Conceptual Paintings

This striking conceptual abstract oil painting is by British artist Penelope Ellis. It was painted in 1962. A superb image and ahead of the conceptual ideas of the swinging sixties a...

This striking conceptual abstract oil painting is by British artist Penelope Ellis. It was painted in 1963 in black on a grey background. A superb image and ahead of the conceptual i...

"Sound in Grey" Graffiti & Line series 2017 acrylic on canvas 60X44" Signed, dated and titled on the reverse side. Robert Petrick's paintings create a link between the street cul...

In the compositions, the gaze is attracted by an interplay of harmonious balances between full and empty spaces, which compel the regarding to an observation dynamic approach in orde...

In the compositions, the gaze is attracted by an interplay of harmonious balances between full and empty spaces, which compel the regarding to an observation dynamic approach in orde...

In the compositions, the gaze is attracted by an interplay of harmonious balances between full and empty spaces, which compel the regarding to an observation dynamic approach in orde...

An innate and atypical landscape artist, Eric Pérez is an intellectual who paints. He knows and loves Mexican and world history, from which he derives his contemporary context. His p...

Eduardo Costa is one of the key figures in global conceptual art. He was born in Buenos Aires in 1940. He graduated in Literature and Art at the University of Buenos Aires in 1965 where he took courses with Jorge Luis Borges in the late fifties. His practice developed into Conceptual POP with the Fashion Fictions Series, 1966-to the present. He is also credited with creating Conceptual Geometry which he showed internationally starting in 1995 at the Elga Wimmer Gallery, NY, and in 2001 at Cecilia de Torres LTD., NY. With Cecilia de Torres he exhibited a fully developed edition of his Volumetric Paintings, which use painting to such a volume that it stands by itself without any cloth or other support.Eduardo Costa lived twenty-five years in New York and over four years in Rio de Janeiro where he met almost daily with Hélio Oiticica, Lygia Pape...

Joyce Wieland (1931-1998) is one of the most accomplished and versatile Canadian artists. She achieved a level of commercial and critical success in her lifetime that was exceptional...

A walk in the village Oil on cardboard, 45x45 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer...

Kerrera # 2 by Jon Rowland 2018 original and hand signed by the artist Acrylic on board Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:1.5cm ...

Love Letters to Cornwall (I) by Mary Scott [2021] original and hand signed by the artist Acrylic and oil on wood panel Image size: H:40 cm x W:40 cm Complete Size of Unframed Wor...

Eduardo Costa is one of the key figures in global conceptual art. He was born in Buenos Aires in 1940. He graduated in Literature and Art at the University of Buenos Aires in 1965 where he took courses with Jorge Luis Borges in the late fifties. His practice developed into Conceptual POP with the Fashion Fictions Series, 1966-to the present. He is also credited with creating Conceptual Geometry which he showed internationally starting in 1995 at the Elga Wimmer Gallery, NY, and in 2001 at Cecilia de Torres LTD., NY. With Cecilia de Torres he exhibited a fully developed edition of his Volumetric Paintings, which use painting to such a volume that it stands by itself without any cloth or other support.Eduardo Costa lived twenty-five years in New York and over four years in Rio de Janeiro where he met almost daily with Hélio Oiticica, Lygia Pape...

Eduardo Costa is one of the key figures in global conceptual art. He was born in Buenos Aires in 1940. He graduated in Literature and Art at the University of Buenos Aires in 1965 where he took courses with Jorge Luis Borges in the late fifties. His practice developed into Conceptual POP with the Fashion Fictions Series, 1966-to the present. He is also credited with creating Conceptual Geometry which he showed internationally starting in 1995 at the Elga Wimmer Gallery, NY, and in 2001 at Cecilia de Torres LTD., NY. With Cecilia de Torres he exhibited a fully developed edition of his Volumetric Paintings, which use painting to such a volume that it stands by itself without any cloth or other support.Eduardo Costa lived twenty-five years in New York and over four years in Rio de Janeiro where he met almost daily with Hélio Oiticica, Lygia Pape...

The painting is being offered with a work and authenticity certificate

Artist: Liana Vassalou, Greek (1948 - ) Title: Organism II Year: 1979 Medium: Oil on Canvas, signed Size: 56 in. x 48 in. (142.24 cm x 121.92 cm) Frame Size: 56.5 x 48.5 inches

Artist: Liana Vassalou, Greek (1948 - ) Title: Absence I Year: 1979 Medium: Oil on Canvas, signed Size: 56 in. x 48 in. (142.24 cm x 121.92 cm) Frame Size: 56.5 x 48.5 inches

Artist: Liana Vassalou, Greek (1948 - ) Title: Memories VI Year: 1979 Medium: Oil on Canvas, signed Size: 56 in. x 48 in. (142.24 cm x 121.92 cm) Frame Size: 56.5 x 48.5 inches

Artist: Liana Vassalou, Greek (1948 - ) Title: It Happened II Year: 1979 Medium: Oil on Canvas, signed Size: 56 in. x 48 in. (142.24 cm x 121.92 cm) Frame S...

