Conceptual Paintings

Russian love. 2002, oil on canvas, acrylic, collage, 60x40 cm Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Riga, La...

Primal woman of the jungle with a headdress of vibrant tropical plants Flower Goddess - Figurative Paintings - Conceptual Art By Marc Zimmerman This masterpiece is exhibited in th...

Joseph Nechvatal The Oedipal God of Oil Paint and Destruction, Diptych Oil and screenprint on two canvases, 1985, both signed 'Joseph Nechvatal', titled and dated on the reverse, with label from Brooke Alexander, NY. Joseph James Nechvatal (born 15 January 1951) is a post-conceptual digital artist and art theoretician who creates computer-assisted paintings and computer animations, often using custom-created computer viruses. Joseph Nechvatal was born in Chicago. He studied fine art and philosophy at Southern Illinois University Carbondale, Cornell University and Columbia University, where he studied with Arthur Danto while serving as the archivist to the minimalist composer La Monte Young. From 1979, he exhibited his work in New York City, primarily at Galerie Richard, Brooke Alexander Gallery and Universal Concepts Unlimited. He has also solo exhibited in Berlin, Paris, Chicago, Cologne, Atlanta, Los Angeles, Aalst, Belgium, Youngstown, Senouillac, Lund, Toulouse, Turin, Arles and Munich. His work in the early 1980s chiefly consisted of post minimalist gray graphite drawings that were often photo mechanically enlarged. During that period he was associated with the artist group Colab and helped establish the non-profit cultural space ABC No Rio. In 1983 he co-founded the avant-garde electronic art music audio project Tellus Audio Cassette...

Renelio Marin is a visual artist with a diverse range of influences and styles. Born in Cuba, he received his graduate degree from the San Alejandro School of Fine Arts in Havana in ...

Obsessive, meticulous, almost monastic, Kramer immerses us in a universe of graphic and sculptural repetitions. His drawings on kraft paper glued with rabbit glue recall both ancient...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mic...

Alvaro Peppoloni, is an Italian Postwar & Contemporary artist, born in 1951, who now finds his artistic sanctuary in Castel Ritaldi, an Italian commune nestled within the Perugia pro...

tony hernandez was born in Atlanta in 1964 and has been painting professionally since 1988. while he is a southern artist, his works are far from the re...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives and works in Beijing. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Painting In...

This is an original artwork unframed realized by TUSET in 2020. We can frame it in natural wood or black on request. Dimensions: 65 x 50 cm Original and unique piece 1/1. Includes ...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatund...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Artist: Josep Cisquella, Spanish (1955 - ) Title: Manhole Cover (Manhattan DPW) Year: 1991 Medium: Mixed Media on Canvas, signed on verso Size: 38.25 in. x 57.5 in. (97.16 cm x 146....

The painting is being offered with a work and authenticity certificate

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mic...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Oluwatobiloba A...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

In the captivating piece titled "Solace," artist John Ali unveils a profound exploration of introspection through the gaze of a young woman lost in thought. The poignant portrayal ca...

This contemporary abstract painting de depicting a portrait of two women, titled "Diversity in Unity," was created by French artist Natalya Mougenot. The artwork explores the theme o...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives and works in Beijing. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Painting In...

tony hernandez was born in Atlanta in 1964 and has been painting professionally since 1988. while he is a southern artist, his works are far from the re...

the painting is being offered with work and authenticity certificate

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

The painting is being offered with a work and authenticity certificate

In the paintings of this series , images of antique figures and statues are used to talk about the eternal in modern language , as well as to present antiquity in a modern way .The w...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mic...

The celebration of life and death in Yoruba land is deeply connected to the use of Aso Oke, a traditional and cultural wear of the Yorubas. The ones used in Ondo to celebrate the liv...

The paper of the work is not yellowed, there is a applied yellowed primer under the drawing Krzysztof Gliszczyński is Professor for painting o...

The painting is being offered with a work and authenticity certificate

tony hernandez was born in Atlanta in 1964 and has been painting professionally since 1988. while he is a southern artist, his works are far from the re...

The celebration of life and death in Yoruba land is deeply connected to the use of Aso Oke, a traditional and cultural wear of the Yorubas. The ones used in Ondo to celebrate the liv...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mic...

Image of woman empowered. Bright colors. About the Artist: Cabell Molina is a contemporary artist transplanted from California to the east. Where Cabell has proved herself exce...

The painting is being offered with a work and authenticity certificate

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and ac...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

The painting is being offered with a work and authenticity certificate

Enduring Echoes portrays a striking and vibrant portrait of a man, set against a bold and contrasting background. The artist uses a rich palette of purples, reds, and oranges, highli...

"Extraordinary Woman" by Michael Adetula is a captivating artwork that celebrates the unique beauty and personality of a young woman who exudes confidence and charm. At first glance,...

The painting is being offered with a work and authenticity certificate

"Upright Impression" by John Ali captures the innocence, resilience, and curiosity of youth through the portrayal of a young girl. In this captivating artwork, the girl stands tall a...

The American mustang. Revered for his freedom, yet never truly free. Cast in a red glow of pain, his spirit is never taken, as his numbers are cut down. Created in acrylics, life-...

"Souvenirs of Beauty" is a captivating portrayal of a woman steeped in tradition and grace, adorned in a rich green headwrap and matching attire that exudes elegance. Her deep brown ...

This new series of works by the multidisciplinary artist TUSET (1997, A Coruña) shows us a completely unique dynamic. In these works he uses the concrete of the construction as picto...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Oluwatobiloba A...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Oluwatobiloba A...

