1980s Paintings

Roland Ayers (1932-2017). Untitled, 1983. Ink on paper, measures 17 x 23 inches. Unframed and unmounted. Signed and dated lower left. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

Artist unknown "Black & White Lounger" c. 1980s Acrylic on Strathmore paper 40.5"x25.75" unframed Unsigned Very Good Condition - Minor wear consistent with age and history 2" tear o...

Gorgeous Sausalito and the Golden Gate Bridge landscape oil painting by Calderon (Spain, 20th Century). Presented in a giltwood frame. Signed "Calderon" lower right. Image size, 30"H...

Echoes of the Atelier XV, acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an agein...

- Title: *The Model Posing* - Artist: Rosendo González Carbonell - Technique: Oil on canvas - Dimensions: 38.2 x 45.7 in (unframed) ...

La obra va firmada por el artista en la parte inferior (L. CABOT) y fechada del año 1983 Se presenta enmarcada la pintura (el marco presenta algunas leves faltas y signos de uso) E...

Abstract Still Life with Fruit in Watercolor on Paper Colorful still life with fruit by Les (Leslie Luverne) Anderson (American, 1928-2009). Several pieces of fruit appear to be sitting on a table with a purple cloth. The scene is highly abstracted, straddling the line between impressionism and non-representational. The background is brightly colored, adding vibrancy to the scene. Signed on verso and acquired from the estate of Les Anderson in Monterey, California. Unframed. Paper size: 14"H x 20"W Les (Leslie Luverne) Anderson(American, 1928-2009) owned and operated the Bear Flag Gallery in San Juan...

Blick aufs Meer Gaston Sebire, French (1920–2001) Oil on Canvas, signed lower right Size: 36 x 28 in. (91.44 x 71.12 cm) Frame Size: 44 x 36.5 inches Provenance: Wally Findlay Gallery

Laimonis Bubieris (1934-2012) Ballerina, canvas/oil, 85x77 cm

Technical Sheet - Title: *The Secret in Her Eyes* - Artist: Rosendo González Carbonell - Technique: Oil on canvas - Dimensions: 24 x 20 inches - Framing: Unframed - Style: Romantic realism...

Stunning large floral still life of tulips, roses and lilacs by Marie-Clair Delaunay (French, 20th Century), 1987. Signed lower right corner and on verso. Presented in gilt-toned wood frame. Image size: 32"H x 32"W, Marie Claire Delaunay, born in Paris, is of Flemish and Breton origin. She studied in Paris then at the Ecole du Louvre, Artist studio of la Grande Chaumière, she deepened her technique in water-colour, oil painting, lithography and fresques and took inspiration in various painters creative course and works : Atelier of Baignol with its rigorous technical teaching, working trips with Jean Rigaud focused on the subject, work with Louis Süe architect as an other dimension of art. In Olso, Norway, training in Hans Klemensrüd Artist's Studio, abstract painter. Later, work with Sofia Vari, a Greek artist who also made her discover her country. And in the Cyclades islands again, study of the abstract technique with Sergio de Castro, the Argentinian painter...

Colorful and idyllic impressionist oil painting of an old wooden barn surrounded by trees by Redwood City, California artist, Irma "Edy" Caprini (American...

This original late 19th-century watercolor painting beautifully captures a classic Colorado mountain landscape by iconic early 20th century artist, Charles Partridge Adams. The compo...

Painting of Church in Cornwall on the English South Coast with Figures & Boats by British Artist, Michael Kerris (1934-2024) Art measures 32 x 16 inches Frame measures 37.5 x 21.5...

**Technical Sheet** **Title:** Cadaqués **Artist:** Rafael Durán Benet **Technique:** Oil on canvas board **Dimensions:** 13 x 16.1 inches **Support:** Canvas board **Fram...

Abstracted seascape of three boats near the shore with broad, painterly strokes of blue, turquoise, and neutrals by Robert Canete (American, b. 1948). Signed lower right. Image: 16"H...

Title: Rambla de Barcelona Artist: Jordi Curós Ventura (1930-2017) Technique: Oil on canvas Dimensions: 28.7 x 23.6 in (73 x 60 cm) Support: Canvas...

An original work by Yvonne Jacquette (1934-2023) Chinatown I, San Francisco, 1983 Pastel on paper Signed lower right: Jacquette Titled verso Sight: 19.5 x 23 inches Framed: 27 x 30....

Antique American modernist abstract painting. Oil and encaustic on canvas, circa 1980. Signed on verso. Displayed in a period frame. Imag...

Seascape Moonlight with Crashing Waves Vintage British Oil Painting Signed to lower left Art measures 20 x 16 inches Frame measures 24 x 20 inches This painting depicts a serene an...

