Abstract Paintings

Daniela Pasqualini Beauty Within Diptych, 2025 Medium: Mixed Media on Canvas Artwork Size: 60 x 40 in 60 in x 83 in, accounting for a 3-inch space between the two 40-inch width p...

Field Study is a group of four mixed-media works on archival cold-press watercolor paper by Toronto artist Murray Duncan, each measuring 18 × 24 inches. Part of his ongoing Untitled ...

Lee Herring focuses his contemporary paintings on vibrant, textured, and abstract landscapes that convey fleeting moments. Herring's energetic artworks are inspired by everyday momen...

Rahul Kumar Untitled Natural Pigment on Paper 35.5cm x 26.5cm Rahul Kumar is from a family of traditional miniature painters working in Jaipur. The atelier where his family learnt t...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Abstract and landscape, White Fox.

At dusk on that February evening, it was amazing how reflective the water and branches were. It was still daylight with less sun so the hue of the water was a rich teal from the tree...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) oil painting on board unframed: 10.75 x 16 inches condition: excellent provenance: all the paintings we have for sal...

“Autumn Garden” Presence gives way to tone. Space is condensed into an inner sensation. Color retains warmth, depth, and emotion. This is a garden distilled to its essence, a quiet ...

This contemporary acrylic abstract painting is one of Milly Ristvedt’s earlier works. Known as a master colourist, this piece was painted in the 1970s when the Canadian artist was n...

Title: Mid Century French Abstract Expressionist Black Ink Gestural Painting Medium: Black ink/ gouache painting on paper, unframed French, circa 1950's Size: 25.75 inches x 19.75 (h...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 19 x 15.5 inches condition: excellent provenance: all the paintings we hav...

Peter Knapp’s “At the Stroke of Midnight” is a 24 x 32 x 1 inch abstract mixed media painting on cradled panel in blue, aqua, red, and gold acrylic, ink, and pencil. First of the “Sp...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

'Tuscan Sunset' is a captivating explosion of bright, vivid colors, reminiscent of the vibrant hues of a Tuscan sunset. This 24x24 painting is perfect f...

Untitled XL is a unique oil on free-standing canvas painting by contemporary artist Ferle, dimensions are 280 × 200 cm (110.2 × 78.7 in). The artwork is signed, sold unframed and com...

Maria C Bernhardsson's original artworks are influenced by the architecture and geometry of houses. Born in Sweden, Bernhardsson travels the world photographing and sketching houses ...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 12.75 x 10 inches condition: excellent provenance: all the paintings we ha...

Post Dogmatist Painting on Panel, signed verso (Acrylic over paper on Canvas) Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poe...

Artist Comments
A soothing blend of muted colors evokes the mood, movement, and the endless ebb and flow of the serene waters. Layers of blue, gray, and brown blend together, s...

Foundational Studies 25(i-2) The Composition A focused extension of the studio’s color theory, Foundational Studies 25(i-2) marks the transition from abstract pigment exploration t...

A monumental work, comprised of 66 small square panels, each painted with a single orthogonal, are installed in a precise grid: six high and ten across. The orthogonal panels are pai...

Rue Bootay, a New York-born artist now rooted in the vibrant artistic landscape of Los Angeles, navigates the avant-garde realm of nonrepresentational surrealism with a style uniquel...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. The works are developed through a historically informed, proprietary material pra...

Antique American modernist abstract oil painting by Adele Becker (1929 - 2021). Oil on canvas. Framed. Signed.

Thomas Downing Untitled, 1972 Acrylic on canvas 39 1/4 x 84 1/4 inches Thomas Downing received his BA in 1948 from Randolph-Macon College in Ashland, Virginia, and then moved to Ne...

Abstracted seascape of three boats near the shore with broad, painterly strokes of blue, turquoise, and neutrals by Robert Canete (American, b. 1948). Signed lower right. Image: 16"H...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. The works are developed through a historically informed, proprietary material pra...

Technical details - Author: Antoni Clavé - Title: Pintura-Collage - Date: 1981-1983 - Technique: Mixed media on paper (collage and painting) - Dimensions of the artwork: 7....

Colorful Indian metallic thread abstract wall hanging or shisha . Enormous amount of hand work. Excellent quality. Shisheh or abhla bharat embroidery (Persian شيشه, abhala bharat; ...

Green and blue- abstract mixed media acrylic painting Original work by Italian artist Matteo Bultrini Abstract large format work on wood. Made with the technique of collage and comb...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and peopl...

