Wood Paintings

Steven Harvey (Australian, born 1965) 1998 Mixed media painting on board Dimensions: 19-3/4 x 12 inches Hand signed, dated, and titled verso Provenance: Important Australian Art f...

Attributed by Nikolay Alekseyevich Kasatkin (1859 - 1930). In this touching artwork, the artist perfectly conveyed the character of the old woman, who has seen a lot in her life. The hands, tired out and riddled with veins, lie helplessly on the knees. Her slouched body tells us about the load of years lived. The painter skillfully conveys a sense of wisdom, kindness, and humility through her wrinkled face and detached gaze. The painting exudes warmth with a subtle touch of sadness and reflection on a life lived. Thanks to moderately contrasting colors, the portrait comes to life and shows us the depth of the artist's intention. Kasatkin not only continued the traditions of the best masters of portraiture in Russia in the 19th century, but also introduced new principles into it. He sought to display on canvas not only the external features of a person, but also to demonstrate his spiritual world. Antique oil painting on canvas, signed bottom left, framed. Size app.: 68.5 x 52.3 cm (roughly 27 x 20.6 in), frame is 80.5 x 63.5 cm (roughly 31.7 x 25 in). Very good condition, very well preserved recently conserved condition with minimal wear (notice few micro losses here and there). Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 5.4 kg is going to measure 8 kg packed for shipment. Nikolay Alekseyevich Kasatkin (1859 - 1930) was a Russian painter, considered to be one of the founders of Social Realism in Russia. From 1873 to 1883 he studied at the Moscow School of Painting, Sculpture and Architecture with Vasily Perov and Illarion Pryanishnikov. Upon graduating, he received a medal for his painting "Beggars at the Church Door". In 1891, he began exhibiting with the Peredvizhniki and, from 1894 to 1917, was a teacher at his alma mater. For thirty years, beginning in 1883, he worked with Ivan Sytin, providing illustrations for his popular almanac/calendars and teaching lithography. He also contributed The Great Reform, an encyclopedia that celebrated the fiftieth anniversary of the Emancipation (1861), and a collection called "Russian History in Pictures". In 1903, he became a member of the Imperial Academy of Arts. He participated in the Exposition Universelle (1900), where he won a silver medal, and the Louisiana Purchase Exposition (1904), among others. In 1923, following the Civil War, he was named the first "People's Artist of the Republic" and became a member of the AKhRR (Association of Artists). He is considered to be one of the forerunners of Socialist Realism in the arts and was sometimes called the "Gorky of Painters". In 1956, the Soviet Union honored him with a 40 kopeck commemorative postage stamp. In 1971, his painting of a female mine worker...

Signed in red, u.l. Oil on canvas mounted to Masonite This work is offered by ClampArt in New York City.

David E. Peterson Puzzle #83, 2013 Acrylic, Exotic wood, MDF, UV resin 2 piece set of 60h x 8w x 2d in (30h x 7w x 2d in. and 30h x 8w x 2.5d inches) 152.40h x 20.32w x 5.08d cm Thi...

Along the fence. Plywood, oil, 14x14 cm

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1950 University of Illinois at Urbana "Contemporary American Painting" 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 36" x 2". About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

It’s time to bury the so-last-century idea that folks are either "right-brained,” i.e., naturally creative, or (boringly) "left-brained," always operating logically. And here’s just ...

Blue Square is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2015. Oil on canvas applied on plywood. Hand signed and dated by the artist on the back. Hand signed o...

Modern Mixed Media Textured Kimono in Neutral Blush, Collagraph Master Plate #2 This one-of-a-kind, highly textured, modern mixed media piece of a kimono in blush, warm neutrals is ...

"EASSSSSSSSSYY" is a one-of-a-kind original work by Amanda Marie (Mando), created using acrylic and aerosol on canvas. The piece measures 40.5”h x 40.5”w framed, and is shipped in th...

acrylic on birch panel

Acrylic and oil on canvas Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for severa...

Nocturnal seascape by Vasil (Victor) Papkov (20th Century). A dark storm hangs over the ocean, with mixed hues of black, blue, purple and red. At the ho...

Coastal Seascape Painting of Portbradden Harbour, Fishing Village, County Antrim, Northern Ireland Oil on Canvas, Circa 1980, by 20th Century Artist, Allan Ardies (1918–2014) Art me...

