American Impressionist Paintings

Beautiful California plein air painting of San Gabriel Mountains in autumn with iconic Sycamore tree in foreground. Circa 1960. Unsigned. Presented in vintage gilt-toned carved wood frame. Image size: 10"H x 14"W. The San Gabriel Mountains have inspired many famous plein air painters including Hanson Puthuff, Marion Kavanagh Wachtel, Maurice Braun...

“10th Hole, Gardiner Bay” is an oil painting by contemporary American painter Kelly Carmody. Painted en-plein-air at the Gardiner's Bay Country Club on Shelter Island, it shows rolli...

Spring in Brown County Oil on canvas mounted on phenolic resin support, c. 1925 Signed lower right: L. O. Griffith (see photo) Condition: Excellent Painting size: 10 x 13 3/4 inches ...

"Secret Beach Panorama in Early Autumn" is an oil painting by American Impressionist Ben Fenske. A large scale composition of a Sag Harbor beach vista. The foreground shows green gra...

A wonderful Impressionist winter pastoral scene of a colorful quaint home by the river. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much fee...

John White Alexander's graceful depictions of beautiful women earned him critical acclaim both in Europe and America. However, his career did not get off to an easy start—Alexander b...

A stunning oil painting by Albert Munghard depicting figures by a Dutch Canal, this piece was created after the great Dutch artist of the times Heinric...

Step into a world of serenity and natural beauty with "Three Bathers," a captivating vintage 1940s oil painting on board by renowned Colorado artist Morgan Wagner. This exquisite art...

George Raab (American, 1866 - 1943) Signed: G. Raab 1912 (Lower, Right) " Doctor Lake ", 1912 Oil on Canvas 18" x 22" Housed in a 3" Period Carved Frame in the style of Newcomb ...

David Shingler’s "Utah" (2015) is an original oil painting on wood panel, measuring 5 x 5 inches. Known for his dynamic landscapes rendered through bold and expressive brushstrokes, ...

Painting size w/o frame: 11"x14" Painting size with frame: 18"x21" Beautiful oil painting by T.M. Nicholas featuring farmhouses near a river with rolling hills in the background. ...

Dalhart Windberg Born 1933 Texas Artist Image Size: 24 x 36 Frame Size: 32 x 44 Medium: Oil Applied by Palette Knife Dated 1969 "Ruinas en el oeste de Texas" Ruins in West Texas Biography Dalhart Windberg Born 1933 Born in Goliad County, Texas, and living in Georgetown, Texas, (2010), Dalhart Windberg is a painter of romantic landscapes inspired by his travels throughout Texas, Mexico, Spain, Greece and European countries. He was named after a popular Country and Western singer...

A wonderful depiction of a wooded Landscape by the lake and autumn leaves falling by the country side. For this beautiful depiction, we find distinct elements that are unique to the ...

Gorgeous mid-century seascape of turquoise and lavender waves crashing on coastal rocks by California artist Lee Ervast (American, 1916 - 1975), c.1950s. Si...

A stunning jewel and pertinent example of Berthelsen's charming Still Life scenes. Here we find a white roses in a blue vase set on top of a glossy table. The artist was truly a mast...

Charles Movalli’s Honfleur beautifully captures the charm of the French port town. A red sailboat stands out in the harbor, with a smaller white-sailed boat nearby, set against rustic buildings and a church spire in the background. Movalli (1945–2016) was a renowned American impressionist painter from Gloucester, Massachusetts, influenced by the Cape Ann art...

Every now and then, even we dealers get fooled. This painting was sold to me as by George Gardner Symons. It bears his signature. At some point, the FBI (yes!) showed up at my door t...

