1980s Paintings

Paris by Claude Marin (French 1914-2001) signed and dated 88 oil on artist card stuck on board, unframed board: 7.5 x 9.5 inches Provenance: private collection, Paris, France Conditi...

A beautiful painting of two young girls at the beach. One picking flowers and the other gazing out onto the beach. The painting is oil on wood panel and the condition is good. The s...

Stamped, verso, with certification of authenticity for Suzanne Gertz (American, 1938-2003) and painted circa 1985, partial signature lower right. Suzanne Gertz first studied at the...

#5-3405 Val D'Orcia Tuscany Landscape ,acrylic on board displayed in a gilt-wood frame, signed by Wosley .Image size 10.50 H x13.50 W

Title: Light Through Pergolas Artist: Rafael Durán Benet (1931-2015) Technique: Oil on canvas board Dimensions: 13 x 16 in (painting) / 15 x 18 in (with frame) Year of Creation: ...

The roofs of Paris, oil painting by Pierre Coquet Reference number F205 Framed with a natural oak floated frame painted in black 70 x 55 cm frame included (65 x 50 cm without frame) This work is painted with oil on a paper that is mounted on a board and placed in a made to measure wood strectcher. It is signed in the bottom right. Paris is one of Pierre most important subjects. Pierre's Paris is always depicted in a grey atmosphere. Buildings are stylized but the city is recognizable with its typical grey galvanised steel and orange terracota chimneys. Provenance : Workshop of the artist (stamped and numbered on the back) Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin...

Figures Riding Horses Joyce Roybal, (1955) Oil on canvas, signed lower right Size: 30 x 40 in. (76.2 x 101.6 cm) Frame Size: 35.5 x 45.5 inches

Armand Tatossian, Canadian, 1948-2012 October Oil on canvas 20 x 24 in Signed lower right; framed

Well painted French late 20th Century Anglo/American Impressionist painter Charles B. Hall. This was painted on a trip to France circa 1988 Hall painted marine scenes, landscapes,...

Louis K. Stone (1902 - 1984) Two Figures, 1980 Mixed media on paper Sight 52 x 42 inches Signed and dated lower right Louis King Stone was born in Findlay, Ohio in 1902 and received...

Signed lower right and dated verso. A dramatic Impressionist-style oil seascape showing a sunset off the San Francisco coast. In paintings fille...

3776 Surreal colorful tropical fantasy set in a black frame

"Maine Coast" is a breathtaking, original oil painting by renowned American artist James Emery Greer (1903-1990), created during the 1980s. This exquisite seascape beautifully captu...

Roland Ayers (1932-2017). Improvisation, 2nd Series, #5. Ink on paper, measures 19 x 24 inches. Unframed and unmounted. Signed and dated lower right, titled lower left. There are a few minor areas of loss in margins as depicted in close-up photos. Additionally, there a a few minor tears in margins. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

Françoise Juvin - Sea landscape around Cannes Reference number FJ125 Framed with a natural oak floated frame. 22,5 x 32 cm frame included (17 x 26 cm w...

Untitled No 63,​ abstract composition 1987 Mixed media on wood panel, wax, oil, paper. signed with initials, gallery label. Abstract painter Michael David is best known for his use of encaustic, a technique that incorporates heated beeswax and pigment. Considered an inheritor of Abstract Expressionism, David’s abstract work primarily centers on the use of a densely layered surface to facilitate a direct and immediate spiritual experience. He often incorporates religious iconography and symbolism, art historical themes such as the nude, and contemporary politics into his paintings resulting in a critical dialogue between the layered abstraction of the surface and the integrated representational imagery. Alongside his work on canvas, David has developed a body of studio photography that recreates paintings by Caravaggio, Manet, and Mantegna, among others, in works that confront racism, homophobia, and sexism. David also works in mixed media and environmental sculpture...

Artist: Juhachiro Takada Title: Untitled II Medium: Encaustic, Sand on Canvas, Signed in pencl Paper Size: 10.5 x 12.5 inches Frame Size: 19.5 x 20.5 inches

Surf original impressionist acrylic painting. SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and the pure scent of his environment. ...

Beautiful figurative painting of a female nude figure standing with a vibrantly colored and patterned quilt by Rebecca Hall (American, 20th Century). Signed "Rebecca Hall 1984" on ve...

Unique acrylic painting and silkscreen on canvas. Hand signed and dated by Andy Warhol on verso. Martin Lawrence provenance label on verso. Canvas size 20 x 20 inches. The artwor...

Painting of Church in Cornwall on the English South Coast with Figures & Boats by British Artist, Michael Kerris (1934-2024) Art measures 32 x 16 inches Frame measures 37.5 x 21.5...

