Baroque Paintings

John Clostermann (Osnabrück 1660 - 1711 London) Portrait of a boy, maybe Charles Hinde Oil on canvas, 61 x 74,6 cm John Closterman (also Klosterman) was a portrait painter of the late 17th and early 18th centuries. He primarily portrayed English noblemen and European aristocratic families. His father was already an artist and he trained his son. In 1679 he went to Paris and studied with Francois de Troy. In 1681 he was in London and worked for the artist John Riley, whose studio he took over after his death. In 1696 he was invited to the Spanish court...

Dipinto di scuola toscana della seconda metà del XVII secolo raffigurante un ritratto maschile di tre quarti, immerso nell'eleganza e nella maestosità proprie dell'epoca. La figura è...

Portrait of a noblewoman. Attributed to Carlo Ceresa. (1609 - 1679, Bergamo) Oil on canvas. Size cm 110x86,5cm with frame Around 1640. This portrait depicts a middle-aged woman with great realism, typical of Lombard and Bergamo painters in particular. Carlo Ceresa, probable author of this unsigned painting, had studied with Daniele Crespi...

By Martha Ochoa Oil on Canvas Canvas Size: 59" x 39" Framed Size: 67" x 47.25" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tra...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

Italian master (17th century) - The flight into Egypt appears to St. Francis. 37.5 x 51.5 cm without frame, 71 x 83 cm with frame. Oil on canvas, in a carved wooden frame. Conditi...

Oil on canvas realized in Italy ih the late 17th Century. The painting depicts the episode from Genesis (21, 9-21) in which the servant Hagar, together woth her little son Ishmael b...

By Martha Ochoa Oil on Canvas Canvas Size: 55 x 78.25 inches Framed Size: 61.25 x 84.5 inches This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

By Martha Ochoa Oil on Canvas Canvas Size: 24" x 16" Framed Size: 27" x 19.25" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tra...

A large pair of 18th century veduta capriccio scenes with temple ruins after Gennaro Greco from the circle of Pietro Cappelli. The paintings are presented in more modern carved gilt ...

Jan Fyt Fox Hunt, Dogs attacking Foxes Large, decorative Baroque Painting by the Flemish Painter Jan Fyt. Provenance: London, Sotheby's 15 June 1983, lot 19 London, Sotheby's, 24 ...

Flemish school 17th or 18th century Circle of Thomas WILLEBOIRTS BOSSCHAERT (Berg-op-Zoom, 1613 - Antwerp, 1654) Oil on canvas 72 x 59 cm (90 x 77 cm with frame) This work has been painted in a style close to the Antwerp school of the middle of the 17th century, to Anton van Dyck especially. We have found in particular several paintings similar to our painting in the works of Thomas Willeboirts Bosschaert. After having studied with Gerard Seghers...

Eduardo León GARRIDO (French, Madrid 1856-1949 Caen) Picture Size: 16 x 13" (41 x 33cm) Outside Frame Size: 22 x 19" (56 x 48cm) Eduardo León Garrido was born in Madrid in 1856. He...

Portrait of a Child with Pet Dog Italian School, early 1600's circle of Annibale Carracci (1560-1609) oil on canvas, framed Framed: 11.5 x 9 inches Board : 10.5 x 8.5 inches Provenan...

Flemish Fair (After Jan Brueghel The Elder) This is a very large and impressive version of the original painting Flemish Fair Cr. 1600. Beautiful 19th Century or earlier oil on ca...

Jan Fyt Fox Hunt, Dogs attacking Foxes Large, decorative Baroque Painting by the Flemish Painter Jan Fyt. Provenance: London, Sotheby's 15 June 1983, lot 19 London, Sotheby's, 24 ...

Painted with gilt wood frame, 58 x 75 cm. is the work of the painter couple Viviano Codazzi (Valsassina 1603-Rome 1670), who specialized as a quadraturist and landscape painter, and...