Artist: Liana Vassalou, Greek (1948 - ) Title: Memories VII Year: 1979 Medium: Oil on Canvas, signed Size: 56 in. x 48 in. (142.24 cm x 121.92 cm) Frame Size: 56.5 x 48.5 inches

In the compositions, the gaze is attracted by an interplay of harmonious balances between full and empty spaces, which compel the regarding to an observation dynamic approach in orde...

Playfl monkeys climb exotic colored plants clowning as only monkeys do. in this hot pink painting. Monkey Time #2 - Animal Painting - Oil on Canvas By Marc Zimmerman Marc Zimmerma...

A provincial delight. Oil on canvas, 41х51 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, gr...

A walk in the village Oil on cardboard, 45x45 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer...

Still life Oil on canvas, 60x80 cm Victor Karnaukh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, graduate of...

Rosie Copeland Child’s Pose (after The Wave) Original Nude Painting Oil on Board Sold Unframed Image size: H38 x W76 cm Please note that in situ images are purely an indication of ho...

Reflections in store front windows from across the street created fascinating abstract overlaps onto the manicans. This painting is from the mission district in San Francisco. Refle...

A 24" x 18" Surreal Conceptual Watercolor Painting executed by artist Annalise Neil. A certificate of authenticity will be provided upon its purchase or delivery. Neil’s cyanotype a...

Monkeys at play in a coral backdrop and colorful flowing foliage. Good for reminding us of our playful nature. Monkeying Around - Animal Paintings - Conceptual Art By Marc Zimmerman...

Horse portrait. Americana colors. Acrylics, mixed media on canvas, 60" x 48"x 2". Gallery wrapped, wired and ready to hang. In “The Patriot”, the harnessed strength of the wor...

Portrait of a Native Polynesian woman poses with a tropical headdress of flowers and leaves. She watches the surf crashing on the beach on her beloved island. A matching ( male) pain...

Mistreated and abandoned spray-painted butcher paper (saturated), archival mounts, appropriated internet imagery heat transferred with Ink Jet T-shirt Tr...

Beam recognizes that a successful work of art “must develop its own personality…It must empower, engage or provoke the public’s attention.” One exhibition in particular, titled Owavino(1997-1998) [meaning last minute] held in Illinois—perhaps the pinnacle of media mastery—garnered Beam numerous reviews, attacks and responses, even after the exhibiton had closed, for his work Turkish Medal (1996-1997-2013). The painting combines a comparatively altered version of one of Pulitzer-Prize winning illustrator Bill Mauldin...

From his show Hashish at Michael Steinberg Gallery (bearing their label verso) Reviewed by Roberta Smith in the New York Times. Abstract Expressionism meets graffiti photography. Cy Twombly in cyberspace. Existential physics. The trajectories of car bombs. These phrases came to mind at the show of Dennis Balk's new work, made during the last three years while he lived in Bahrain and traveled primarily in the Middle East. The show is dominated by black-on-white gestural drawings on canvas from Mr. Balk's Faith Thumbnail series. Full of graphic and even painterly nuance, they turn out to have been made completely on the computer. In a smaller room, the Exhausted and Ideographic series features gaudy, vertiginous digital mixes of colorful photographs. Originally a performance artist, he became known in the art world in the early 1990s for improvisational diagrams that brought different historical narratives into collision. One work in his solo debut at American Fine Arts in SoHo in 1992 charted the lives of Ho Chi Minh and Abraham Lincoln -- both fathers of their countries in different ways -- across white paper napkins. His 2003 exhibition at that gallery was titled ''Particles + Waves With Plausibility,'' as is a recent book of his work. Dennis Balk is an educator, visual artist, writer, media designer and playwright based primarily in New York. Balk has an MFA Degree from California Institute of the Arts. Throughout the 90s and 00s he was an Art Director and media designer for television, outdoor, print and emerging tech and social/ media at; Arnell/ Bickford Associates, Frankfurt Gipps Balkind, Foote Cone & Belding and McCann Erickson, New York. At Amster Yard, the conceptual agency within McCann Worldwide, Balk was involved in concepting high-profile campaigns that ran both domestically and internationally. As an interactive and exhibition designer, Balk has designed significant exhibition work for; Princeton University (The Firestone Library), The National Building Museum (Washington DC), The Jewish Museum (New York) and The United States Holocaust Memorial Museum (Washington DC) in conjunction with the offices of James Ingo Freed. Balk has taught and lectured at a variety of Universities, most recently; UCLA in the Department of New Genres, the Università IUAV di Venezia, Yale University, Otis College of Art and Design- Public Practice MFA and as Coordinator of the Department of Fine Arts/ Computer Graphics at the New York Institute of Technology, Bahrain Campus. Since the late 80s his art work has addressed, in multiple formats (including several productions of his plays), the conditions of narrative and the narrative aspects of historicizing the present. His work has been exhibited internationally and reviewed extensively including; Artforum, Filosofia e Questioni Pubbliche, Bookforum, Art in America, Paper Magazine and The New York Times. While in New York, his primary gallery representation was with the seminal gallery, American Fine Arts. In February 2009, INOVA at the University of Wisconsin-Milwaukee presented the early work survey titled, “Dennis Balk - Early Work 1890-2090”. His recent publications include; “Dennis Balk/1890-2090” (2010-channel 171), “Dennis Balk The Arabian Gulf” (2010-channel 171), “ash” (2009-channel 171), “Colin de Land, American Fine Arts” (2008-powerhouse books), and “particles + waves with plausibility” (2006-powerhouse books). SELECTED BIBLIOGRAPHY 2011 Jack Bankowsky, Rosetta Brooks, Ingrid Schaffner, Nicholas Frank, Christina Valentine, Dennis Balk, Jennifer Bolande...

