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Conceptual Paintings

CONCEPTUAL STYLE

In 1967, artist Sol LeWitt wrote that in “Conceptual art the idea or concept is the most important aspect of the work.” He was giving a name to an art movement that had emerged in the 1960s in which artists were less focused on their medium being something traditionally “artistic” and instead engaged in using any object, movement, form, action or place to express an idea.

LeWitt’s work was featured alongside an assemblage of notes, drawings and outlines by other artists in “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art,” a groundbreaking show at New York City’s School of Visual Arts curated by Mel Bochner, another leading exponent of Conceptualism. Building on radical 20th-century statements, like Fountain (1917) by French artist Marcel Duchamp, Conceptual artists around Europe and North and South America were not interested in the commercial art scene and rather directly challenged its systems and values.

Stretching into the 1970s, this movement has also been called Post-Object art and Dematerialized art. Conceptual art reflected a larger era of social and political upheaval. Pieces associated with the style range from Roelof Louw’s Soul City (Pyramid of Oranges) (1967) — a work of installation art that sees fresh oranges stacked into a pyramid from which visitors are allowed to take one orange away — to On Kawara’s “Today” series, which saw the Japanese artist carefully painting a date in white acrylic on canvases consisting of a single color from 1966 to his death in 2014. Artists such as Ed Ruscha, who created the Twentysix Gasoline Stations book — a collection of photos of gas stations that is widely said to be the first modern artists’ book — made photography a major platform for Conceptual art, as did Bruce Nauman, who burned one of Ruscha's books and then photographed it for his own.

Conceptual art’s legacy of questioning artistic authorship, ownership and how to work with complex ideas of space and time had a significant influence on the decades of culture that followed, and it continues to inform art today.

The collection of Conceptual photography, paintings and sculptures on 1stDibs includes artworks by John Baldessari, Jenny Holzer, Lawrence Weiner, Joseph Kosuth and others.

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Style: Conceptual
Rare Abstract Judaica Hebrew Calligraphy Modernist Painting
By William Proweller
Located in Surfside, FL
Abstracted colorful painting of the first verse of the Shema Prayer. (VeAhavta... and you shall love...) William Proweller is an associate professor of art history at S.U.N.Y., Fredonia. His Ph.D. degree is from The University of California...
Category

20th Century Conceptual Paintings

Materials

Other Medium

Post Conceptual Digital Artist Oil Painting Screenprint Diptych Joseph Nechvatal
Located in Surfside, FL
Joseph Nechvatal The Oedipal God of Oil Paint and Destruction, Diptych Oil and screenprint on two canvases, 1985, both signed 'Joseph Nechvatal', titled and dated on the reverse, with label from Brooke Alexander, NY. Joseph James Nechvatal (born 15 January 1951) is a post-conceptual digital artist and art theoretician who creates computer-assisted paintings and computer animations, often using custom-created computer viruses. Joseph Nechvatal was born in Chicago. He studied fine art and philosophy at Southern Illinois University Carbondale, Cornell University and Columbia University, where he studied with Arthur Danto while serving as the archivist to the minimalist composer La Monte Young. From 1979, he exhibited his work in New York City, primarily at Galerie Richard, Brooke Alexander Gallery and Universal Concepts Unlimited. He has also solo exhibited in Berlin, Paris, Chicago, Cologne, Atlanta, Los Angeles, Aalst, Belgium, Youngstown, Senouillac, Lund, Toulouse, Turin, Arles and Munich. His work in the early 1980s chiefly consisted of post minimalist gray graphite drawings that were often photo mechanically enlarged. During that period he was associated with the artist group Colab and helped establish the non-profit cultural space ABC No Rio. In 1983 he co-founded the avant-garde electronic art music audio project Tellus Audio Cassette...
Category

1980s Conceptual Paintings

Materials

Canvas, Oil, Screen

Old & Master 88
Located in BARCELONA, ES
The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...
Category

2010s Conceptual Paintings

Materials

Canvas, Linen, Oil

Clocher roman
Located in Belgrade, MT
This lithograph is part of my private collection. It is limited in edition artist pencil signed lower right and is in very good condition . Jean Couty Epreuve de' artist an original ...
Category

Mid-20th Century Conceptual Paintings

Materials

Lithograph

untitled abstract village with horses , original lithograph
Located in Belgrade, MT
This piece is from my private collection of 20th Century -21st Century artists, many of which are from the School of Paris era. Pelayo produced this lithograph in colors. The Latin American spirit...
Category

