1980s Paintings

Mountains and High Desert, Large-Scale Modern Abstract Landscape by Erle Loran Modernist abstracted landscape painting of the mountains and John Day Painted Desert in Oregon by Erle...

Dining Room Interior Scene in Oil on Masonite Inviting and warm interior dining room scene by S. Spencer (American, 20th Century). Lovingly painted scene of a dining table with orna...

Juan Suarez (Spanish, b. 1946) Naturaleza Muerta, Mixed media painting on three assembled canvases, (triptych) It is either oil or acrylic paint. it seems like oil to me. A label ve...

Original Post-War Oil Painting of Stormy Day in Kerry Ireland by Irish Artist Denis Thornton (1937-1999) Art measures 24 x 18 inches Frame measures 30 ...

Franklin Arbuckle, Canadian, 1909 - 2001 BARN IN WINTER, 1981 Oil on canvas, mounted to board 12 x 16 in 30.5 x 40.6 cm INSCRIPTIONS signed lower left; also signed, titled and dated 1981 on the revers Roberts Gallery, Toronto label verso PROVENANCE: Roberts Gallery, Toronto framed For our US customers: 1) The artwork is shipped from Montreal, Canada; 2) Please note that the Canadian artwork is duty free under the current USMCA (NAFTA) agreement; 3) We can ship via USPS which should be zero import and clearance fees for the receiver; Franklin Arbuckle Biography (1909 - 2001) RCA Arbuckle studied at the Ontario College of Art under J.W. Beatty and J.E.H. MacDonald. He attended summer classes at Franz Johnston's Georgian Bay art...

Oil on wood sold with frame Total size with frame 61x81 cm Jean Krillé is a Swiss artist from Geneva, recognized for his significant contributions to contemporary art. Born in the 2...

Red, Black, and Brown Figurative Abstract Expressionist in Acrylic on Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). The left...

MALCAH ZELDIS Circus, Trapeze Artists, Horse rider and Acrobats gouache on paper Hand signed and dated bottom right. titled in pencil on paper verso. Framed to 15 X 16.5 sheet is 9 ...

Oil on canvas painting of red, white, and yellow flowers in a vase next to a bottle of wine and a glass by California artist Molly E. Brubaker (American, 1922-2000). from aFcollecti...

"A New Idea" in Blue - Figural Abstract Composition in Acrylic on Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). Large blue and red brushstrokes form the structure of this composition, with a seated figure in the misty background. What appears to be a cobalt blue vessel...

LARRY HOROWITZ (American b. 1956) "Purple Mountains," 1988, pastel on paper Hand signed and dated L/R, "Horowitz '88," Dimensions sight 19 1/2" x 23", framed, 26 1/2" x 30 1/2". L...

Young Boy Fishing in River with Cottage in a Wild Meadow in the English Countryside by British Artist, Les Parson Art measures 16 x 12 inches Frame measu...

Monument in Red, Black, and Blue - Abstract Expressionist in Acrylic on Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). A blac...

Milly Ristvedt approaches colour in her work with sincere consideration and expertise, her palettes contain a subtle complexity that is striking. The background of this painting is b...

Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After starting his artistic ...

Constantin Kluge was a Russian-born French painter best known for his naturalistic scenes of Paris and French countryside. Kluge was born to a wealthy military family on January 29, ...

Charming winter landscape in cool colors of a snowy farm scene in the mountains by an unknown artist. Signed "Fiiak" or "Fijak" "Kirk" and dated '81 lower right. Unframed. Image size...

Steven H. Rehfeld (American, born 1954) "Blue Impressions" 1980 Oil Paint, Mixed Media, Paper, Tape, Graphite, Ink, Canvas, Stretcher Bars The artist signed the back of the painting....

Keith Haring (untitled) 1989 drawing: This original 1980s Keith Haring drawing was executed by the artist on the occasion of Art Cologne Germany 1989. The w...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

Artist: Isaac Maimon, Israeli / French (1951 - ) Title: Lady Contemplating Medium: Oil on Canvas, signed l.r. Size: 24 in. x 28 in. (60.96 cm x 71.12 cm) Frame Size: 33 x 37 inches

Original acrylic paint on canvas of a large bird at rest by the Russian/American artist, Nahum Tschacbasov. Signed lower right and dated 1980. Artist inventory label upper right on ...

