Early 2000s Paintings

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

Venice Palace and Gondola Mooring, Colorful Impasto Canal View Artist: Ulpiano Carrasco Title: Palacio y embarcadero en Venecia Medium: Oil on canvas Dimensions: 60 × 73 cm / 23.6 ×...

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

BALS Wim (1973- ) 'The masquerade' Oil on wood. Signed. Certificate on the back signed by the artist. Willem Bals, known professionally as Wim Bals, is a contemporary Belgian paint...

A one of a kind signed original painting . Many facets of chroma and texture and gem like luminosity . Multiple focal points dot the landscape emanating a mysterious glow. Excellen...

Francisco Tammaro (Italian, Contemporary) Parisian Café Scene Circa 2000 Oil on board Signed lower right and inscribed on the reverse A charming and highly atmospheric depiction of ...

Di Li Feng, born 1958, is a Chinese contemporary artist, now working as Professor in the Lu Xun Academy of Fine Arts, in China. Born in a small Chinese town, he graduated from the Ch...

The artist painted this life sketch while studying at the Russian Academy of Painting, Sculpture and Architecture in 2000, in a single session in the Alla Prima style. In the evening...

Title: Gentleman in Interior (After Fernando Botero) Artist: Sanz (Spanish painter, active late 20th – early 21st century) Year: circa 2000 Medium: Oil on canvas Dimensions (unfr...

Ed Baynard Composition with Two Purple Flowers, 2000 Signed, titled and dated on the reverse Oil on canvas 30 x 24 inches Provenance Private Collection, Minnesota Private Collection...

About this work: “Mascara (Mask)" 2000 by Justino Alves (Portuguese, 1940-2015). A magnetic work by one of Portugal’s most distinguished postwar painters. This painting has all of t...

The Venetian Backwater French artist, signed and dated 29/4/2000 oil painting on canvas, framed framed: 48.5 x 35 inches canvas: 46 x 32 inches condition: very good provenance: priv...

Inna Panasennko is one of the most successful and best-selling contemporary artists in Germany. One of the central themes of Inna's work is monumental images of bulls in all their na...

This contemporary abstract painting was created by a prominent Canadian artist. Inspired by colors warmed by the intense sunlight of Cuba, David Sorensen, considered to be one of Ca...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

George Lilanga (1934-2005) - The African dentist - Acrylic on board Painting size 61x61 cm. Frameless. George Lilanga was born in 1934 in the city of Kikwetu, in the southeast of Ta...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

The Shambles in York City England Medieval Street Framed, Acrylic on Board, 2007 - a rare early work by leading British Contemporary Artist, Angela Wakefield. This colourful & en...

Land Battle - Antonio Savisio Italia 2006 - Oil on canvas diam. cm. 30 Gold leaf gilded and laquered wooden frame cm. 47x47 Maestro Antonio Savisio drew inspiration from the master...

Joy of a Rose, by Lu Haskew Oil 21x14" image size Still Life Painting in Pinks and Reds This painting is unframed, canvas on gator board, the price reflects that it is unframed. Sh...

Still life - Oil on canvas painting cm.25x35, Francesca Strino, Italy., 2005 Beautilful and realistic still life, authenticated and dated on the back by the artist..

Vintage dog chef oil painting on stretched canvas, signed by the artist Georges Janier and dated 2000. This funny take on a female chef is quite charming. A dog, perhaps a white la...

Tomatoes by Ethelinda 32x50" Image Size, Gallery Wrapped Oil on Canvas, Signed lower left Expressionistic Still Life. The Artist, Ethelinda, is celebrated for taking real-world subje...

Venice - Mario De Angeli - Italia 2009 - Oil on canvas cm. 80x120. Gold leaf gilded wooden frame ext. mis. cm.100x140 Mario De Angeli's canvas is an extraordinary work of Italian l...