Late 20th Century Conceptual Paintings

Materials

Paint, Lithograph

Crown of Glory 3 - 21st Century Mixed Media with Oil and African Women Fabrics
Located in Ibadan, Oyo
Crown of Glory 3" is a captivating painting that portrays an African woman with a beautiful afro hairstyle. The title of the painting is inspired by a quote from the Bible, which sta...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Fabric, Canvas, Mixed Media, Oil, Acrylic

Wave Theory, Science Art Collection by Anastasia Vasilyeva
Located in Zofingen, AG
Wave Theory is a painting from the collection "Wave Theory", was participated in the Swiss Art Expo 2021 in Zurich. It is a part of the science art collect...
Category

2010s Conceptual Paintings

Materials

Oil Pastel, Acrylic

Set of 2 contemporary paintings, Minimalist Blue Sky on paper
Located in Carballo, ES
Set of 2 Blue Minimal Paintings. This is an original artwork realized by TUSET in 2019. We can frame it in natural wood or black on request. The dimensions of each painting are 41 x...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Ink, Handmade Paper

untitled, color abstract, original lithograph
Located in Belgrade, MT
This piece is part of my private collection of 20th Century artists that were part of the School of Paris era. This piece is original and signed by Pelayo and numbered.
Category

Late 20th Century Conceptual Paintings

Materials

Paint, Acrylic, Lithograph

Brother - 21st Century, Contemporary, Figurative, Floral, Men Love, Dotted Green
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Charcoal, Oil, Acrylic

Conceptual Abstract II - British Sixties art oil painting female artist
Located in London, GB
This striking large conceptual abstract oil painting is by British artist Penelope Ellis. It was painted in 1963. A superb image and ahead of the conceptual ideas of the swinging six...
Category

1960s Conceptual Paintings

Materials

Oil

Onileke Ara (Beaded in Style) - 21st Century Contemporary, African Woman, Beads
Located in Ibadan, Oyo
Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Regal and radiant! 'Onileke Ara (Beaded in Style)' celebrates the beauty and elegance of African culture About Artist Bakare Babatunde, born in Ogun State, Nigeria, is a dynamic artist whose journey in the world of art has been shaped by a rich cultural background. Completing his higher education in Lagos State, Nigeria, Bakare earned a Higher National Diploma in Library and Information Science, laying the foundation for a unique artistic perspective. Bakare's artistic evolution began with pencil drawing, a modest start that eventually led him to experiment with various mediums. Among these, oil color, acrylic, and Ankara fabrics on canvas emerged as his favored mediums, allowing him to explore the depth of his creative vision. Primarily focusing on figurative painting and portraiture, Bakare's work delves into the intricacies of human expression and identity. His art becomes a canvas for the narratives of emotions and cultural appreciation. Bakare's artistic journey has been punctuated by notable exhibitions, showcasing his talent on both national and international platforms: Icreate Skill Festival Abuja (2017). Ijakadi Art Exhibition, Kwara State (2020). Kwara State Youth Fair 2.0 Art Exhibition Category (2022). 'Unconditional Love Is Not Beyond Us' An Online Group Exhibition by Constance and Sons...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Fabric, Canvas, Oil, Acrylic, Mixed Media

Silent Grace - 21st Century, Contemporary Oil and African Women Fabrics, Floral
Located in Ibadan, Oyo
The Silent Grace captures the serene profile of a woman, adorned in a bright yellow dress and matching hat, embellished with vibrant patterns. Her deep purple complexion contrasts be...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Fabric, Canvas, Mixed Media, Oil, Acrylic

Rare Abstract Judaica Hebrew Calligraphy Modernist Painting
By William Proweller
Located in Surfside, FL
Abstracted colorful painting of the first verse of the Shema Prayer. (VeAhavta... and you shall love...) William Proweller is an associate professor of art history at S.U.N.Y., Fredonia. His Ph.D. degree is from The University of California...
Category

20th Century Conceptual Paintings

Materials

Other Medium

Portrait of An Introvert -21st Century, Contemporary, Figurative, Food Children
Located in Ibadan, Oyo
An introvert finds peace Away from crowds, their soul releases The noise of the world, does cease And in silence, they find their ease Their thoughts, they ponder with care And in t...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Mixed Media, Oil, Acrylic

Singularity
Located in Edinburgh, GB
Singularity. Natalia Pustovit. Fhenomenal artwork concept Singularity is the point at which a mathematical function tends to infinity. A woman is that point, which is the conduc...
Category

