American Impressionist Paintings

Edward Glafke (American 1925- 1997) Bird Rock, 1990 Oil on canvas Signed lower left 'Ed Glafke' Signed, titled and dated on the verso 15in H x 21in L In a giltwood vintage frame: 17...

This oil on canvas landscape painting depicts a grassy river scene with mountains in the distance. The brushstrokes are very representative of the impressionist movement, but the col...

Mid century still life of bronze chrysanthemums with yellow draping backing. This piece is rendered in warm tones, as if flooded by later afternoon summe...

A lovely little Impressionist landscape of Melting Snow in a Ploughed Field, painted by William Samuel Horton (1856-1936). William Horton, primarily a landscape painter, lived and...

Ultra Realist Library Still-Life Books and Candles "Little Devil in the Details" Highly detailed library interior scene and still-life titled "Little Devil in the Detail" by Ken DeWaard (American, 20th-century). This intriguing artists performance in excellence piece, features realistically rendered books, paintings within paintings, candle light, and a devil or gargoyle sculpture. The artist creates a strong mood as well as interesting subject matter in this unique scene. Signed "Dewaard '99" upper right. Displayed in a wood frame. Image size, 13"H x 14"L. Frame: 20"H x 21"W x 2"D After receiving his Bachelor of Arts with honors, Ken began working in a commercial art studio in Chicago. He continued his studies at the American Academy of Art, where he studied with nationally recognized watercolorist, Irving Shapiro. Upon Irving's recommendation Ken joined the acclaimed Palette and Chisel Academy of Fine Art in Chicago, where he soon began studying with Scott Burdick as well as Dan Gerhartz...

This is a beautiful expressionist style drawing by Juanjo Saez. Juanjo's pictorial work is an exploration of color, texture, and movement, creating vibrant compositions that capture ...

Against The Tide - Oil On Linen Oil painting of the California coastline at sunset in the style of Edgar Alwin Payne (American, 1883-1947). Deep grey clouds pose in the top corners with hues of pink light shining through. Choppy waves crash against deep red and brown rocks, as the whites of the wave hurl upward. The ocean shows tones of green, blue and yellow as the sunlight shines from above. Condition: professionally restored, previous reline onto Masonite with edge and corner wear. New UV resisting, non yellowing varnish applied. Unsigned. Unframed. Oil on linen on masonite. Image: 16"H x 30"W Edgar Alwin Payne was an American painter known for his landscapes, seascapes and western paintings. He was born in Washburn, Missouri on March 1, 1882, and began painting at the age of 14. He began his career by designing and painting scenery for the stage, and murals for homes and theaters. Primarily a self taught artist, he did though study briefly at the Art Institute in Chicago. Recognized as one of California's leading landscape artists, Payne earned the respect of his peers and art critics for his Impressionistic landscapes painted in the plein-air style. Possessing a reverence for nature, he especially loved the mountains. Frequently he took pack horses in the Sierra Nevada Mountain Range to the upper lakes to sketch and paint, there he glorified the areas majestic peaks and cobalt blue lakes. Payne Lake was named in his memory. Drawn to Europe, Payne trekked to and painted the elevated heights of the Swiss Alps, the colorful fishing boats of Concarneau Harbor and Brittany, France and the picturesque sailing vessels of Chioggia, Venice, Italy. He spent time capturing on canvas Arizona's Canyon De Chelly and Navajo horsemen traversing the region's arid tablelands. He painted California...

Lynn Gertenbach's "Ride at Golden Hills" is a remarkable oil painting that captures a serene moment of a lady riding a horse under a tree, surrounded by lush grass and vibrant scener...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

A charming Impressionist winter snow-covered pastoral scene depicting a neighbor's chat in the Hilltown Township in Bucks County, Pennsylvania. This piece is executed in an intimate ...

"My Angel's Paradise" - Original Mid Century Landscape in Oil, Signed Restful landscape of a river running through a valley lightly dusted in snow with snow capped mountains in the ...

Vibrant large-scale landscape watercolor of a California vineyard by S.W.A. artist Carolyn Hofstetter (American, b.1927). This beautiful scene of ...

Ryan Morse's (US based) "Expanse" is an original, handmade oil painting on cradled panel, which is unframed but ready to hang. Artist Bio: Ryan Morse is a Denver based freelance ar...

On stretcher bar: ESTATE OF VAN D. PERRINE

This artwork "Sailing Boat at the Pier" c.1990, is an oil painting on canvas by noted Nantucket artist Gregory Hill, b.1944. It is signed at the lower left corner by the artist. The ...