The Prodigal Son Among Courtesans Attributed to Hieronymus Francken II (Antwerp 1578-1623) Early 17th century Antwerp school Oil on oak panel, Dimensions: H. 52.5 cm (20.67 in), W. 74 cm (29.14 in) Flemish-style moulded wood frame Frame: h. 78 cm (h. 30.70 in.), w. 100 cm (39.37 in.) This artwork is sold with a certificate of authenticity guaranteeing its origin, date of execution, and attribution to the artist. At first glance, this festive and joyful painting depicts a group of elegantly dressed people dancing to the sound of an orchestra in a richly decorated interior with a wide opening onto a rural exterior. However, the real theme is cleverly concealed by the painter and is only discernible through the artifice of a small scene in the background where we see a half-naked man, in the company of the pigs next to a makeshift shelter. In fact, beyond the pleasant and apparently superficial character of the painting, it is a subject taken from the parable of the prodigal son in the Gospel. The illustrated episode is the prodigal son among courtesans. Even if the viewer's attention is drawn to the central couple (prodigal son embracing a pretty courtesan) doing the dance steps, the artist takes care in a narrative approach of all the groups and ancillary scenes in order to create a rich and varied composition. Thus the musicians seated on a raised platform are depicted with great skill, their faces animated, their clothes abundantly varied. The theme of music, which has always been associated with that of sensuality and physical love, helps to exacerbate licentious pleasures. The merry company dances "Spanish pavane", a slow court dance from the sixteenth century, danced close to the ground by couples arranged in a procession, which was probably introduced to the south of the Netherlands around 1600 during the governance of Albrecht VII and the daughter of the King of Spain Isabella Clara Eugenia in Brussels. The interior of the house is also carefully elaborated, the embossed leather dyes on the walls, the middle sideboard (typical in Francken interiors), where the rich gold and silver crockery is placed in front of the painting "Andromeda chained to the rock and Perseus arriving to rescue her". The inclusion of a contemporary and probably extant pictorial work is also one of the characteristics of the Francken family, among them Frans Francken the Younger...

Mixed Media Moon Sphere Sculpture with Goldfish "Tutto" is a unique tabletop sculpture by Italian artist Vera Vizzi. Handcrafted as a textured wooden sphere, the work evokes the crat...

"Wally's Pond" Rural Landscape in Oil on Masonite Idyllic rural landscape by Richard M. Bacon (American, 20th Century). A small pond is reflecting the nearby surroundings - birch tr...

HUGO G. URRUTIA B. 1974, Mexico Hugo G. Urrutia is a multidisciplinary artist-designer, interested in the cross-pollination between art and architecture. His artwork challenges the...

Signed lower left: Purdy A very cool example of mid-century 50"s abstraction. Harbor is done in a style that was being experimented with particularly in the New York and California ...

An Elegant 1940s Modernist Portrait of a Young Woman a Red Dress by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). A beautifully executed studio portrait, the painting is oil...

Small portrait of a clown with colorful, expressionist brushstrokes by Marjorie Blake (American, 1920-1994). Signed "M. Blake" in the lower right corner...

Rachael Dalzell’s paintings are colourful and expressive. Her free and lively use of paint through various techniques, mean that Rachael’s work is as much about mood as it is of pl...

Transporting round English oil painting on wood of a steamship the S. S. Soltan LT. 129 in a choppy sea, presented in a painted frame in the form of a life preserver. Signed G. Macey...

In this seascape in oil on canvas, created in the finest traditions of European marine Romanticism of the second half of the 19th century, attributed to the brush of the renowned Bri...

Original oil on wood painting. Hand signed, titled and dated on verso by Hunt Slonem. Artwork size 10 x 8 inches. Frame size approx 16 x 14 inches. Artwork is in excellent condit...

Katheryn Holt (American, born 1951) "Lost River" 2022 Oil paint, Wood Panel, Wood The artist signed the back of the painting. Framed: 41" x 41" x 1.25" The upper half of the compos...

Italo Scanga (Italian American 1932-2001) Mixed Media (with hand painted sculpture frame) Charcoal, gouache, acrylic paint, paper 1987-1988 Dimensions: Measures 26.5" x 20.5" x .75" framed. Hand signed and dated in the lower right corner. Provenance: On the back, there is writing to indicate this piece was included in a 1990 showing at Chico State's University Art Gallery. This painting and painted frame by Italo Scanga, epitomizes the characteristics of his oeuvre. It features a face and cypress tree. Polychrome and vibrant art from the Memphis Milano era. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture, to Cubism to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker...

Alkyd-oil on Masonite board, 102cm x 83cm, (124cm x 104cm framed). The painting comes directly from the artist. Michael Leonard is most probably most famous for his portrait of HM ...