Spray enamels, oils, acrylics, authentic spray paint cans, mounted resin molded brick with wood frame created by the artist. A confluence of inspirations from the artist's graffiti artistry. About the Artist Born in Belgium and artistically inclined at an early age, V.P. was executing well-defined pencil sketched portraits of anyone who would sit for him by age 4. The family’s emigration to the United States in 1967 landed the 8 year old in the Fordham section of the Bronx at the height of the psychedelic era and POP ART movement.  The Fordham Road shopping district offered the young budding artist a fount of inspiration in the form of vibrant Rock & Roll, “black-light” posters in the windows of “head-shops” and the elaborately colored wardrobes of the hippies crowding the boulevard. The pivotal shift in V.P.’s artistic expression was fueled in 1968 by the sight of a Peter Max designed billboard.  Armed with magic markers and acrylic paints, V.P. recreated the vibrant designs from Max’s billboard, the music posters in store windows and the paisley patterns of the shirts the “flower children” favored, as well as the names and slogans painted on the walls of the neighborhood.  The early seventies brought with it a wondrous sight passing overhead on the sides of the elevated trains. NYC Subway Graffiti had arrived.  Looking up and seeing the esoteric names intricately rendered in multi colored swirls and strategically placed on the sides of the trains completely enthralled V.P.’s creative and adventurous spirit. Compelled to be a part of this fascinating movement he watched and rode the subways, deciphering the names and studying the “styles” on the steel rolling art gallery. Using his artistic influences and skills with markers, V.P. created his first moniker “SONIC-ACE” and obsessively drew it in colorful flowing letters to develop his own style.   At age 13 he set out to traverse the city, facing dangers and overcoming obstacles to enter an unknown and secretive world in order to join those who inspired him.  By 1974, he would change his moniker to “VICTOR-161” and paint hundreds of train cars and soon be admitted into the world famous graffiti clique “WILD STYLE” - an honor bestowed due to peer recognized artistic and stylistic abilities.  (WILDSTYLE was created/coined by the iconic TRACY-168)  V.P. was a well known and respected “writer” who “pieced” with revered writers of the day, under the aforementioned monikers including aka’s T-BOLT-123, SULFA-ONE, FANTA-ONE, BOND & ACES.  V.P. retired from painting NYC subway trains in 1977 with occasional excursions in 1986,1987,1988,1999 & 1992.  He continuously expanded his artistic pallet, studying Art History & Graphic Design in college while seeking knowledge from masters in chosen fields of art.  His works have shown in independent galleries nationally and are sought after by international collectors, with numerous private commissions. He has been featured in several best selling books and magazines focusing on graffiti art as well as his status of having been a part of the 1970’s “Golden Era” of NYC Subway Graffiti. V.P. works with a variety of mediums including aerosol paints, oils, water color & acrylic paints, often combining mediums as well as blending POP, graffiti and abstract styles of painting onto wood, canvas and metal.  His professional artistic background includes commercial art and design, logo design, silk screening, printmaking, large commissioned public murals, sign painting, pin striping and airbrushing cars, sculpting, metal fabrication, woodcarving and tattooing. Exhibitions:  Fashion Moda (BXNY) Group Show 1980/Fun Gallery (NYC) group show 1981, Beef Gallery, (LA) Group Show 1981, Gallery International (NYC) Group Show 1985, Susan Greco Gallery (NY) Group Show 1990, Shady Side...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Black And White Minimal Painting is an original artwork realized by TUSET in 2020. We can frame it in natural wood or black on request. The title of this works is "From the Apollon...

"Through Traveling You're Able To Understand The World & Find Endless Inspiration" - Lixian Cai Lixian began to travel outside of China, documenting each ...

Set of 2 Blue Minimal Paintings. This is an original artwork realized by TUSET in 2019. We can frame it in natural wood or black on request. The dimensions of each painting are 41 x...

This artwork is painted in the form of a classical school board with math equations. It is a part of the Science Art Collection by Anastasia Vasilyeva...

Titled Empowered in Friendship, this vibrant painting was created by the French artist of Russian origin, born in Kazakhstan, Natalya Mougenot. The artwork portrays three women, each...

Seeking Perfection portrays a young lady clutching a book titled How to Behave on a First Date, her expression a mixture of hope and apprehension. This artwork explores the societal ...

Regal and radiant! 'Onileke Ara (Beaded in Style)' celebrates the beauty and elegance of African culture Shipping Procedure Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatunde, born in Ogun State, Nigeria, is a dynamic artist whose journey in the world of art has been shaped by a rich cultural background. Completing his higher education in Lagos State, Nigeria, Bakare earned a Higher National Diploma in Library and Information Science, laying the foundation for a unique artistic perspective. Bakare's artistic evolution began with pencil drawing, a modest start that eventually led him to experiment with various mediums. Among these, oil color, acrylic, and Ankara fabrics on canvas emerged as his favored mediums, allowing him to explore the depth of his creative vision. Primarily focusing on figurative painting and portraiture, Bakare's work delves into the intricacies of human expression and identity. His art becomes a canvas for the narratives of emotions and cultural appreciation. Bakare's artistic journey has been punctuated by notable exhibitions, showcasing his talent on both national and international platforms: Icreate Skill Festival Abuja (2017). Ijakadi Art Exhibition, Kwara State (2020). Kwara State Youth Fair 2.0 Art Exhibition Category (2022). 'Unconditional Love Is Not Beyond Us' An Online Group Exhibition by Constance and Sons...

Through my artwork, I sought to capture the timeless allure of elegance and introspection. The rich oil on paper dance to create a figure robed in a coat radiating warmth and mystery...

As a model being a fashionista gives and creates room for you to keep your style and interest the way you feel and the way you want it to be, deciding to keep your style very simple,...