Wood Panel Paintings

"Artichoke Hold on Me" is a green & purple contemporary impasto oil still life. Emily Persson is a Melbourne based artist who has been creating oil paintings with a palette knife for three years. Emily is a multi-generational artist with roots in Brisbane, Australia. Although an avid hobbyist painter her whole life, Emily found her style and her new career in 2016 when she began painting landscape, seascape and floral still-life paintings inspired by her surrounds in Queensland. Emily decided in late 2017 that she would give away a successful corporate office job and pursue her life long dream of becoming a full time artist. She relocated to South Yarra in Melbourne and immediately began exhibiting across Australia at galleries such as the Moree Gallery and Satch & Co. Emily participated in many group exhibitions and fundraisers in 2018 including multiple shows in Melbourne, New South Wales and Queensland. Emily has gained most of her notoriety from her popularity on Instagram where she has close to twelve thousand followers. Emily’s art has trended worldwide on social media and she has become a pioneer and mentor for other artists trying to find their online groove. Emily has drawn the eye of some of Australia’s most sought after interior designers including Thomas Hamel...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a bunny on a Holland Tulip Orange background with thick use of paint...

"Dering Harbor Sunset" is a contemporary blue & purple seascape with sailboats. Kelly Carmody’s work has been widely exhibited and collected. One of her major figurative works was c...

Though the action of painting geological formations using abstraction, organic textures and luminous color, I can convey how natural physical forces work to shape a constantly changi...

An idyllic view of cattle and sheep grazing in a pasture before an oak tree with a blue sky with bollowing clouds beyond. William S Rose (1810-1873) Cattle and sheep grazing in rou...

Though the action of painting geological formations using abstraction, organic textures and luminous color, I can convey how natural physical forces work to shape a constantly changi...

Though the action of painting geological formations using abstraction, organic textures and luminous color, I can convey how natural physical forces work to shape a constantly changi...

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: Queen Elizabeth 2 30”x40” x 1.5" oil on birch panel . Ready to hang with wire on the back They are blurred....

Cornelis le Mair "Still life with Japanese dolls, prunus and Satsuma incense burner" 73 x 60 cm ( painting) Framed the size is 107 x 95 cm This by the artist handmade frame is inclu...

Though the action of painting geological formations using abstraction, organic textures and luminous color, I can convey how natural physical forces work to shape a constantly changi...

Though the action of painting geological formations using abstraction, organic textures and luminous color, I can convey how natural physical forces work to shape a constantly changi...

Though the action of painting geological formations using abstraction, organic textures and luminous color, I can convey how natural physical forces work to shape a constantly changi...

Cornelis le Mair "Still life with Tazza with red grapes" 55 x 42 cm ( painting) Framed the size is 93 x 79 cm (This by the artist handmade frame is included in the price) Painted i...

"Spring Terrace" bright yellow impasto oil painting of New York City apartment terrace. Emily Persson is a Melbourne based artist who has been creating oil paintings with a palette knife for three years. Emily is a multi-generational artist with roots in Brisbane, Australia. Although an avid hobbyist painter her whole life, Emily found her style and her new career in 2016 when she began painting landscape, seascape and floral still-life paintings inspired by her surrounds in Queensland. Emily decided in late 2017 that she would give away a successful corporate office job and pursue her life long dream of becoming a full time artist. She relocated to South Yarra in Melbourne and immediately began exhibiting across Australia at galleries such as the Moree Gallery and Satch & Co. Emily participated in many group exhibitions and fundraisers in 2018 including multiple shows in Melbourne, New South Wales and Queensland. Emily has gained most of her notoriety from her popularity on Instagram where she has close to twelve thousand followers. Emily’s art has trended worldwide on social media and she has become a pioneer and mentor for other artists trying to find their online groove. Emily has drawn the eye of some of Australia’s most sought after interior designers including Thomas Hamel...

"Fragment 8" by Rudolf Kosow is an evocative miniature painting on wood, capturing the elusive nature of human memory and emotion through abstract forms and subtle colors. This artwo...

Translated title: "Face with figures". Acrilic paint on beech panel. The frame is included.

Susan Gale's work explores the nostalgia of community by highlighting the juxtaposition between the peaceful, quiet, mystery of light, and the rush of visually invoked sensation. She...

Dance Of The Female Gods, 17th/18th Century after Giulio ROMANO (1499-1546) Large 17th/18th Century Greek School depiction of the female Gods revelling in dance, oil on gilded pane...

