Maximilian Ciccone Art
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Artist: Maximilian Ciccone
LEMON, GRAPE AND PUMPKIN- Hyperrealism Italian still life oil on canvas painting
By Maximilian Ciccone
Located in Napoli, IT
LEMON, GRAPE AND PIMPKIN - Oil on canvas by Maximilian Ciccone, Italy 2011.
Frame available on request from our workshop.
This oil on canvas painting is an incredible example of the...
Category
21st Century and Contemporary Realist Maximilian Ciccone Art
Materials
Oil, Canvas
Basket With Fruit - Hyperrealism - Oil On Canvas Italian Still Life Painting
By Maximilian Ciccone
Located in Napoli, IT
Basket with fruit - Maximilian Ciccone Italia 2011 - Oil on canvas cm.40x50.
This oil on canvas painting is an incredible example of the artist's ability to capture breathtaking deta...
Category
2010s Realist Maximilian Ciccone Art
Materials
Canvas, Oil
GENGHIS KHAN - Italian School - Oil on Canvas Italian Figurative Painting
By Maximilian Ciccone
Located in Napoli, IT
GENGIS KAN - Maximilian Ciccone - Italia - Oil on canvas cm.210x120.
In this majestic oil on canvas painting the Artist Ciccone portray the Mongol leader and ruler Genghis Khan...
Category
2010s Old Masters Maximilian Ciccone Art
Materials
Canvas, Oil
SAMURAI -Italian School - Oil on Canvas Italian Figurative Painting
By Maximilian Ciccone
Located in Napoli, IT
Samurai - Maximilian Ciccone - Italia - Oil on canvas cm.210x120-
In this majestic oil on canvas painting the Artist Ciccone portrays a samurai, exhibiting the Japanese warrior cast...
Category
2010s Old Masters Maximilian Ciccone Art
Materials
Canvas, Oil
STILL LIFE - Neapolitan School - Oil On Canvas Italian Painting
By Maximilian Ciccone
Located in Napoli, IT
STILL LIFE - Oil on canvas cm.80x60 by Maximilian Ciccone, Italy 2002.
in this oil on canvas painting the painter Ciccone draws inspiration from the painting of the Neapolitan school...
Category
Early 2000s Italian School Maximilian Ciccone Art
Materials
Canvas, Oil
COMMODO - Italian School - Italia - Figurative - Oil on canvas painting
By Maximilian Ciccone
Located in Napoli, IT
Commodo - Maximilian Ciccone - Italia - Oil on canvas, portrait of Roman Emperor Commodo.Mis. cm. 210x120-
Category
Early 2000s Old Masters Maximilian Ciccone Art
Materials
Canvas, Oil
FLOWERS - In the Manner of Mario Dei Fiori - Oil On Canvas Italian Painting
By Maximilian Ciccone
Located in Napoli, IT
Flowers - Oil on canvas cm.80x60 by Maximilian Ciccone, Italy 2002.
In this oil on canvas painting the painter Ciccone draws inspiration from the masterpieces of the great Roman master Mario Nuzzi...
Category
Early 2000s Italian School Maximilian Ciccone Art
Materials
Canvas, Oil
STILL LIFE OF FLOWERS AND FRUIT - Italian School - Oil on Canvas Italy Painting
By Maximilian Ciccone
Located in Napoli, IT
Still life of Flowers and Fruit - Maximilian Ciccone Italia 2002 - Oil on canvas cm.60x90.
This oil on canvas painting is an incredible example of the artist's ability to capture bre...
Category
Early 2000s Realist Maximilian Ciccone Art
Materials
Canvas, Oil
STILL LIFE - Hyper - Realistic - Oil on Canvas Italian Painting
By Maximilian Ciccone
Located in Napoli, IT
Stil life Maximilian Ciccone Italia 2011 Oil on canvas mis. cm. 60x90.
This oil on canvas painting is an incredible example of the artist's ability to capture breathtaking detail a...