A refreshingly original colour palette and clean, bold shapes tells the ‘story’ in this minimalist painting by Pat Service. As always, the BC artist is inspired by the beauty of natu...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

P Solomon Raj Adoration Watercolour on Paper 2006 Sheet Size: 19cm x 24.6cm Image size: 14.6cm x 19.6cm

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was and Artist's invention in 1994. In fact, since 19...

Incipit, 2004 Acrylic on canvas (Signed on reverse) 78 7/10 H × 78 7/10 W in 200 H × 200 W cm Signed The painting "Incipit" is part of a larger series of works entitled " Minotaur"...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

"Southern Beach" Coastal Landscape in Oil on Canvas Oil painting of the a beach landscape by Max Flandorfer (American, b. 1962). A sandy path winds towards the beach through some gr...

Subject : Small oil painting of a landscape in the French countryside, in excellent condition. Origin: from a private collection in France Medium : Oil on archival oil painting paper...

Oil paint and marble dust. Signed inscribed and dated to verso Gareth Edwards is a contemporary landscape painter. He is a graduate of Goldsmiths Coll...

Title: The Billiard Player Artist: Anonymous Technique: Oil on canvas Dimensions: 39.4 x 31.9 in Period: c. 2000 Condition: Good Art Movement: Contemporary Figurativism, Neofiguratio...

Lanfranco Finocchioli (Italian, b. 20th century) Sognando Capri (Dreaming of Capri), 2003 Oil on canvas 13 3/4 x 19 5/8 in. Framed: 19 1/4 x 23 1/4 x 1 1/8 in. Signed and dated lower...

The artist painted this self-portrait for his short thesis, "Maslenitsa," in 2001 while studying at the Russian Academy of Painting, Sculpture, and Architecture. The artist borrowed ...

"Kook" is an acrylic painting on canvas by American artist Aaron Parazette (b. 1960), dated 2007. The square-format work depicts large overlaying block...

"QUEEN VICTORIA" is created and from acrylic and found objects on thick, round panel by renowned Black African American artist Richard J. Watson. It includes a photograph of a figure...

Wonderful American Regionalism landscape painted in the style of Grant Wood and Dale Nichols circa 2000. Faint illegible signature lower left corner. Condition: Good; professionall...

Free shipment worldwide. Painted on the sides.No frame needed. Signature: signed and dated. Reality or fantasy? What is the difference between fantasy and fact, between night and ...

Still life of Flowers and Fruit - Maximilian Ciccone Italia 2002 - Oil on canvas cm.60x90. This oil on canvas painting is an incredible example of the artist's ability to capture bre...

Bold abstract geometric composition by Marc Foster Grant (American, b. 1947). Unsigned. but was acquired with a collection of other Grant pieces. No frame...

Flowers - Oil on canvas cm.100x80, Lorenzo Renzi, Italy, 2003 The painting recalls the works of the Neapolitan painter Gasparo Lopez dei Fiori in its pic...

Signed lower left, 'Taylor' for Jonathan Taylor (American, born 1968) and painted circa 2000. This listed California artist first studied art at the College of the Atlantic in Bal H...