The Cosmic Dream - Visionary Figurative Nude Composition in Acrylic on Masonite Flowing and stylized figurative work by Kimberlee Kuwica (American, b. 1967). A figure is dancing tho...

Contemporary abstract painting with found object collage by Bay Area artist Michael Pauker (American, b.1957). Black and white oil paint covers th...

Artist: John Kinnear, Canadian (1922 - 2003) Title: Highland Figures Medium: Acrylic on masonite, signed lower right Date: circa 1960 Image Size: 22 x 38 ...

A Cheerful, 1950s Modern Portrait of a Young Woman with Blonde Hair by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Artwork size: 7 1/2 x 5 1/4 inches, oil on Masonite (...

BONNIE MAYGARDEN says of her work… Painting has always been a reaction to the technology of its time. Today, as AI reshapes our visual culture, the value of the handmade feels more ...

acrylic on birch panel

An Exceptional Mid-Century Modern Still Life Painting of Fruit and a Gold Fish Bowl by Noted Chicago Artist, Rudolph T. Pen. Completed in the 1960s, this large, unique, richly rende...

Wonderful mid 19th Century painting of a stable's interior with two horses, stable hand, two spaniels, a rooster and ducks from a follower of John Frederick Herring, Sr. (British, 17...

Oil on oak panel Image size: 17 1/4 x 22 1/4 inches (44 x 56.5 cm) Period oak frame This is a portrait of a Tudor gentleman in an open next shirt with one hand raised to his chest. ...

Bruce Adams is best known as a conceptually based figurative painter who references various (often historical) painting styles. In exploring the act of painting, Adams peels back the...

A Charming, 1960s Mid-Century Modern Portrait of a Young Man by Francis Chapin (Am. 1899-1965). With wonderful expressionist brushwork and a vibrant palette, the painting most like...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

Hunt Slonem (b. 1951) is an internationally celebrated American artist whose vibrant and instantly recognizable works have made him one of the most collectible contemporary painters ...

This early 20th century oil painting on wooden panel, titled "Chemin de Guicherd. Savoie Nuit," is attributed to François Charles Cachoud (1866-1943), a French master of nocturnes. W...

This sculptural wall piece, crafted from reclaimed cork oak wood and hand-painted with acrylic, features a vibrant composition of lush green foliage forming a smiling face. The organ...

Cotswold Track II by Eleanor Woolley [2021] Cotswold Track II is an original oil painting on a deep edged wooden panel by artist Eleanor Woolley. A small scale landscape...

A figurative abstract painting on masonite by San Francisco, California area artist Daniel David Fuentes (American, 1978-2016). San Francisco Bay Area abstract expressionist and land...

Oil paint on wood .the surface has been primed with gesso mixed with an acrylic like pumice to give the surface a textured look. Colorful, Signed on reverse.

Painting was attributed to Jean-Baptiste Marie Huet (1745 - 1811) by Cabinet Turquin (France). A cute scene with children tying a ribbon around the neck of a young lamb. Rococo in th...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

acrylic on birch panel

acrylic on birch panel

Mountain Road Landscape in Oil on Masonite Bright and textured mountain landscape by Artemis Wilhelm (American, 20th Century). The viewer stands on a ...

Acrylic on wood

Channeling the Midwest and Western landscapes as sources for his mood-rich paintings, Bogosian has developed an extensive and breathtaking body of work. According to Bogosian, “My wo...

Oil on wood Each artwork can be sold separately, diptych costs $5,500 Matteo Nannini is an Italian artist born in 1979 in Bologna who lives and works in Cento, Ferrara, Italy. He st...