Seated Nude Woman American Figurative School 1940s Mid-century American impressionist painting of a woman by American artist Frederick "Fred" Yost (American/Swiss, 1888-1968). He studied: at Mt. Union Col., Alliance, OH; American Students League, New York, and with Homer Boss, John Sloan, Robert Henri, R. Lahey. The painting gleans much form his studies with John Sloan and Robert Henri in the French post-impressionist style. Image 24"H x 18"W Frame, 30"H x 24"W x 1.5"D Signed "Yost" lower right Painter, lithographer, teacher, lecturer About Fred's life: by Hal Fry of the Herald “Fred Does Whatever He Likes” was a title given to a biography written about Fred Yost by Hal Fry of the Herald. The following is taken directly from this column: “Fred Yost’s living style is like his painting style. He has fun with it. Fred John Yost was born in Switzerland, he’ sure, on November 6, 1889, he thinks. His father John brought the family to his country when Fred was about a year old—first to New York and later to Canton, Sebring and finally Alliance, where Yost Sr. loaded freight for a railroad. Fred like drawing and painting so far back he can’t remember how or when it started—it was always that way. But through the public schools in Alliance he didn’t think of this as a career possibility. He wanted to be a newspaperman. He worked his way through Mt. Union College, finishing, he thinks, about 1912. Then he beat it for New York and after kicking around for a time got a job as a proofreader for the Wall Street Journal. He combined this and art school until World War I took him into the Army. In infantry, field artillery and ordnance duties he served with the 27th New York Division through St. Mihiel and the Argonne and the rest—in the process getting his hearing clobbered by blasts from his outfit’s own guns. Coming out a Sergeant in 1919, he went back to the Wall Street Journal briefly—then caught on as a staff artist for the (New York) Herald. For several years, when he felt like it, Yost would take a bus to the Mexican border and switch to a Mexican bus to carry him way down south, then make it any way he could to the places he wanted to see. On these trips he virtually becomes a peon, disappearing totally from those who know him—living with, like and clearly thoroughly liked by the people among whom he moves.” Yost was a graduate of the Art Students League and past president of the Ohio Watercolor Society. Fred Yost, a man who eminently loved the Mexican landscape, Exhibited: S. Indp. A., 1928, 1930-33; MMA, 1945; AIC; Butler AI, 1947-1951; Ohio WC Soc.; PAFA, 1948-1950; Akron AI, 1947-1951, 1958; Fla. Southern Col., 1952; Ohio Univ., 1950; Columbus Gal. FA, 1947-50; AWCS, 1958; Salons of Am.; 3 solo: Canton AI; Akron AI, Springfield Mus. A. Contributor to Ford Times, 1958-59. Awards: prizes, Massilon Museum, 1944; Ohio Watercolor Society, 1944, 1948; Indianapolis, Ind., 1944; Tri-State Pr. M., 1945, 1946; Butler AI, 1946; Youngstown Pub. Schools, 1946 (prize); Ohio Univ., 1950; Ethel Printz award, 1950; Fla. Southern Col., 1952; Akron AI, 1952, 1956-1958; Canton AI, 1961, 1963; medal, Phila. Pa., 1950 Member: Ohio Watercolor Society (president) Work: Massillon Mus.; Youngstown Pub. Sch. Coll.; Butler AI; Akron AI; Kennedy & Co., NY; Beaver Col., Beaver Falls, Pa.; Block Gal., Indianapolis; Prospect Park, NY; murals, Sioux City Steak House; Sioux City A. Center; City Hall, Sioux City; Akron AI; Evangelical Church, Akron; Rockefeller Center; Radio City, NY; Brooklyn Zoological Park. Affiliated with NYC Park Dept. Mural Projects. Comments: Came to U. S. in 1889. Position: teacher, Butler AI; Akron AI; instr., Akron AI, Akron, Ohio; cur. Historical House of Refuge...

“Temptation” (Cat) 10" x 10" gouache on Aquabord, sealed with Renaissance Wax.Also shown are other animal paintings in this series of gouache . Gouache (/ɡuˈɑːʃ, ɡwɑːʃ/; French: ...

Bill Shields "Garden Cottage" 1990's Acrylic on paper affixed to board 10"x8" unframed Signed in pencil lower right William Stephens Shields, Jr., 1925 - 2010 He was born at Lette...