Pastel and watercolor drawing realized by Luciano Schifano in 1980s. Includes a contemporary wooden frame cm. 51x42. Very good condition.

Executed in black, grey and brown, this monumental charcoal and pastel painting conveys the mythic drama and beauty of an active volcano. Rising in the shape of a wide, low cone, the...

Ben Wilson Ozymandias, 1989 Oil on masonite board Boldly signed by Ben Wilson on the back 36 × 48 inches Unframed Provenance: acquired from the Estate of Ben Wilson This work is titled "Ozymandias" after the famous sonnet written by Percy Bysshe Shelley (1792-1822). Shelley's poem is one of the most poignant meditations on the fleeting nature of human power and the inevitability of decline. The poem serves as a reminder that time erodes even the most imposing empires and leaders and that the pursuit of lasting fame and control is ultimately futile. Depending on how one views Ben Wilson's Abstract Expressionist painting of "Ozymandias" -- some of the imagery might reveal the head of an angry king and a sickle. Shelley's poem Ozymandias reads: I met a traveler from an antique land...

Richard Mann (1940-1990). Duino Elegies, 1981. Mixed media on rag paper, consisting of 3 sheets, each measuring 18 x 24 inches. Each vertical edge is hinged with mounting tape, resulting in a triptych presentation. Entire measurement: 24 x 54 inches w. Biography: Playwright, poet and visual artist, Rev. Richard Mann was born and educated in Melbourne Australia. At the height of America's counter-cultural revolution, Mann moved to New York City where he lived and worked in Harlem. He was influenced by surrealism, abstract expressionism, and calligraphy at the time of his arrival. Beginning in the mid-1970's, the extreme living conditions of Harlem and demands of his religious calling provided subject matter for his painting. Urban decay and ubiquitous public graffiti provide inspiration for compositions that include highly stylized writing. By the late 1970's many works incorporate writing exclusively, with areas of layered, obscured and illegible words, very much like repeatedly tagged walls. Education: Studied painting with Maurice Cantlon, Melbourne, Australia 1961-62. Liberal Arts Studies, Christ the King...

Roland Ayers (1932-2017). Improvisation, 2nd Series, #5. Ink on paper, measures 19 x 24 inches. Unframed and unmounted. Signed and dated lower right, titled lower left. There are a few minor areas of loss in margins as depicted in close-up photos. Additionally, there a a few minor tears in margins. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

English 20th century portrait of an English Frigate in full sail at sea in oils. A very well painted oil on canvas with great detail of a ship cutting through the sea at I'm sure great speed. The piece is an oil on canvas with I think gouache added to the waves to make them a brighter white. The piece is signed Mason and with some investigation, we are attributing this painting to the talented English painter Barry Mason...

Abstract Expressionist Original Gouache on paper and Collage Abstract Gouache and Paper Collage by Harold Winer (American, 1913-2006). Image 30"H x 40"W Slat with white paint .25" ...

Pierre GARCIA FONS Tribute to Cezanne : 14 Apples, 1964 Original oil painting Signed upper right corner Signed and titled on the back On canvas 50 x 50 cm (c. 20 x 20 inch) PROVEN...

Pierre Coquet - Abstract Composition in white shades Reference number A202 Framed with a natural oak floated frame 40 x 45 cm (45 x 50 cm frame included) This work is painted with oil on a board. It is signed and dated 83 in the bottom right. Pierre was very sensitive to abstract paintings. He did a lot of abstract works melting colors and shapes in different atmosphere and style. Nevertheless he could come back to figuration and again to abstraction with no precise period of time. Provenance : Workshop of the artist Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin. He won a prize in 1945 and joined a movement that wanted to be outside of any school whose name ends with “ism”, (like impressionism, cubism…) between figuration and the renaissance of Abstract Art, bringing together young generations under thirty and eager not to submit to any technique. The “Sanzism” (literally without « ism ») will bring together, among others, painters: James Bansac, Roger Bravard, André Chaix, Jean Mélinand, Paul Clair, André Cottavoz, Pierre Doye, Jean Fusaro, Jacques Truphémus, André Lauran, Edouard Mouriquand, Pierre Palué, Paul Philibert-Charrin, Antoine Sanner and Françoise Juvin. The latter will become his wife in 1948. In 1949, he participated in an exhibition in Geneva, at the Musée de l'Athénée, entitled "Eleven French painters" with Jacques Truphémus and Jean Fusaro. Françoise and Pierre moved to Paris in 1950. There he met Alexandre Garbell, who encouraged him and whom he attended classes in his academy on Boulevard de Clichy. Working as an art teacher at the Corvisart school in Paris he painted a lot beside this activity. His main subjects are “assemblages of objects” which evoke the memory of Giorgio Morandi, the roofs of Paris, still lifes, characters in situation, and abstraction. This sincere and modest man, turned inward in a climate of deep meditation, likes to express his feeling that “all painters encounter the same difficulties in wanting to express unspeakable emotions with painting. Everything is possible, at the condition it is true ” use to say Pierre. I have known Pierre for a long time and organized several exhibition with their paintings. I am now taking care of the whole workshop providing beautifiul figurative and abstract works, paintings and many drawings with various sizes. Pierre was always working in his workshop, everyday, he needed it, painting was something vital to him. Paintings by Pierre...

