Early 2000s Paintings

Venice Palace and Gondola Mooring, Colorful Impasto Canal View Artist: Ulpiano Carrasco Title: Palacio y embarcadero en Venecia Medium: Oil on canvas Dimensions: 60 × 73 cm / 23.6 ×...

The Shambles in York City England Medieval Street Framed, Acrylic on Board, 2007 - a rare early work by leading British Contemporary Artist, Angela Wakefield. This colourful & energe...

The painting was painted from life on a sunny summer day. We see the garden in the courtyard of the famous Bishop's Residence in Würzburg, built by Balthasar Neumann and famous for ...

This minimalist abstract landscape painting of a lake is by Pat Service. In the Canadian art world, the name Pat Service has long resonated as one of the country’s finest landscape...

Francisco Tammaro (Italian, Contemporary) Parisian Café Scene Circa 2000 Oil on board Signed lower right and inscribed on the reverse A charming and highly atmospheric depiction of ...

Inna Panasennko is one of the most successful and best-selling contemporary artists in Germany. One of the central themes of Inna's work is monumental images of bulls in all their na...

3717 Equestrian Surreal painting on board Set in a vintage wood frame

Title: Gentleman in Interior (After Fernando Botero) Artist: Sanz (Spanish painter, active late 20th – early 21st century) Year: circa 2000 Medium: Oil on canvas Dimensions (unfr...

5-3250 Lilly pond oil on canvas set in a rapped canvas with painted edges. No need for a frame

The artist painted this life sketch while studying at the Russian Academy of Painting, Sculpture and Architecture in 2000, in a single session in the Alla Prima style. In the evening...

Sergei Malishevsky (1956–2020) was a Belarusian painter renowned for his distinctive surrealist style and vivid artistic voice. He was in Moscow to Algirdas Malishevsky, the eminent ...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Joy of a Rose, by Lu Haskew Oil 21x14" image size Still Life Painting in Pinks and Reds This painting is unframed, canvas on gator board, the price reflects that it is unframed. Sh...

This contemporary abstract painting was created by a prominent Canadian artist. Inspired by colors warmed by the intense sunlight of Cuba, David Sorensen, considered to be one of Ca...

Sergei Malishevsky (1956–2020) was a Belarusian painter renowned for his distinctive surrealist style and vivid artistic voice. He was in Moscow to Algirdas Malishevsky, the eminent ...

Title: The Billiard Player Artist: Anonymous Technique: Oil on canvas Dimensions: 39.4 x 31.9 in Period: c. 2000 Condition: Good Art Movement: Contemporary Figurativism, Neofiguratio...

Beautifully framed - ready to hang Peter Max Land of the Free, Home of the Brave, 2005 Acrylic and collage on heavy art paper Hand signed in acrylic paint on the front, the back bears the artist's copyright and unique catalogue/inventory # This work is elegantly framed with a raised float - a gorgeous aesthetic touch in a handmade white wood museum frame under UV plexiglass. Land of Free, Home of the Brave, is an original signed painting, an acrylic and collage on heavy art paper, that was part of a series the artist did in response to the 9/11 terrorist attacks in New York City, with each variation in the series unique. It is hand signed in acrylic paint on the front and bears the artist copyright and stamp and the Peter Max unique inventory/catalogue on the back. Measurements: Framed 28 inches vertical by 22 inches horizontal by 2 inches Painting 24 inches vertical by 18 inches No artist of our time has reached such a vast global audience and influenced so many others who paint and draw than the legendary Peter Max. On a level comparable to Andy Warhol, but appealing to a broader base of art lovers, Max is the celebrity painter par excellence, an inescapable presence on the cultural consciousness since he burst on the scene in the 1960s. His art is in the collections of more than a hundred museums, many of which have given him solo exhibitions, as well as United States embassies, corporate headquarters and prominent private collections. Max was the first rock-star-scale artist. Even when he was only in his twenties, he was featured on the cover of Life magazine and appeared on late-night talk shows. Now revered as an “Old Master” of Neo-Expressionism, Max’s legacy has gone way past his graphic design origins and inspired generations of artists, including many gathered under the Park West umbrella. An instant media sensation when he made his debut in the 1960s as the go-to artist for the leading rock bands in the heyday of the Woodstock era, Max’s career became ever more public over the decades. At the invitation of the White House, he has made the portraits of six sitting United States presidents and scores of world leaders. He was named the official artist for the Grammies as well as the United States 2006 Winter Olympics team, the World Cup, the U.S. Open tennis championships, the Super Bowl and several music festivals, high-profile events that carried his signature style literally to billions of viewers. Peter Max’s amazing life story, as captivating as his art, was shaped by world events from the start to this day. The literal journey around the world has all the drama of an epic movie. He was born in Berlin in the perilous year of 1937. The next year, his father Jacob recognized that the family could narrowly escape the Nazis by taking the long ocean voyage to join the extensive Jewish refugee community in Shanghai. He has vivid memories living in an old villa across the street from the bright red columns in front of a Buddhist temple where the bells and incense made an indelible impression on him. He watched in fascination as they practiced their calligraphy with giant, five-foot long brushes that made huge Chinese characters on pieces of paper they laid on the ground. The young Peter was given brightly colored crayons and paper to play with by his mother Salla, but when she left the room, he started to draw on her beautiful set of Louis Vuitton steamer trunks...

