Academic Paintings

Charles Joshua Chaplin (French, 1825-1891) A Very Fine and Charming Pair of 19th Century French Whimsical Oils on Canvas of Cherubs and Putti, after François Boucher (French, 1703–17...

Mark Bradley Schwartz's (US based) "Untitled 12" is an original, handmade charcoal drawing that depicts a woman in profile with her long dark hair draped over her right shoulder with...

Original oil paint on wood panel painting by the well known American artist, George Thompson Hobbs. Signed lower left and dated 1899. Condition is good. The painting is housed in i...

19th Century Dutch

Alexandre Cabanel (1823–1889) Portrait Oil on canvas Signed lower left Alexandre Cabanel (1823–1889) was a prominent French academic painter known for his mastery of Neoclassical ...

The present pair of portraits would make an exceptional addition to any collection of early American art not only because they were painted by the notable William Jennys, but also because the sitters are members of notable and influential New England families. In addition, these pendants have impeccable provenance: they have never left ownership of the decedents of the Kimball family and this is the first time they have been available for purchase. David Kimball (1766-1848) and Nancy Stacy Kimball (1774-1844) were members of historic Massachusetts families. David Kimball is a sixth-generation decedent of Richard Kimball (d. 1675) and Ursula Scott (d. 1659), who emigrated from Rattlasden, Suffolk County, England to Watertown MA around 1634. The family then relocated in 1637 to Ipswich, the city with which the family is now most strongly identified, when Richard was appointed to be a wheelwright.[1] Nancy likewise had early New England ancestry, descended from Simon Stacy and Elizabeth Clark, who were married in London in 1620.[2] Nancy Stacy was the second wife of David Kimball, and the two were married in 1799. Given this, the present pendant portraits were likely completed shortly after the marriage. David had two children by his first wife Mary Morse, who died in September of 1798. David and Nancy would have nine additional children between 1801 and 1815.[3] Most notably, the couple were parents of the Boston politician and showman Moses Kimball (1809-1895).[2][3] Moses would found the Boston Museum, an early for-profit museum and theater opened in 1841 that resembled European curiosity cabinets: the museum displayed paintings of Thomas Scully and Charles Peale alongside Chinese artwork, stuffed animals, dwarves and mermaids. Alongside these exhibits, visitors could attend the theater which held performances by gymnasts and contortionists, followed by performances of Shakespeare and Dickens.[4] This museum set the model for the Museum of Fine Arts, Boston, which when founded in 1870 held a similarly diverse collection and appealed to the interests of a diverse set of visitors.[5] Moreover, some Greek antiquities from Moses Kimball's museum were eventually given to the MFA and Moses donated approximately $5,000 to the MFA's endowment upon his death.[6][7] William Jennys (1774–1859), also known as J. William Jennys, is an important American primitive portrait...

Original oil on canvas painting by the well known British artist, David Bates. Signed lower right and dated 1886. The canvas has been relined. Condition is very good. The painting is housed in a period ornate gold frame. Overall framed measurements are 19 by 22.75 inches. About: David Bates British, (1840-1921) David Bates was born in March, Cambridge in 1840 to Benjamin Bates a shoe maker and Sarah Bates. By 1851, the family had moved to Upton upon Severn in Worcestershire and from 1855 Bates became an apprentice at the Royal Worcester Porcelain Works in Worcester. There he developed his artistic talent, painting flower decorations onto vases and plates. At some point after 1861, he became a full time artist and made his debut at the Royal Academy in 1863, continuing to exhibit there until 1893. He also exhibited at the Royal Birmingham Society of Artists, Suffolk Street and the Grosvenor Gallery. He married Elizabeth Higgs from Worcester in 1867 and they lived at Cherry Orchard, Bath Road in Worcester where their children were later born. Their second child John Bates Noel (1870-1927) became a landscape artist and their younger son David Samuel...

Thane Gorek's (US based) "Red Bell II" is an original, handmade oil painting that depicts a red bell pepper halved, so that it's seeds and core are exposed...

Victor Marais-Milton 1872-1948 French Cardinals Playing Cards Signed "V. Marais-Milton" (lower right) Oil on canvas Two red-robed cardinals engage in a friendly game of cards in ...