Title: "Spring Garden" Artist: Attributed to Rafael Durán Benet Technique: Oil on canvas board Dimensions (unframed): 13 x 16 inches Dimensions (framed): 14.6 x 17.7 inches Date of c...

Tea at Sunset Vibrant Oil On Canvas, Signed and title. Born 1945 in Poland, lives and active in Canada. His work was exhibited in galleries and Museums of Fine Arts in Canada.

Keith Haring. 1958-1990. The iconography of his drawings includes dancing animals and figures, dogs, crawling babies, pyramids, televisions, telephones, and flying saucers. The idea ...

I have worked directly with the artist up to the time of her death and had the last paintings she had finished, two were the portraits of my children. She was very delightful to wor...

Signed Oliveras - Fisherman's Beach - Oil on canvas. Slight paint chips on the sides that covered the frame. Oil measurements 61x122 cm. Frameless.

Title: Maternity Artist: Jesús Villar (1930–2015) Medium: Oil on canvas Dimensions: 14.96 x 18.11 in Framing: Unframed Signature: Signed lower right: JVillar Date: Circa 1980s ...

This graphic painting by John Scott deals with images associated with the devil and war. Growing up in Windsor, Ontario, in the 1950s during the Cold War, John Scott experienced the...

'Prisms of Identity: A Portrait Series I', Florentine School (circa 1980s-90s). This new collection represents some of the most appealing works we have acquired to date from our Flor...

Sheep by an Idyllic Tree Lined River Landscape in Ireland by Modern 20th Century Irish Artist, Frank Fitzsimons Art measures 18 x 14 inches Frame measure 21.5 x 17.5 inches Frank Fitzsimons was born in Antrim but grew up in Bangor, Co Down in the 1930’s. Fitzsimons joined the Belfast Art Club where he painted with Maurice Canning Wilks...

Frame size 81x66 cm.

Work on wood Dimension with frame :80 x 61 x 3 cm This work of art is a striking painting that captures an intimate moment with remarkable skill. The image depicts a woman seen from ...

Children holding pails with chickens by a duck pond & cottage in the English Countryside by British Artist, Les Parson entitled 'Arm in Arm'. Art measures...

Oil on wood sold with original red framing Total size with the frame 115x136 cm Jean Krillé is a Swiss artist from Geneva, recognized for his significant contributions to contempo...

'The Family', gouache on fine art paper (1984), by Raymond Dèbieve. In a clear nod to Picasso's influence both stylistically and in terms of subject matter ...

Title: Reclining Woman with Flowers Artist: Joan Beltrán Bofill (Badalona, 1934 – Palma de Mallorca, 2009) Technique: Oil on canvas Dimensions: 73 × 100 cm (approx. 28.7 × 39.4 in) S...

The Rural Landscape By British painter JB.Holmes, 20th Century Oil Painting on board, unframed. Board size: 18 x 11 inch Soft colours portray an idyllic country road. Painted straig...

Red and Black Abstract Expressionist - Tribute to Jose Guerrero in Acrylic Richly textured abstract painting by California-based artist Ricardo de Silva (American/Brazil, 20th C). T...

Artist: Ian Hornak (1944-2002) Title: Lilies & Mushrooms with my Parrot Kouka Year: 1985 Medium: Acrylic on Panel, with Artist Painted Frame Size: 65.50 x 52.50 inches Condition: Exc...

'Le Banc Public à Paris' ('The Park Bench in Paris'), oil on board, by Jordi Roca (circa 1980s). This atmospheric, sizeable work captures the quiet presence of a Parisian public benc...

Large early oil painting by noted Mexican abstract artist Leonardo Nierman (1932 - ), signed lower right. Systema Solar Leonardo Nierman, Me...