Variations on red, yellow and blue result in a dynamic Carnival abstract of geometric and curvilinear designs by San Francisco, California abstract expressionist George Niehaus (Amer...

Patricia Zippin The Sun 1980s Mixed Media 11.25"x 15", unframed Signed bottom right in paint Patricia Jayne Zippin (1930-2015) She was born to Ben and Dorothy Schubert on January 5...

Abandoned Village by Andre Guillou (French 1925-2017) signed oil on canvas, framed dated 1982 framed: 23 x 30.5 inches canvas: 21.5 x 29 inches provenanc...

Harbor Melbourne. 1982, oil on canvas, 50x60 cm Expressive colorful summer landscape of Melbourne harbor with yachts and people Ludmila Meilerte (1908 – 2008) - Painter 1940 – The Art Academy of Latvia, the masterclass of V. Purvitis. 1944 – Emigration to Germany. 1948 – Emigration to Australia. L. Meilerte took part at Latvian and Australian art exhibitions. She painted landscapes, still life’s, portraits. Her paintings are expressive and colorful. The artist was awarded in regional exhibitions and competitions. Dunlop Prize 1952, the Gosford Art Prize (1st prize) judged by Sir Russel Drysdale 1971, and the Victorian Artists Society`s Pirstitz Prize and gold medal in 1982. Royal exhibition in Melburn – 1975, 1976. Ludmilla Meilerts is represented in the National Gallery of Victoria, Melbourne; Tasmanian Art...

Jack Hooper "Green Nude 2" c. 1980s Acrylic paint on magazine page 9"x11.5", black wood gallery frame float mount 11"x14" Signed in pencil lower right Hooper's distinctive approach to artistry is exemplified by his ingenious use of acrylic paint on a magazine page, where elements of the original page subtly peek through the layers of vibrant color. This technique adds an intriguing depth to the composition, blurring the boundaries between reality and abstraction. Jack Meredith Hooper (August 26, 1928 - January 24, 2014) was an American painter, muralist, sculptor, printmaker and art educator. Hooper was a major figure on the Southern California art scene, belonging to that generation of Los Angeles painters...

Signed post impressionist figures in landscape oil circa 1980 by French painter Max Michel Agostini. The work depicts park-goers on a path beside a lake on a sunny spring day. There ...

Artist: Dan Teis Title: Abstract with Red Forms Year: 1980 Medium: Acrylic on Canvas, Signed l.r. Size: 54 x 60 in. (137.16 x 152.4 cm) Frame Size: 55.5 x 61.75 inches

French Post Impressionist, circa 1982 Joysne Gallet, signed inscribed verso oil on canvas, framed 11.5 x 19 inches 11 x 18 inches private collection, France the painting is in overal...

Light hearted French ink painting of a partially nude young female arranging her hair in front of a mirror by B. Charasson, 1980s. Signed lower rig...

Red Strike - Abstract Expressionist Composition in Acrylic on Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). This piece is a ...

Lynne Golob Gelfman, American (1944-2020) Abstract Composition Acrylic polymer on paper Hand signed and dated recto Sheet: 22 x 30 inches Frame dimensions: 26 x 33 frame with glazing...

Work on canvas White wooden frame 52.5 x 67.5 x 4 cm

Signed figures in a landscape oil on canvas circa 1980 by French modernist painter Andre Hambourg. This beautiful piece depicts families enjoying a day out at the seaside - bathers r...

5163 Vingage American framed painting Montauk Fleet Signed James Salmone Image size 23x19"

Tranquil Irish Coastal Scene with Green Fields, Rocky Shore & Expansive Sky. Vintage Original Oil Painting by 20th Century Irish Artist, Louis Humphrey. Humphrey was born in 1955 in ...

Impressive early American modernist sunset beach scene oil painting. Framed. Oil on canvas. Signed. Image size, 24H by 20L.

