artwork realized by the Italian contemporary master, Carlo Montesi in the 1970s. In good conditions. Tempera, oil p...

Untitled is an artwork by Mark Tobey. Monotype with tempera, heightened with tempera on Japan paper. Hand signed and dated lower right: Tobey 69. Provenance: Henze Ketterer Gallery B...

Highly energetic and abstracted garden flowers and the hint of a figure emerge from this abstract expressionist explosion of color and form, by Dana Wegter (American, 20th-21st Century), 2000. Signed and dated "Dana Wegter '00" lower right. Displayed in a bright yellow mat...

Anja Decker, gestural abstract tempera painting on paper, 1950s - 29.5 x 21 cm. Medium: tempera on paper Painting size: 29.5 x 21 cm With passe-partout: 50 x 60 cm. Mounted on an or...

Jacqueline Pavlowsky was born in 1921 in Vincennes to Russian and Polish Jewish parents who had immigrated to France. After the war, she started her studies of chemistry, while at th...

Abstract Cubist Construction Collage Mid 20th Century American Modernism Cubism Vaclav Vytacil (1892 - 1984) Abstract Construction #2 Caesin on board collage 11 x 13 1/2 th inches S...

Abstract Composition is an Original tempera and watercolor on Paper applied on wood realized by Lucian in the 20th century. Hand-signed , also the stamp of Atelier Montmartre.

Abstract composition is an original contemporary artwork realized by Leo Guida in 1970s Mixed colored tempera on plywood. Leo Guida (1992 - 2017). Sensitive to current issues, art...

Flight on the Flieblies no. 1 is a beautiful tempera on paper, realized by Alan Davie (1920-2014) in 1972. Signature and date in pencil on the lower right margin. Title in pencil on...

The Room of Metamorphosis is an original contemporary artwork realized in 1998 by the italian artist Leo Guida (1992-2017). Original mixed colored tempera. Study of colors for the ...

Artist: Jamali Title: Untitled Figurative Medium: Mixed media fresco tempera painting Dimensions: 54 1/2" x 78" canvas Edition: Original Inscription: Unsigned, Artist's studio label ...

Mixed Colors Composition is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2020. Mixed media in tempera and watercolor on paper Hand-signed and dated by the artist o...

UN Poster Design American Scene Mid 20th Century Modernism WPA World Peace Jo Cain (1904 – 2003) We Are All Members of the Human Race: UN Poster Proposal 21 x...

In the garden. 1970s Cardboard, tempera, 59x59 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born i...

Abstract Composition is an original drawing in Tempera and Watercolor on paper realized by Giorgio Lo Fermo in 2020. Good Conditions. The Artwork is Depicted through strong strokes...

Abraham P. Hankins Piscatory, 1941 Signed and dated lower center Tempera on panel 24 x 30 inches Provenance Private Collection, New York Alexandra Avlonitis, New York (acquired from...

Theatre with signals 3 is an original sketch in tempera by Leo Guida (1986). The artwork is in good conditions. Hand-signed with pencil by the artist on the lower right corner, an...

Blue Lines is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2020. Mixed media in tempera and watercolor on paper Hand-signed and dated by the artist on the lower ri...

André Verdet ( 1913 - 2004 ) . Artiste français né à Nice (alpes maritimes ) mort à Saint Paul de Vence . poète , peintre , sculpteur , céramiste , mu...

original hand painted one of a kind hand signed will be shipped FRAMED 'Like Henri Matisse and Italian Renaissance painters like Giotto, I experiment with the vibrant pow...

Signed and dated "Vytlacil 38" lower left, and signed and dated verso. Provenance: Estate of the artist #1602; Martin Diamond Fine Art About this artist: Born in 1892 to Czechoslov...

Touch 1974, photo screen printing, 53x49 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the time of t...

Nature is waking up. Bilateral. Tempera on paper, 27 x 33 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monume...