Highly respected American painter Warren Sheppard depicts the fishing boats of Venice with their colorful sails along the still waters of the Adriatic Sea. Sheppard is famous for his...

Charles Cres (French, 1850-1907) A Wood Nymph playing the pipes signed and dated `Ch. Crès/ 1884’ (lower right) oil on canvas 25.7/8 x 15.1/2 in. (65.8 x 39.4 cm.) Charles Cres was born in Briare in the province of Loiret. As early as 1875 he exhibited at the annual Paris Salon and was subsequently awarded...

"Memento Mori " Oil on canvas Unframed 25 x 16,5 cm Framed 50,5 x 42,5 cm The frame Handmade from wood and plaster, water gilded with genuine gold leaf over rouge burnishing bole and patinated. Exhibited in the “Memento Mori” art show in Manhattan, New York with Sugar Lift in the beginning of 2021 The symbolism: Memento Mori (Latin for 'remember that you have to die) is an artistic or symbolic reminder of the inevitability of death. The concept has its roots in the philosophers of classical antiquity, and it was reflected in the artistic genre of Vanitas, where symbolic objects such as hourglasses and wilting flowers signified the impermanence of human life. Memento Mori The Painting’s Qualities Lyubena Fox...

Exquisite, vibrant original oil on canvas painting of a French swordsman in an interior. Very finely done with exacting detail. Circa 1880. Signed lower left “Jean Lamaire”. Conditi...

Djakeli G. Officier de cavalerie Work on wood Gilded wood frame 13 x 15 x 2 cm

A Surprising Visit" by Eduardo León Garrido (Spanish, 1856-1949) invites viewers into a sumptuous journey through 19th-century European luxury. Eduardo León Garrido, a distinguished Spanish artist born in 1856 and leaving an artistic legacy until 1949, displayed a remarkable ability to capture the essence of his time through his brushstrokes. This antique masterpiece, rendered in oil on panel and measuring 22 1/2 x 29 3/4 inches, unveils a world of opulence within a Royal European...

Henry Joseph Campotosto (Belgium, 1833-1910) A Very Fine Oil on Canvas "Walking the Baby Goat", depicting two young dutch girls by the grassy shore of a river bank, one standing holding a wicker basket and a leash to a resting baby goat, the youngest sitting next to her on a pile of branches tucking her pants, a pair of ducks and ducklings swimming by the tree lined river; within a later giltwood carved frame. Signed (l/r): Campotosto Henry. Circa: Brussels, 1870. Note: The artist is also known as Henri Campotosto Henry or Henri Campotosto was born in Brussels in 1833. He studied in Brussels at the Royal Academy des Beaux-Arts and painted some artworks with Eugène Verboeckhoven (Belgium, 1798-1881). He received a 1st Class Medal at the Academy of Brussels and an honorable mention at the Paris Exhibition of 1860. In 1871 he moved to London with his family and remained there for life. He exhibited his work at the Royal Academy Exhibition until 1874 and at the Suffolk Street Gallery from 1878. In 1880 he took part in the Berlin Academy Exhibition. His daughter Octavia also became a painter, visited Italy, and showed her paintings at the Royal Academy from 1871 to 1874. Henri Campotosto died in London in 1910. High Sales: Christie's New York - Property from an American Collection, "The Bird's Nest" - Lot 247 on October 22, 2008, Sold for $37,500 Bonhams London - 19th Century European, Victorian and British Impressionist Art on 28 September 2016 - Lot 33 "Gathering flowers" Sold for £25,000 ($33,750 USD) Museums: The British Museum - Print of two girls and a lamb and print of two girls by a river bank Literature • E. Benezit Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs by Librairie Gründ - 1976 Edition - Volume 2, Page 488. • Maurice W...

Jean Louis Hamon artfully presents the mythological subject: Aurora the Goddess of Dawn. She is dressed in a flowing toga, standing on a large leaf and smelling the sweetness of a flower in bloom. Surrounded by lush plants in an idyllic setting of pinks and blues, one would not think that this peaceful and beautiful work was painted in 1864 at the time of the American Civil War. Hamon meticulously renders the scene with the academic precision of Bouguereau. The closer you get, the more detail you discover. Two butterflies sit atop Aurora's head. Droplets of water gracefully roll down her hair. There was a hand colored steel plate...