This artwork "California Coast" 1978 is an oil painting on hard board by noted California artist Robert Wee, 1927-2021. It is signed at the lower right corn...

Beautiful oil painting of a California lake by Margaret Ward (American, 20th century). Mountains of browns and reds shadow over a bright blue lake, with dark brown and green trees su...

Julian Onderdonk Shelter Island, Long Island, New York, circa 1905 Signed "Chas Turner" lower right Oil on canvas 14 x 19 1/2 inches Julian Onderdonk was...

A substantial, early twentieth-century oil showing two children, wearing period summer dress and posed beside a well, with a view beyond across lush green lawns...

Lovely small scale contemporary impressionist landscape of a trail winding up a hillside through oak trees, with a dense green tree line at the top, by an unknown Bay Area artist (Am...

LOOK FOR FREE SHIPPING. PRICE NEGOTIABLE Late Afternoon is an impressionist landscape painting that was painted near Brenham and Chappell Hill. Late Afternoon is contemporary oil la...

Chuck Mauldin Born 1949 Fredericksburg Artist Size: 20 x 30 Frame: 27 x 37 Medium: Oil "Brahmas" A native of Texas, Chuck Mauldin has been painting in oi...

Yana Beylinson's (US based) "Confetti" is an oil painting that depicts impressionistic white Sunflowers in a glass vase with pink, and purple flowers on a grey background. Artist Bi...

Gaze shows the famous Texas Longhorn on a Texas ranch. It has an Impressionistic Style as seen in many of Virginia Vaughan's Texas paintings. She is kno...

Mathias Alten (German/American, 1871-1938) Signed: M. Alten (Lower, Right) " Nude Dancer ", circa 1925 Oil on Canvas 42" x 32" Housed in a 3" Carved Ne...