Italian painter (17th-18th century) - Still life with meat, turkey and game. 70 x 88 cm without frame, 89 x 107 cm with frame. Antique oil painting on canvas, in a carved, gilded a...

A fine, large 18th century veduta capriccio scene with temple ruins after Gennaro Greco from the circle of Pietro Cappelli. The painting is presented in a more modern carved gilt woo...

The Judgement of Paris Fontainebleau School, circa 1580 *see notes below oil painting on canvas, framed framed: 30 x 40 inches canvas: 27 x 37 inches Provenance: private collection, ...

Impressive Painting of the philosophy Euclid, painted in the Manner of Luca Giordano. Provenance: Amsterdam, Sotheby's, 21.11.1995, Lot 46

Italian master (17th century) - Magdalene. 111.5 x 88.5 cm. Antique oil painting on canvas, without frame. Condition report: Lined canvas. Good state of conservation of the pictor...

Artist/ School: Italian School, 17th century, circle of Salvator Rosa (1615-1673) Title: Waterfalls in a Landscape Medium: oil painting on canvas, unframed Size: canvas: 20 x 24....

Ornamental Flowers in a Classical Still Life Composition Italian School, circa 1780's period oil painting on canvas: 32 x 42 inches antique gilt frame: 38 x 48 inches condition: over...

An engraving by Jerónimo Wierix after Marten de Vos's Saint Michael the Archangel (Iglesia de San Miguel, Córdoba) may have been a source f...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

"TIFFANY" Figurative Portrait Painting 24" x 18" inch by Isaac Pelayo Painting size: 24" x 18" in Medium: oil and acrylic on wood ABOUT THE ARTIST: Isaac Pelayo is a head on crash...

Winged Angels European artist, late 20th century (possibly a copy after an earlier painting) oil on canvas, unframed canvas : 24 x 36 inches provenance: private collection, Wiltshire...

- ANNA CATERINA GILLI or GILLI Anna Caterina Turin 1729- 1751 Her paintings recorded in Turin as a decorative artist for the Royal Palace and the Stupinigi, working in a simil...

Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses. Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval...

The painting, oil on canvas 95 x 137 unframed, depicts a bacchanal: on the left we see a figure who, from the detail of the paw seems to be a satyr, intent on raising a bowl forerunn...

By Martha Ochoa Oil on Canvas Canvas Size: 23.75" x 15.75" Framed Size: 27" x 19.25" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artist...

La obra no va firmadar Se presenta tal cual sin enmarcar la obra El estado de la obra se puede ver (las fotografias forman parte del estado) Medidas obra: 71 cm altura x 57 cm anc...

Le misure senza la cornice in legno intagliata e dorata sono 97 x 72 cm. Il compianto su Cristo morto è uno dei temi più diffusi dell'arte cristiano cattolica, dove il corpo stesso ...

By Martha Ochoa Oil on Canvas Canvas Size: 32" x 48" Framed Size: 56.25" x 40.5" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tradition that first emerged in the 16th and 17th centuries in Cusco, Peru, blending indigenous and European baroque artistic styles. It is renowned for its catholic iconography, which often feature vibrant colors, elaborate ornamentation, and blended elements combining Catholic and native symbolism. This painting portrays the Virgen del Carmen...

Roman Charity Flemish Baroque period, first half 17th century circle of Peter Paul Rubens oil on wood panel, framed framed: 24.5 x 30 inches panel: 20 x 26 inches Provenance: Private...

Roaring Deer Stag Deiker Carl Friedrich Wetzlar, Germany 1836 – 1892 Dusseldorf, Germany German Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 58 x 81 cm, frame size 73 x 96 cm Biography: Deiker Carl Friedrich was born on April 3, 1836 in Wetzlar. He was a Prussian animal painter. Deiker was specialised in animal genres related to hunting and wildlife. He also illustrated magazines and books on hunting. Carl Friedrich Deiker was the son of Friedrich Deiker, a painter and drawing teacher at the high school. His older brother, Johannes Deiker, with whom he learned to draw after their father’s death in 1843, was a painter specialising in hunting scenes. Deiker attended the Hanau drawing Academy, where he was a pupil of the director Theodor Pélissier (1794-1863), and then studied at Johann Wilhelm Schirmer’s studio in Carlsruhe. In 1859, in the Reinhardswald forest, he collected studies for his large hunting paintings...