"Florentine Expressions: A Portrait Series XII", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing art professor from the Istituto di Arte di Porta Romana, Florence, Italy. The professor released works of artists whom he mentored over the years. We are unsure who painted the series we acquired as several are just signed, 'Giacomo', or, left completely unsigned, yet many are clearly by the same artist. This one is in good overall condition and has been newly framed with a French-style linen slip. The canvas is textural like one of the vintage maps...

Affection 1989 Artist signed lower right Oil, graphite on linen canvas 38x30, framed 52x44 inches. Jurgen Gorg was born in 1951 in​, Dernbach Germany. His formative years were spen...

Rein Pol Cello 93 x 120 cm ( Frame is included 107 x 134 cm) Oil on wood panel, 1987 Looking at Rein Pol's work, it is first and foremost striking that the artist's subjects are very diverse. However, he was mainly known for his paintings 'with trains'. If you look further, you will see that Rein Pol has many sources of inspiration about which he can tell 'stories in paint'. On the website of the Classical Academy in Groningen there is a beautiful teacher portrait of Rein Pol, the first part of this text comes from that site: The fact that Rein Pol made paintings with trains in them gave him the stigma of being a train painter. The 'Blue Angel' is just one of many, often autobiographical, subjects in his paintings. This also applies to nature, landscape, persons and objects from his immediate environment, in which transience is an underlying theme. “As a child I was always drawing. The profession of art teacher appealed to me. It never occurred to me that I could become a painter.' At the Minerva Academy, teachers such as Ger Siks and Matthijs Röling impressed him. Their influence is still noticeable in his paintings: the atmospheric of Röling and the alienating of Siks. After the academy Rein briefly taught at a secondary school. "Not an unqualified success! So when I was asked to come and teach at Minerva, I seized the opportunity with both hands. I have learned a lot myself from teaching academy students.' A violin on fire, a train soaring to heaven, Romance at its best! The passion is in the details, the feathers of a dead bird, the drops on a misty mirror. And that passion is what Romanticism is all about. Rein Pol has been working professionally as a painter since 1976. He always has a keen eye for the expressiveness of the apparently insignificant detail. Every theme that Pol paints is depicted in a clear, harmonious composition with great attention to light, texture, spatial and color effects. The paintings are not intended as an exact copy of the reality around us, but as a representation of our own reality! Hans van Seventer previously wrote: “The subjects of Rein Pol's paintings move between the ordinary and the absurd. He paints musical instruments as well as a bottle containing the fetus of a pig. Sometimes the smell of manure rises from his landscapes, then again a Groningen bum toils along the steep banks of a Norwegian fjord. His self-portraits form a collection in themselves: in the mirror of the bathroom, in a glass display case surrounded by 'gohst of the past', or simply with a jar of pickles as a sign of his dignity”. With his work Pol is counted among the Northern Figuratives. Rein Pol exhibits a lot in the Netherlands. Abroad he exhibited in Germany, Norway, Poland, Switzerland and Indonesia. With the so-called Zwiggelte Group in France, the United States, Canada and Australia. Much of the painter's work is included in private collections. His paintings are also in the possession of, among others, the Drents Museum in Assen, the Smallingerland Museum in Drachten, the Free University of Amsterdam, the ING Collection and the Philips Collection...

Bruno Côté, Canadian, 1940-2010 L'Isle-aux-Coudres, 1981 Oil on masonite 16 x 20 in Signed and dated ’ lower right; Signed and titled verso framed For our US customers: 1) The artw...

Frameless. Josep Marfa Guarro (1928-2014) Josep Marfa Guarro was a Catalan painter specialized in landscape painting. Among Josep Marfa Guarro's work are numerous watercolors and ...

In the Park by Claude Marin (French 1914-2001) signed and dated 86 oil on artist card stuck on board, unframed board: 7.5 x 9.5 inches Provenance: private collection, Paris, France C...

Deep Blue Figures, French Expressionist Original Oil Painting French school, late 20th Century Oil painting on canvas, unframed Canvas size: 39 x 51 inches A deep and inky blue lar...

20th-century English portrait of two Labrador Retriever dogs Sadie & Sophie Owning a painting of two English Labrador Retriever dogs by D.J. Holdswor...

Guillem Villà Bassols (1917-2005) - NYC - Oil canvas Oil measures 50x65 cm. Frameless. Living in Masnou, Barcelona, ​​since he was seven years old, Guillem Villà Bassols developed h...

Windowsill Richard Mizdal, American (1944) Date: 1985 Oil on Canvas, signed and dated lower right Size: 54 x 40 in. (137.16 x 101.6 cm)

Lush Green English Countryside with Cottage & River by British Landscape Artist, Lesley Hammett (Born 1955) Art measures 16 x 12 inches Frame measures 19 x 15 inches This paintin...