1850s Paintings

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired circa 2015 by a private collector, Palo Alto, San Carlos, and Oceansid...

➡️ Beautiful study Landscape⬅️ Title: Sur les bords du Loing (Seine et Marne France) Jean Baptiste Camille Corot Medium: Oil on canvas Period: Likely mid-19th century Framing: A wid...

19th Century English Folk Art School Portrait of a Cavalier King Charles Spaniel Oil on canvas, 13 x 15 inches Provenance: Iona Antiques As normal these folk art paintings are unsign...

Antique Victorian English 19th Century, King Charles Cavalier spaniel and Westie terrier in an interior. This exquisite English 19th-century painting by...

Antique Victorian English 19th Century, three Spaniel dogs in an Interior. George Armfield was a mid-Victorian painter of mostly dog scenes but also painted other animal subjects su...

This splendid mid-19th-century oil painting by English artists William Shayer (1787-1879) and Edward Charles Williams (1807-1881) depicts an assortment of travellers outside a roadsi...

George Earl was a painter, primarily of sporting dogs and other animals. He was also the father of Maud Earl and Percy Earl, and the brother of Thomas Earl,...

‘The River Thames at Leigh by Moonlight’ by Henry Pether (1800-1880). The painting is signed by the artist and dated 1851 and is presented in a bespoke gold metal leaf frame. • Vi...

‘A Day in the Country’ by William Frederick Witherington R.A. (1785-1865). Academy Fine Paintings is fully conversant with the latest US Government import duties and the legal exemp...

French School of the 19th Century A Man bust-length Oil on wood panel 31,5 x 22 cm Framed 47,8 x 37,5 cm In good condition. The painter chose to deal with the roughness of his suppo...

Antique Italian oil painting of Venice. Oil on canvas. Signed. Framed. Image size, 31L x 21H.

Antique American school realist fruit still life oil painting. Oil on board. Unsigned. Framed. Image size, 16L x 16H.

Stilla sommarkväll (1851) by Adolf Julius Berg captures a tranquil summer evening by the water, suffused with the golden glow of sunset. In the foreground, two small boats drift on glassy, reflective waters – in one, a man stands with a fishing rod in hand, patiently angling as the day fades. A gentle breeze appears to carry a few diminutive sailboats across the distant bay, their sails illuminated by the last warm light. On the shoreline stands an old windmill, its silhouette etched against the radiant twilight sky. The overall composition exudes calm and harmony, evoking the profound stillness of a Nordic summer nightfall. The alla prima handling of light and color – from the lambent rose-tinted clouds to the lustrous reflections in the water – showcases Berg’s skill in rendering atmosphere and nuanced illumination. In its poetic serenity, Still Summer Evening stands as a superb example of Berg’s romantic landscape artistry, inviting the viewer into a moment of idyllic peace. In both subject and style, this painting is emblematic of Adolf J. Berg’s oeuvre. The coastal setting with a windmill and tranquil waters suggests a locale in southern Sweden – likely inspired by the archipelagic shores of Berg’s native Blekinge or a similar Swedish seaside landscape. Berg often painted scenes from Blekinge and other picturesque Swedish locales, and he favored twilight or moonlit atmospheres that imbue the scenery with a mellow, contemplative light. The warm, low-angled sunlight in Stilla sommarkväll, reflecting off calm water and silhouetting rustic structures, is typical of his fascination with dawn and dusk effects. In the harmonious balance of land, water, and sky, one can sense the influence of Berg’s early mentor, the venerable Romantic landscapist Carl Johan Fahlcrantz, whose tradition of lyrical, sunset-lit vistas is carried on here. Every element – from the fishermen quietly tending their evening catch to the distant sails gliding home – contributes to the painting’s atmosphere of gentle reverie, evoking the timeless charm of a Swedish summer night. Adolf Julius Berg (1820–1876) was a Swedish landscape painter celebrated for his atmospheric portrayals of the Nordic countryside. Born in the coastal city of Karlskrona, Berg developed an early affinity for marine and riverside scenes. His artistic approach was shaped initially by the poetic realism of Carl Johan Fahlcrantz, and later by the dramatic naturalism of Marcus Larson...

Large Scale 19th Century American Impressionism Garden and Lighthouse Landscape Wonderfully large American Impressionist landscape of garden overl...

Henri Joseph Harpignies (France 1819 – 1916) Oil paint on Canvas Titled: “Bords de l’allier” Impressionist Barbizon landscape painting. Signed lower left H J Harpignies. Sight Size...