A 17th century English portrait of a lady by Sir Peter Lely (1618-1680), half-length in a painted feigned oval, wearing a green silk gown with chestnut coloured cloak over one shoulder, her fair hair curled in the fashionable ringlet style of the period. Oil on canvas in an English giltwood 'Lely' frame. We are grateful to Diana Dethloff and Catharine MacLeod (who are currently working on a Lely catalogue raisonné) for their confirmation of Lely as the artist from photograph analysis of this previously unidentified early work. Provenance: Private collection Nottingham until 2021 Mellors and Kirk sale December 2000, lot 1173 The sitter is likely to have been from an upper class or aristocratic family in court circles, who were the main source of Lely`s patronage. The simple composition serves to highlight the beauty of the sitter through portraying her pale decolletage and complexion, set against the gentle gaze of her blue eyes, the soft blush of her cheeks and her full red lips. Peter Lely (1618-1680) was originally of dutch origin and became Principle Painter to the King in 1661, following in the footsteps of Van Dyck who had died in 1641. He dominated the portrait painting scene in England for over 20 years, creating a distinctive 'court look' in his work which had a strong influence on many other artists. He had an extremely successful and popular portrait practice which meant that he soon had to develop production methods that could accommodate the high demand for portraits, and also for copies and versions of them which were given as gifts to family and courtiers. The use of studio assistants was a common practice for busy artists and as with Van Dyck, Lely is known to have used specialist assistants to execute particular parts of his paintings. Artists who worked in Lely`s studio included John Baptist Gaspars who specialised in drapery painting, William Wissing, John Greenhill...

By Martha Ochoa Oil on Canvas Canvas Size: 20.75" x 36.5" Framed Size: 24" x 39.5" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic...

Flemish school, 17th century Orpheus and the animals Oil on canvas, 146,5 x 217 cm Provenance: South German private collection. On an impressive, room-filling format, this painting depicts "Orpheus and the Animals." The harp-playing Orpheus sits centrally in front of a tree whose trunk bifurcates above his head. This central tree frames with its crown the scenery towards the horizon and at the same time offers through branches the possibility for many birds to find space. The left half of the picture is characterized by a seascape, at the edge of which the ruins of a castle can be seen deep in the background. This seascape, framed by mountains on the horizon, is the only area where sky can be seen. On this side, waterfowl such as storks, swans and ducks can be seen. In the right half, the viewer looks into a deep European forest. On this right side, more land animals can be found, such as deer, rabbits and lions, among others. Orpheus wears opulent red and gold trimmed clothing, under his blue breastplate we see a white shirt. His feet are adorned by elaborate sandals. His head is surrounded by a radiant laurel wreath ("poeta laureatus"). The young man is clearly identifiable as the singer and poet of Greek mythology, Orpheus, by his harp, the laurel wreath and the animals surrounding him. Orpheus was one of the Argonauts who, under Jason, was searching for the Golden Fleece. He sang so beautifully that he even conquered the angry sea and enemies by the magic of his lyre. During the journey, Orpheus is said to have drowned out even the sirens with his singing. It is said that he was the greatest of all poets and charmed people, animals, stones and trees with his singing. In total, 51 birds and 37 different species are depicted in the painting. The animals are mostly depicted in great detail and, except for a few, can be identified. Mainly European species of animals are shown. Exceptions are the ostrich-like nandu peeking out from behind the deer, as well as the large parrot on the upper left, and the two lions. Similar is the case for the large animal directly behind Orpheus on the right. The shape of the head suggests an arctic fox from the polar regions, even though the body is much too large. The arctic fox was first described in 1555 by Olaus Magnus. However, it could also be a depiction of a brown or black bear. An unusual detail is the animal, which is relatively isolated in the right background and looks to the left. It is not clearly identifiable, but it shows certain similarities with the Australian kangaroo. This was first described by Vespucci in 1500 and further by Francisco Pelsaert in 1629. If it is indeed a kangaroo, this would be one of the earliest surviving pictorial representations. In this painting, Orpheus is accompanied by a small monkey playing a viola da gamba. This is an iconographic peculiarity. In general, this painting has some peculiarities compared to other paintings with "Orpheus and the animals". The central positioning of Orpheus is quite common, but he usually holds a lyre and is dressed in an antique style, but not as opulently. The choice of animals is also remarkable: European animals in particular are seen, hardly any exotic features, such as camels or elephants. The two lions in the right foreground are a quotation from Peter Paul Rubens and his depiction of "Daniel in the Lion's Den", which was realized in an engraving. The present painting can be classified as belonging to the Flemish School of the 17th century on the basis of its painterly and compositional conception. From the circle of Jan Brueghel the Younger are numerous representations of this Orpheus - theme, which take it as an opportunity to show as many exotic animals. There are also echoes of Spanish painters such as Juan de Arellano...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