Yanira Collado (Dominican, American, 1975 ) "Que Ya Estan En El Olvido" Mixed Media unique fabric and painting assemblage collage on plywood Textile, clothing and found material on a custom-made frame. COA signed by the artist on 11/27/2020. Provenance: Oolite Arts, Miami Beach, where Collado was a resident artist. DIMENSIONS: H: 30" W: 24" As a child, Collado traveled between social structures: from Brooklyn, New York where she was born; to the Dominican Republic; to Miami, where her mother worked to become a tailor. Her use of construction materials summons the perception of a displaced personal and public history. She is a Caribbean African American artist with a Feminist leaning. In her practice, Collado displays an awareness of language conveyed through a keen analysis of identity, the latter referenced in her use of reclaimed literary texts and textiles, simultaneously opposed by various construction materials: wood, concrete, masonry brick, iron, and drywall. Materials with inherent geographic histories, processes, and economies imply varying degrees of personalized and public memory. "My connections are grounded to an alternate imagination: a Caribbean imagination and an alchemic consciousness. The Dominican Republic is a culturally rich country. Our musical narratives, folkloric traditions, oral histories, spiritual and supernatural beliefs are complex and embedded in our everyday life. All these components shaped my perceptions, sensibilities, and life experiences. I am always seeing the world through a Caribbean lens". Her artist residency fellowships include Bridge Red Art Center, North Miami, FL (2013-present), Project Row Houses, Houston, TX (2018), Oolite Arts, Miami Beach, FL (2019 – present), and the Joan Mitchell Foundation residency in New Orleans, LA (2020). She was awarded a South Florida Cultural Consortium Fellowship in 2021, and Ellie Creator Grant from Oolite in 2019, first place in the 2013 South Florida Biennial at the Art and Cultural Center/Hollywood, FL, and a Joan Mitchell Foundation Fellowship in 2018. Her work has been featured in group shows around the country including Perez Art Museum, Miami, FL; El Museo del Barrio, New York, NY; PRIZM Art Fair, Miami, FL; Storage Project Space, New York, NY; Oolite Arts, Miami Beach, FL; Project Row Houses, Houston, TX; Museum of Contemporary Art, North Miami, FL; Patricia & Phillip Frost Art Museum, Florida International University, Miami, FL; The Franklin, Chicago, IL; Florida Atlantic University, Boca Raton, FL; and NOVA University, Ft. Lauderdale, FL. Collado’s work was pictured in the Artforum Critic’s Pick, accompanying the review of Fragment, a group exhibition at Emerson Dorsch. In 2016, Collado had a one-person exhibit at the Museum of Art + Design at Miami Dade College, in collaboration with Bridge Red Studios. She had solo exhibitions with Dimensions Variable, Under the Bridge and Far Side Gallery in 2018. In 2019, an interview with her and Onajide Shabaka, mediated by Ryan N. Dennis, was published in BOMB Magazine. Her work is in the collections of Perez Art Museum Miami and El Museo del Barrio. Collado lives and works in North Miami, FL. SELECTED ONE & TWO-PERSON EXHIBITIONS 2022 Areíto/ Allusions of Sacred Geometry and Diaspora, Noyes Cultural Arts Center, Evanston, IL 2021 Alchemic Chants/ Reliquías Fragmentadas, Emerson Dorsch Gallery, 2018 Penumbras, Under the Bridge Art Space, Miami, FL Viento brujo, Farside Gallery, Miami, FL 2016 Original Conditions, MDC Museum of Art + Design/Bridge Red Studios, Miami, FL SELECTED GROUP EXHIBITIONS 2021 Under the Florida Sun: South Florida Cultural Consortium Fellowship Visual and Media Artists, curated by Mikhaile Solomon, Schmidt and Ritter Art Gallery, Florida. Exhibition Diverse Networks, Curate by Laura Marsh, Oolite Arts, Miami Beach, FL Performance 4 Ways: MY BODY, MY RULES, Perez Art Museum, Miami, This was an all-female group exhibition confronting the stereotypes, violence, limitations, and ideals imposed on the disputed image of the female body. The contemporary female image narrative through a feminist lens. The exhibition features artworks across all mediums, such as painting, sculpture, photography and video. Artists included Ida Applebroog, Ruth Bernhard, Louise Bourgeois, Patty Chang, Naomi Fisher, Anna Gaskell, Anna Bella Geiger, Andrea Geyer, Frances Goodman...

Gorgeous mid century landscape of High Sierras full of clouds and cool lake water. some impasto texture also. A well done oil by a California plein air painter. Image 24"H x 30"W Oi...

Amanda Watt (Irish, 1960-) Thatched Chair 1996 7/25 Paint on wood Hand signed, titled and dated verso Dimensions: 48 X 23 X 1 This is a colorful Trompe L'oeil surrealist wall hangin...

Signed lower right, 'C. Sideman' for Carol Joy Sideman (1925-2021) and painted circa 1975; titled, verso, on old artist's tape, 'Surf and Rocks'. Carol Sideman received her Bachelor of Arts degree from the University of California at Berkeley and, subsequently, attended the Oaklands College of Arts and Crafts. Sideman specialized in architectural illustration...

Created amid the turbulence of war-torn Ukraine in 2024, The moon drinks the sky by Igor Volkov-Tkachinskiy marks a departure from his signature palette, e...

This original circular portrait painting is part of Natasha Lelenco’s Currencies series and features a hyperrealistic female profile against a vibrant yellow background. Titled Currency #130, the piece combines figurative painting with symbolic text, forming a dialogue between identity, migration, and memory. The painted...