Signed lower left, 'Pauline Palmer' (American, 1867-1938) and painted circa 1915, two years after the artist's first solo exhibition at the Art Institute of Chicago. Exhibited: Chicago Galleries Association and titled, 'Sunny Yards' (attached, partial label from original frame) A staunch proponent of pure Impressionism at the turn of the twentieth century, Pauline Palmer influenced the world of American art far beyond her Midwestern art community. Primarily known for her landscapes and portraits, Palmer rejected the waves of modernism that hit the United States in the teens and twenties, remaining true to the traditions of Impressionism. In 1923, she established the Association of Chicago Painters and Sculptors as an alternative to the increasing number of institutions celebrating Abstraction and Cubism. Pauline Palmer was enrolled at the Art Institute of Chicago from 1893 to 1898, and studied with some of the most prominent artists of the period, including William Merritt Chase and Frank Duveneck. Following her graduation, Palmer moved to Paris and attended the Académie de la Grande Chaumiére and the Académie Colarossi, where she studied under Raphael Collin. While in France, she exhibited with success including at the Paris Salon each year from 1903-06 and, again, in 1911. Her principal teacher and friend in Paris was the American Impressionist, Richard Emil Miller, whose shimmering handling of light made a profound impression upon her. Palmer also traveled extensively throughout Europe, a rite of passage for aspiring artists of her time. Returning to Paris, she studied with Gustave Courtois and Lucien Simon, both exemplars of compositional structure. Upon her return to the United States, Palmer set up her first American studio in the legendary Tree Studios building in Chicago. The artist's husband, Dr. Albert Palmer, whom she had married in 1891, both supported and encouraged his wife's artistic development. The couple kept a summer home in Provincetown, Massachusetts, where she made friends with many of the Portuguese fishermen's families, often using their children and the routines of their daily lives as subject matter for her painting. Pauline Palmer exhibited widely and with success, including in Italy, France, Norway and throughout the United States. Her works were shown at the National Association of Women Painters and Sculptors and, beginning in 1899, she exhibited at the Art Institute of Chicago for twenty-seven consecutive years. Over the course of her long career, she exhibited over 250 paintings at the Art Institute of Chicago, including at two solo exhibitions. She was the recipient of numerous prizes, medals and juried awards including nearly all the AIC's major awards, purchase prizes and honorable mention citations. Palmer also received a gold medal from the Colarossi Academy in Paris. Involved in numerous artist organizations, she was a member of the Chicago Municipal Art League, the Chicago Art Guild, the Chicago Arts Club and a charter member of the Chicago Women's Salon. Elected the first woman president of the Chicago Society of Artists, she went on to serve as president of both the Art Institute Alumni Association and the Chicago Association of Painters and Sculptors. Considered by the Modernists of her day to be a traditionalist, Pauline Palmer remained true to her artistic vision and she continues to be regarded as one of the leading women of American Impressionism. Her light-filled, colorful compositions captured landscapes and scenes of American daily life with unusual freshness and seeming effortlessness. Celebrated during her life as "Chicago's Painter Lady," Palmer was honored twelve years after her death by a posthumous retrospective at the Art Institute of Chicago and the establishment of an annual scholarship awarded in her honor by the Art Institute of Chicago. (with thanks to Hali Thurber) CHRONOLOGY 1867, Born in McHenry, IL 1885, Moves to Chicago to teach art 1891, Marries Dr. Albert Elwood Palmer 1893, Exhibits, World's Columbian Exposition, Chicago 1896, First exhibits at the Art institute of Chicago 1898, Exhibits at Exposition in Omaha, NE 1899, First exhibit, Pennsylvania Academy of Fine Arts 1900-1902, Studies with various artists in Paris 1901, Exhibits at Exposition in Buffalo 1903-1906, Exhibits at Paris Salon 1904, Exhibits at Universal Exposition in St. Louis, 1907, Four prizes at the Art Institute of Chicago 1911, Exhibits at the Paris Salon 1911, Exhibits at the Expositione de Belle Arti, Naples 1913, Solo exhibition, Art Institute of Chicago 1915, First prize, Society of Western Artists 1917, Opens first American studio in Chicago 1918, First woman president, Chicago Society of Artists 1918-1929, holds position of president for 11 years 1918-1921, Silver medals, Society of Chicago Artists 1921, Silver medal at Peoria Society of Allied Artists 1927, President, The Art Institute Alumni Association 1929-1931, President, Chicago Association of Painters and Sculptors 1938, Dies, Trondheim, Norway AWARDS 1904, Universal Exposition in St. Louis, bronze medal 1907, Art Institute 's Chicago Artists' Exhibition 1915, Society of Western Artists exhibition, first prize 1918, Society of Chicago Artists, silver medal 1921, Peoria Society of Allied, silver medal Solo Exhibitions: 1913, Art Institute of Chicago 1939, Art Institute of Chicago, memorial exhibition Union League Club of Chicago, memorial exhibition Group Exhibitions: 1893, World's Columbian Exposition in Chicago 1896, Art institute of Chicago 1898, Exposition in Omaha, NE 1899, Pennsylvania Academy of Fine Arts 1899-1926, Art Institute of Chicago 1901, Exposition in Buffalo 1903-06 Paris Salon 1904, Universal Exposition in St. Louis 1911, Paris Salon 1911, Expositione de Belle Arti, Naples 1915, Exposition in San Francisco 1950, Chicago Galleries Association 1984, Lakeview Museum of Arts and Sciences, Peoria Memberships: 1918-29, First woman President,Chicago Society of Artists 1927, President of The Art Institute Alumni Association 1929-31, President of Chicago Association of Painters and Sculptors Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. X, page 523; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. XXVI, page 129; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. III, page 2512; Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers, Glen B. Opitz, Apollo Press 1983, page 708; Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S.: Colonial to 2002, Bob Creps, Dealer’s Choice Books, Inc. 2002, Vol. II, page 1047; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, page 326; Pauline Lennards Palmer...

