Conceptual Paintings

As a model being a fashionista gives and creates room for you to keep your style and interest the way you feel and the way you want it to be, deciding to keep your style very simple,...

"Her" by Aba Linus is a striking testament to the power of visual storytelling and the celebration of feminine strength and elegance. In this captivating artwork, a young woman is po...

"Far From Home" by Michael Adetula is a poignant artwork that eloquently captures the essence of the human pursuit for a better life and the bittersweet experience of being far away ...

"My Father's Car" is a striking artwork created by Desmond Akindoju, depicting a young man sitting in a car as though he's the driver, complete with a...

"Gaze is a Powerful Language," a creation by the talented artist Michael Adetula, is a compelling artwork that explores the captivating and expressive power of a young woman's gaze. ...

In this work, Corrado Ferrante weaves together memory, time, and sound within an intimate, layered composition. The musical score, partially veiled by material and chromatic interven...

The focal point of the artwork, the man's free-flowing dreadlocks, serves as a potent symbol of individuality and cultural diversity. In many cultures, dreadlocks have deep-rooted historical and spiritual significance, representing a unique connection to heritage, self-expression, and identity. By emphasizing the man's hair in the portrait, Adetula calls attention to the fact that discrimination often arises from superficial judgments based on appearance, whether it be hairstyles, clothing choices, or language differences. The artwork's title, "I Need Some Love," conveys a heartfelt plea for compassion and understanding. It reminds us that discrimination and prejudice have no place in a harmonious and inclusive society. Adetula's creation urges us to break free from these harmful mindsets and cultivate a culture of empathy and acceptance toward one another. The message of the artwork resonates strongly with the call to let love prevail, irrespective of one's origin or outward appearance. Discrimination, whether conscious or unconscious, hinders our collective progress as a society. It erects barriers between individuals and communities, fostering mistrust and animosity. Adetula's artwork encourages us to dismantle these barriers and build bridges instead. Embracing diversity enriches our lives, broadens our perspectives, and fosters a climate of respect and unity. The man's free-flowing dreadlocks symbolize the beauty of embracing cultural differences and recognizing the uniqueness that each individual brings to the table. Moreover, "I Need Some Love" emphasizes the power of love as a transformative force. The artwork reminds us that by approaching others with love, compassion, and understanding, we can create an environment where everyone feels valued, respected, and heard. Correcting people with love, rather than judgment or hostility, allows us to foster meaningful connections and open up constructive dialogues, thereby nurturing a culture of growth and understanding. The man depicted in the artwork is a poignant reminder that every person deserves happiness and love, irrespective of their appearance, background, or language. Embracing diversity not only enhances our interpersonal relationships but also contributes to the betterment of society as a whole. When we treat one another with kindness and empathy, we foster a sense of belonging and acceptance that empowers individuals to thrive and contribute positively to their communities. In conclusion, "I Need Some Love" by Michael Adetula...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Michael Adetula...

In a world where the weight of challenges can often feel overwhelming, art has the extraordinary power to reflect the human experience and serve as a source of inspiration and hope. "Against All Odds...

The central theme of the artwork revolves around the concept of love, partnership, and the strength that comes from sharing life's journey with someone you truly cherish. The portrayal of a woman standing behind a man is symbolic and highlights the significance of being someone's backbone, providing much-needed support and encouragement in every situation. The title, "My Backbone and I," aptly captures the essence of the artwork. It emphasizes the interconnectedness of the couple, where each person complements and supports the other, forming an unbreakable bond. This piece reminds us that true love involves more than just being there during the good times; it means standing together, hand-in-hand, through life's challenges and triumphs. In the context of the artwork, the woman's presence behind the man represents her role as a steadfast pillar of strength, constantly supporting and empowering him. This representation challenges traditional gender norms, debunking the outdated notion that women should always stand behind men. Instead, it celebrates the idea that a successful partnership is built on mutual respect, equal footing, and shared responsibilities. The artist, Michael Adetula...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

A walk Oil on canvas, 80x81 cm Victor Karnaukh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, graduate of Lat...

Portrait of a Native Polynesian woman poses with a tropical headdress of flowers and leaves. She watches the surf crashing on the beach on her beloved island. A matching ( male) pain...

Glory, 2015 12” X 9" Oil on paper Framed A painter, sculptor, and installation artist, Niki Singleton draws on both popular culture and mythology in order to create works that...

Hide, 2015 12” X 9” Oil on found wine box $1400 unframed A painter, sculptor, and installation artist, Niki Singleton draws on both popular culture and mythology in order to cr...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and ac...