2010s Conceptual Paintings

Materials

Canvas, Oil

"Primavera" Landscape by Alvaro Peppoloni
Located in Pasadena, CA
Alvaro Peppoloni, is an Italian Postwar & Contemporary artist, born in 1951, who now finds his artistic sanctuary in Castel Ritaldi, an Italian commune nestled within the Perugia pro...
Category

1990s Conceptual Paintings

Materials

Oil

Night Blooms
Located in Denver, CO
From his recent exhibition entitled, Dioramas from Eden, Andrew Jensdotter continues his practice of painting hundreds of layers of iconic pictures of a single subject from a Google image search...
Category

2010s Conceptual Paintings

Materials

Canvas, Acrylic

Contemporary Conceptual Palm Tree Painting, "The Ideal Copy 0026"
Located in San Diego, CA
This is a one of a kind conceptual painting by local San Diego artist, Perry Vàsquez. Its dimensions are 12.5 x 12.5. It comes in a neutral wooden frame. The artist uses an alternat...
Category

2010s Conceptual Paintings

Materials

Canvas, Oil

Threads of Sovereignty 1 - 21st Century, Contemporary, African Heritage, Women
Located in Ibadan, Oyo
Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authen...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Fabric, Canvas, Oil, Acrylic

Onileke Ara (Beaded in Style) 2 -21st Century Contemporary, African Woman, Beads
Located in Ibadan, Oyo
Regal and radiant! 'Onileke Ara (Beaded in Style)' celebrates the beauty and elegance of African culture Shipping Procedure Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatunde, born in Ogun State, Nigeria, is a dynamic artist whose journey in the world of art has been shaped by a rich cultural background. Completing his higher education in Lagos State, Nigeria, Bakare earned a Higher National Diploma in Library and Information Science, laying the foundation for a unique artistic perspective. Bakare's artistic evolution began with pencil drawing, a modest start that eventually led him to experiment with various mediums. Among these, oil color, acrylic, and Ankara fabrics on canvas emerged as his favored mediums, allowing him to explore the depth of his creative vision. Primarily focusing on figurative painting and portraiture, Bakare's work delves into the intricacies of human expression and identity. His art becomes a canvas for the narratives of emotions and cultural appreciation. Bakare's artistic journey has been punctuated by notable exhibitions, showcasing his talent on both national and international platforms: Icreate Skill Festival Abuja (2017). Ijakadi Art Exhibition, Kwara State (2020). Kwara State Youth Fair 2.0 Art Exhibition Category (2022). 'Unconditional Love Is Not Beyond Us' An Online Group Exhibition by Constance and Sons...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Fabric, Canvas, Mixed Media, Oil, Acrylic

Post Soviet Russian Avant Garde Art Photograph Mixed Media Gum Arabic Photo
Located in Surfside, FL
Igor Vishnyakov is a Russian Postwar & Contemporary artist who was born in 1968 in Moscow. Igor spent his childhood in Africa and Southeast Asia. After returning to Moscow in the mid...
Category

Early 2000s Conceptual Paintings

Materials

Mixed Media, Photographic Paper

Pearl of Heritage - 21st Century Mixed Media with Oil and African Women Fabrics
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatund...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Fabric, Canvas, Mixed Media, Oil, Acrylic

Les Mannequins (The Supermodels) 2 - 21st Century Contemporary, Figurative, Hair
Located in Ibadan, Oyo
Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Charcoal, Acrylic

Remember, Science Art Collection by Anastasia Vasilyeva
Located in Zofingen, AG
This painting was exhibited at the art exhibition in Innsbruck (Contemporary Art Fair 2019), as well as in Marbella (Excellence Art gallery), Florence (Art Expertise), and Madrid (APPA art gallery). "Remember?" is a conceptual science painting...
Category

2010s Conceptual Paintings

Materials

Oil Pastel, Acrylic, Cotton Canvas

Hilda - 21st Century, Contemporary, Figurative Portrait, Africa Women Hair, Eyes
Located in Ibadan, Oyo
Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Charcoal, Oil, Acrylic

Surflow - Surfing Art - Figurative Art By Marc Zimmerman
Located in Carmel, CA
Surflow - Surfing Art - Figurative - Oil Print By Marc Zimmerman Marc Zimmerman creates playful paintings, whether deep mysterious jungle or delightfully whimsical florals. His colo...
Category

