Tempera Paintings

There is no greater pleasure than seeing artwork from the gallery come to life in a collector’s home. A great painting activates the four walls of a space and can complete a room. Th...

An original tempera on paper painting by emerging contemporary artist Anthony Leone, currently featured in the artist's solo exhibition Grape Farm.

Original illustration was done by Renna for the novel "Journey to the Center of the Earth" by Jules Verne, published in 1963. What makes this work special is how brilliantly the subj...

Gretchen Oldfather Troibner (American, b. 1953) Strange Woods Casein on paper Signed with monogram lower right 16.5 x 12.75 inches 27.5 x 22.5 inches Gretchen Troibner is an America...

Signed "Chwast" in Pencil Lower Right "Jekyll Becomes Hyde." Original illustration for a German edition of Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde, (Frankfu...

Serge Hollerbach (1923-2021). Nude Figure, 1968. Casein on illustration board, image measures 8.5 x 11 inches; 14.5 x 17 inches in a custom Kulicke welded steel frame. Signed and dated lower margin. Painter, Instructor Born in Pushkin, Russia November 1, 1923. Education : Academy of Fine Arts in Munich; Art Students League with Ernest Fiene; American Art Scholarship with Gordon Samstag. Holdings : St. Paul Gallery...

Lalu Prasad Shaw Babu & Bibi Tempera on Board 21 x 14inches, 2017 (Set of 2 works) ( Unframed & Delivered ) This painting beautifully captures the elegance and charm of traditional ...

ANNA WARDĘGA-CZAJA Graduated from the Painting Department at the Academy of Fine Art in Cracow, Poland in 2021. She's dealing with easel painting, wall painting as well as drawing. F...

Vladimir Glushenkov (1948-2009) (May 21, 1948, Riga - December 26, 2009, Riga) - painter, graphic artist, poet, translator. Vladimir Glushkenkov was born in family with Russian-Poli...

Downwind, 100x90 cm, oil, tempera, coal, canvas

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 42" x 2" About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Expressive portrait of a man and a woman looking directly at the viewer as well as indicated chairs. The execution of a series of chair paintings served Wilhelm Ohm (1905 Stettin -...

The artist trained in his native Cotignola, the same city where Bernardino and Francesco Zaganelli were also working, whose works during the first decade of the 16th century were str...

Vladimir Glushenkov (1948-2009) (May 21, 1948, Riga - December 26, 2009, Riga) - painter, graphic artist, poet, translator. Vladimir Glushkenkov was born in family with Russian-Poli...

Clarence Holbrook Carter (American, 1904-2000) Over and Above Surprise (Serpent), 1967 Casein on board Signed lower right 7.75 x 5.5 inches Clarence Holbrook Carter achieved a lev...

Artist : Kory Twaddle Title : First Floor Systems Materials : Acrylic, tempera, gouache, paintbrushes, and mixed media on drawing paper pad back with spiral Date : 2018 Dimensions ...

“Water is soft and supple, but also hard and inflexible.It flows or is still. It is silent and loud; it possesses every nature. Pure and clear, muddy and blind, wet and dry, salty an...

Artist : Kory Twaddle Title : Doorway Materials : Acrylic and sand medium on photographic advertisement board (cardboard) Date : 2018 Dimensions : 8 x 10 x...

SAXOPHONIST, 100x70 cm, tempera/ paper

French modernist tempera painting of an open air market in the streets of town by artist Schwerb, circa 1950. Original artwork on paper displayed on a white mat with a gold border. ...

Hand Signed. Passepartout included.

Surreal abstract expressionist painting of a group of clowns in the style of Belgian painter James Ensor. Combining the macabre with the playful, the work features distorted clowns a...

A textural oil painting by Darius Yektai (b. 1973 / Southampton, NY) of a tree over a pond filled with lily pads. A moody ground of colors, jewel tone purples, blues and greens, are ...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Bibliography Art in America, April 1951, p.78 About this artists: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

LOOK FOR FREE SHIPPING AT CHECKOUT Rock Me is a 14 x 20 figurative oil painting by E. Melinda Morrison. It was painted in 2019. Rock Me shows the movement of the water rocking the ...

An Intriguing 1991 Surrealist painting of downtown Chicago by artist James Mesplé. Artwork size: 22 1/2" x 18 1/2". Framed size: 25 1/2" x 21 1/2". Mesplé studied painting at th...

A colorful Mid-Century Modern floral still-life painting by Wisconsin artist William C. Buxton. Artwork size: 23 1/2" x 18". Framed size: 28" x 24". William Buxton was born in A...

This 48" x 34" mixed media painting, 'Surfacing II,' by Dragana Milovic features an abstracted geometric composition featuring 3d objects adhered to th...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

Kasia Mazur is a very young artist, she is still studying painting at the Academy of Fine Arts in Gdansk, where she also lives. She has already had exhibit...

Venetian Canal, c. 1910-11 Tempera on board Signed lower right 24 x 30 inches 30 x 36 inches, framed Frank Nelson Wilcox (October 3, 1887 – April 17, ...

Elizabeth Osborne (b.1936). Irises, 1966. Casein and charcoal pencil on paper, sheet measures 10.5 x 12 inches. Unframed. Excellent condition with no fading or damage. A very tiny area of paper loss in lower right corner. Biography: Elizabeth Osborne, born in Philadelphia PA, has exhibited extensively throughout the United States for over forty years. She lives and works in Philadelphia. Her work is included in the collections of the Philadelphia Museum of Art; the Pennsylvania Academy...