A fine, large 18th century veduta capriccio scene with temple ruins after Gennaro Greco from the circle of Pietro Cappelli. The painting is presented in a more modern carved gilt woo...

Antonio Bellucci (Venice 1654 - Soligo 1726) - Diana and Endymion. 122 x 152 cm without frame, 142 x 172 cm with frame. Ancient oil painting on canv...

Johann Boeckhorst (Münster 1604 - Antwerp 1668) Saint Ursula Oil on canvas, 112 x 86 cm Provenance: New York, Christe's, 20.3.1981, lot 88 (as Van Diepenbeeck's circle) The presen...

Jusepe de Ribera (Xàtiva 1591 - Naples 1652) circle of - San Giuseppe. 108 x 80 cm without frame, 123 x 95 cm with frame. Antique oil painting on canvas, in a carved and gilded woo...

Stilllife with dead Birds, Fruits and Vegetables Oil on Canvas, 101 x 84 cm signed (upper left) „G Libald “ (G and L ligated) Provenance: Private Collection, Brussels; Private Coll...

Religious Painting, depicting Madonna and the Child, surrounded by Angels by the Circle of Carlo Maratta (Maratti). This painting is wonderful example of...

An impressive 19th-century copy of "The Little Fruit-Seller", after Bartolome Esteban Murillo (Spanish, 1617 - 1682), by an unknown artist (1...

Adolf Constantin Baumgartner Stoiloff (Austrian/Russian, 1850-1924) a fine oil on board "Charging Cossack Warriors on Horseback" within an ornate giltwood frame, circa 1890 Born in ...

This exquisite painting, resembling a precious jewel, serves as an exceptional illustration of the devotional cabinet paintings created by Giuseppe Maria Crespi, a highly original Bolognese artist during the late 17th and early 18th centuries. Crespi's distinctiveness extended beyond his unique style and technique to the subjects he chose to portray. While his portraits and genre paintings often displayed a light-hearted and even irreverent tone, his treatment of religious themes resonated with deep emotion, even in its most inventive forms. This recently uncovered work by Crespi is a typical representation, invoking the tender connection between mother and child, and the Child's destiny, all within a compact and intimate format. Executed on a small scale, the painting showcases Crespi's remarkable sensitivity and mastery of paint, especially evident in the expressive brushwork of the drapery. The restrained and focused composition of the Holy Family allows for contemplation of the figures. Mary cradles the Christ child gently, seemingly presenting him to the viewer, her gaze knowing as the infant holds a diminutive cross, symbolizing his future crucifixion. Joseph appears in the background, emerging from the left side of the frame, gazing upward with folded hands in prayer. Individual motifs from this painting reappear in other works by Crespi, suggesting a synthesis of familiar elements into a vibrant composition. The artist's revisitation of designs throughout his career is evident, and this painting on copper likely belongs to a later period, reflecting stylistic ties to other works and Crespi's increased production of smaller devotional pieces. Distinguished by its cool palette, bold coloration, and the expressive force of the artist's hand, this Holy Family painting...