Guy Wiggins Clearing after a Shower Signed lower right, titled on verso Oil on panel 12 x 16 inches Guy Carleton Wiggins is best known for his impressionistic snow scenes of New Yo...

Clyde Steadman's "Bathsheba" is an original, handmade oil painting that depicts an impasto painting of a nude female model in an interior setting.

Robert Azensky Fine Art is proud to present Early 20th Century Oil Painting Palo Alto, California Foothills Landscape Painting circle of Bruce ...

Hills in Norway by Norwegian American artist Sigurd Skou. Stunning oil on Canvas housed in a period arts and crafts carved frame. Born in Fredrikshald, Norway, Skou was a student...

C.S. Steve Talley Fredericksburg Texas & Santa Fe New Mexico Artist Image Size: 8 x 10 Frame Size: 11.5 x 13 Medium: Oil "El Salto" Evening Light C. S. “Steve” Talley developed an art interest not long after graduating with a degree in astronomy/physics from the University of Texas at Austin in 1978. Juggling a career in the sciences and ultimately computer programming, his art skills continued to improve by taking workshops from primarily plein air artists. Talley’s style of impressionistic realism continues to evolve as he explores color from bold to tonalist. He takes artistic license to push a color or include a compositional element to accomplish his goal of creating the intangible “strong emotional content”. Beginning as a portrait painter he has evolved to become primarily a western landscape painter. He also enjoys painting astronomical and religious themes. His main influences come from Paul Strisik, Will Sparks...

Edward Lee Reichert (1919-2011) Texas Artist Image Size: 14 x 18 Frame Size: 16.75 x 20.75 Medium: Oil Dated 2004 "Texas Longhorns" Biography Edward Lee Reichert (1919-2011) Edward Reichert, architect, designer and artist, is a native Texan who has combined regional, national and international study and practice of the visual art and architecture since 1936. He is a versatile artist and designer, skilled in creating quality landscapes, portraits, architectural, western, religious and varied work in all media. After 36 years of architectural practice based in Houston in which he was involved in the design of more than 400 regional and international projects, he now devotes full time to painting. Best known of his art works are his designs of stained and faceted art glass which include 100 panels designed for the First United Methodist Church of Houston. In 1983, he wrote and jointly published with the Church, Windows Sharing God’s Caring, an art book with photographs by his wife Elizabeth, illustrating and describing these panels and the historic sanctuary windows. While attending The University of Texas in Austin he served as art editor of the university publication Architecture, Engineering and Industry (1938-41). After receiving his Bachelor of Architecture Degree and the Alpha Rho Chi Architectural Medal in 1941, he was awarded scholarships for continued studies a M.I.T., Harvard, and Yale. As a Naval Reserve Officer during World II, he authored and illustrated Naval Intelligence publications. He became a Registered Architect in Texas in 1947, AIA member since 1951 and NCARB certified since 1974. He has worked and studied in England, Europe and Canada. Invitational study and travel with Master Painter, Lajos...

Edward Lee Reichert (1919-2011) Texas Artist Image Size: 30 x 40 Frame Size: 34.5 x 44.5 Medium: Oil Dated 2005 "Enchanted Rock" Biography Edward Lee Reichert (1919-2011) Edward Reichert, architect, designer and artist, is a native Texan who has combined regional, national and international study and practice of the visual art and architecture since 1936. He is a versatile artist and designer, skilled in creating quality landscapes, portraits, architectural, western, religious and varied work in all media. After 36 years of architectural practice based in Houston in which he was involved in the design of more than 400 regional and international projects, he now devotes full time to painting. Best known of his art works are his designs of stained and faceted art glass which include 100 panels designed for the First United Methodist Church of Houston. In 1983, he wrote and jointly published with the Church, Windows Sharing God’s Caring, an art book with photographs by his wife Elizabeth, illustrating and describing these panels and the historic sanctuary windows. While attending The University of Texas in Austin he served as art editor of the university publication Architecture, Engineering and Industry (1938-41). After receiving his Bachelor of Architecture Degree and the Alpha Rho Chi Architectural Medal in 1941, he was awarded scholarships for continued studies a M.I.T., Harvard, and Yale. As a Naval Reserve Officer during World II, he authored and illustrated Naval Intelligence publications. He became a Registered Architect in Texas in 1947, AIA member since 1951 and NCARB certified since 1974. He has worked and studied in England, Europe and Canada. Invitational study and travel with Master Painter, Lajos...