The painting is signed Description: Frederico Andreotti (1847-1930) was an Italian painter celebrated for his exquisite genre scenes and historical subjects. Born in Florence, Andreo...

Beautifully executed oil on canvas landscape with figures in a boat by the well known British artist, David Bates. Signed and dated lower left 1900. Titled, signed and dated verso. Condition is very good. Two small old patches verso. Framed in a period elaborate gold leaf frame with minor old restorations. Frame condition is very good. Overall framed measurements are 29.75 by 40 inches. Signed and dated lower left, 1900 Framed 29.75by 40.25 inches. Titled, signed and dated verso. Loweswater is one of the smaller lakes in the English Lake District in Cambria. The village of Loweswater is situated to the east of the lake. About: David Bates British, (1840-1921) David Bates was born in March, Cambridge in 1840 to Benjamin Bates a shoe maker and Sarah Bates. By 1851, the family had moved to Upton upon Severn in Worcestershire and from 1855 Bates became an apprentice at the Royal Worcester Porcelain Works in Worcester. There he developed his artistic talent, painting flower decorations onto vases and plates. At some point after 1861, he became a full time artist and made his debut at the Royal Academy in 1863, continuing to exhibit there until 1893. He also exhibited at the Royal Birmingham Society of Artists, Suffolk Street and the Grosvenor Gallery. He married Elizabeth Higgs from Worcester in 1867 and they lived at Cherry Orchard, Bath Road in Worcester where their children were later born. Their second child John Bates Noel (1870-1927) became a landscape artist and their younger son David Samuel...

A stunning and dramatic still life by noted Belgian 19th century artist, David De Noter. Framed in a complimentary Empire style 22 karat hand carved frame....

Here for your consideration is a late 19th century still life with fruit by the well known British artist, Henry George Todd. Signed lower left a...

Canvas size: 57 3/4 x 45 1/2 inches A striking and impressive French Academic painting in a high quality Italian style gold leaf frame. Gorguet was an Academic French artist who was trained by Boulanger, Gerome, Bonnat and Morot. His academic training was so strong that he was asked by the Opera House to illustrate many of their posters and he made his living illustrating many books of the time. In the market today this is most of what circulates and comes to light by the artist. He was ultimately made a professor of Drawings at L’Institut. However, Gorguet was also a Symbolist artist and did works aligned with the Art Nouveau movement. Many of these works are quite impressive but rarely have surfaced in the art market. Jupiter and Mercury Received by Philemon and Baucis is more of an Allegorical work and Gorguet switched gears to do a painting which would garner International attention at the important Concourse du Prix de Rome competition. 1891 was a year where the competition would be stiff and he knew he had to do an impressive painting with a compelling historical or allegorical content. In this painting, Gorguet is depicting their Jupiter and Mercury’s arrival at their home and the indication that Philemon and Baucis will share what they have with them despite their poverty-stricken means. The technical execution of this work is exceptional as the figurative work is done masterfully and any small detail within the canvas demonstrates tremendous attention of subtlety of tone and modeling. An example is the strand of cloth that crosses Jupiters chest and the delicate shades of pink and gray and how it is modeled. More than ever, the academic artists of this period are to be appreciated for the quality and creativeness of their work. And the timelessness of these classical allegories are still applicable to our lives today. So we predict a turn back toward work like this as qualitatively we know it will never be done again. Story of Jupiter and Mercury Visiting Philemon and Baucis (one interpretation) According to ancient Roman mythology and Ovid's Metamorphoses (8.631, 8.720.), Philemon and Baucis had lived out their long lives nobly, but in poverty. Jupiter, the Roman king of the gods, had heard of the virtuous couple, but based on all his previous experiences with humans, he had serious doubts as to their goodness. Jupiter was about to destroy mankind but was willing to give it one final chance before starting over again. So, in the company of his son Mercury, the wing-footed messenger god, Jupiter went about, disguised as a worn and weary traveler, from house to house among the neighbors of Philemon and Baucis. As Jupiter feared and expected, the neighbors turned him and Mercury away rudely. Then the two gods went to the last house...