Impressive large American school modernist flower still life painting. Oil on canvas. Handsomely framed. Signed illegibly. Very nice impasto and color.

This original abstract oil painting, titled Mesa Verde, was created by acclaimed American artist Wilma Fiori (1929–2019) on November 17, 1988. A vibrant ex...

original expressionist acrylic painting. His family was originally from Figueres. He studied industrial engineering and fine arts at the Llotja School and he relates to Cercle Maill...

Pascual Fresquet Almurin (1930) - View of Barcelona Spain - Oil on canvas Oil measures 46x55 cm. Frame measures 65x74 cm. Painter born in Hospitalet del Llobregat in 1930. Self-tau...

Armand Tatossian, Canadian, 1948-2012 Oil on canvas 12 x 10 in Signed on the lower left Signed and titled on the reverse framed For our US customers: 1) The artwork is shipped fr...

Judy Rifka (American, b. 1945) Roman Nose 1982 Oil on canvas Dimensions: 30 x 24 inches (76.2 x 61.0 cm) Hand signed on stretcher: Judy Rifka Provenance: Brooke Alexander Galle...

Large scale, colorful abstract painting, with pink, orange and purple against a pale blue ground. Milly Ristvedt approaches color in her work with sincere consideration and expertise...

Pacific Grove looking to Big Sur Ocean by Matola Crashing waves and Cypress Trees and a woman in the sun on the Pacific Grove to Big Sur Coast. Painted in 1983 by California artist n...

Françoise Juvin - Hilly landscape over the Rhône river near Lyon, France Reference number FJ170 Framed with a natural oak floated frame. 24 x 32 cm frame included (19 x 27 cm without...

Composition with jugs, oil painting by Pierre Coquet Reference number F486 Framed with a natural oak floated frame 43 x 72 x 2 cm (48 x 77 x 3,5 cm frame included) This work is painted with oil on a paper that is laid on a canvas and placed in a made to measure wood strectcher. Stamp of the signature in the bottom right and stamp of workshop on the back. With simple, soft colors, Pierre brings these objects together in a neutral atmosphere, enhanced by this orange, which adds a luminous touch to the composition. Mostly broad brushstrokes, sometimes barely a sketch in the background. The material effects stand out well, the light coming from the right reinforces the contours of each of the objects presented. Still lives are one of Pierre favourite subjects. Always in a very quiet atmosphere, with simple objects or alive nature. Provenance : Workshop of the artist (stamped and numbered on the back) Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin...

Artist: Jaimendes, Brazilian (1939 - ) Title: Pouring Coffee Year: 1983 Medium: Oil on Canvas, signed and dated l.r. Size: 16 in. x 13 in. (40.64 cm x 33.02 cm)

Brushed passages and swipes of sharp yellow, sunset orange, kelly green and sky blue, move in a ballet of color through the soaked charcoal ground of this towering acrylic painting b...

Of Germanic descent, the painter Jean Krillé was born in 1923 in Switzerland. His father, writer and poet, oriented him towards art and culture. From the age of 16, he enrolled at th...