'The Lover's Duet' by Adrien Ferdinand de Braekeleer, 1854. Dutch Interior Scene, Bach Trinity, Violin, Romance, Guitar ---- Signed lower right, 'De Braekeleer' for Adrien Ferdinand...

This lovely British Victorian landscape oil painting is attributed to noted artist Sam Bough. It was painted circa 1855 after Bough had moved to Hamilton Lanarkshire in Scotland to focus on painting landscapes along side fellow artist Alexander Frazer. The composition is several cattle watering in a stream under the boughs of an ancient tree. There is superb impasto, for example on the clouds and this is a charming 19th century oil painting. Provenance. London estate. Condition. Oil on canvas, 29 inches by 16 inches unframed and in good condition. Frame. Housed in an ornate gilt Victorian frame, 36 inches by 23 inches framed and in good condition. Samuel Bough RSA (1822–1878) was an English-born landscape painter who spent much of his career working in Scotland. He was born the third of five children in Abbey Street, Carlisle in northern England, the son of James Bough (1794-1845), a shoemaker, and Lucy Walker, a cook. He was raised in relative poverty, but with a keen encouragement in the arts. He was self-taught but mixed with local artists such as Richard Harrington and George Sheffield, and was strongly influenced by the work of Turner. After an unsuccessful attempt to live as an artist in Carlisle he obtained a job and as a theatre scenery painter in Manchester in 1845, later also working in Glasgow in the same role. Encouraged by Daniel Macnee to take up landscape painting he moved to Hamilton from 1851-4 and worked there with Alexander Fraser. In 1854 he moved to Port Glasgow to work on his technique of painting ships and harbours. His paintings were noted for their sensitivity to atmosphere and light, were often of cloudy shorelines and busy harbours. He also began supplementing his income by illustrating books, before moving to Edinburgh in 1855. On coming to Edinburgh he lived in a terraced house at 5 Malta Terrace in the Stockbridge area of the city. Following Turner's example, he became a skilful painter of seaports. He was buried in Dean Cemetery Edinburgh on 23 November 1878. The grave bears a bronze medallion of his head by William Brodie...

Loch Awe and Kilchurn Castle is a landscape oil painting on board by 19th century artist Edward Train (1801 -1866). Train was a British artist, painting mostly landscapes in northern England and, like this one, in Scotland. The painting is signed E. Train (lower left) and dated 1850 or 1856, the last number being too faint to be certain. From 1850 to 1880 Train flourished as an artist, but his work was exhibited in galleries in northeastern England and Edinburgh from the 1830s. Born in Gateshead, Tyneside, Train left to take an apprenticeship with a London engraver. In the 1830s Train traveled with an expedition to the Hebrides and Shetland Islands. Here he became fascinated with the Scottish scenery that would become part of his repertoire of landscape art. Loch Awe lies in the west of Scotland in Argyll and Bute. Kilchurn Castle, built in the 16th century, lies on a peninsula inside the Loch, on the water's edge. Train would have traveled to the Highlands and painted the dramatic scene from the east banks of Loch Awe, across from the Castle. This painting captures the Highland mountains, loch and castle that was very much the ouevre of this artist's work. Train painted the Highlands decades before other renowned landscape artists of the 19th century, such as Alfred de Breanski, Louis Bosworth Hurt, Douglas and Duncan Cameron...

James Edward Butteerworth Owning a painting by James Edward Buttersworth depicting the heroic rescue of passengers from the ship 'Winchester' by the inscribed steamship 'Washington...

This beautiful painting is in perfect condition, never touched. It has an original period giltwood frame (gold leaf)

London painter, George Armfield's original oil painting "Untitled -Terrier with Bowl" is an excellent example of this wonderful 19th century artist who is highly sought after for his dog paintings of Terriers. Original's by the renowned 19th century dog painting...

A charming and antique oil portrait of a young boy shown seated beside his spaniel and gazing directly towards the viewer. American School, unsigned, and painted circa 1850.

Up for sale here is a really impressive mid 19th century painting. Very fine quality and great color! Unsigned. Framed. Image size, 13 by 17.

Henry King Taylor was a marine and coastal scene painter who lived in London. He exhibited at the Royal Academy from 1859 to 1864 with titles includi...

Louis-Alexandre CABIÉ (Dol-de-Bretagne 1853 - Bordeaux 1939) Landes at Pessac, near Bordeaux - Gironde Oil on canvas H. 126 cm; W. 201 cm Signed lower left Louis Cabié, a renowned a...