A fine landscape oil painting by American artist Harriet Randall Lumis (1870-1853). Lumis was born in Salem, CT, and ironically, her art background did not begin until after she marr...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Beautiful mid-century landscape of upper Young Lake and Ragged Peak in Yosemite National Park by Helen Enoch Gleiforst (American, 1903-1997). The artist uses textural impasto in a pa...

Midcentury Eastern Sierra Mountains Landscape Beautiful oil painting of eastern Sierras by unknown artist in the style of Edgar Payne and Hanson Putthuff. The mountains and sky are ...

This artwork titled "Princeton, California" c.1950 is an oil painting on canvas by noted California artist Clifford Holmes 1876-1963. It is signed at the lower left corner by the artist. The canvas size is 20 x 24 inches. It is in excellent condition. About the artist: Clifford Holmes, noted California artist. The artist is a descendent of early California pioneer families and is a former member of the Art League. Among the founders of the Oakland Art...

Dennis Sheehan Winding Brook, circa 2025 Signed lower right Oil on canvas 24 x 30 inches Dennis Sheehan was born in Boston in 1950. His work is based upon the Barbizon School with ...

Natasha Isenhour's "Morning in the High Desert" is an original, handmade oil painting that depicts a sunrise that colors the clouds a lavender and yellow color as they swirl above th...

Carl Rudolph Krafft Winter Landscape with Stream Signed lower right and with thumbprint Oil on canvas 25 x 30 inches Carl Rudolph Krafft was born in 1884 in Reading, Ohio, and his ...

Morning Light, Beautiful Skies Series oil/panel 6x8 image unframed, 9.75 x 11.63 x .75 framed signed LL Morning Light is an oil painting on canvas panel by award winning contemporary...

A fine impressionist painting on the shore of Cape Cod with cottages, boats, and figures by American artist Alexis Jean Fournier (1865-1948). Fournier was born on the fourth of July ...

Devon Farm Oil on canvas, 40 x 48 inches (101.6 x 121.9 cm) Framed dimensions 52 1/2 x 44 3/4 inches Signed lower right: Schofield Provenance Private collection, New York, until 202...

Jane Peterson Stone Wharf, Brittany, circa 1910 Signed lower right Oil on canvas 18 x 24 inches Provenance Private Collection, New York Born Jennie Christine in Elgin, Illinois, s...

Ipswich, 1901, by Theodore Wendel (1859-1932) Oil on canvas 9 x 14 inches unframed (22.86 x 35.56 cm) 14 ½ x 19 ½ inches framed (36.67125 x 49.68875 cm) Signed and dated on reverse ...

Henry Thomas Clark (American, 1929-2000) Untitled, 20th Century Oil on canvas 16 x 18 1/8 in. Framed: 21 x 23 x 1 3/8 in. Signed lower left: Clark

Oliver Dennett Grover Grand Canal, 1926 Signed and dated lower left Oil on canvas 24 x 30 inches Grover's family relocated to Chicago during his childhood. There, he dedicated a si...

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

Still life "Wine with Orange" by Claude (Charles Claude) Buck (1890-1974). Signed lower left. Artist's notes and color scheme on verso. Displayed in rustic giltwood frame. Image, 14"...

ARTIST STATEMENT Sparky LeBold has made a name for himself both in America and abroad over the course of his stellar career.  Since graduating from Art Center College of Design in P...

White Sands New Mexico, Mid-Century Southwest Desert Landscape by Vannerson Gorgeous desert scene by award winning, self-taught artist Dr. Lucien C. Vannerson (American, 20th Centur...

This piece depicts Kylie Jenner and daughter Stormi with bold marks and colorful expressions. Exploring the purity of the feminine form and the excitement of High-End Fashion, artist...

This artwork titled "Clown, Medrano Circus, France" c.1960 is an oil painting on canvas by noted American artist Benton Scott, 1907-1983. It is signed at the lower left side by the a...