Composition No. 7. 1976, veneer, tempera, 81,5x64,3 cm Composition with 4 orange objects on dark blue background Boris Nikolajevitch Bitch / Борис Николаевич Бич (1946) - Russian suprematism artist. He studied at the art studio of D. G. Sobolev. Since 1975 he participated in informal exhibitions. In 1977 he joined painting section at the City Committee of graphic artists at Malaya Gruzinskaya, 28. Since 1982 - one of the group "21" leaders, group "20" exhibitions participant. Creative work He created a paintings series from several series: 1977 - compositions GEO (geometric unity), 1979 - compositions GEOKON (geometric constructions), 1982 - compositions GEOMED (geometric mediums), 1986 - compositions GEOEX (geometric expressionism) and Pangeometric constants, 1988 - GEMGER (geometric hermeneutics). A new large works series of recent years "Dialogues with Malevich" is a suprematist composition that made on geographical maps of various world regions. The author's works are in the State Tretyakov Gallery in Moscow, in the State Russian Museum in St. Petersburg, in the Moscow Museum of Modern Art, in private collections in Russia, Europe, Canada and the USA. Participation in exhibitions 1979 "Color, shape, space" City Committee of graphic. Moscow, M.Gruzinskaya 1986 "Object" Moscow, M.Gruzinskaya 1987 "Geometry in Art" in Moscow 1989 "Labyrinth" The Moscow Palace of Youth. Moscow, Warsaw, Hamburg 1990 Gallery Floor, Stockholm, Sweden 1990 "Other Art" State Tretyakov Gallery. Moscow 1991 "The Art of Europe" Wilhelmshafen. Germany. 1992 "Moscow avant-garde of the 50-80's" Kleinsassen. Germany 1992 "Cultural contact" Neumarkt. Austria 1993 Art-Myth. Manege. Moscow 1993 "Culture and Politics in Russia" Gallery Zandman. Hamburg. Germany 1994 "”No” to conformism" Russian Museum. Russia, St. Petersburg 1995 Exhibition of unofficial Russian artists. The Halle Museum. Germany 1995 "Exhibition of six Moscow artists" CHA. Moscow 1997, 1998 Art-Manege. Moscow 1999 Exhibition. The museum of L.Talochkin. RSUH. Moscow 2000, 2004 "Pleskoye gravitation" Museum of the landscape. Russia. Ples 2000 "Dedication to Malevich" New gallery. Moscow 2000-2001 "Russian art" Japanese house. Moscow 2001 "Abstraction of the XX century" The State Russian Museum. Russia. St. Petersburg 2002 "Russian avant-garde" Russian house...

Abstract Expressionist cityscape of Old City of Jerusalem in moody blues and gold. Yitzhak Greenfield, painter, born 1932, Brooklyn, New York His focus is on the heavenly and the terrestrial Jerusalem; on the Hebrew alphabet; and on central themes in Jewish tradition and culture. He deals with the tension between figurative and abstract. Education 1946 Educational Alliance Art School, New York City, with Abba Ostrowsky, Chaim Gross, and Louis Lozowick. 1948 Thomas Jefferson High School, Brooklyn, New York, Art 1953 Drawing and Drawing Wall Murals,Seminar at Givat Haviva with P. Pelzig, Yohanan Simon, and Naftali Bezem. 1960 Printmaking with the artist and printmaker Borin, Venice, Italy 1979-1981 Morris Blackburn Print Workshop, New York City, U.S.A. Teaching Art Kibbutz Gal-On and Gat 1961-1963 Arts, regional school at Mateh-Yehuda Regional school, Mate-Yehuda Anglican school, Jerusalem 1965–70 Bet Ha'am, Popular University Outreach Program, Jerusalem Ruth Youth Wing, Israel Museum, Jerusalem Shira Mushkin: Majestic scenes in blue, gold and indigo, radiating spheres and grand expanses hover above architectural forms and clusters of Hebrew letters, revealing dreamlike realities. These are the creations of the artist Yitzhak Greenfield who works in watercolor and acrylic paints layered with collages of painted papers, discarded book materials, and fragments of his own prints. Applying parts of broken furniture, clock springs, iron locks and keys, the artist forms assemblages that hint at familiar settings, resonating the past. For Brooklyn born, Israeli artist Yitzhak Greenfield, these visions are the essence of the Jerusalem landscape, inspired by the city’s ever-changing magical scenery. For generations, Jerusalem has been a focal point for the Jewish people. It is the center of Jewish life, faith, hope, history, and consciousness. Jerusalem holds a particular significance for Greenfield, who moved to Ein Kerem, Jerusalem over fifty years ago, after living on a kibbutz. Greenfield is a Jerusalem artist, and he remarks: “Living and working in Jerusalem is a special journey for me. My works are visionary landscapes, which are reconstructions of Jerusalem, not always relating to specific sites.” The artist has always been intrigued by the historical and dynamic nature of the city, as he constantly explores his own connection to the traditional and spiritual forms of Judaism. Greenfield’s art is linked to Jewish and Israeli history and symbols, such as the Hebrew letters, Jewish amulets, and the Ten Sephirot (Kabbalah emanations), containing aesthetic qualities of the material and the spiritual. Working in a distinctive modernist method, Greenfield’s artwork lends itself to rich possibilities of expression. The exhibition Yitzhak Greenfield: Exploring Jerusalem comprises three main series from the artist’s career, which span over the course of many years and continue to this day; Jerusalem Visions, Jerusalem Assemblages, and Landscape and Meditation on the Hebrew Letter. These artworks portray timeless dream-landscapes of Jerusalem. The hidden secrets of the city are locked away in assemblage constructions, and prints depicting Hebrew letters illuminate into mystical meanings. The spectator travels along with Greenfield through his creations, exploring Jerusalem and experiencing a spiritual and living Judaism, in which the artist constantly searches for the expression of his cultural and spiritual legacy as he reconstructs Jerusalem. 1966 General Exhibition - Jerusalem Artists' House Artists: Hirszenberg, Samuel Boris Schatz, Lilien, Ephraim Moses, Joseph Budko, Leopold Krakauer, Meir Gur Arie, Jacob Eisenberg, Ben Zvi, Zeev Palombo...