2010s Conceptual Paintings

Materials

Canvas, Oil

Help From Above - 21st Century Contemporary, Figurative Portrait, Woman, Modern
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mic...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Acrylic, Archival Ink

Unraveling - 21st Century Contemporary, Figurative Portrait, Woman, Modern
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mic...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Acrylic

Anguish & Resignation 80
Located in BARCELONA, ES
The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...
Category

2010s Conceptual Paintings

Materials

Canvas, Linen, Oil

Upright Impression
Located in Ibadan, Oyo
"Upright Impression" by John Ali captures the innocence, resilience, and curiosity of youth through the portrayal of a young girl. In this captivating artwork, the girl stands tall a...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Oil

Portrait of An Introvert -21st Century, Contemporary, Figurative, Food Children
Located in Ibadan, Oyo
An introvert finds peace Away from crowds, their soul releases The noise of the world, does cease And in silence, they find their ease Their thoughts, they ponder with care And in t...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Mixed Media, Oil, Acrylic

Tepoztlan II unique signed framed work on paper by renowned artist Joyce Kozloff
Located in New York, NY
Joyce Kozloff Tepoztlan II, 1973 Gouache and colored pencil on paper Signed, dated and titled twice: once on the back of the work (shown) and once on the original board which has bee...
Category

1970s Conceptual Paintings

Materials

Gouache, Color Pencil

Garment of Hope
Located in Ibadan, Oyo
"Garment of Hope," a poignant masterpiece crafted by the skilled hands of artist John Ali, invites viewers into a world where innocence and resilience converge. This evocative artwor...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Acrylic

Enduring Echoes 2 - 21st Century, Contemporary, Figurative Portrait, Old Masters
Located in Ibadan, Oyo
Enduring Echoes portrays a striking and vibrant portrait of a man, set against a bold and contrasting background. The artist uses a rich palette of purples, reds, and oranges, highli...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Fabric, Canvas, Mixed Media, Oil, Acrylic

Radiance of Joy 1 - 21st Century, Contemporary, African, Women, Happily Smiling
Located in Ibadan, Oyo
Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authen...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Fabric, Canvas, Oil, Acrylic, Mixed Media

Cast Aside 1 -21st Century Contemporary, Figurative Portrait Africa Modern Woman
Located in Ibadan, Oyo
The inspiration for this work was gotten from the view of some African parents, most of our African parents believe that earrings and dreadlocks are meant for ladies and when they ha...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Charcoal, Mixed Media, Acrylic

Bestty - 21st Century, Contemporary, Figurative, Portrait, Women, Love, Floral
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Acrylic, Mixed Media, Oil

Solitude Mood -21st Century Contemporary, Figurative Portrait, Artist, Modern
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mic...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Charcoal, Mixed Media, Acrylic

Far From Home 2
Located in Ibadan, Oyo
Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. It i...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Charcoal, Mixed Media, Acrylic

Beyond Reproach - 21st Century, Expressionist, Figurative Portrait, Oil, Women
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Sayeed Momoh is...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Oil

Rosie Copeland, Child’s Pose (after The Wave), Original Nude Painting
Located in Deddington, GB
Rosie Copeland Child’s Pose (after The Wave) Original Nude Painting Oil on Board Sold Unframed Image size: H38 x W76 cm Please note that in situ images are purely an indication of ho...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Oil, Board

Abeni (We Prayed for Her and She Arrived) -21st Century, Contemporary Figurative
Located in Ibadan, Oyo
Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. The ...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Paper, Ink, Acrylic

Games - 21st Century, Contemporary, Figurative Painting, People, Everyday Life
By BEMI
Located in Ibadan, Oyo
Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. This is an existential piece. Everybody lives. Everybody dies. Everybody breathes. Everybody sleeps. Everybody wakes. Everybody drinks water. Everybody feels pain. Everybody feels joy. Everybody bleeds. Everybody lives. Everybody dies. This is an existential piece. We’re not playing games, the game is playing us About Artist Gbemi Smart...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Oil

Against All Odds
Located in Ibadan, Oyo
In a world where the weight of challenges can often feel overwhelming, art has the extraordinary power to reflect the human experience and serve as a source of inspiration and hope. "Against All Odds...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Acrylic

Still Waiting In Silence - 21st Century, Contemporary, Figurative Portrait, Love
Located in Ibadan, Oyo
Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Acrylic