**Artwork sold WITHOUT frame** Guy Pittet (1929–2010) was a Swiss painter and watercolorist celebrated for his evocative depictions of urban and natural scenes, particularly those c...

Artist unknown "Black & White Abstract" May 29, 1988 Acrylic on Strathmore paper 25.75"x40.5" unframed Unsigned

JORDI ROLLÁN LAHOZ (Barcelona, 1940). "Joven pensativa". Firmado a mano en la parte superior derecha. Óleo sobre lienzo. Medidas: 55 x 46 cm.; 74 x 65cm. (marco).

Timothee (Tymo) Pierre, "Indian African Face Woman", Signed Abstract/ Figurative Portrait Painting, Acrylic Paint on Cardboard, 13.50 x 10.50, Late 20th ...

The boy with a grown man’s expression. The dignified rooster, unfazed by his situation. This may have been painted from a 19th-century photograph, given the sepia tones of this paint...

An original watercolor by American artist Thomas Aquinas Daly. This work comes housed in an archival frame presentation.

Jordi Curós Ventura (1930-2007) - Woman - Oil on board. Work measurements 46x38 cm. Frame size 64x56 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter. He ...

Oil Painting of a Cottage on the Rugged Cliffs & Coastline of Northern Ireland Art measures 22 x 16 inches Frame measures 34 x 28 inches Presented in a large gold frame with cre...

Larry Brown Long-time established New York painter as well as faculty member the The Cooper Union, Brown works in oil on canvas and tempera paints on paper. He deals with themes of science and universality. EDUCATION: 1970 M.F.A. in Painting, University of Arizona 1967 BA in Painting, Washington State University SELECT GROUP EXHIBITIONS: Mixed Company: Women Choose Men, AIR Gallery, New York, NY Easy Breezy, Sears-Peyton Gallery, New York, NY From Stone and Plate: Contemporary Prints from Tamarind Institute, California State University Change of View Tamarind Institute Gallery, Albuquerque, NM Animal As Muse, The Norton Museum of Art, W. Palm Beach, FL Painting--Larry Brown, Joseph Haske, David Schoffman, Helander Gallery, New York, NY Paper Houses, David Beitzel Gallery, New York, NY Curators Choice, Albright-Knox Art Gallery, Buffalo, NY Current Trends in Abstraction-- Larry Brown, Bill Drew...

Manuel Pardo (1952-2012). Portrait, 1986. Oil on canvas, 11 x 13 inches. Unframed. Signed, dated and dedicated on verso. Excellent condition. Manuel Pard...

This is an amazing original oil painting on canvas of the famous Portuguese-American painter, Humberto da Silva Fernandes (1937-2005) depicting a Seascape. Humberto da Silva Fernandes (1937-2005) was a Brazilian artist known for his maritime-themed paintings. He was born on March 20, 1937, in the city of Niterói, in the state of Rio de Janeiro, Brazil. Fernandes started his artistic career in the 1950s, working as a sign painter and creating murals for public buildings. In the 1960s, he began to focus on painting maritime scenes, particularly ships, and boats. His work is characterized by a realistic style that captures the beauty and power of the sea, as well as the intricate details of ships and boats. Fernandes' paintings often depict historic vessels...

Artist/Designer; Manufacturer: Maqbool Fida Husain (Indian, 1915-2011) Marking(s); notes: signed; 1983 Materials: oil on canvas Dimensions (H, W, D): 24"h, 24"w image; 28.5"h, 28.5"w...

Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. A...

Signed post impressionist figures in landscape oil on canvas circa 1980 by French painter Max Michel Agostini. The work depicts a park in spring. There are flowerbeds filled with red...

Robert Azensky Fine Art is proud to offer this evocative figurative in Edvard Munch's German Expressionist style by Jackie Kirk (American, b. 1929- 2021), c. 1980. This painting is unique in artist's oeuvre in that she fully embraces a darker, grittier German expressionism style...

Juris Zvirbulis was born in 1944 in Riga. 1970 graduated from the Riga Secondary School of Applied Arts decorators department. 1971 Member Artists' Union of the Latvia. In 1971 F...

Sea 1989. Paper, watercolor, 15x20 cm Landscape with sea and clouds The watercolor painting depicts a serene seascape, showcasing the artist's interpretation of the sea and clouds. The artist skillfully uses watercolor...

Original Vintage Oil Painting of Tollymore Forest River Landscape in Ireland, by Modern Irish Artist Denis Thornton (1937-1999). Presented in an ornate dark gold frame. Art measure...

'Feminine Forms: Harmony in Curves', oil on board, German School (circa 1980s). Two nude figures portrayed in the abstract posture differently. Both are curvaceous and Rubenesque. Re...