Alexandre DEFAUX (1826, Bercy - 1900, Melun) Yport, la falaise d'Amont Oil on panel 59.5 x 38.5 cm Signed and located lower right Pupil of Corot, Alexandre Defaux is a fairly famous...

Henri-Pierre PICOU (Nantes, 1824 - Nantes, 1895) A chapel Oil on panel H. 40.5 cm; L. 31.5 cm Signed and dated lower left 1850 or 1860 Henri Picou is often considered only as a some...

Guillaume RONMY (Rouen, 1786 – Paris, 1854) Jeune italienne séchant les langes de son enfant Huile sur panneau H. 16 cm ; L. 13,5 cm Signée en bas à gauche Traces d'inscriptions au d...

"State of Play" is a wonderful, whimsical surrealist mixed media painting. Acrylic, Sakura Markers, Caran d’Ache & Pencil on a Birchwood Panel 17 x 17 inches 2024 Framed Artist’s ...

"Fragment" by Rudolf Kosow is a compelling painting that intricately uses the medium of wood to enhance its textural and emotional depth. The artwork features a close-up of a human f...

"Fragment" by Rudolf Kosow is a deeply introspective miniature painting on wood that subtly plays with shadow and light to evoke a sense of hidden depths within the human form. This ...

"Fragment 7" by Rudolf Kosow is a deeply evocative miniature painting on wood that portrays the subtle details of a human profile with a focus on the neck and shoulder. The artwork's...

"Fragment 9" by Rudolf Kosow is a striking miniature painting that employs a minimalist yet impactful use of color and form to convey deep emotional and psychological states. The art...

Philippe Charles Jacquet is not simply a painter of landscapes; he is a creator. Jacquet has mastered the ability to combine what is real and what is imagined. As a result, his comp...

"Fragment" by Rudolf Kosow is a poignant miniature painting on wood, which masterfully captures the essence of contemporary portrait art with a nuanced approach. The painting feature...

Susan Gale's work explores the nostalgia of community by highlighting the juxtaposition between the peaceful, quiet, mystery of light, and the rush of visually invoked sensation. She...

Philippe Charles Jacquet is not simply a painter of landscapes; he is a creator. Jacquet has mastered the ability to combine what is real and what is imagined. As a result, his comp...

"In A TranceAtlantic Crossing" is a wonderful, whimsical, surrealist mixed media painting. Acrylic, Sakura Markers, Caran d’Ache & Pencil on a Birchwood Cradled Panel 36 x 30 inches...

Philippe Charles Jacquet is not simply a painter of landscapes; he is a creator. Jacquet has mastered the ability to combine what is real and what is imagined. As a result, his comp...

2 original paintings by Angela Smith. Slightly different sizes, both sold framed - Tuesday's Girl (Sakura): Complete size of framed work: 53 H x 53 W x 3.5 D cm (20.87 x 20.87 x 1.38 in) Single Hummingbird, Framed size: 45.5 H x 45.5 W x 2.5 D cm (17.91 x 17.91 x 0.98 in) TUESDAY'S GIRL (SAKURA): Original painting by Angela Smith showing back of girl's head. A portrayal of young girl with brown hair tied back by pink flowers.  Surrounded by a vibrant damask pink...

Henri George CHARTIER (1859-1924) Study of rocky landscape. Oil on panel, signed lower right. Good condition. 24 x 33 cm