Category
2010s Realist Maximilian Ciccone Art
Materials
Canvas, Oil
FLOWERS -In the Manner of Mario Dei Fiori -Oil On Canvas Italian Painting
By Maximilian Ciccone
Located in Napoli, IT
Flowers - Oil on canvas cm.80x60 by Maximilian Ciccone, Italy 2002.
In this oil on canvas painting the painter Ciccone draws inspiration from the masterpieces of the great Roman master Mario Nuzzi...
Category
Early 2000s Italian School Maximilian Ciccone Art
Materials
Canvas, Oil
THE LENS AND THE GRAPES- Hyper- Realistic- Still Life Oil on Canvas Painting
By Maximilian Ciccone
Located in Napoli, IT
The lens and the grapes Maximilian Ciccone Italia 2002 Oil on canvas mis. cm. 80x80
This oil on canvas painting is an incredible example of the artist's ability to capture breathtaki...
Category
Early 2000s Realist Maximilian Ciccone Art
Materials
Canvas, Oil
FLOWERS -In the Manner of Mario Dei Fiori -Oil On Canvas Italian Painting
By Maximilian Ciccone
Located in Napoli, IT
Flowers - Oil on canvas cm.80x60 by Maximilian Ciccone, Italy 2002.
Frame available on request from our workshop.
In this oil on canvas painting the painter Ciccone draws inspiration from the masterpieces of the great Roman master Mario Nuzzi...
Category
Early 2000s Old Masters Maximilian Ciccone Art
Materials
Oil, Canvas
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Provenance : Private Collection, France
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dealing with a picture painted between 1890 and 1920. The professional standard of the work
makes this painting a fine and substantial piece of decoration in the 18th century English
manner. But in this case there is more…
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Harriet Boone), who lent it to an exhibition of Old Master pictures at the British Institution in
1865. It was engraved in 1866 by G.H. Emery – presumably after attracting some attention at
that exhibition. The painting was then bought from Garth by the dealers Agnew in 1903 and
sold the following year in 1904 to the famous Anglo-German diamond magnate Alfred Beit.
Two years later in 1906, Beit - who would fill his later years with numerous philanthropic
donations in Germany, England and South Africa - gave the Reynolds original of Mrs Boone
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Pair (2) Portraits Gentleman & Lady, William & Rachel Helyar c.1656, Civil War
By Robert Walker
Located in London, GB
Portrait of Colonel William Helyar (1621-1698) and Rachel Helyar (c.1633-1678) c.1656
Circle of Robert Walker (act. 1637-1656)
These fascinating portraits, presented by Titan Fine Art, depict Colonel William Helyar, High Sheriff of Somersetshire, and his wife Rachel Helyar nee Wyndham, a daughter and co-heiress of Sir Hugh Wyndham, 1st Baronet (died 1663) of Pilsden Court, Dorset. They are exquisite examples of portraiture during the Interregnum when England was under various forms of republican government.
The history of the seventeenth century is in part the story of the Stewarts and their approach to government and the church; their ebbing and flowing popularity and the disastrous decisions that led to Civil War. But another fascinating dynasty also ruled Britain: the Cromwell’s. Between 1653 and 1659, following the Civil Wars and experimental Commonwealth, Oliver Cromwell governed as Lord Protector followed by his son Richard. Cromwell’s Protectorate is usually imagined as a grey, joyless, military regime. But the reality was rather different. Cromwell presided over a colourful and fashionable court where music and the arts flourished, masques were revived and the first English operas performed. Too often the London of the 1650s is painted as puritanical and repressive in contrast to the vivid, fun-loving capital of the Restoration. Yet, under Cromwell, this was the city where the first coffee houses were opening, where a young Samuel Pepys was embarking on his career as a civil servant with the patronage of one of Cromwell’s councillors and where Christopher Wren was enjoying his new Chair of astronomy at Gresham College, appointed after the personal intervention of Cromwell. When Cromwell was invested as Lord Protector for the second time in 1657, the lavish ceremony in Westminster Hall and procession through London matched any previous coronation for pageantry with thousands lining the streets, bells ringing, bonfires blazing and free French wine flowing through the city.