Still Life, 20th Century Oil on board Sight: 16 1/4 x 19 in. Framed: 19 3/4 x 22 1/4 x 1 in.

GENTY Emmanuel (1830-1904) Portrait of an Elegant Lady Oil on canvas signed low right and dated 1897 Old Frame regilded with gold leaves Dim canvas : 100 x 81 cm Dim frame : 120 x 10...

Notes: This painting was reviewed via digital photographs by Max and Dr. Christoph Andreas who confirmed it authenticity. They commented that the painting would benefit from removal of the discolored varnish. Provenance: Provenance: Christie's New York, 19th Century European Paintings, Drawings, Watercolors, and Sculpture, February 23, 1989, Lot 125. Private Collection, Boston MA, Skinner Auction, Nov 2021 Arab Horsemen" by Adolf Schreyer captures the grace and power of Arab horsemen in a vibrant Middle Eastern setting. Schreyer, a renowned artist of the 19th century, adeptly portrays equestrian scenes with exceptional skill and detail. The painting showcases a group of horsemen galloping through a desert landscape, evoking a sense of freedom and adventure. Schreyer's meticulous attention to detail brings the scene to life, with sunlight reflecting off the horses' coats and dust rising beneath their hooves. Beyond its visual appeal, the artwork holds cultural significance, bridging the gap between cultures and inviting appreciation of Arabian heritage. Schreyer's experiences in North Africa, Turkey, and Syria inform his captivating depictions. "Arab Horsemen" is highly regarded in both America and France, where Schreyer's works found admiration among collectors and his association with the Barbizon School solidified his reputation. Owning this artwork not only adds beauty but also connects to a pivotal period in art history, showcasing Schreyer's artistic brilliance and cross-cultural appreciation. Experience the timeless allure of "Arab Horsemen" and embrace the spirit of the Middle East. Frame Size: Width: 36″ x Hight: 24.75″ Frame Thickness: 6.50″ Picture Size: Width: 24″ x 12.75″ Description: Introducing “Arab Horsemen” by Adolf Schreyer: A Captivating Blend of Artistry and Cultural Significance Capture the essence of the vibrant Middle Eastern culture with “Arab Horsemen,” a masterpiece by the renowned artist Adolf Schreyer. This captivating painting takes you on a journey through time, allowing you to witness the grace, power, and elegance of Arab horsemen in their natural element. Adolf Schreyer, a celebrated artist of the 19th century, gained immense popularity and admiration for his exceptional ability to depict equestrian scenes with unparalleled skill and detail. Born in Frankfurt, Germany in 1828, Schreyer developed a profound fascination for the Orientalist movement, which celebrated the exoticism and allure of the Middle East. “Arab Horsemen” exemplifies Schreyer’s signature style, highlighting his mastery of capturing the energy and spirit of his subjects. The painting portrays a group of Arab horsemen galloping across a vast desert landscape, their silhouettes evoking a sense of freedom and adventure. Schreyer’s meticulous attention to detail is evident in every brushstroke, as he adeptly captures the shimmering sunlight bouncing off the horses’ coats and the billowing dust beneath their hooves. What sets Schreyer apart is his ability to transcend mere representation and infuse his artworks with a profound cultural significance. His depictions of Arab horsemen are not only visually stunning but also serve as a bridge between cultures, inviting viewers to explore and appreciate the richness of Arabian heritage. The artist’s fascination with the Middle East stems from his experiences traveling through North Africa, Turkey, and Syria, immersing himself in the sights, sounds, and traditions of these enchanting lands. “Arab Horsemen” holds a special place in the hearts of art enthusiasts in both America and France. Schreyer’s works found great admiration and recognition in these countries during his lifetime and continue to captivate audiences to this day. In America, his paintings were sought after by collectors who were drawn to the romanticism and exoticism of the Orient. In France, Schreyer’s association with the Barbizon School, a group of artists who favored realistic depictions of rural life, further solidified his reputation as a respected painter. Owning a piece by Adolf Schreyer, especially “Arab Horsemen,” is not merely acquiring a beautiful artwork but also an opportunity to possess a tangible link to a pivotal period in art history. Schreyer’s ability to seamlessly blend artistic brilliance with cross-cultural appreciation makes this painting an invaluable addition to any collection. Experience the timeless allure of “Arab Horsemen” and let the spirit of the Middle East gallop into your life. Collections holding paintings by Adolf Schreyer include the Collections: Schwerin Gallery Count Mensdorff-Pouilly Collection Raven Gallery, Berlin Rockefeller Family Collection Vanderbilt Family Collection John Jacob Astor Collection William Backhouse Astor, Sr. Collection August Belmont Collection William Walters Collection...