Katherine Bowling (American, b. 1955) Oil on spackle on wood 1988 Hand signed, titled and dated verso, Dimensions: 48"h x 48"w Provenance: From an Important Private Collection, NYC; bears gallery label from Blum Helman Gallery, NYC Notes/Literature: Exhibited: "Earth and Sky: Recent Paintings by Katherine Bowling, Joan Nelson and Ellen Phelan", Hood Museum of Art, Dartmouth College 1992 Katherine Bowling (born 1955, Washington, D.C.) is a modernist painter known for her layered landscape paintings that draw inspiration from nature in the Hudson Valley. Katherine Bowling grew up in Tidewater, Virginia. She received her BFA from Virginia Commonwealth University in 1978. Bowling's first New York show, as well as her first solo exhibition, was in 1987. Bowling's works tend to be luminous landscape paintings that often feature woods and fields as well as roads. Many of her paintings are based on her photographs of woods and fields surrounding and in Schoharie County, where she rents a house. As Molly O'Neill notes in an essay on Bowling and her work, this area is "fifty miles northwest of the vistas that inspired the Hudson River School painters in the mid-1800s." Bowling focused in particular on the imagery of roads for the theme of her exhibition at Greenberg Van Doren, Divide. As the title implies, writes Lilly Wei in the exhibition's accompanying catalog, Bowling views the roads as "abstract marks in the landscape that divide and order space." Even with roads she has often traveled, Bowling finds something new on closer inspection that alters her perception of the familiar and mundane. Bowling explains that the roads "function as a metaphor for memory and displacement." In 2001, Bowling exhibited a number of seascape paintings. In her essay on the exhibition, art historian and critic Nancy Princenthal writes that, far from being an aberration from Bowling's typically home-based scenes, the ocean paintings are "a return to childhood memories and life long inclinations. A native of Virginia, she spent her first summers at the Atlantic shore and on the Chesapeake Bay." Primarily, however, Bowling's works focus on capturing the play of light and shadow. Art critic Eleanor Heartney notes that "Her paintings, like those of Monet, Pissarro, and Renoir, focus on the ephemeral moment and the fleeting impression, conjuring the flicker of sunlight through the trees, the shifting shadows of early evening, the reflections of clouds and foliage glancing across the rippling surface of a lake." They have a luminist quality to them. O'Neill argues that Bowling additionally "has an innate sense of abstraction and she ranges happy as an uncaged chicken, pecking elements from the Impressionists' obsession with light; from modern photography; and the drip paintings of Jackson Pollock." Bowling is influenced by the use of light in the paintings of European Romantics such as J. M. W. Turner and John Constable as well as by the later work of George Inness:  Her paintings also recall landscapes by Claude Lorraine, Albert Pinkham Ryder and Camille Corot. Bowling is known for her use of spackle. She uses a long process of layering and sanding to create the "back-lit" effect found in her paintings. First, the paintings begin as a photograph which she typically takes near her rented house in the Hudson Valley. Then, she uses these photographs, which serve as her "preliminary drawings," to aid in the painting process. She also paints from memory and direct observation. Bowling paints on square panels of plywood. Bowling considers rectangular pieces to be too horizontal and rife of implications already of landscapes and horizons. She sometimes paints on one of these square and sometimes paints on several square panels together. The seams between these adjoined panels are left visible. Next, Bowling applies layers of spackle. O'Neill remarks that "Inspired, perhaps, by her day job of painting houses, [Bowling] turned to more industrial media: damp vinyl spackle, a building compound that is applied to wooden panels to create a matte, fresco-like surface. Thinned oil pigments are poured, allowed to dry, and then the Sisyphean task of sanding begins."  Initial layers generally correspond with the color of the light—varying from pinks, golds, blues, and oranges. Through this layering and sanding, she creates a luminous quality in her landscapes. Despite rigorous sanding, air bubbles within the spackle layers are revealed occasionally on the surface. Rather than disguise them, Bowling integrates them. Heartney writes that Bowling "allows these irregularities to become part of the painting so that the viewer's perception of the play of light and shadow across the image cannot be separated from an awareness of surface itself." In later stages of painting, Bowling stands above panels to throw, dribble, and splatter paint with a hair dryer, recalling the techniques of Abstract Expressionist artists such as Jackson Pollock. Awards and honors 1991 National Endowment for the Arts Grant 1989 New York State Foundation for the Arts Fellowship 1988 Mid Atlantic Arts Foundation Fellowship Notable public collections The Metropolitan Museum of Art, New York, NY Brooklyn Museum of Art, New York, NY Mary and Leigh Block Museum of Art, Evanston, IL Phoenix Art Museum, Phoenix, AZ Norton Museum of Art, West Palm Beach, CA Fisher Landau Center, New York, NY Select exhibitions 2025 PS122 Gallery Lower East Side, New York 2022 Katherine Bowling: Trees Winston Wachter Fine Art, New York 2013 Woods, Lovely Dark and Deep. DC Moore Gallery Chelsea NY Featuring: Eric Aho, Milton Avery, Romare Bearden, Dozier Bell, Jake Berthot, Katherine Bowling, Charles Burchfield, Mary Frank, Noriko Furunishi, April Gornik, Marsden Hartley, Daniel Heidkamp, David Hilliard, Mark Innerst, Max Jansons, Sissel Kardel, Whitfield...