The gentleman in our portrait is Colonel William Helyar (1621-1698), Sheriff of Somerset and as a Royalist during the English Civil War. As one of the most prominent old families of the South-West, the Helyar’s family roots in Somerset can be traced back to 1616 when the Reverend William Helyar (1559-1645), chaplain to Elizabeth I, who was also a cousin by marriage, purchased the family residence Coker Court in East Coker, Somerset. He married a Devonshire heiress and several estates were bestowed on him as a result. He was a warm supporter of Charles I in the Civil War and was in residence at Exeter in 1643 when the Parliamentarians pillaged the cathedral. Elderly as he was, he boldly resisted them, but was beaten, pelted with mud, and locked up in a ship in the port and only let out on payment of £800. He retired to Coker where he died in 1645. His eldest son Henry died in 1634 and he was succeeded by his grandson, Colonel William Helyar, the sitter in our portrait. Colonel Helyar raised a troop of horse for King Charles I and was a colonel in the king's army. He was at Exeter when it was captured by the Parliamentary forces in 1646 and thus deemed ‘Traitor to the Parliament’. His estates were sequestered, but they were returned and he was discharged and pardoned on payment of £1,522. During the Restoration he was a Sheriff and he also helped James II repel the Monmouth Rebellion.
The companion portrait represents the Colonel’s wife, Rachel Helyar (baptised 24th June 1633 at St Mary Aldermanbury, London – died 1678). She was the youngest daughter and co-heir of Sir Hugh Wyndham, 1st Baronet of Pilsdon Court and Mary Wyndham nee Alanson (Sir Hugh should not be confused with his first cousin once removed from Somerset, also Sir Hugh Wyndham (bef. 1604 - 1684). Rachel is a thirteenth generation descendant of King Henry III.
The couple resided at the family seat of Coker Court (interestingly, within the churchyard, lie the remains of the poet T.S. Eliot who once wrote a poem about East Coker). A marriage settlement in extant shows that the couple were married in 1656; the portraits were most likely painted to mark this important event in the sitter’s lives. Rachel holds roses, the flower of love, and the putto pouring water is representative of her purity, and possibly, the plighting of troth. Colonel Helyar wears a gold wedding band.
The couple had four sons: George, William (MP) (1662-1742), John, and Richard. Colonel Helyar died in December 1697 and was buried at Whitechurch, Dorset 2 Jan 1698.
This period in which this portrait was painted was known as the Protectorate (1653-1659). This period offered relative peace, as the English Civil War ended in 1651. It was an interesting time for portraiture in England and Scotland – in between the great artistic geniuses and dominance of Van Dyke and Peter Lely. Much of the foreign-born artistic talent had fled England and Scotland during the Civil War and the artists that had remained were in great demand, in part due to the newly exposed strata of society wishing to be painted. Sitters on both sides were depicted in portraits in very similar ways. They are not, on the whole, shown as the Roundheads and Cavaliers of popular history. In fact, it is usually impossible to guess their political allegiances from the style of their portrait and their Parliamentarian and royalist iconographies, as portraits on both sides followed the same conventions and looked identical.
Colonel Helyar has been depicted in armour and holding a Marshal’s baton of command, confirming his status. There is a great sense of realism and a particular delicacy, note the finely rendered hand resting on the rapier. Rachel is wearing a satin dress with expansive sleeves and a crimson drapery over her shoulder and held up by her left hand. She wears large pearl...
Category
17th Century Old Masters Maximilian Ciccone Art
Materials
Canvas, Oil
H 51.97 in W 44.1 in D 1.97 in
Portrait of a Lady in a Blue & Pink Silk Dress, possibly Mrs Rowe, Signed Dated
By Henry Pickering
Located in London, GB
This charming picture, which has been signed and dated: H. Pickering pinxt 1752 is a type favoured by the highly successful artist Henry Pickering. Pickering’s painting life, from 1...