Beautiful landscape painting of a California pond with Eucalyptus and Oak trees by Jesse Don Rasberry (American, 20th Century). Presented in a rustic wooden frame. Signed on verso. Acquired directly from the artist. Image: 8.25"H x 10"L. Rasberry was born in Oklahoma and soon after relocated to Lodi, California. Growing up in close proximity to wide open agricultural land and the scenic San Joaquin River Delta had a profound impact on Rasberry and influenced and inspired his paintings. Full Bio: Jesse Don Rasberry was born on November 10, 1940 in rural, picturesque Oklahoma. Shortly after his birth, his family relocated to California, living a short while in Palm Springs, before eventually settling in the grape-growing region of Lodi in San Joaquin County. Later, the family moved a short distance south to Stockton, California, where Rasberry's father supported the group as a builder and carpenter. They would remain in the Stockton/Lodi area throughout Rasberry's adolescent and formative years. Growing up in close proximity to wide open agricultural land and the scenic San Joaquin River Delta had a profound impact on Rasberry, and would later form the foundation and inspiration for his artistic endeavors. The family traveled frequently, which exposed him to the dramatic landscapes of the Southwest. As a young child, Rasberry showed a strong interest in art and the natural world. He attended grade school and high school in Stockton, where Rasberry pursued drafting and drawing. Throughout his life, he always found time in his leisure to draw portraits, wildlife, and architecture. Rasberry also enjoyed woodworking, eventually following in his father's footsteps, embarking on a career as a general contractor and home builder. In 1979, Rasberry relocated to Texas where he continued to work as a general contractor and home builder. During the early 1980s, he commenced a new career as a decorative and fine arts dealer. This career was more in keeping with his appreciation of art. As a dealer in the trade, he was exposed to all manner of art from the 19th and 20th centuries, which served to sharpen his eye and provided much inspiration for the soon-to-be artist. In the early 1980s, while in Texas, Rasberry started painting, primarily landscapes of Texas and California. He spent time with, and drew inspiration from, the regional artists Bill Warden, and Louise Collins. As time passed, Rasberry began to devote more time to his painting, and by the turn of this century, art had become his primary focus. Essentially self-taught, Rasberry received some instruction from the late Bill Warden of Texas. On occasion, he paints with other artists during classes and on plein air painting excursions, as with Ning Hou...

"The Wild Coast - Big Sur" Contemporary Seascape in Oil on Canvas Vibrant coastal seascape by notable California artist Erin Gafill (American, b. 1963). Brightly colored hills casca...

Still life - Oil on canvas cm.80x100, Giovanni Bonetti, Italy 2003 In this very precious oil on canvas, Giovanni Bonetti is inspired by the XVIII flowery compositions painted by the...

Oil paint on burlap with c-us frame Total size with frame 115x85 cm

Self-portrait 2 2009, canvas, acrylic, 140x98 cm Juris Utāns (1959-2022) was a Latvian painter. Worked in the field of critical realism, socially active and political art. Juris U...

A large signed original painting . Many facets of chroma and texture. Gem like luminosity. Shows lots of energy, , gravity, tension and momentum with a mysterious atmospheric g...

Eilidh Crumlish, Track record 25, 2009 Oil on panel 20.32 x 25.4 cm (8 x 10 inches) Signed and dated on verso Original Accompanied by a Certificate of Authenticity

Emil Kazaz Painting Description — “Victory” Scene. The painting size is 40"x32", oil on canvas. This powerful Emil Kazaz painting depicts a dramatic scene of victory and struggle, w...

View of Capri - Francesco D'Angiolo Italia 2004 - Oil on canvas cm. 60x80 Gold leaf gilded wooden frame available on request.

Colorful Swimmers, Contemporary Figurative Pop Art in Blue Bold and bright pop art painting of swimmers diving in the water by Marc Foster Grant (Am...

Impressive contemporary still life oil painting by Stephen Heigh. Oil on canvas. Signed.

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

A Fine depiction of an Gaff Yachts in the open ocean. For this wonderful depiction of 19th Century sailing ships, Nemethy uses a Fine technique which depicts the figures on the boat ...

Francks Deceus's "Hero" is a 24 x 48 inches mixed media work on canvas with collage. The work is partitioned in two distinct images. On the left side the artist depicted a baseball player...

Spheres and Cubes - Geometric Surrealist Landscape in Acrylic on Canvas Bright and lively surrealist landscape by Randy Dunham (American, b. 1961). Six spheres float above a minimalist landscape with mountains and a body of still water. Some of the spheres are transparent and others are opaque, with three cubes partially obscuring the transparent ones. There are streams of water hitting the shapes and splashing into the body of water below. Signed and dated "Randy Dunham © Nov 04" in the lower left corner. No frame. Canvas size: 36"H x 48"W Randy Dunham (American, b. 1961) was born in Troy New York...