Title: Free Spirit Painting Animal Horse Abstract Nature Floral Unique Original Bold Delight Invest Mixed Media One-of-a-kind This strikingly beautiful artwork by Karnish, depicts...

James Massena March (American, 1953-2021) Untitled Oil on canvas 30 x 24 inches "My paintings are about space, form and energy. I generally start ...

“Look at the flowers. It is simply unbelievable how happy flowers are.” — Osho In Indigo Blossoms, delicate branches stretch across a natural linen surface, carrying deep indigo flo...

Anne Schwartz Tyrrhenian Vista, 2023 Oil on canvas 42 x 39 in (106.68 x 99.06 cm)

This painting is in excellent condition and has only been shown in a gallery setting. The paintings, drawings and prints of Michael Rich reflect an approach to nature and landscap...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Original vibrant abstract painting by Jane Burton. The artist uses a variety of techniques and mediums to layer unique texture and expressionistic strokes, creating movement and life...

Abstract drawing of a blue house in a yellow field by German-American painter, Wolf Kahn. Signed and dated by the artist in the lower right corner. Framed and matted in a silver wood...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Brandon Friend and Jason Griffin (Gentleman's Game). Fields of Gold, 2011. Acrylic, mixed media collage on canvas. Measures 30 x 36 inches. Framed measur...

The process of creating a painting leaves behind a series of elements that become the starting point for a new piece. A mark, a line, color and shape become elements of a new paintin...

Well painted 1950's mid-century modern English portrait of a black nude woman seated on a chair. The artist was a portrait and figure painter active during the 1950s-1960s Oils on ...

Title: The Guardians of Humanity and Joy Colorful Blue Centre Piece Abstract Invest Painting Striking Joy This work is part of a series. It is part of her story... It portrays tru...

Colorful, abstract painting inspired by Frank Stella in rainbow and pastel encaustic "Curves I", made by VT based artist, Clark Derbes, in 2024 36 x 48 x 2 inches with walnut stripin...

The paintings resists framing in concepts, it overflows the contours and borders of rationality. It is through the presence of color, combined with an abstraction at times with expre...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

A large scale oil painting - totally abstract, non representational. Largely pink, and blue, with pops of assorted colors peaking up from beneath. Thickly painted globs of paint are ...

Claus Hoie (1911-2007). Monmouth Hunt Race Meet 2, 1967. Watercolor on paper. Measuring 15 x 19 inches; 24 x 28 inched framed. Signed and titled lower left. Original label on verso. Hoie was born in Stavanger, Norway, November 3, 1911. He lived for a few years in Oslo before emigrating to the United States at the age of thirteen, when he settled in Brooklyn, NY. He spent time at sea (two years), a heritage from his grandfather and father who were both ship’s captains. During World War II, Hoie served four years in the Army as a Sergeant in a special Norwegian-American battalion of the mountain infantry (99th Infantry Battalion), whose mission was to assist in the liberation of Norway. His Battalion also landed on Normandy Beach five days after D-Day. ​ After the war, he studied art at the Ecole des Beaux Arts in Paris. Claus also attended Pratt Institute, and at the Art Students League in New York. Hoie worked as an independent artist creating primarily watercolor works and graphics However, also was a commercial artist. In the 1950s he met the young artist and fashion designer, Helen Hunt Bencker and in 1957 they wed. Helen Hoie...

Artist Comments
Pastel blues and creams blend in this abstract painting. Subtle line work adds a sense of structure to the composition. The soft and airy colors exude a calming...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

0riginal acrylic on panel painting by the well known American artist, Syd Solomon. Signed Syd Solomon lower center. Signed and dated Syd Solomon 1971 and inscribed as titled on the reverse. 30 × 24 inches. Condition is very good, no issues. The painting is framed in its original wood with silver reveal floating frame. Overall framed measurements are 32.5 by 26.75 inches. Provenance: A private collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Atmospheric abstracted seascape, expressing the beauty of the sea and sky. Cool, calming color palette of differed shades of blue interacting with white reflections. Inspired by an e...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

French contemporary artist Sophie Dumont is internationally recognized for her textured oil paintings exploring memory, structure, and the architectural organization of space. Throug...

Mirko Baricchi (born 1970) is an accomplished Italian painter who currently lives and works between Vicenza and La Spezia, regions located in Veneto and Liguria, Italy, respectively....

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

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