Oil, casein & ink on panel Paul Lorenz is an American artist born in 1961 who lives & works in Buckeye, AZ, USA. With an education in Bauhaus architecture, fine art, and music compo...

"Sea Shore" (2024) by Susanne Zuehlke (b. 1962) is a tranquil and evocative painting that captures the essence of a coastal landscape. The canvas features a harmonious blend of blues...

Colored Composition is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2020. Tempera and Watercolor on Paper. Hand-signed and dated by the artist on the lower right ...

"Spring Time" (2024) by Susanne Zuehlke (b. 1962) is a delicate and uplifting painting that celebrates the renewal and growth associated with the season. The canvas is composed of so...

"Alles kann nichts muß" (2017), by Susanne Zuehlke (b. 1962), translates to "Everything can, nothing must." The piece embodies a spirit of freedom and spontaneity. The painting is do...

Casein and ink on paper - Unframed Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and the animated image.” Her work is in the...

The Metamorphosis Room is a Contemporary artwork realized in 1998 by the italian artist Leo Guida (1992 - 2017). Original mixed colored tempera on ...

Oil, casein & ink on panel Paul Lorenz is an American artist born in 1961 who lives & works in Buckeye, AZ, USA. With an education in Bauhaus architecture, fine art, and music compo...

Tano Festa (Roma 1938 – 1988), Finestra (1984) Spray, tempera e legno su tela di cm 100×70, firmato, intitolato e datato al retro. Opera registrata presso l’Archivio Tano Festa, a ...

Oil, casein & ink on panel Paul Lorenz is an American artist born in 1961 who lives & works in Buckeye, AZ, USA. With an education in Bauhaus architecture, fine art, and music compo...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 42" x 2" About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Oil, casein & ink on panel Paul Lorenz is an American artist born in 1961 who lives & works in Buckeye, AZ, USA. With an education in Bauhaus architecture, fine art, and music compo...

Oil, casein & ink on panel Paul Lorenz is an American artist born in 1961 who lives & works in Buckeye, AZ, USA. With an education in Bauhaus architecture, fine art, and music compo...

"Unter freiem Himmel" (2024) by Susanne Zuehlke (b. 1962) is a vibrant composition characterized by bold geometric shapes in vivid primary colors. The piece features dominant blocks ...

Mechanical mask. Cardboard, tempera, 56x47 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Ri...

MARK TOBEY 1890-1976 Centerville 1890 - 1976 Basel (American) Title: Composition, 1968 Technique: Original Tempera Painting on Paper Paper size: 15.5 x 11.5 cm. / 6.1 x 4.5 in. ...

David Smith Voltri, 1962 Signed, titled, dedicated and dated "David Smith Voltri June 1962 for Fletcher" upper center Tempera and gouache on paper 18 7/8 x 24 1/2 inches Provenance ...

“Web” is an original 1950s abstract mixed media painting by important American modernist and New Mexico artist Ward Lockwood (1894–1963). Signed by the artist at the lower right, the composition combines casein and India ink in a sophisticated palette of brown, blue, white, and black. Interwoven lines, organic forms, and layered shapes create a dynamic, web-like structure that reflects Lockwood’s interest in abstraction, experimentation, and modernist design. Lockwood’s work bridges the traditions of American Regionalism, Taos Modernism, and postwar abstraction. His experience in Europe, exposure to Paul Cézanne and Vincent van Gogh, and later involvement with the Taos art community and Federal Art Project helped shape a career defined by continual artistic exploration. The painting is presented in a substantial custom frame, making it an excellent statement piece for a modern, contemporary, or Southwestern interior. It is particularly appealing to collectors seeking historically significant American modernist painting associated with Taos and New Mexico. Frame Dimensions: 29 ¾ x 23 x 2 inches Image Size: 26 x 20 inches About the Artist Born in Kansas in 1894, Ward Lockwood studied at the University of Kansas and the Pennsylvania Academy of the Fine Arts before serving in the U.S. Army during World War I. His military service brought him to France, where he encountered European modernism and was strongly influenced by Cézanne and van Gogh. He later returned to Paris to study at the Académie Ranson. In 1926, Lockwood settled in Taos, New Mexico, where he became closely associated with the Taos art community and the Taos Society...

The Three Emperors is a triptych, which Papamichalopoulos has created a Byōbu-ē folding screen. Each panel measures 150x40 cm / 59 x 16 inches. The piece is created using ink, egg-te...

Abstract image made using egg tempera on hardboard panel.

Unique modernist depiction of an abstracted bull by California artist Dick Crispo (American, b.1945), 1981. The earthtoned animal is outlined in bold strokes of black, and is rendered in an interesting fractured geometric style evocative of cubism's handling of perspective. Signed and dated lower left "D. Crispo '81", and on label on verso. Presented in a dark copper metal frame. Image size; 22.5"H x 28.75"L. An award winning artist, Crispo has studied at the Carmel Art Institute under John Cunningham and Sam Colburn...