Hans Zatzka (8 March 1859 – 17 December 1945 Young Lady With Cupid in The Park Oil on canvas circa 1880 signed low with pseudonym C.BRIAND Old Frame gilded with leaves Size canvas : ...

James Thomas Wheeler (1849 - 1888) Horse Carriage in the Yard Oil on canvas signed low right Old original frame gilded with leaves Canvas size : 55 X 65 cm Frame size : 85 X 95 cm

Alfred BRUNEL NEUVILLE (1852-1941) Interior with cats Oil on canvas signed low right Old frame re-gilded with gold leaves Dim canvas : 54 X 75 cm Dim frame : 74 X 85 cm Alfred BRUNE...

Signed and dated '1890' lower right

Oil on board painting of cows in a landscape by the American artist, James Fairman. Signed lower right. In good condition; overall fram...

LEVIGNE Théodore (1848-1912) "Genre scene in 18th century" Oil on canvas signed low right Old original frame Dim canvas : 72 X 100 cm Dim frame : 103 X 127 cm LEVIGNE Théodore (1848...

34 x 28 overall Canvas laid down on artist board Signed lower right Overall in gold leaf frame 30x24 inches R.W. Rowe Circa 1970’s

Paul ARMANDI (19th Century) Wood Landscapes by the river Oils on canvas in pair signed low right New golden frames Canvas : 65 X 40 cm Frame : 83 X 58 cm Paul ARMANDI is one of ...

"Female Nude in a Studio" circa 1910. 19 X 13 1/2 inches, oil on wood panel. Etched signature lower right. Well listed Hungarian artist. Spent his student years under the guidance o...

Ryland studied under Jean-Joseph Benjamin-Constant (1845-1902), Gustave Boulanger (1824-1888), and Jules Joseph Lefebvre (1836-1911) in Paris, and also at the South Kensington Art Sc...

A very fine Italian oil on canvas titled "The Solo Violinist" by Luigi Da Rios (Italian, 1844-1892), depicting an interior 18th century room scene of a single violinist player; withi...

Oil on artist board painting of a misty morning in Gloucester Harbor by the Provincetown artist, Kay Kellogg. Signed lower left. Circa 1935. The painting d...

KAUFMANN KARL (1843-1901) Pseudonym : CARNIER Venice view Oil on canvas signed CARNIER low right Framed by Gault (Paris) gilded with leaves Dim : canvas ...

Oil on wooden panel painting of horse riding French cavaliers in battle. Signed lower left. Not dated. Original period gilded frame in fine condition. Painting has been recently professionally cleaned. Painting and frame circa 1875. Overall framed measurements are 16 by 14 inches. Condition of the painting is very good. Provenance: Saint Petersburg, Florida estate. Charles Michel Guilbert D'anelle was a pupil of Horace Vernet ( known for his military paintings...

Up for sale is a beautiful original painting by Valentine Thomas GARLAND (1868-1914). Garland was a painter of animal and genre subjects, working in both oil and watercolor. He was ...

Signed lower left corner Painting Size: 9.13″ x 18.20″ Frame Size: 14.13″ x 20.13″ Francis Augustus Silva (1835-1886) was a prominent American artist renowned for his remarkable ability to paint boats and seascapes...

Francois Martin-Kavel (1861 - 1931) was active/lived in France. He was a profiling painter of woman, especially orientalism His auction records have exceeded over $20,000 Such a ...

