Early 2000s Paintings

This minimalist abstract landscape painting of a lake is by Pat Service. In the Canadian art world, the name Pat Service has long resonated as one of the country’s finest landscape...

3717 Equestrian Surreal painting on board Set in a vintage wood frame

The painting was painted from life on a sunny summer day. We see the garden in the courtyard of the famous Bishop's Residence in Würzburg, built by Balthasar Neumann and famous for ...

Title: Gentleman in Interior (After Fernando Botero) Artist: Sanz (Spanish painter, active late 20th – early 21st century) Year: circa 2000 Medium: Oil on canvas Dimensions (unfr...

Provenance Consigned to the gallery; from the private collection of the Katherine A. Norris Legacy Collection, Huntington Beach, California, by descent; acquired in 2003 by Katherine...

Author: Rodolfo Ramírez Cardo (Havana, Cuba) Title: Version of “Tigress” by Karl Bang Year: 2000 Technique: Acrylic and oil on canvas Dimensions: 64 x 85 cm (25.2 x 33.5 in) (unframe...

Large Spanish Pyrenees Village Scene, Vielha Aran Valley Oil Painting by Salvador Pérez Bassols Artist: Salvador Pérez Bassols Title: Casas Aranesas Medium: Oil on canvas Dimensions...

Splendid and luminous work by Moroz On the wall you will seem to have a window to a bright and colorful autumn nature, and you will seem to feel the wind in the trees

Tim Doud (b.1971) Casey (Burberry) 2001-02 Oil on linen, 22 x 22 inches. Original gallery label on verso. Excellent condition. Tim Doud’s paintings and drawings address two se...

Joy of a Rose, by Lu Haskew Oil 21x14" image size Still Life Painting in Pinks and Reds This painting is unframed, canvas on gator board, the price reflects that it is unframed. Sh...

Title: The Billiard Player Artist: Anonymous Technique: Oil on canvas Dimensions: 39.4 x 31.9 in Period: c. 2000 Condition: Good Art Movement: Contemporary Figurativism, Neofiguratio...

This contemporary abstract painting was created by a prominent Canadian artist. Inspired by colors warmed by the intense sunlight of Cuba, David Sorensen, considered to be one of Ca...

3710b Cubic oil on artist board Set in a simple gilt wood frame

Title: British Impressionist Watercolor of Rural Farmstead and Horse Riders by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15...

Title: British Impressionist Watercolor of a Riverside Scene with Cottages and Boats By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 1...

6104 Modernist Abstract flowers in a vase table Setting

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Title: British Impressionist Watercolor of a Cottage Garden in Bloom by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15 inches...

P Solomon Raj Adoration Watercolour on Paper 2006 Sheet Size: 19cm x 24.6cm Image size: 14.6cm x 19.6cm

Title: British Impressionist Watercolor of Pastoral Landscape with Dramatic Sky by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x 1...

Title: British Impressionist Watercolor of a Village Lane with Cottages by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x 15.25 inc...

Pink, by Lu Haskew Oil 20x16" image size Still Life Painting of Mixed Floral Bouquet This painting is unframed, canvas on gator board, the price reflects that it is unframed. Shipp...

Title: Young Woman Fetching Water Artist: Jesús Villar (1930–2015) Medium: Oil on canvas Dimensions: 39.4 x 20.1 in Estimated date: c. 2000 Signature: Signed lower left: "Villar...

Minimalist Geometric Abstract Painting Red Blue Black Mediterranean 80 cm Artist: Antonio Pérez Portabella (Barcelona, 1944) Medium: Acrylic on canvas Date: 2005 (inscribed on revers...

This work by Anna Shesterikova is a subtle abstraction that seamlessly fits into the Japandi aesthetic. The painting was created with the idea of ​​a golden rain bringing wealth and ...

Land Battle - Antonio Savisio Italia 2006 - Oil on canvas diam. cm. 30 Gold leaf gilded and laquered wooden frame cm. 47x47 Maestro Antonio Savisio drew inspiration from the master...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Title: British Impressionist Watercolor, Waterfront Scene with Sailboats and Boathouse by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions:...

Title: British Impressionist Watercolor of a Tranquil Riverside Scene with Boat By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 ...

Title: British Impressionist Watercolor of Riverside Scene with Red Narrowboat by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x...