Landscape Abstract Painting - "Landscape interwoven with blue and green" In this unique painting "Landscape Green Blue Woven" by the artist Skadi Engeln, a semi-abstract landscape i...

Colin Fraser's remarkable tempera still-lifes and landscapes have a luminosity that seems to irradiate from them. It’s an effect that conjures a remembering of the timeless moment or...

‘Teppiche' Acrylic and Eggtempera on Canvas, 115 x 85 cm, 2016 Fides Becker The leading theme of the artist’s interventions is the staging of temporality, transience, and change. ...

PEAR ARRANGEMENT Size: 33 x 38 cm (including frame) Tempera on board A charming and characterful interior still life composition executed in tempera on board and dated 1978, by the ...

Untitled is an artwork by Mark Tobey. Monotype with tempera, heightened with tempera on Japan paper. Hand signed and dated lower right: Tobey 69. Provenance: Henze Ketterer Gallery B...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

'Tapetenzunge’ by Fides Becker Acrylic and Eggtempera on Canvas, 115 x 85 cm, 2017 Fides Becker The leading theme of the artist’s interventions is the staging of temporality, trans...

Colin Fraser was born in Glasgow in 1956, studied art in Brighton and currently lives and works in Sweden. Fraser is represented by Mira Godard Gallery and has exhibited internationa...

Mid-century tempera painting on paper in warm orange tones of parent with child by French artist Clairet, 1956. Signed and dated lower right. Original artwork on paper displayed on ...

Joanna Rusinek (1979) Polish contemporary painter. Diploma at the Academy of Fine Arts in Gdańsk in 2007 at the Graphics Studio under the supervision of prof. Jadwiga Okrassa. Annex...

Composition is a beautiful original painting in tempera applied on cream-colored paper, realized at the beginning of XX century by the Greek-French artist Mathéos Alkis, Signed on lo...

'Schlüsselloch' by Fides Becker Acrylic and Eggtempera on Canvas, 33 x 54 cm, 2017 The leading theme of the artist’s interventions is the staging of temporality, transience, and change. Fides Becker (* 1962) developed and pursued her picturesque strategies in the illusionistic pictorial space. Her practice explores intimate worlds through objects and materials we associate with the private sphere in everyday life. Sofas, beds, curtains, mirrors, and sheets are reconstituted in her paintings as fragments, details or dissolving surfaces that engage with the ambiguities between presence and absence, past and present, and personal and collective images. Fides Becker (*1962 in Worms) studied at the Städel School in Frankfurt a.M., at the Academie van Beeldende Kunsten in Rotterdam, and at the Hochschule der Künste in Berlin. Her works can be found in numerous national and international collections, such as the National Collection of Rhineland-Palatinate, the Art Collection of the German Bank...

“Barnaby Fitzgerald’s outrageously gorgeous paintings are a guilty pleasure - yet the guilt is unnecessary, for they do not cloy or fatten us. They are as intellectually challenging ...

ANNA WARDĘGA-CZAJA Graduated from the Painting Department at the Academy of Fine Art in Cracow, Poland in 2021. She's dealing with easel painting, wall pa...

Study for Decoration is a graceful preparatory sketch for a decoration of the French artist, stylist, decorator and illustrator Adolphe Giraldon. This is a small painting in tempera ...

Jules Van de Leene Ixelles 1887 – 1962 Auderghem Belgian Painter 'The Belfry of Bruges' Signature: signed lower right 'J. Van de Leene' Medium: mixed media, tempera on paper Dimens...

Prisoner is an original drawing in tempera and white lead applied on cardboard, realized by an Anonymous artist of the XX century. The state of preservation of the artwork is good a...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

Mosque in Constantinople is an original artwork realized in the mid-20th century, and attributed to Gustavo Francalancia. Original mixed colored tempera and watercolor on plywood. ...

ADAM NIEMCZYC (born in 1914) Painter, graphic artist, poet, novelist. He practiced easel, mural painting and book illustration. Since 1958 he participated in numerous exhibitions in ...

Fred Wessel's "Iris (Revisted)" is a stunning egg tempera painting on gold leaf. Created in 2014, this piece depicts a young woman, looking inquisitively over her shoulder. The gold ...

After a tour of duty in the US Navy, Miles Cleveland Goodwin earned a BFA from Pacific Northwest College of Art in Portland, Oregon, in 2007, and eventually returned to coastal Missi...

Once upon a time, a wonderful girl posed for Evgeniy, outwardly very similar to the well-known blonde from Game of Thrones. Almost a doppelganger of her fairy-tale sister .. And then...

“Barnaby Fitzgerald’s outrageously gorgeous paintings are a guilty pleasure - yet the guilt is unnecessary, for they do not cloy or fatten us. They are as intellectually challenging ...

Fred Wessel's "Modesty" is a stunning egg tempera painting on gold leaf. Created in 2016, this piece depicts a young woman in a simple patterned gown, looking down and embracing hers...

PIANIST, 100x70 cm, tempera/ paper

SINGER, 100x70 cm, tempera/ paper

CONDUCTOR, 100x70 cm, tempera/ paper