Oval Portrait of a Young Boy (Johan Gustaf Moll, 1843–1912), attributed to Carl Ferdinand Sohn (1805–1867) An intimate oval portrait of a young boy. Mounted in an oval gilt wood peri...

Unknown Artist (American School, 19th century) Portrait of a Lady in Blue, c. 1835–1850 Oil on canvas This painting is unsigned This quietly elegant portrait captures a mature woman...

A very attractive mid 19th century marine oil painting, by the celebrated French artist Charles Hoguet (1821-1870), Dieppe 1851. The painting depicts three masted fishing boats with ...

"Still Life and Hunting Dogs, 1851" P. M. Guillemin (French, 1800-1874) Monogrammed "EG" on right side. Oil on cradle board 26 x 21 (36 x 31 frame) inches Stunning example and un...

English 19th century portrait of the Clipper ship Crescent in full sail. Acquiring a 19th-century English portrait of a clipper ship is more than just adding a painting to your coll...

Egron Sellif Lundgren (Stockholm 1815–1875 Stockholm) The assassination of George, Duke of Clarence in the Tower of London; A Scene from Shakespeare’s Richard III (Act I, scene 4) ...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was largely self-taught. He began his career as a painter of animals and portraits, but on moving to Aberdeen he increasingly turned his attention to local seascapes and coastal scenes, especially at dawn and sunset. He favored these outdoor scenes but continued to paint some domestic subjects and portraits throughout his life. In 1869 he moved to Edinburgh and was elected an associate of the Royal Scottish Academy. Shortly before his death in 1879 he was elected an Academician. This piece is framed in its original frame and the painting is signed lower right and inscribed on the reverse. From the inscription on the reverse, this painting was purchased from an important house sale...

Vincent Clare (British, 1855–1930) Still Life of Fruit on a Mossy Bank Oil on canvas, signed lower right Circa 1870 Presented in a richly carved and gilded 19th-century style frame ...

Edward LADELL Picture Size: 20 x 16" (50 x 40cm) Outside Frame Size: 26 x 22" (65 x 55cm) An exquisite example of Ladell's painting. Signed with his traditional stylistic monogram,...

This charming mid-19th-century oil painting depicts a river landscape with a thatched cottage, boatmen, and windmill. It’s reminiscent of works by English artist Edward Williams (178...

Constant Troyon (French, 1810-1865) Vache en prairie Oil on canvas Canvas: 19 x 15 inches (48.3 x 38.1 cm) Framed: 28.75 x 24.75 x 3 Inches Artist's estate stamp lower right: Vente /...

Henry John Boddington. 19th century English landscape with figures by a riverside. Simply one of the finest quality English landscape Ive ever had the pleasure of owning . This i...

French Romantic School 19th Century Manly head of bearded man oil on canvas 46 x 37.8 cm In fairly good condition, some inpaintings visible under UV light, mainly in the backgrounds ...

Egide Linnig (1821–1860) was a Belgian painter known for his landscape and genre paintings. He was born in Antwerp, Belgium, and studied at the Royal Academy of Fine Arts in Antwerp....

Henry Brittian Willis English plough team at rest during harvest Summertime. A painting by Henry Brittiam Willis capturing a 19th-century English plough team, complete with horses,...

Orientalist oil on board by Henry Stanier (1831-1894) in the ornate original frame. Titled “The Narghuileh” and dated 1859. Signed on the verso Stanier and initialed H.S. Titled on ...

Signed lower right: Johan Arsenius and dated 1858 or 1853, attributed Johan Georg Arsenius (1818 - 1903), was a Swedish military man, painter and draftsman. Up for sale is important ...

This interesting British 19th century coastal landscape oil painting is by noted Suffolk School artist Edward Robert Smythe. Painted circa 1850 it is a busy coastal landscape with fi...

A wonderful painting of a beautiful woman in the style of the Pre-Raphaelites. It is signed Arnhold. It is in very condition and in the original frame. Picture Size: 21 x 21" (51 ...

"Moorish Soldier Holding a Rifle" Manuel Garcia Hispaleto (Spanish, 1836-1898) Watercolor on paper Signed lower left "MGHispaleto" Original wood frame with gilded stucco 18 3/4 x 12 1/2 (33 1/2 x 26 frame) inches Manuel García Hispaleto, originally Manuel García y Martínez (22 November 1836, Seville -26 December 1898, Madrid) was a Spanish painter known for portraits and costumbrista (genre) scenes. His brother, Rafael García...