This magnificent oil on panel portrait, presented by Titan Fine Art, is a splendid example of the sumptuous female portraits that were painted for members of the upper echelons of society during the early part of the 1600’s. The artist has rendered this portrait with meticulous attention to detail and the surface effects of the fine materials. The elaborate lace coif and cuffs are painstakingly delineated, as is the bold black damask, and sumptuous gold decoration of her skirt and stomacher, which is wonderfully preserved and quite remarkable considering the age of the work and the fact that darker pigments are particularly vulnerable to fading and wear. This work with its spectacular depiction of costume is of absolute quality, it can be rated as one of the best works in the artist’s oeuvre and as such it is an important and splendid example of Dutch portraiture. The Dutch Golden Age of painting was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middleclass patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Dress was a key component in portraits, and the exuberant attire reiterates the incredible wealth of this woman. The sitter will have visited the artist’s workshop and inspected examples on display. They would have chosen the size and the sort of composition and on that basis negotiated the price – which would have also been determined by the complexity of the clothing and the jewels that were to be depicted, and by the materials to be used. When all was considered, this portrait would have cost the sitter (or her husband) a substantial sum. The colour black was regarded as humble and devout yet at the same time refined and sophisticated and the most expensive colour of fabric to dye and to maintain. Citizens spent fortunes on beautiful black robes. Such uniformity must also have had a psychological side-effect and contributed to a sense of middle-class cohesion; the collective black of the well-to-do burgess class will have given its members a sense of solidarity. The colour was always an exciting one for artists and when this portrait was painted there were at least fifty shades of it, and as many different fabrics and accoutrements. Artists went to great lengths to depict the subtle nuances of the colour and the fabrics and textures and how they reflected light and it was an ideal background against which gold and crisp white lace could be juxtaposed to dramatic effect. The sitter is either a married women or a widower as is evident by the clothing that she wears and the position, toward her right, it is highly likely that this portrait was once a pendant that hung on the right-hand side of her husband’s portrait as was convention at the time. She wears a vlieger which was a type of sleeveless over-gown or cape worn by well-to-do married women in the late 16th and early 17th centuries. Variations with short sleeves or high shoulder rolls are known. Sometimes sleeves were attached with aiglets, and often slits were made to allow belts or the hands to pass through. Three-piece vlieger costumes of this kind were standard items of clothing in portraits of the women of the civic elite in the period 1600-40 and was a variant of the Spanish ‘ropa’ and served as a trademark of well-to-do married burgher women. Girls and unmarried woman, including beguines, wore a bouwen (a dress with a fitted bodice and a skirt that was closed all round) instead. This clear distinction between apparel for married and unmarried women is clear not only from inventories and trousseau lists, but also from contemporary sources such as the Dutch Spanish dictionary published by Juan Rodrigues in 1634. In it, a bouwen is described as a ‘ropa de donzella’ (over-gown worn by a virgin) and a vlieger as a ‘ropa de casada’ (overgown worn by a married woman). It is striking how few women are depicted wearing a bouwen, unless they are part of a group, family or children’s portrait and it can therefore be assumed that independent portraits of unmarried women were seldom commissioned. It is also believed that the clothing worn in these portraits existed and were faithfully reproduced when cross-referenced with the few exact documents. These sources also demonstrate that clients wanted their clothing to be depicted accurately and with this in mind precious garments and jewels were often left in the painter’s studio. The prominent white lawn molensteenkraag (or millstone ruff) is held up by a wire supportasse and was reserved only for the citizens that could afford this luxurious item that often required 15 meters of linen batiste. The fabulous wealth of this sitter is also evident by the elaborate lace coif and cuffs which have been exquisitely depicted; lace was often literally copied by artists in thin white lines over the completed clothing. The gold bracelet with jewels is a type that was evidently fashionable as it is seen in a number of portraits during the 1610s and 1620. Clothing and jewellery were prized possessions and were often listed in inventories of estates and passed down from generation to generation. There were a great number of jewellers of Flemish origin working at all the courts and cities of Europe, competing with the Italians, and then the French, adapting themselves to the tastes and positions of their patrons and the raw materials available in the country where they worked. The fashion for jewels “in the Flemish style” succeeded that of the Italian style. Cornelis van der Voort, who was probably born in Antwerp around 1576, came to Amsterdam with his parents as a child. His father, a cloth weaver by trade, received his citizenship in 1592. It is not known who taught the young Van der Voort to paint, but it has been suggested that it was either Aert Pietersz or Cornelis Ketel. On 24 October 1598 Van der Voort became betrothed to Truytgen Willemsdr. After his first wife’s death he became betrothed to Cornelia Brouwer of Dordrecht in 1613. In addition to being an artist, Van der Voort was an art collector or dealer, or both. In 1607 he bought paintings from the estate of Gillis van Coninxloo, and after an earlier sale in 1610 a large number of works he owned were auctioned on 7 April 1614. Van der Voort is documented as appraising paintings in 1612, 1620 and 1624. In 1615 and 1619 he was warden of the Guild of St Luke. He was buried in Amsterdam’s Zuiderkerk on 2 November 1624, and on 13 May 1625 paintings in his estate were sold at auction. Van der Voort was one of Amsterdam’s leading portrait painters in the first quarter of the 17th century. Several of his group portraits are known. It is believed that he trained Thomas de Keyser (1596/97-1667) and Nicolaes Eliasz Pickenoy (1588-1650/56). His documented pupils were David Bailly (c. 1584/86-1657), Louis du Pré...

Wonderful early to mid 19th century English Cottage landscape. Oils on an oak wooden panel, this piece has a great feel and quality. Framed in its original frame this piece is an e...

Surrealist painting based on Edward Hicks painting, Peaceable Kingdom. Oil on wood panel, 14 x 20 inches. Signed Sovjani, 1970. Most remarkable about the image is the appearance of...