Mystery Artist Tennessee, 9/12/86 Oil on canvas 34 x 43 3/4 x 1 in. Titled and inscribed upper left

Vintage Oil Painting of Remote Cottage in the Dramatic Mountains of South Africa, by South African Artist, Marthinus la Grange (1920-1999) Art measures 14 x 10 inches Frame measur...

Richard Saba Birthplace: Minneapolis, Minnesota, 1946 Education: Minneapolis College of Art & Design, B.F.A. 1968 Skowhegan School of Painting & Sculpture, 1967 University of Washington...

Roland Ayers (1932-2017). Untitled, 1983. Ink on paper, measures 17 x 23 inches. Unframed and unmounted. Signed and dated lower left. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

A Photorealist Still Life of several metal and glass containers on a covered surface. This oil painting by Andras Gombar is signed in the lower right. Vases Still Life András Gombár...

Still Life Pink Flowers In A Vase Artist signed lower right corner and verso, canvas size 30x24, framed. Charlotte Igoe (Amar) was a self thought artist. Charlotte lived in London, England and had her apartment near Marble Arch and Park Lane, she was the first model in London to introduce photographic modeling, which was just starting in New York for magazines such as Vogue, Vanity Fair, Town and Country, Mayfair, etc. Charlotte was President and owner of the Fort William Times Journal and also President and owner of the James Murphy Coal and Oil Company. Charlotte financed and renovated the entire building of the Thunder Bay Historical Museum, she also financed and renovated the new library of the museum in honor of James Murphy her father-in-law, a well know pioneer at the Lakehead. Charlotte was well known at the Lakehead for her many charitable works, among them: Saint Joseph’s Orphanage, The Thunder Bay Historical Museum, McKellar Hospital, Port Arthur General Hospital, Saint Andrew’s Presbyterian Church, and the Frank Murphy Recreational Centre….St. Patrick’s Cathedral has a beautiful, large stained glass window dedicated in loving memory of Frank X. Murphy and his family. In the early 1950’s, Charlotte was instrumental in having cerebral palsy children recognized and started a school for them which was in the Baptist Church at Brodie and Donald Streets...

Thomas Hilton Garside, 1906 – 1987, Canadian Oil on canvas 14 x 18 in 30,5 x 40,6 cm Signed lower right framed T.H. Garside Biography (1906 - 1980) ARCA Thomas Hilton Garside was bo...

Françoise Juvin - Hilly landscape over the Rhône river near Lyon, France Reference number FJ170 Framed with a natural oak floated frame. 24 x 32 cm frame included (19 x 27 cm without...

Josep Roca Sastre (1928-1997) - Landscape - Oil on canvas Oil measures 50x100 cm. Frameless. Josep Roca-Sastre i Muncunill (Tarrasa, 1928 - Barcelona, ​​1...

An early painting by American artist and illustrator Phillip Burke depicting Margaret Thatcher. This work was originally commissioned by Vanity Fair...

'Plage de Menton', France, circa 1980, Cuca Romley (b. 1933) Image size: 15.5 x 23.5 in. on paper Signed, lower right, in pencil, 'Cuca Romley' , Titled lower center Inscribed, lower...

Lee Jaffe, American (1950 - ) - Benedict Arnold at The Battle of Saratoga, Year: 1983, Medium: Gold Leaf, Tar, Turkey Feathers, and Oil on Canvas, Size: 136 x 144 in. (345.44 x ...

Winter landscape with snow covered fields & farmhouse in the English Countryside by British Artist Art measures 30 x 20 inches Frame measures 35 x 25 inches Richard Wood was born i...

Keith Haring (untitled) 1989 drawing: This original 1980s Keith Haring drawing was executed by the artist on the occasion of Art Cologne Germany 1989. The w...

ESTEBAN VICENTE (1903-2001) UNTITLED signed and dated "1980 Esteban Vicente” (lower right) collage, watercolor and pencil on cardboard 14 x 17 inches (35.5 x 43 cm.) framed: 19-3/4 x...

Oil on Canvas In good conditon Needs new matting due to staining Measures 32x28 international buyers must cover shipping expense

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right, titled and inventoried verso. 19.75 x 21 in. 23.25 x 24.25 in. (framed) ...

Juris Zvirbulis was born in 1944 in Riga. 1970 graduated from the Riga Secondary School of Applied Arts decorators department. 1971 Member Artists' Union of the Latvia. In 1971 F...

Signed lower left, 'Aung Aung Taik' (Burmese, born 1948) and dated 1981. Exhibited: San Francisco Cultural Center, 1981. A major work by this celebrate...

Oil on masonite plate sold with original framing Total size with the frame 102x122 cm Jean Krillé is a Swiss artist from Geneva, recognized for his significant contributions to co...