"Etch A Sketch Sampler" - 1989 Multimedia on Paper Lithograph titled "Etch A Sketch Sampler" by Lilya Vorobey. From a suite of prints from College of San Mateo class of 1989, instru...

Tristan Fabris, 1980’s French Surrealist painter Abstract Surrealist Figurative nude work oil on canvas, unframed painting: 26 x 32 inches private collection, France The painting is...

Wonderful large scale natural toned mixed media abstract comprising a rectangle of antiqued white texturized with gesso'd hemp sacking and set above second ivory rectangle in pale ivory with circle of scumbled grey by British contemporary artist Richard Lawrence...

Loren Munk (American, b. 1951), mixed media painting "Romulus & Remus", signed "Munk '89", 13" x 19" inches sheet, framed 20.25" x 26" inches. This one is African American kids in a park at the water fountain. The artist Loren Munk (born 1951) is primarily known for his YouTube nickname James Kalm as an uploader of videos about New York exhibitions, amongst others. He presents himself as a maker of contemporary paintings for several decades and of cubist paintings of urban imagery. Munk has received accolades for his drawings and mosaics. He differs from traditional mosaic artists by the manner in which he incorporates glass into his decorative paintings. His unique and innovative use of materials such as mirror, gold-leaf and glass mosaic affirmed him as a founding force of Kitsch Art and a leading member of New York Neo-Expressionism. Munk's work debuted in SoHo in 1981 with a double show at J. Fields Gallery and Gabrielle Bryers. Since then, he has overseen an international career. In addition to exhibiting in Brazil, France, Germany and the United States, Munk has received national and overseas, public and private commissions. He is well represented in important collections throughout Europe, South and North America and the Middle East. Most recently, Munk has been producing a series of paintings which tackle the subject of art itself through a historical and diagrammatic lens. Munk documents the New York art world in YouTube videos, using the name James Kalm. Timeline: 1979 Attended Art Students League, New York 1973-75 Attended University of Maryland at Ramstein, Germany while in US Army 1969-72 Attended Idaho State University, Pocatello, Idaho 1951 Born, Salt Lake City, Utah Select Group Exhibitions 2018 “Under Erasure” curated by Heather and Raphael Rubinstein at Pierogi Gallery New York 2016 "It Was Never Linear: Recent Painting" at the Sheldon Museum of Art Lincoln Neb. with: Robert Bordo, Dawn Clements, Lois Dodd, Michelle Grabner, Colin Prahl, Peter Saul, Barbara Takenaga, and Stanley Whitney 2014 "Some Artists" curated by Matthew Deleget at Minus Space. David Diao, Mary Beth Edelson, Alfred Jensen, George Maciunas, Loren Munk, Ward Shelley, John Zinsser 2013 "Coming Together: Surviving Sandy Year 1" curated by Phong Bui for the Dedalus Foundation, "The Decline and Fall of the Art World: Part I" curated by Nick Lawrence at Freight+Volume, N.Y. "Reticulate" at McKenzie Fine Art Inc., N.Y. "The Pyramids Along the Nile" at English Kills Gallery 2012 "When We Were Ancient" organized by Ethan Petitt at Teddy's Bar, Williamsburg "Heroes" curated by Julie Torres at Small Black Door, Ridgewood Queens, N.Y. 2011 "ABC123" curated by Janet Goleas at Eric Firestone Gallery, East Hampton, N.Y. "6 Who Paint" curated by Fred Valentine at Big & Small/Casual, Long Island City, N.Y. "It's All Good: Apocalypse Now" curated by Richard Timperio, Side Show Gallery, Brooklyn, N.Y. "Paper 2011" at Janet Kurnatowski Gallery, Brooklyn. "NEW year NEW work NEW faces" by Jason Andrew and Deborah Brown at Storefront Gallery. "Unfinished Pictures" curated by Kristin Calabrese...