Turn of 20th Century Spanish-American War Coast Guard Cutter with Cannons Original Oil Painting A fine example of maritime ship portraiture oil painting of a Coast Guard Cutter with cannons under sails during the Spanish American War by renowned Nautical British/American painter Captain William Lindsay Challoner (British/American 1852-1901), 1901. Auction values Luminous and striking painting with seaman unfurling sails heading into rough waters. Challoner served as captain of a naval vessel (Coast Guard Cutter) during the Spanish-American War. Here he is depicted on the deck of the ship while seamen scramble aloft on the rigging during a gale. The captain stands tall before the cannons at the ready to fend off intruders. His paintings are rare and highly prized by museums and Nautical collectors alike. Signed: Lower right corner "W. Challoner" Not framed Dated: "1910" Provenance: A local Monterey Bay area estate find. Condition: Professionally restored (conservation report available) Image size: 27.75"H x 47.38"W William Lindsay Challoner lived the peripatetic life of a mariner, spending much of his time at sea, and in ports such as New Orleans and San Francisco, California. He was born in Bedminster, England, and attended the York Naval Academy. In 1880, Challoner married Mary Cadogan. That same year, the couple immigrated to Argentina and then New Orleans. They had one son, William Lindsay Challoner, Jr. Lloyd’s Lists record Challoner as master aboard J.P. Macheca, a “Clipper Schooner” running bananas from Jamaica during the mid-1880s. The clipper also raced at the Southern Yacht Club in New Orleans. As is often the case, Challoner’s middle name is misspelled as “Lindsey” in J.P. Macheca & Co. records. He is also said to have served as captain for vessels in the Morgan Line. Painting was at first an avocation for Challoner, but his draftsmanship and handling of paint suggest academic training. He may also have learned to make precise topographical drawings at the York Naval Academy. Many of his ship portraits are in the English tradition, notably followers of Samuel Walker, a leading English maritime artist in the 1850s. Like his Liverpool counterparts, Challoner used receding linear and atmospheric perspective to focus on the crisp portraits of specific ships. At their best, his canvases are highly finished, a style that imitates the Venetian tradition of topographical city views associated with Giovanni Antonio Canal, also known as Canaletto. However, Challoner’s restrained bravura paint handling also may bear witness to the influence of the French Impressionists. Challoner seems to have arrived in New Orleans about 1880. He advertised in the press and exhibited at the Creole Art Gallery and Grunewald’s Music Store in New Orleans. In 1887, Challoner moved to San Francisco, where he exhibited his maritime scenes at the Mechanic’s Institute and became a U.S. citizen. He may have been back in New Orleans after 1891, and served as captain of a naval vessel during the Spanish-American War. His art clients tended to be men involved in the shipping industry—ship owners and commission merchants, along with professional clubs and maritime benevolent societies. Challoner’s principal competition in New Orleans was August Norieri, a talented ship portraitist and painter of marines. While Norieri lived hand-to-mouth, Challoner drew a handsome salary working as a ship captain, presumably until shortly before his death at the age of 49. Securing the commission for painting the newly founded New Orleans Yacht Club suggests that Challoner was held in higher regard as an artist than Norieri. The two artists together met the market demand for ship portraiture and marine views in the port city, as had Edward Arnold and James Guy...

Beautiful California plein air painting of San Gabriel Mountains in autumn with iconic Sycamore tree in foreground. Circa 1960. Unsigned. Presented in vintage gilt-toned carved wood frame. Image size: 10"H x 14"W. The San Gabriel Mountains have inspired many famous plein air painters including Hanson Puthuff, Marion Kavanagh Wachtel, Maurice Braun...

Signed lower right 'F. Sands Brunner' for Frederick Sands Brunner (American, 1886 - 1954) and painted circa 1930. A painting showing the artist's two daughters, Sibyl and Janet, fa...

"The Red Cliffs" by Ander Kase (American, 20th Century). Presented in a wooden frame. Titled "The Red Cliffs" lower left and signed lower right in pencil "An...

Winter Fresh by Lu Haskew Oil 8x10" image size Snowy Landscape Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. Shipping price inc...

Esther Eddy Hasting (American, 1876-1953) 'Whispers of Autumn Light' Oil on canvas Signed lower right Canvas: 20in H x 24in W In vintage gold gilt frame: 25in H x 29in W In this l...

A masterful oil painting depicting a coastal scene with a sail boat passing through the glimmering waters, lush hills, and seaside buildings under a lightly clouded sky. This particu...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

Sierra Mountain Waterfall, Vintage California Landscape w. Ornate Giltwood Frame Beautiful large-scale vertical landscape of a majestic waterfall in the Sierra Mountains by Califor...

A beautiful circa 1938 American Impressionist mountain landscape by Sister Mary Norbert (American, 1885–1979), depicting a peaceful countryside scene of ro...

An abstract Mid Century city scene with a red moon placed above. This piece is depicted with thick use of paint and complex lines and color placement....

Frances Schantz (1893-1968). Brief December Day, ca. 1950. Oil on canvas, 18 x 26 inches. Framed measurement: 24 x 32 inches. Signed lower left. Original label affixed on verso....