Tim Doud (b.1971) Casey (Burberry) 2001-02 Oil on linen, 22 x 22 inches. Original gallery label on verso. Excellent condition. Tim Doud’s paintings and drawings address two se...

By Damien Hirst 2009 Stamped by artist A vibrant example of Damien Hirst’s iconic spin paintings, this work embodies the artist’s exploration of colour, movement, and controlled r...

Mixed media on paper by New York artist Peter Opheim, titled "Untitled 8," created in 2008. This signed original work measures 26 x 20 inches and represents an important period in Op...

Land Battle - Antonio Savisio Italia 2006 - Oil on canvas diam. cm. 30 Gold leaf gilded and laquered wooden frame cm. 47x47 Maestro Antonio Savisio drew inspiration from the master...

Mixed media on paper by New York artist Peter Opheim, titled "Wait," created in 2008. This original work measures 30 x 23 inches and represents an important period in Opheim's develo...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Title: British Impressionist Watercolor of Rural Farmstead and Horse Riders by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15...

P Solomon Raj Adoration Watercolour on Paper 2006 Sheet Size: 19cm x 24.6cm Image size: 14.6cm x 19.6cm

"Southern Beach" Coastal Landscape in Oil on Canvas Oil painting of the a beach landscape by Max Flandorfer (American, b. 1962). A sandy path winds towards the beach through some gr...

Subject : Small oil painting of a landscape in the French countryside, in excellent condition. Origin: from a private collection in France Medium : Oil on archival oil painting paper...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Oil paint and marble dust. Signed inscribed and dated to verso Gareth Edwards is a contemporary landscape painter. He is a graduate of Goldsmiths Coll...

Colorful Swimmers, Contemporary Figurative Pop Art in Blue Bold and bright pop art painting of swimmers diving in the water by Marc Foster Grant (Am...

Still life of Flowers and Fruit - Maximilian Ciccone Italia 2002 - Oil on canvas cm.60x90. This oil on canvas painting is an incredible example of the artist's ability to capture bre...

ANTONIO REVERTE OLIVA (Monteagua, Murcia, 1943 – Gavà, Barcelona, 2014). A self-taught artist, Antonio Reverte settled in Catalonia in 1961, in the Barcelona town of Viladecans. In ...

Artist: Dale Chihuly (1941) Title: Steel Blue, Ikebana Series Year: 2007 Medium: Acrylic on Arches Aquarelle Rag paper Size: 30 x 22 inches Inscription: Signed by the artist Notes: H...

Wonderful American Regionalism landscape painted in the style of Grant Wood and Dale Nichols circa 2000. Faint illegible signature lower left corner. Condition: Good; professionall...

Mixed media on paper by New York artist Peter Opheim, titled "Untitled 3," created in 2008. This signed original work measures 30 x 23 inches and represents an important period in Op...

The paper of the work is not yellowed, there is a applied yellowed primer under the drawing Krzysztof Gliszczyński is Professor for painting o...

Wonderful Impressionist view of St. Marks Square, Venice. Pam Masco was an American from Massachusetts, and a graduate of the School of the Boston Museum of Fine Arts (1976). She was married to the English artist John Heseltine. Her work is in well-known private and corporate collections and has been shown at the Royal Society of British Artists, the Royal Watercolour Society and other London Galleries as well as in the Provinces. She travelled throughout the U.S.A. and Europe and painted American and European subjects, portraits, landscape and figure compositions, still life and interiors. From 1978 she was involved in drawing, painting, technical painting courses, watercolour and graphic design. She illustrated for major British and American publishers until 1988. Authors include Bruce Chatwin...