This Barbizon influenced work is a moving and beautifully painted work. The artist took a strong interest in artists such as Corot and the French painters that took to depicting the...

SALE ONE WEEK ONLY Yaeger was an American Modernist painter from Detroit, Michigan, who is credited with being one of the first painters in this style. The portrait “Untitled” easil...

Serigraphy and collage of elements on Lucio del Pezzo hand-painted hand-made paper. Graphic work created in the 80s in 50 numbered copies signed by the artist.  The sheet is in perfe...

Artist: Julius Njau – Tanzanian (1961- ) Title: Untitled Year: 1987 Medium: Acrylic on Canvas Sight size: 27.5 x 36.5 inches. Framed size: 29 x 38 inches Signature: Signed, dated lower right Condition: Very good Frame: Framed in original frame. Frame in fair condition This colorful painting of figures is by the well-known Tanzanian artist Julius Njau. It is in very good condition and signed “Julius N” and dated 1987 in the lower right. The frame is simple unfinished wood. It has a few small scratches Tanzanian artist Julius Njau was born in 1961 Marangu, Moshi in Tanzania. He attended the Primary School Kilimanja. In 1972, a serious fracture of the leg caused him to spend two years in hospital where he began to paint and his career as an artist commenced. Julius was encouraged by a Finnish radiology specialist who supplied him with material and purchased his works. She also organized his first exhibition in Finland in 1983. The first works of Njau are very representative, inspired by the nature and the traditional aspects of his country. In 1984 his technique changed and his style transformed. Julius Njau paintings are characterised by the interaction of primary colors and the mixture of forms. Julius Njau's artworks works are part of the collection of Osaka Prefecture and Toyama Museum of Modern Art in Japan. They are also in the Frankfurt Museum of Ethnology (fur Volkerkunde), in the ZAK Gallery (Zeitgenossische afrikanische Kunst), Furth in Germany, in the Amos Anderson Helsinki Gallery, Finland, and in the 5th British Museum in England. In 2002, Julius Njau received a Nagoya City Hall Award and in 2003 the Grand Prize at the Toyama Prefecture International Competition at the "Sukiyaki Encounter the World" Poster Design Festival. Julius Njau is President and a founding member of the Marafiki group. EXHIBITIONS 1983 'Julius Njau One Man Show' Amos Anderson Museum, Helsinki, Finland 1984 'Group Exhibition' Gallery of Denmark 1985 'Julius Njau One Man Show' Danish Volunteer Training Centre, Tanzania 1985 'Julius Njau One Man Show' Tynset, Norway 1985 'Julius Njau One Man Show' Gallery of Sweden 1986 'Julius Njau One Man Show' Danish Volunteer Training Centre, Tanzania 1987 'Julius Njau One Man Show' Gallery Watatu, Nairobi, Kenya 1988 'Julius Njau One Man Show' Vogue Gallery, Nairobi, Kenya 1988 'Julius Njau One Man Show' Centre culturel francais, Nairobi, Kenya 1989 'Julius Njau One Man Show' National Museum of Kenya, Nairobi, Kenya 1990 'Into the Nineties' Gallery Watatu, Nairobi, Kenya 1990 'Portraits of Kenya' Gallery Watatu, Nairobi, Kenya 1991 'Gallery Artists' Gallery Watatu, Nairobi, Kenya 1991 'The Custodian's View' Gallery Watatu, Nairobi, Kenya 1991 'Julius Njau One Man Show' Nairobi Safari Club, Kenya 1991 'Julius Njau One Man Show' Nagoya City Network Centre, Nagoya, Japan 1991 'Julius Njau One Man Show' National Museum of Kenya, Nairobi, Kenya 1991 'Julius Njau One Man Show' The German Culture Centers, Goethe Institut, Nairobi, Kenya 1992 'Julius Njau One Man Show' International Gallery, Madrid, Spain 1992 'Through the Artists' Eyes' Gallery Watatu, Nairobi, Kenya 1992 'Rafiki wa zamani' Gallery Watatu, Nairobi, Kenya 1992 'Kenya Art...