Already in the collection of Emperor Rudolf II in the first decade of the 17th century this composition was famous. The original is by Parmigianino and Rudolf's court painter Joseph Heintz...

Circle or Follower of David Teniers, Peasant in a Tavern Inn, drinking and smoking. Oil on canvas, Framed: 39 x 47 cm. Typical Flemish Baroque Interior...

A FEAST OF THE GODS WITH VENUS AND BACCHUS Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; John and Eileen Harris, acquired from the above, to 2015. Literature: Jacob Simon and Ellis Hillman, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, cat. no.12 (as by Louis Laguerre); Elizabeth Einberg (ed.), Manners and Morals: Hogarth and British Painting, 1700-1760, exh. cat., London (Tate Gallery), 1987, cat. no.10 (as by Louis Laguerre); Tabitha Barber and Tim Bachelor, British Baroque: Power and Illusion, exh. cat., London (Tate Britain), 2020. Exhibited: Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, no.12 (as by Louis Laguerre); London, Tate Gallery, Manners and Morals: Hogarth and British Painting, 1700-1760, 1987, no.10 (as by Louis Laguerre); London, Tate Britain, British Baroque: Power and Illusion, cat. no 92, 2020. CUPID AND PSYCHE BEFORE JUPITER Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; Anthony Hobson, acquired from the above, to 2015. These recently re-united paintings are the most ambitious surviving baroque ceiling sketches made in Britain in the early eighteenth century. From the Restoration until the rise of Palladianism in the 1720s decorative history painting formed the preeminent artistic discipline in Britain. It was a field dominated by Continental artists including the Italian Antonio Verrio and the Frenchmen Louis Laguerre and Louis Chéron...

Tuscan master (17th century) - Raising of the cross. 52 x 45.5 cm without frame, 69 x 62.5 cm with frame. Antique oil painting on wood, without frame. Co...

Giovanni Bernardo Carbone (Genoa 1614 – Genoa 1683) - Portrait of a gentleman. 200 x 142 cm without frame, 212 x 154 cm with frame. Antique oil painting on canvas, in wooden frame....

The painting "The Road to Emmaus in a Landscape" by Gillis de Hondecoeter is a masterful example of early 17th-century Dutch landscape painting. The sce...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

"Oil On Canvas Family Portrait After Sir Anthony Van Dyck" After Sir Anthony van Dyck (Flemish painter, 1599-1641), Group of three young girls with a bust of Mercury Oil on canvas (doubled), probably end 19th century, with French wax seal...

Famous for his paintings of animals, landscapes and still lifes, Giacomo (sometimes spelled Jacopo) Nani was an Italian painter of the Baroque period. Presumably born in Naples, Nani studied under Gasparo López and Andrea Belvedere whose style Nani often imitated. Nani became famous while working in the court of Charles of Bourbon, future Charles III of Spain (1716 – 1788). His work is featured in the collections of museums worldwide, especially his hometown museum in Naples. An excellent example of his work, this painting is signed in the lower left corner "Giacomo Nani." This painting depicts a hunting dog...

Signed and dated lower left. Includes a beautiful later wooden frame cm. 137x8x182. Very Good conditions. Prov. Christie's London, February 15th 1974, n. 19. This artwork is shippe...

The Christ Child as Redeemer of the World Oil on Canvas, 69.3 x 49.7 cm Provenance Private Collection, Belgium The present painting is known in different versions. One of them is ...

Landscape with hunters by a lake. 18th century. Oil painting on canvas, from the French or Northern Italian school, Louis XV period. Probably part of the door decoration in an interi...