Naples - Ettore Ferrante Italia 2005 - Oil on canvas cm. 30 x 80. In this wonderful canvas E. Ferrante depicts the beach of Posillipo. Ferrante was inspired by the masters of the Posillipo School, including Antonio Pitloo and Giacinto Gigante...

"Untitled" portrays a young female nude in an intimate setting within the artist's studio. This painting is done in the classical vein of full portraiture. The model, however, is not posed quietly, but is engaged with a person or object off the frame, or, perhaps in an interior monologue with herself. Regardless of which, the viewer's attention is not only attracted to the beauty of the model's figure, but the intention of her actions. Charles Pompilius...

Stones and water, are two elements that have existed for a long time, and although water may seem soft, it grinds off the hardest stones. Provenance: 2007-2016 Private collection Pub...

Title: British Impressionist Watercolor of Pastoral Landscape with Dramatic Sky by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x 1...

Flowers - Oil on canvas cm.100x80, Lorenzo Renzi, Italy, 2003 The painting recalls the works of the Neapolitan painter Gasparo Lopez dei Fiori in its pic...

Signed lower left, 'Taylor' for Jonathan Taylor (American, born 1968) and painted circa 2000. This listed California artist first studied art at the College of the Atlantic in Bal H...

70 x 40 x 1.5 inches vertical, monochromatic red landscape oil painting on canvas This large vertical rusty red and orange monochromatic landscape oil painting imparts feelings of r...

Venice - Mario De Angeli - Italia 2009 - Oil on canvas cm. 80x120. Gold leaf gilded wooden frame ext. mis. cm.100x140 Mario De Angeli's canvas is an extraordinary work of Italian l...

Provenance Consigned to the gallery; from the private collection of the Katherine A. Norris Legacy Collection, Huntington Beach, California, by descent; acquired in 2003 by Katherine...

Mira Tager Lehr (American, 1936-2023), Acrylic on canvas painting Interrupted Cell Formation series Circa 2008-2009. Mixed media technique incorporating organic forms, floral motifs...

Venice - Mario De Angeli - Italia 2008 - Oil on canvas cm. 75x150. Mario De Angeli's canvas is an extraordinary work of Italian landscape painting. They are inspired by the landsc...

Malgorzata Karp-Soja was born in Krakow, Poland. She Graduated from the Academy of Fine Arts in Krakow, where studied painting under Prof. Stanislaw Wisniewski and drawing under Prof...

You cannot pass this doleful young man without engaging. If you have traveled, you have met him in the streets of Latin America, of India, of Africa and even some parts of the U.S. H...

"After the Rain, Glencoe" Pearl Patterson (British, dated 2003) signed lower corner inscribed verso oil on board, framed framed: 16.5 x 20.5 inches board: 14 x 18 inches provenance: ...

About this work: “Mascara (Mask), 2000” by Justino Alves (Portuguese, 1940-2015). A magnetic work by one of Portugal’s most distinguished postwar painters. This painting has all of ...

This piece is an abstract composition done with mixed media, oil and acrylic paints on linen. The artist explores an incredible world filled with color and expressive brush strokes. ...

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pull...

Very nice early Hunt Slonem of Doves with vintage frame selected by the artist

George Dannatt (1915-2009) Small Linear Composition on Graphite 1997 Image: 19.0 x 14.0 cm Mount: 27.6 x 20.5cm Reference number: 1345 George Dannatt’s long career as a painter and...

When an artist works with more conventional still life subjects, they focus primarily on the formal properties of the painting, such as color relationships, form, proportions, and ot...

By Damien Hirst 2009 Stamped by artist A vibrant example of Damien Hirst’s iconic spin paintings, this work embodies the artist’s exploration of colour, movement, and controlled r...

Flowers - Oil on canvas cm. 100x80, Carlo De Tommasi, Italy, 2009. The painting is inspired by one of the canvases of the Belgian painter Ambrosius Bosschaert...

Scavi CXL VII Triptych 2000 Fresco, varnish on linen Size: 85"h x 72"w x2" Titled, signed and dated on verso, made up of three panels that are all screwed together with industrial ro...