Moonlight Light Sailing oil/canvas 26 x 26 image unframed, 31.25 x 31.25 framed Moonlight Sailing is an oil painting on canvas by award winning contemporary artist Michael Budden th...

Painting size without frame: 9"x14" Painting size with frame: 13"x18" Signed lower right A luminous plein air painting by Bernard Corey, "Spring Has Sprung" captures the soft awake...

FREE SHIPPING New Images coming Soon Bayou Bend is contemporary oil landscape painting on canvas 30 x 40. Bayou Bend was painted in 2022 by Texan artist Steve Parker . The location is at the back of Bayou Bend in Houston, Texas. It is painted on the banks of the famous Buffalo Bayou. Bayou Bend is the MFAH house museum for American decorative arts and paintings. Displayed in the former home of Houston civic leader and philanthropist Ima Hogg (1882–1975), the collection is one of the finest showcases of American furnishings, silver, ceramics, and paintings in the world. The house is situated on 14 acres of organically maintained gardens in Houston’s historic River Oaks...

Impressionist winter pastoral scene of a quaint lake side snow covered home by New Britain, Bucks County PA. Willett has portrayed this charming scene in a most intimate, yet energet...

Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrig...

A stunning jewel and pertinent example of Berthelsen's charming Still Life scenes. Here we find a white rose and two crimson flowers in a white vase set on top of a wooden glossy tab...

Leigh Ann Van Fossan's "Fire in the Sky" is an original, handmade oil painting that depicts a group of sailboats docked as a sunset colors the sky and water a vibrant orange hue.

An oil on board painting by Gustave Weigand (1870 - 1957), signed lower right. Painting measures 16 x 12 inches. Wiegand was born in Bremen, Germany in 1870. Wiegand studied at the R...

Anthony Thieme (1888 - 1954) Main Street, Rockport Oil on canvas 25 x 30 inches Signed lower right Anthony Thieme was born in the Dutch port city of Rotterdam in 1888. He studied at the Academy of Fine Arts in Rotterdam, at the Royal Academy at the Hague, as an apprentice to George Hoecker, a well known stage designer in Düsseldorf, Germany, and to Antonio Mancini, an Italian Impressionist. After completing his studies, Thieme journeyed throughout Europe and South America, working in stage design to support his travels. Thieme first came to the United States in 1917 and initially worked as a set designer and book illustrator first in New York and later in Boston. By the late 1920s, Thieme had married and moved from Boston to Cape Ann in Rockport, Massachusetts, an emerging art colony. Like the other Rockport artists...

Barbara Mauldin Fredericksburg Artist Image Size: 20 x 16 Frame Size: 26 x 22 Medium: Oil "Lunch Break" Texas Hill Country Barbara and her husband Chuck moved to Fredericksburg in 2005 after living many years in Louisiana, where she taught art at Baton Rouge Lutheran School. Soon after moving home to Texas, she began painting seriously. She has studied with Ian Roberts, Kevin Macpherson, Jill Carver, Lori Putnam, and (of course!) Chuck Mauldin. Barbara’s work has been accepted in several art events, such as the Women Artists of the West National Show, Contemporary Masters Invitational Art Show in Fredericksburg, the Mountain Oyster Club Art Show, the Plein Air Artists Colorado National Juried Art Exhibition, The Museum of Western Art (Kerrville, TX) “The Party” Art Exhibition and Sale, and others. Her paintings are characterized by color. “I like to emphasize the color that I see, as a creative and emotional response to the landscape.” She works with a limited palette, using a small number of pigments to mix colors, which results in beautiful color harmony. Barbara has focused her attention on the Texas landscape, especially on prickly pear cactus. Cactus is fun to paint. It has a multitude of interesting colors, which are an expression of the harshness of the environment and the amount of direct sun. In spring the colors are lighter and more mellow, and the flowers of late spring are a vibrant yellow and rose, sometimes orange. She enjoys plein air work, accepting the challenges of color, design, and the environment (critters and weather). Texas abounds with variety and inspiration; there is always another painting just around the corner! Her interest in art had always been a part of the fabric of her life. She works mainly in oil, and she also dabbles in pastels, watercolor, church banner...