Famous for his paintings of animals, landscapes and still lifes, Giacomo (sometimes spelled Jacopo) Nani was an Italian painter of the Baroque period. Presumably born in Naples, Nani studied under Gasparo López and Andrea Belvedere whose style Nani often imitated. Nani became famous while working in the court of Charles of Bourbon, future Charles III of Spain (1716 – 1788). His work is featured in the collections of museums worldwide, especially his hometown museum in Naples. An excellent example of his work, this painting is signed in the lower left corner "Giacomo Nani." This painting depicts a hunting dog...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

"LONGOSTA" Painting (FRAMED) 40" x 30" inch by Isaac Pelayo Medium: Oil stick & aerosol on paper Size framed: 43.5" x 33.5" inch ABOUT THE ARTIST: Isaac Pelayo is a head on crash...

By Martha Ochoa Oil on Canvas Canvas Size: 48" x 32" Framed Size: 57.5" x 42" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic trad...

Judith Beheading Holoferne is an oil painting made by Giovanni Raffaele Badaracco, mid-17th Century. Oil on canvas, cm. 102x75.. Very good condition. Prov. Sotheby's, Amsterdam,...

Delicate and detailed portrait of Jesus by notable outlaw John Paul Chase (American, 1901-1973). Jesus is looking directly at the viewer with a piercing gaze, holding a glowing sacred heart in his left hand. The other hand is gesturing toward the viewer, palm up, and the stigmata can be seen on his palm. Jesus is wearing a red garment with a blue cloak, the traditional symbolic colors for humanity and the heavens. It appears that this piece was painted over a previous composition. Signed "John Paul Chase" in the lower right. Presented in a mahogany frame with an oval opening. Board size: 31"H x 24"W Oval opening is 28.75" x 22" at widest points John Paul Chase (December 26, 1901 – October 5, 1973) was an American bank robber and Depression-era outlaw, who also became an artist. John Paul Chase was born in San Francisco, California. He left grade school to work on a ranch and later became an assistant machinist in a railroad yard. In 1926, Chase was fired from the railroad and was hired as a chauffeur for a professional gambler in Reno, Nevada. He spent the next few years as a bootlegger in Sausalito, San Rafael and San Francisco but was not involved in major crime until his association with Baby Face Nelson in the early 1930s, possibly in March 1932. It is generally agreed among crime historians that Reno was the most likely place where the two first became partners, Nelson having connections in the local underworld and frequently hid out there while in Chicago and the general Midwest. On October 23, 1933, he and Nelson robbed their first bank together in Brainerd, Minnesota escaping with $32,000. Along the way, they picked up a number of other outlaws including Charles Fisher...

Early 18th Century still life, very close to Pedro de Camprobín.

By Martha Ochoa Oil on Canvas Canvas Size: 48" x 36" Framed Size: 56" x 34" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tradition that first emerged in the 16th and 17th centuries in Cusco, Peru, blending indigenous and European baroque artistic styles. It is renowned for its catholic iconography, which often feature vibrant colors, elaborate ornamentation, and blended elements combining Catholic and native symbolism. This painting portrays Mary the Virgin and Baby Jesus surrounded by angels celebrating the immaculate conception. About the Artist: Martha Ochoa, born in Cusco, Peru, studied at Santa Ana School, the Cusco School of Fine Arts, and San Antonio Abad University, focusing on design, architecture, and restoration. She is the granddaughter of renowned Peruvian artists Francisco Olazo, a founder of the Cusco School of Fine Arts, and Ernesto Olazo, a famous sculptor. Influenced by the Cusco School, she transformed religious themes into decorative renditions of Archangels and Madonnas with Peruvian colonial...

The Market is an original old master artwork realized in the 18th century by an Anonymous Flemish artist. Oil painting on canvas. The artwork depicts a bargaining scene at the marke...

Circle Wouwerman, Horseman by a Tent, Riders Playing Cards (?), Old Master Dutch Art, Travellers or Riders resting by a tent and gambling