Still life of Flowers and Fruit - Maximilian Ciccone Italia 2002 - Oil on canvas cm.60x90. This oil on canvas painting is an incredible example of the artist's ability to capture bre...

Sunrise by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed double sided paper dimensions: 11 x 15 inch...

Very nice early Hunt Slonem of Doves with vintage frame selected by the artist

CWhen an artist works with more conventional still life subjects, they focus primarily on the formal properties of the painting, such as color relationships, form, proportions, and o...

Title: British Impressionist Watercolor of Countryside Landscape with Dramatic Sky By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 ...

Title: British Impressionist Watercolor of a Tranquil Riverside Landscape with Boat By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11...

Oil paint and marble dust. Signed inscribed and dated to verso Gareth Edwards is a contemporary landscape painter. He is a graduate of Goldsmiths Coll...

Title: British Impressionist Watercolor of a Rustic Farmhouse Scene and Chickens By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimen...

Title: British Impressionist Watercolor of a Hilltop House and Outhouse with Wildflowers By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimension...

"Southern Beach" Coastal Landscape in Oil on Canvas Oil painting of the a beach landscape by Max Flandorfer (American, b. 1962). A sandy path winds towards the beach through some gr...

This minimalist abstract landscape painting of a lake at dusk is by Pat Service. In the Canadian art world, the name Pat Service has long resonated as one of the country’s finest l...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Vintage American impressionist flower garden landscape oil painting. Oil on board. Framed. Measuring: 10 by 12 inches overall, and 6 by 8 painting alone.. In excellent original cond...

Title: British Impressionist Watercolor of a Rural Cottage, Farmyard, and Chickens By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dim...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Title: British Impressionist Watercolor of a Lone Figure Walking Along a Village Street By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions...

Title: British Impressionist Watercolor of Farmyard Scene of Figure Feeding Birds by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.2...

Title: British Impressionist Watercolor of Riverside Cottages and Boats on the Bankside By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions...

Melanie Sherman Untitled Mixed Media on Canvas 2004 Signed by hand, dated on verso Size: 24 x 24 inches (61.0 × 61.0 cm) COA provided This contemporary abstract painting commands a...

Venice - Mario De Angeli - Italia 2009 - Oil on canvas cm. 80x120. Gold leaf gilded wooden frame ext. mis. cm.100x140 Mario De Angeli's canvas is an extraordinary work of Italian l...

Naples - Ettore Ferrante Italia 2005 - Oil on canvas cm. 30 x 80. In this wonderful canvas E. Ferrante depicts the beach of Posillipo. Ferrante was inspired by the masters of the Posillipo School, including Antonio Pitloo and Giacinto Gigante...

Francks Deceus's Harlem 125 is a 18 x 24 inches mixed media work . The medium is acrylic and silkscreen on paper. It depicts an African American couple ...

When an artist works with more conventional still life subjects, they focus primarily on the formal properties of the painting, such as color relationships, form, proportions, and ot...

characters- Originall Neo-expressionist Acrylic painting contemporary work by the mallorquin artist Toni CALDENTEY Perfect state CALDENTEY, Toni - (Portocolom, Mallorca - Spain) Th...

Dorothy Gillespie (1920 – 2012) Ribboned Image X 2001 Metal Ribbon Sculpture, Enamel on Aluminum with colorful striped green ribbons. Dimensions...

Title: British Impressionist Watercolor of Sailboats at Low Tide by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x 15.5 inches (Hei...

"Untitled" portrays a young female nude in an intimate setting within the artist's studio. This painting is done in the classical vein of full portraiture. The model, however, is not posed quietly, but is engaged with a person or object off the frame, or, perhaps in an interior monologue with herself. Regardless of which, the viewer's attention is not only attracted to the beauty of the model's figure, but the intention of her actions. Charles Pompilius...

A Fine depiction of an Gaff Yachts in the open ocean. For this wonderful depiction of 19th Century sailing ships, Nemethy uses a Fine technique which depicts the figures on the boat ...

Mira Tager Lehr (American, 1936-2023), Acrylic on canvas painting Interrupted Cell Formation series Circa 2008-2009. Mixed media technique incorporating organic forms, floral motifs...

ANTONIO REVERTE OLIVA (Monteagua, Murcia, 1943 – Gavà, Barcelona, 2014). A self-taught artist, Antonio Reverte settled in Catalonia in 1961, in the Barcelona town of Viladecans. In ...