Remember, Science Art Collection by Anastasia Vasilyeva
Located in Zofingen, AG
This painting was exhibited at the art exhibition in Innsbruck (Contemporary Art Fair 2019), as well as in Marbella (Excellence Art gallery), Florence (Art Expertise), and Madrid (APPA art gallery). "Remember?" is a conceptual science painting...
Category

2010s Conceptual Paintings

Materials

Oil Pastel, Acrylic, Cotton Canvas

Reginald and Perrin 9
Located in BARCELONA, ES
"Pinté por primera vez estas obras porque no sabía qué pintar o qué podría pintarse. Se trata, ciertamente, de un comienzo desdichado que no conduce a nada significativo. Sin embargo...
Category

2010s Conceptual Paintings

Materials

Oil

Manhole Cover, Photorealist Oil and Sand Painting by Josep Cisquella
By Josep Cisquella
Located in Long Island City, NY
Artist: Josep Cisquella, Spanish (1955 - ) Title: Manhole Cover (Manhattan DPW) Year: 1991 Medium: Mixed Media on Canvas, signed on verso Size: 38.25 in. x 57.5 in. (97.16 cm x 146....
Category

1990s Conceptual Paintings

Materials

Mixed Media, Oil

Red and black composition by Gilbert Pauli - Mixed media 83x75 cm
Located in Geneva, CH
Four oils on canvas glued on an aluminium plate tinted by acrylique Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to pai...
Category

Early 2000s Conceptual Paintings

Materials

Canvas, Oil, Acrylic

"Under construction", Painting with concrete on paper, Land art / Earthworks
Located in Carballo, ES
This new series of works by the multidisciplinary artist TUSET (1997, A Coruña) shows us a completely unique dynamic. In these works he uses the concrete of the construction as picto...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Concrete

Old Schoolboard Nr.8 Science Art Collection by Anastasia Vasilyeva
Located in Zofingen, AG
This artwork is painted in the form of a classical school board with math equations. It is a part of the Science Art Collection by Anastasia Vasilyeva. Th...
Category

2010s Conceptual Paintings

Materials

Oil Pastel, Acrylic

Identical Twin - 21st Century, Contemporary, Figurative Indigenous Art, Cultural
Located in Ibadan, Oyo
Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Having been nurtured by a Yoruba father who happens to be a twin was a major inspiration for creating this painting. In Yoruba culture, twins are considered a special blessing from God. They are mostly called ‘ibeji’ which means twins. In Yoruba society, twins are given special names, such as Taiwo (meaning “first to taste the world“) and Kehinde (meaning “second to taste the world”). It is mostly believed that twins have special privileges and are accompanied by several fortunes. About Artist Oluwatobiloba Amusan...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Paper, Ink, Acrylic

Meeting. 1998. Oil on canvas, 100 x 99. 5 cm
Located in Riga, LV
Meeting. 1998. Oil on canvas, 100x99.5 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painte...
Category

1990s Conceptual Paintings

Materials

Canvas, Oil

Wooden Elegance
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Acrylic

Solace
Located in Ibadan, Oyo
In the captivating piece titled "Solace," artist John Ali unveils a profound exploration of introspection through the gaze of a young woman lost in thought. The poignant portrayal ca...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Oil

The Fast The Furious & The Nothing Ducati
Located in Lake Worth Beach, FL
The Fast The Furious & The Nothing : Real Racing Ducati 900 motorcycle Artist signed, title on the back. Federico Brondi Zumino (UMA) is an Italian artist, born in Genoa on March 24th, 1972. At the age of five he took his first music lessons in guitar and piano. Federico received his first painting classes from hi mother, Laura De Micheli, the Genoes painter. Upon the age of eleven he began to draw and paint. At the age of 18 he obtained his high school diploma from the Nicolo Barbino artistic High School in Genoa with exemplary marks. At the age of 19 he devoted himself to the study of piano for many years becoming an excellent composer. At age 21 he attended La Linguistica Academia Delle Belle Arti in Genoa, whose president at the time was the artist Raimondo Sirotti...
Category

2010s Conceptual Paintings

Materials

Steel

Mandorla - Large Format Charcoal On Paper, Black White Drawing
Located in Salzburg, AT
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category

Early 2000s Conceptual Paintings

Materials

Paper, Charcoal

Original ink on Paper, Contemporary Abstract Expressionist , Blue Waves
Located in Carballo, ES
Blue Minimal Painting is an original artwork realized by TUSET in 2020. The painting is unframed, we can frame it in natural wood or black on request. The title of this works is "F...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Ink, Handmade Paper