"Sound in Grey" Graffiti & Line series 2017 acrylic on canvas 60X44" Signed, dated and titled on the reverse side. Robert Petrick's paintings create a link between the street cul...

Monkeys at play in a coral backdrop and colorful flowing foliage. Good for reminding us of our playful nature. Monkeying Around - Animal Paintings - Conceptual Art By Marc Zimmerman...

Moloch. 1989. Paper, etching, 53.5x38 cm

Igor Vishnyakov is a Russian Postwar & Contemporary artist who was born in 1968 in Moscow. Igor spent his childhood in Africa and Southeast Asia. After returning to Moscow in the mi...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

' Do You See That I Love You? ' 2013 oil on canvas 70 w x 60 h cm signed on reverse by artist. Unique work. About the artist : Katherine Russell is a L...

LOL (laugh out loud) 2014 4x6" framed. 8x10" SUBTEXT This series of small paintings are a mash-up of Renaissance Choir book borders with their ornate grotesques and drolleries combi...

Autumn wind Cardboard, oil, 64x75 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a...

Meeting. 1998. Oil on canvas, 100x99.5 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painte...

Joy. Oil on cardboard, 47.5x57 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, graduate of La...

Meeting II Oil on canvas, 85x84.5 cm Victor Karnaukh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, graduate ...

The Goddess creates from within her own creative imagination .Universes appear as her mudra engenders planets and stars. Cosmic Gal - Figurative Painting- Spacescape Art By Marc Zi...

I Am Alone 76 x 73 inches (1,97x 1,87 cm) Oil on canvas Signed According to the most important theories in art history dedicat...

The war, cruelty, racism, political games, the age of gluttony in consumption, making money and of course the race for youth and beauty, when it’s hard to find out who you are and wh...

Oil-based alkyd enamel on plywood panel with cuts. this is a cut plywood wall relief sculpture with paint on it. This has an architectural quality to it. Peter Wegner (born 1963) i...

Jackson Mac Low Samba, circa 1965 Signed "Jackson Mac Low" Oil on linen 80 x 57 inches Poet, performance artist, and composer Jackson Mac Low was born in Chicago and began his musi...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives and works in Beijing. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Paintin...

Aditya Basak - Untitled - 36 x 30 inches (unframed size) Acrylic & Tempera on Canvas ** This work will be shipped in a roll form. "Through the medium of the fantasy, Basak probes...

This is the third final picture from the "Process" series. I describe the process of creating a work of art from the emergence of an idea or impression to its completion. The series ...

This is the second picture from the "Process" series. In this picture I continue to reflect on the possibility of fixing the creative process of co-creation of a work of art

This is the first picture from the "Process" series. In this art, I artistically describe how the process of creating an image takes place, from idea to embodiment

This is a one of a kind conceptual animal painting. Its dimensions are 34.25x26.5x1. It comes in a white frame. A signed certificate of authenticity from the artist is provided after delivery. This painting depicts passenger pigeons...

Aditya Basak - Untitled - 44 x 32 inches (unframed size) Mixed Media on Board ** This work will be shipped in a roll form. "Through the medium of the fantasy, Basak probes the dar...

Unique work by famous Israeli artist, Menashe Kadishman. Made witht he artist's signature style.

In this work, Corrado Ferrante stages a poetic short circuit between surface and depth. The wall—compact, rough, almost silent—is pierced by an irregular tear that reveals pages of t...

L.I.C. (Blue) (Abstract painting) Spray paint, pencil, ink, watercolor on paper. Unframed. L.I.C refers to Long Island City where Soriano currently has his studio. This drawing focuses of objects and elements within it, in particular the remnants of old closets...

Inviting the accidental while painting, the artist's materials continue to reveal limitless possibilities for improvisation, like jazz music. Influenced by scientific theories-both real and imagined, kitsch, music, decorative art and indigenous textiles, Fagan's abstract paintings and interactive performance build connections between color and surface to sound. This exploration has led to creating a series of interactive games with viewers, the most recent being The Alphabet Game. To play, viewers select, from colored squares, the color(s) that best represent each note in the familiar ABC Song melody. Through these playful interventions their thoughts about color and music are explored in-depth. Documenting their responses in the form of photographs and notes in journals, Fagan has compiled the results of fifteen artists who played the Alphabet Game during a lecture on color where the artist was the guest presenter in order to create this particular painting. Fagan distilled the data gathered and painted this visualization of a color/sound alphabet based on the colors selected by this artist's group. These alphabet paintings introduce a wonderful completion to this pseudo-scientific investigation and celebrate painting...

Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano works on relatively large sheets of Japanese paper with a tendency to work from something observed, ideally ar...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture. In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...

Sacred Abstraction, Royal blue, red and gold leaf on carved wood pane, signed on the back. Krzysztof (Chris) Sokolovski born in 1985 in Eisiskes in Lithuania. Visual artist creating neosacral art: paintings, luminous objects, installations, and monumental painting. He is a creator of the concept of neosacral art. Since 2003 he lives and creates in Poland. He graduated from Gdansk University of Technology (Faculty of Power Engineering) and the Academy of Fine Arts in Warsaw (Faculty of Painting). Also, the artist took a course in clinical anatomy at the Medical University of Gdansk. Sokolovski has created neosacral chapels in Klebark Wielki (Poland) and in Salesian Sisters Convent in Jerusalem. Concept: Sokolowski wants to create modern sacral art founded on visual tradition and theologies of many cultures. “I think that abstract codification of faith is the prospective and only way to save serious attitude to contemporary human’s spirituality. It is fundamental for responsible usage of developing knowledge about the empirical world and for forming sensibility, which should be adequate to it. In my opinion, the progress of civilization cannot be holistic if it is mostly based on scientific and technological development – metaphysical sensitivity is necessary too. Empirical knowledge is confinement if we use it only for improving conveniences and gaining more knowledge. It is not enough for the evolution of mind, which should advance along with changes in our environment.” Individual Exhibition 2018 – “Neosacral Art”, Saris Museum, Bardejov, Slovakia 2018 – “Neosacral Art”, the John Paul II Catholic University of Lublin, Lublin, Poland 2018 – “Neosacral Art”, Gallery “Camaldolese Cellar”, Church in Bielany Forest, Warsaw, Poland 2018 – “Neosacral Art”, Museum of Mińsk Mazowiecki, Mińsk Mazowiecki, Poland 2017 – “Neosacral Art”, Zielona 13 Gallery, Łódź, Poland 2017 – “Neosacral Art”, the University of Warsaw Gallery, Warsaw, Poland 2017 – “Neosacral Art”, Bohema Gallery, Warsaw, Poland 2016 – “Neosacral Art”, Philosophy of Religion Department, University of Warsaw, Poland 2016 – “Neosacral Art”, Gallery of Association “Polish Community”, Warsaw, Poland 2016 – “Neosacral Art”, Exhibition-Conferential Centre, Białystok, Poland Selected group exhibition 2017 – “Deification of Body”, Sheptytsky National Museum in Lviv, Ukraine 2017 – “Sokolovski / Wąsowski / Jędrzejko / Mazuś”, Bohema Gallery, Warsaw, Poland 2016 – “1st Pomeranian Biennial of Young Art”, Sopot, Poland 2016 – “Shape of Spirit”, Gallery of Mathematics and Computer Science Department, Nicolaus Copernicus University in Toruń, Poland 2016 – “Diverted Reality”, Evelyn E. Jorgenson Gallery, Moberly, Missouri, USA 2016 – “Exhibition of Sacred Art”, Gallery of Saint Sophia...

This work by Corrado Ferrante exemplifies the artist’s distinctive material language and his ability to transform fragments into powerful visual narratives. Through layered textures,...

Discover beauty and hope in every stroke of this stunning piece by the talented Cuban painter Israel González Sosa. From the prestigious Academy of Fine Arts of Santa Clara -Cuba, Is...

Each of Heriberto Mora's paintings has a story for the viewer to imagine. Heriberto Mora was born in Havana, Cuba. He graduated from the San Alejandro National Academy of Fine Arts ...

"Chromatic Explosion n. 8" - Dynamic Abstract Composition by Corrado Ferrante A captivating burst of energy radiates from this vibrant abstract work by Italian artist Corrado Ferran...

"Pinté por primera vez estas obras porque no sabía qué pintar o qué podría pintarse. Se trata, ciertamente, de un comienzo desdichado que no conduce a nada significativo. Sin embargo...

"Pinté por primera vez estas obras porque no sabía qué pintar o qué podría pintarse. Se trata, ciertamente, de un comienzo desdichado que no conduce a nada significativo. Sin embargo...

"Pinté por primera vez estas obras porque no sabía qué pintar o qué podría pintarse. Se trata, ciertamente, de un comienzo desdichado que no conduce a nada significativo. Sin embargo...