Beautiful landscape of cows grazing in green pastures surrounded by tall evergreens and a stream, by Monterey area painter Jack Lynn (American, 20th century). Signed "Jack Lynn" lowe...

FREE SHIPPING Dusk at Bayou Bend is contemporary oil landscape painting on canvas that is 18" x 18".Dusk at Bayou Bend was painted in 2026 by Texan artist Steve Parker The locat...

Gorgeous, restful desert landscape of Panamint Valley by Santa Cruz, California artist Mike Wright (American, 20th Century). Presented in a black painted a...

Jane Peterson (1876-1965) Lilies Oil on canvas, 1952-1953 Signed by the artist lower right: JANE PETERSON (see photo) Painting size: 29 x 23 inches Frame size: 38 x 32-1/2...

This artwork titled "Seaview, Fire Island, New York, Sand Dunes, Ocean Side" 1956, is an oil painting on canvas board by Italian/American artist Xavier Barile, 1891-1981. It is signed at the lower right corner by the artist. Also signed, dated, and titled on the back. The canvas board size is 12 x 16 inches, framed size is 22 x 26 inches. Framed in an ornate wooden gold frame, with black velvet liner. It is in generally excellent condition, the frame have some minor restorations, barely visible and 2 small area where the velvet is scratched. About the artist: Xavier J Barile was a Social Realist painter, teacher, lecturer, graphic artist, and writer. He was born March 18, 1891, in Tufo, Italy. His love of beauty manifested itself at a very early age. During his early teens, he used to design monograms for the young girls of his home town, Tufo, Italy, to embroider on their most precious possession, their hope chest and trousseau. In 1907, his mother brought him, his two younger brothers and two sisters to New York, to join their father who had been in New York for several years, preparing the way. He quickly learned English and spent some time helping his father, who was earning a living for the family as a tailor. Having learned English well, Barile then enrolled in the Evening Art Classes at Cooper Union Institute in New York. In due course he enrolled in the Art Students League, New York City. Here he came under the influence of John Sloan, Reginald Marsh and Victor Perard as teachers and George Luks, Robert Henri and Everett Shinn of "the Eight" as friends and colleagues. In 1939 John Sloan dedicated his book, Gist of Art as follows, "To my old friend, first monitor of my first class at the Art Students League 1914." This friendship and mutual regard lasted until Sloan's death in 1951. Of course, it was only natural that Barile should be a part of the "Ashcan School," painting the New York Scene. During this time that he was on his own he worked with all mediums - oil, watercolor, pastel, casein, charcoal, etc. - and he did some fine work with monotypes. It was during these years, the 20's and 30's, that he began to exhibit in such places as the Whitney Studio Club (forerunner of the Whitney Museum of American Art), The Kit Kat Club, The Anderson Gallery, The Cincinnati Museum, The New Mexico Museum, National Society of Painters in Casein, The Salmagundi Club and many other exhibits throughout the United States. He is currently represented in The National Collection of Fine Arts (NCFA) Smithsonian Institution, Washington, D.C. In the mid 30's, like many another struggling artist, XJB worked on the WPA Art Project. One of the murals he worked on is in the U.S. Customs House, Bowling Green, N.Y.C. In this project he collaborated with Reginald Marsh who was the supervisor of this phase of the work. The years until 1939 were spent working in all parts of the United States and in conducting his own classes for aspiring artists. In 1939, on the recommendation of John Sloan, he became the founder, first teacher and Chairman of The Department of Fine Arts, Pueblo Junior College, Pueblo Colorado...

"This painting was created in the morning on the island of Oahu during the winter storm season," said Daria about this artwork. "I went out to paint after noticing soft lilac shadows...

"I decided to paint this still life while resting in my garden on the island of Oahu in Hawaii. I poured a glass of red wine and picked several mandarins from a tree growing in the s...

Brian Sostrom's (US based) "Rise Above" is an original, handmade acrylic painting that depicts a fluffy cumulus cloud wafting high above the landscape, glow...

A serene winter grove unfolds in this 1935 Colorado oil on board landscape by Robert Wesley Amick, capturing the quiet beauty and atmospheric stillness of the Rocky Mountain region. ...

Artist/ School: French School, signed and dated 1911 Title: A Belle Maman, New York Medium: signed oil painting on canvas, framed. framed: 27.5 x 18.5 inches canvas: 25.75 x 16.7...

A charming depiction of an interior scene with Piano and Chandelier. A cozy impressionistic scene with warmth and feeling. A sophisticated scene with stunning details and beautiful brushwork. Whisical, this piece captures the essence of a Parisian living room...