Tractor Replaces the Horse
Located in Buffalo, NY
An original enamel on metal painting by emerging contemporary conceptual artist Craig Sheperd (b. 1984) Craig Sheperd’s paintings, most of which are enamel on metal, were created o...
Category

2010s Conceptual Paintings

Materials

Metal, Enamel

Light, Series Drawing From Israel - Large Format, Charcoal On Paper
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category

Early 2000s Conceptual Paintings

Materials

Paper, Charcoal

Àgbájo Owó L’Afií S’òya (Togetherness Brings About Progress)
Located in Ibadan, Oyo
"Àgbájo Owó L’Afií S’òya (Togetherness Brings About Progress)" is a striking artwork created by the Nigerian artist Wale Ajayi. This piece embodies the rich...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Oil

Anguish & Resignation 85
Located in BARCELONA, ES
The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...
Category

2010s Conceptual Paintings

Materials

Canvas, Linen, Oil

Cat, Bird and Woman Lithograph #1 by Guillaume Cornelis van Beverloo (Corneille)
Located in Pasadena, CA
This lithograph, numbered 49/200, dated 99, and signed on the right bottom is presented in its original silvered frame with an intact label on the reverse. It showcases Corneille's u...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Lithograph

Symbiosis
Located in Ibadan, Oyo
"Symbiosis" is a captivating artwork that delves into the complexities of human relationships and the profound connection between individuals. This striking piece features a man carrying a woman in his arms, with her body gracefully turned towards him. The composition is not just a physical portrayal of the act of carrying, but a metaphorical representation of emotional support, intimacy, and interdependence. The choice of the title, "Symbiosis," underscores the idea that this connection is mutually beneficial, where both the man and the woman find strength and comfort in one another. The artist's use of color and texture adds depth and emotion to the work, creating a visual narrative that suggests a profound, nurturing bond. In "Symbiosis," Boluwatife Victoria...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Acrylic

Drawing 14, Series Drawing - Large Format, Charcoal On Paper Panting
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category

Early 2000s Conceptual Paintings

Materials

Paper, Charcoal

Face to Face
Located in Ibadan, Oyo
"Face to Face" by Aba Linus is a thought-provoking and enigmatic artwork that presents a powerful visual representation of human connection and communication. In this piece, two youn...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Acrylic

Bimbo
Located in Ibadan, Oyo
"Bimbo" by Aba Linus is an exquisite portrayal of timeless elegance and grace. The centerpiece of this enchanting artwork is a young woman, adorned with a stylish hat perched atop he...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Acrylic

Up & Down Dollar Collage Oil Painting Conceptual Business Investment Art
Located in Norwalk, CT
In this vibrant fusion of symbolism and surrealism, I've captured the essence of life's perpetual climb. Dappled in symbolic strokes, figures ascend and descend on steps of currency,...
Category

2010s Conceptual Paintings

Materials

Oil, Epoxy Resin

Not Alone
Located in Ibadan, Oyo
Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and ac...
Category

21st Century and Contemporary Conceptual Paintings

Materials

Canvas, Oil, Acrylic

Conceptual abstract VII - British sixties art oil painting female artist
Located in London, GB
This striking conceptual abstract oil painting is by British artist Penelope Ellis. It was painted in 1963. A superb image and ahead of the conceptual ideas of the swinging sixties a...
Category

1960s Conceptual Paintings

Materials

Oil

' Do You See That I Love You? ' oil on canvas
Located in London, GB
' Do You See That I Love You? ' 2013 oil on canvas 70 w x 60 h cm signed on reverse by artist. Unique work. About the artist : Katherine Russell is a L...
Category

2010s Conceptual Paintings

Materials

Cotton Canvas, Oil

"Let Me In, Let Me Out" - Abstract Mixed Media Composition
Located in Soquel, CA
"Let Me In, Let Me Out" - Abstract Mixed Media Composition Boldly colored abstract figurative composition by California artist Elizabeth Arrington Leaf (American, B-1955). Three lar...
Category

1970s Conceptual Paintings

Materials

Canvas, Paper, Acrylic

Conceptual paintings for sale on 1stDibs.

Find a wide variety of authentic Conceptual paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add paintings created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Peter Soriano, Penelope Ellis, Eduardo Costa, and Mattia Novello. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Conceptual paintings, so small editions measuring 6.75 inches across are also available. Prices for paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $333 and tops out at $115,000, while the average work sells for $3,713.

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