Category
18th Century Old Masters Maximilian Ciccone Art
Materials
Oil, Canvas
Henry PickeringPortrait of a Lady in a Blue & Pink Silk Dress, possibly Mrs Rowe, Signed Dated, 1752
H 39.38 in W 34.65 in D 2.76 in
triptych of pocket bring clementine, speckled green pear, ripe-ish yellow banana
By Dani Humberstone
Located in Deddington, GB
Pocket Speckled Greeen Pear is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale oil realistic oil paintings with a nod to baroque still life. The paintings are set in a black wood layered frame.
Additional information:
Oil, Oil Paint on Canvas
15 H x 15 W x 3 D cm (5.91 x 5.91 x 1.18 in)
Sold framed
Pocket Ripe-ish Banana is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale oil realistic oil paintings with a nod to baroque still life. The paintings are set in a black wood layered frame.
Additional information:
Oil, Oil Paint on Canvas
15 H x 17 W x 3 D cm (5.91 x 6.69 x 1.18 in)
Sold framed
Please note that insitu images are purely an indication of how a piece may look
Pocket Bright Clementine...
Category
2010s Realist Maximilian Ciccone Art
Materials
Canvas, Oil
H 5.91 in W 5.91 in D 1.19 in
circa 1700s Huge Old Master Portrait of an Aristocratic Lady Oil Painting canvas
Located in Cirencester, Gloucestershire
Portrait of a Noble Lady
circa 1700
circle of John Closterman (German 1660-1711)
oil on canvas, unframed
canvas : 50 x 40 inches
provenance: private collection, Somerset, England
con...
Category
Early 1700s Old Masters Maximilian Ciccone Art
Materials
Canvas, Oil
No Reserve
H 50 in W 40 in
Portrait of a Young Gentleman and Pet Dog c.1680, Antique oil on Canvas Painting
By (Circle of) Mary Beale
Located in London, GB
The portrait genre was valued particularly highly in English society. Neither landscapes nor allegorical pictures were ever priced so highly at exhibitions and in the trade as depictions of people, from the highest aristocracy to scholars, writers, poets and statesmen. This charming portrait, presented by Titan Fine Art, of a fashionable young gentleman and his faithful pet is an excellent example of 17th century child portraiture in England. There is a remarkable beauty and sensitivity to the portrait. The face, particularly well rendered, has captured the character of this young man – both charming and at the same time mischievous.
Only the playful attention of a small dog suggests anything less than patrician dignity. Symbolism was important in portraiture and it provided a pointed and aspirational narrative that would not have been lost on contemporary viewers. For example, the presence of the dog, which was likely the boy’s pet, is at once a charming pictorial device and also a clear allusion to fidelity, trust and loyalty.
The hairstyle and the attire, notably the type of cravat with the blue ribbon, help to date this portrait to between 1670 to 1685. Until the late eighteenth century children were dressed as adults - boys were dressed like men in breeches, vests, and coats between four and seven years of age. The expensive lace is an indication to his family’s wealth.
Held in a good quality and condition antique gilded frame.
Born in Suffolk, Mary Beale, nee Cradock (1633-1699) was employed by many of the most distinguished persons of her time including nobility, landed gentry, and clergymen. Technically accomplished, her paintings are noteworthy for their honest and sympathetic portrayal. In 1651 she married Charles Beale...
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17th Century Old Masters Maximilian Ciccone Art
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H 35.44 in W 32.29 in D 3.15 in
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FLOWERS - In the Manner of Mario Dei Fiori -Italian Oil on Canvas Painting
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Frame available on request from our workshop.
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By Maximilian Ciccone
Located in Napoli, IT
Holi scene - Maximilian Ciccone Italia 2011 - Oil on copper cm.50x50. Gold leaf gilded wooden frame.
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Maximilian Ciccone art for sale on 1stDibs.
Find a wide variety of authentic Maximilian Ciccone art available for sale on 1stDibs. You can also browse by medium to find art by Maximilian Ciccone in canvas, fabric, oil paint and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the Old Masters style. Not every interior allows for large Maximilian Ciccone art, so small editions measuring 20 inches across are available. Customers who are interested in this artist might also find the work of Francesca Strino, Gianluca Corona, and Kelly Birkenruth. Maximilian Ciccone art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,647 and tops out at $3,843, while the average work can sell for $2,306.