Melanie Parke’s latest selection of still lifes looks at quotidian interiors and imbues them with magic. All of the elements of the still life are present: a stem in glimmering glass...

Flowers painted beautifully in watercolor by Susan Palmer would look nice in so many homes! This painting is an original and signed by the artist with the...

Ernest Biddle (American, 1919-1970) Untitled Coastal Town, Likely New England, 20th century Oil on canvas 16 x 20 x 1/2 in. Signed lower left: Biddle The great grandson of the found...

Off The Maine Coast oil/canvas 12 x 16 unframed, 20.25 x 24.25 framed original frame as purchased with a chip on the upper left inside silver section hardly noticeable as pictured in...

This evocative oil on canvas painting by renowned American landscape artist Charles Partridge Adams (1858–1942) beautifully captures a glowing sunset along Colorado's majestic Front Range. Rendered in a refined Tonalist style, the work features tall, mature trees bathed in soft hues of green, amber, gold, and rust, evoking the serene transition of day into evening in the Western landscape. Although unsigned, this work is accompanied by a letter of authenticity from the artist’s estate, ensuring provenance and collector confidence. The painting is presented in a vintage gold frame, enhancing its timeless appeal. Framed dimensions measure 18 ½ x 26 ¼ inches; the canvas itself measures 16 x 24 inches. This piece reflects Adams’s signature ability to translate the quiet drama of nature into rich, atmospheric compositions. A fine addition to any collection of American Western art, Tonalism, or early 20th-century landscape painting. About the Artist: Charles Partridge Adams (1858–1942) was one of Colorado’s most celebrated landscape painters and a prominent figure in the American West’s early art scene. Born in Franklin, Massachusetts, Adams relocated to Denver in 1876. He received his only formal training from Helen Chain, a student of George Inness, who introduced him to influential artists such as Alexander Phimister Proctor...

Irving Ramsey Wiles (1861-1948) Still Life with Flowers, c. 1915 Oil on canvas 14 x 12 inches (35.6 x 30.5 cm) Signed upper right: Irving R. Wiles Provenance Thomas Colville Fine Ar...

Painting size without frame: 8"x10" Painting size with frame: 15"x16" This expressive oil painting by Antonio Cirino (1889–1983) captures the quiet energy of a street scene under an overcast sky. The softened light gives the composition a moody atmosphere, while Cirino’s confident brushwork and rich texture animate the buildings and figures with life and movement. A key figure in the Rockport Art Association and the Cape Ann art...

Emile Gruppe captures the charm of a Vermont winter in "Sugaring," a beautifully atmospheric scene of traditional maple syrup harvesting. Gruppe’s expressive brushwork and soft, wint...

Jacob Dhein's "Chicago Rain" a 2023 original oil on panel, stands at 17.7 x 23.6 inches. This piece highlights Dhein's ability to capture reflection, diffusion, and a beautiful impre...

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE GALLERY OFFERS FREE SHIPPING. Paint Wild Mustang is a 16 x 16 oil painting by artist Joan Breckwoldt...

This original oil painting by Turner B. Messick (1878–1952) captures a serene Western mountain landscape, likely set in California or Colora...

Vivid mid century still life of glass pitchers and apples by listed artist Jon Blanchette (American, 1908-1987), c.1965. Signed "Jon Blanchette" lower right corner. Letter of Authent...