John Henry Hill 1839-1922 Signed lower right Dated: 1857 Sight size: 3 3/4 x 7 1/2 inches Overall size: 7 3/4 x 11 1/2 inches oil on panel Good condition Kennedy Gallery Label Verso ...

A beautiful mid 19th century English Victorian oil on board depicting a tranquil landscape with a farmer ploughing the land in the distance, by Samuel Bough. This work is signed and...

This charming mid-19th-century oil painting by Dutch artist Johannes Philippus Galjaard (1812-1867) depicts several figures on a rural track with a town and distant hills beyond. Hai...

This is a rare example of mid 19th century painting by a budding Pennsylvania artist associated with a local school. The work is a floral still life by listed artist Lucinda Carver ...

This stunning large 19th century landscape oil painting is attributed to follower of Joseph Turner, possible George William Mote. Painted circa 1850 it is a panoramic landscape loo...

Victorian 19th-century portrait of a seated English Flower Seller. This is a very pretty classic English Victorian Genre painting. The style ...

Signed lower right, 'A. Leonardi' for Achille Leonardi (Italian, 1800-1870), inscribed, '... Roma' and painted circa 1860. An exceptionally fine and detailed, nineteenth century oil...

Interesante óleo pintado sobre cristal que representa a San Francisco de Asís, pintado con un estilo Naif. No esta firmado, solo va titulado. Se presenta con su marco original de m...

Realized by Filippo Palizzi between 1850 and 1860, in very good conditions. Includes a contemporary wooden gilded frame. Filippo Palizzi is an italian...

"Young woman at the piano" - "Junge Frau am Klavier", oil painting on canvas by a Spanish artist Joseph Sintes About the artwork: TECHNIQUE: oil painting Edition : Unique, signed ...

Portrait d'Homme is an artwork realized by the french artist Alphonse Legros (1837-1911) in 1859. Oil on Canvas. Good conditions except some rips on the edges. Broche du nº 23 du catalogue Malassis-Thibaudeau "Portrait de Frederique Regamey". Collection Thibaudeau. Alphonse Legros was born on May 8, 1837 in Dijon, France. While young, Legros visited the farms of his relatives, and the peasants and landscapes of that part of France are the subjects of many of his works. He was sent to the art school at Dijon with a view to qualifying for a trade, and was apprenticed to an interior decorator. In 1851, Legros left for Paris, but passing through Lyon he worked for six months as journeyman muralist for painter/art restorer Jean-Baptiste Beuchot, who was painting the chapel of Cardinal Bonald in the cathedral.In Paris, Legros studied with theater scene painter Charles-Antoine. He attended also the drawing-school of Lecoq de Boisbaudran (the "Petite école") where he found made friends with Jules Dalou and Auguste Rodin. In 1855, he attended the evening classes of the École des Beaux Arts.Legros sent two portraits to the Paris Salon of 1857: one was rejected, and formed part of the exhibition of protest organized by Francois Bonvin in his studio; the other, which was accepted, was a profile portrait of his father. Art critic Champfleury saw the work in the Salon, and sought out the artist to enlist him in the "Realists," a group anchored by Gustave Courbet.Legros picked up the art of etching by watching a colleague in Paris who worked as a commercial engraver, and taught himself both etching and medallion making. He considered the traditional journey to Italy an important part of artistic training, and in later years, gave part of his salary to augment the income available for a travelling internship.He moved to England in 1863 and in 1864 married Frances Rosetta Hodgson. In his early career, he lived from the sales of his etchings and teaching. He began teaching etching at the South Kensington School of Art and in 1876 became a Slade Professor at University College, London, succeeding Edward Poynter...

Portrait of Princess Olga Gorchakov by female 19th century artist Elise Hügel. An oval portrait of Princess Olga Gortschakoff (1838–1926), here pictured soon after her marriage to Baron Friedrich Adeldagus Felix von Meyendorff, becoming Baroness von Meyendorff, signed Elise Hügel and dated 1858. Executed in oil on canvas, the work shows a young Olga in her early 20´s...

Beautiful 19th century Italian micromosaic. Also called minute mosaic or miniature mosaic or spun mosaic, it is a technique presented for the first time in Rome in 1775 in the worksh...

John Stewart was a Scottish painter of rustic subjects and landscapes. HE exhibited 20 works at the Suffolk Street Exhibition location in London and 4 wor...

Alexandre François CAMINADE (1789-1862) Portrait of a Lady Oil on wood signed low right Old frame gilded with leaves Wood size : 22 X 15 cm Frame size : 40 X 30 cm Alexandre-Françoi...