33 x 30 oil on wood panel

Ferdinand Victor Leon Roybet. French ( b.1840 – d.1920 ). Le Mousquetaire. Oil on Panel. Signed upper right. Image size 31.1 inches x 24.4 inches ( 79cm x 62cm ). Frame size 39 inche...

Textured mixed technique, 2021 Figurative Magical Painting. This is one of my early works, where I delve deeper into our connection with animals through a human and magical lens. Ani...

An 18” x 18” Magic Realism Figurative Artwork by artist Evgeniya Golik. A certificate of authenticity will accompany the piece upon its purchase or delivery. Evgeniya Golik (also k...

River landscape Studio of Jan Brueghel the Younger (1601-1678) 17th century Antwerp school Oil on copper: h. 7.48 in, w. 10.43 in Ebonized wood and moulded frame Framed: h. 18.4 in, ...

"Bob" Portrait of a Cairn Terrier by Frances Mabel Hollams (British 1877-1963) signed & dated 1946 titled to the lower corner oil painting on wood panel: 14 x 18 inches framed condit...

This creation is a symphony of organic forms, where minimalism meets nature's complexity. Crafted with acrylic, every stroke and shape is charged with emotion, capturing the beauty o...

The Battle of the Novogorodians with the Suzdalians 16th century Size 50.5 x 47.5 x 3 cm. The icon is located in the Russian Federation. There is an expert opinion from leading R...

In this piece, I embraced the raw beauty of minimalism, juxtaposing bold geometric shapes with the organic lines that evoke nature's effortless complexity. Using acrylics, I sought t...

Controlling Chaos. 2023 30 X 30 Acrylic, gesso, plaster of Paris and ink on cradled birchwood. Jose Castro was born in Matanzas, Cuba in 1947. In 1961, when he was 14, he was sent to...

15th century, Italian Circle of Antonio del Pollaiuolo (1429-1498) Portrait of an Italian Noblewoman Oil and tempura on poplar panel With partial inscription: ALZETAPIN Provenance:...

Alicia Gimeno, born in Barcelona (1989), trained in graphic design during her time in Mexico. From the beginning, she was captivated by calligraphy, the gestuality of brush strokes, the trace of the pen... And delving into the depth of the act of writing, she came across oriental calligraphy...

Sunset at Grand Teton National Park - Plein Aire Landscape in Oil on Board Vibrant plein aire landscape by Thomas Bradshaw (American, b. 1972). This landscape was complete on site, ...

Oil on board study of a Blue Agave in its landscape by French artist Louis Michel Bernard. Signed bottom right and with atelier stamp to the rear of the panel. Presented in fine custom carved wood, gesso, silver leaf and patinated frame. A charming painting of an iconic plant, the thick tendril leaves reaching out from the centre ground surrounded by the ancient oaks and olive tress in the landscape. Bernard has used browns and ochres for the ground surrounding the plant and trees which gives the painting almost an abstract quality. His use of material gives a vivacity to the composition and texture to the surface of the painting. A wonderful addition to any collection or interior. Louis Michel Bernard (1885–1962) was a French artist who primarily focused on landscapes, and he gained recognition as an Orientalist painter...

A 13” x 15” x 2” Surrealist Mixed Media Portrait Painting executed on Wood Panel by artist Christopher Polentz. A certificate of authenticity will accompany the piece upon its purchase or delivery. “The Mad Barber is not quite ‘mad’ in the conventional sense, but rather exhibits a peculiar imbalance. With an eccentric flair reminiscent of characters like Sweeney Todd...

Arthur Smith (American, 1897-1972) Untitled, 20th century Oil on wood panel 23 3/4 x 19 1/2 in. Framed: 29 x 25 x 1 1/4 in. Signed lower left: A Smith Arthur Smith is a listed Ameri...

A 16” x 22” x 3” Magical Realism Acrylic Portrait Painting executed on Wood Panel with Custom Framing and Found Objects by artist Christopher Polentz. A certificate of authenticity w...

Figurative Magical Painting, textured mixed technique, created in 2021. This piece represents one of my earlier works, exploring our connection with animals through a human and magic...

Lesley Powell paints in oils with a classical approach to composition and color, but she has a point of view that is fresh and contemporary. Whenever possible, she prefers to paint f...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold or silver drips, mixed media and, pieces ...

A 14” x 40” x 2” Magical Realism Acrylic Portrait Painting executed on Wood Panel with Bronze by artist Christopher Polentz. A certificate of authenticity will accompany the piece up...