Oil on canvas Image size: 30 1/4 x 25 inches (77 x 63 cm) Original hand carved gilt frame Provenance Private Estate, England This is a very fine example of Kneller's work in the early 18th century. Here, the emphasis is placed directly on the sitter's alluring femininity, with this being enhanced by the falling hair around her shoulder. This looseness of focus is created with a free fluidity of brushstrokes. He has used a Rembrandt-esque technique of subtle tones in the face, and we can see how Kneller often allowed the bluer ground layer to show through when suggesting the darker flesh tones.The painterly technique seen here is an excellent demonstration of Kneller’s style. The bold handling of the flesh tones is Kneller at his most emphatic, while the sizeable areas of dark grey ground we see are indicative of his method of painting quickly, developed by this stage in his career to cope with the many demands of a large circle of patrons. The same effect is used for the shadows in the face: rather than paint darker colours on top of the pink flesh tones, as most artists would have done, Kneller instead painted in the reverse order, using the ground layer for his dark shadows, and then painting the lighter colours on top. Often he worked with an almost dry brush in strong firm strokes. Here the flesh tones have been rapidly, almost roughly painted, with bold areas of impasto giving way to areas where almost no paint has been applied at all, a trick that allowed Kneller to use the blue-grey ground layer to show darker flesh tones. Godfrey Kneller...

A truly magnificent oil on canvas painting of a sunset off the coast of California in the late 1800's. Signed lower right and in it's original period gold gilt frame which is in excellent condition. Overall it is 33 x 47 inches. Minor stretcher bar wear. Biography Charles Theller Wilson Born in San Francisco, CA on Oct. 10, 1855. Wilson first studied painting with his mother, Agnes (California's earliest known woman artist) and later with Jules Tavernier...

"Portrait of a little girl" oil on wood signed and dated at upper left "A. Robert 1879" for Alexandre Robert. A Belgian painter of great talent, after studying in Paris and spending...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism Title: Stacks of Wheat Size: 16" x 21.5" x ...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism Title: Summer Day, Size: 9" x 13.5" x 0.8'...

Here for your consideration is a vibrant portrait of a pair of Bavarian flower girls in traditional dress. The painting is unlined and has recently been cleaned. Circa 1875. The pain...

"Sunrise on the Shore" by Andreas Schelfhout stands as a testament to the extraordinary talent of the Dutch artist, born in The Hague in 1787. A prominent figure of the Romantic move...

French School 19th century Close to François Xavier FABRE (1766-1837) The Princess and The Chaperone Oil on canvas One can read on the reverse "Fabre Fecit" and the name and address of the canvas dealer shop...

In original gold leaf pierced frame Signed and dated lower left 1902 Sight size 6 x 8 in

Lilly Martin Spencer (American, 1822-1902) A Rare Portrait God Bless My Father. **Figure 84 from principal book/catalogue on Lilly Martin Spencer. 19th Century. Oil on canvas, signed Lilly Martin Spencer was one of the most popular and American female genre painters in the mid-nineteenth century. She primarily painted domestic scenes, paintings of women and children...

The painting is signed and dated 1872 in Algiers Description: Ferdinand Victor Léon Roybet (1840-1920) was a French painter renowned for...

Leon Kroll was above all an academician. To him "abstract art was merely the beginning of a picture. Structurally, "Portrait of a Young Woman recalls some of the portraits from the ...

STEIN Georges (1864-1917) Paris street Views - Porte St Denis Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 70 X 92 cm - Dim ...

BACHMANN Alfred Félix August (1863-1956) Bording near the Antique Temple Oil on canvas signed Low Left Frame gilded with leaves ...

GODCHAUX Emile (1860) Compositions of Flowers in Pair Oil on canvas signed low Left Old Frames gilded with gold leaves Dim canvas (each) : 130 X 89 cm Dim frame (each) : 149 x 109 cm...

Alfred Weber 1859-1922 I Swiss The Musician Signed “Alfred Weber” (lower left) Oil on panel This work by Swiss ecclesiastical genre painter Alfred Weber, best known for his humorous and meticulously detailed paintings, features a cardinal enjoying his leisure time. Weber's talent for rendering opulent interiors and his keen sense of comic narrative are evident in this painting. The cardinal, looking blissfully content, sits in his lavish living space playing the violin, accompanied by a flutist. Alfred Charles Weber...