This is a one of a kind conceptual animal painting. Its dimensions are 34.25x26.5x1. It comes in a white frame. A signed certificate of authenticity from the artist is provided after delivery. This painting depicts passenger pigeons...

We can see a couple of lovers, a naked man and woman, kissing about to have sex.

This work by Corrado Ferrante, embodies the artist’s distinctive poetic language, where gesture, matter, and memory coexist in a refined balance. The composition unfolds as a layered...

This work by Corrado Ferrante captures a moment of fragile suspension between light and shadow, sound and silence. The artist’s signature use of layered materials—paint, torn paper, ...

This work by Corrado Ferrante exemplifies the artist’s distinctive material language and his ability to transform fragments into powerful visual narratives. Through layered textures,...

In this work, Corrado Ferrante weaves together memory, time, and sound within an intimate, layered composition. The musical score, partially veiled by material and chromatic interven...

Voodoo Altar: Feast for the Loa This work represents a convergence of religion, craft, and design, as well as the need for individual artistic expression. It is a visual feast as muc...

An innate and atypical landscape artist, Eric Pérez is an intellectual who paints. He knows and loves Mexican and world history, from which he derives his contemporary context. His p...

Russian philosophy. 2002, oil on canvas, acrylic, collage, 60x40 cm Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Ri...

Russian love. 2002, oil on canvas, acrylic, collage, 60x40 cm Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Riga, La...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

Work is marked on reverse "Rhythm" and "The Whip." on verso - We are not sure the exact meaning of this work. Gropper was a social realist and a radical of his time and a commenta...

tony hernandez was born in Atlanta in 1964 and has been painting professionally since 1988. while he is a southern artist, his works are far from the re...

Multidisciplinary artist. Twenty years of artistic experience in the Fine Arts. Eight years of practice as a University professor of Fine Arts. Broad knowledge of design software: Ad...

Conceptual piece. Commentary on life. Humorous but impactful. Acrylic on canvas. About the artist: Born in Aberdeen, Scotland, Stephen Hall moved to New York in 1978 and began...

The painting is being offered with a work and authenticity certificate

Eduardo Costa is one of the key figures in global conceptual art. He was born in Buenos Aires in 1940. He graduated in Literature and Art at the University of Buenos Aires in 1965 where he took courses with Jorge Luis Borges in the late fifties. His practice developed into Conceptual POP with the Fashion Fictions Series, 1966-to the present. He is also credited with creating Conceptual Geometry which he showed internationally starting in 1995 at the Elga Wimmer Gallery, NY, and in 2001 at Cecilia de Torres LTD., NY. With Cecilia de Torres he exhibited a fully developed edition of his Volumetric Paintings, which use painting to such a volume that it stands by itself without any cloth or other support.Eduardo Costa lived twenty-five years in New York and over four years in Rio de Janeiro where he met almost daily with Hélio Oiticica, Lygia Pape...

The painting is being offered with a work and authenticity certificate

This Conceptual Text based painting features the words "When you look here imagine me standing next to you" in white over a royal blue background ...

Porch drawing 2 (Abstract Painting) Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano works on relatively large sheets of Japanese paper with a tendency to work from something observed, ideally around him. He tends to be “in” the configuration that is the subject of the work. Soriano is fond of “systems” objects attached to other objects, such as the wiring plan of a room. But very often there are other shapes that play a role in the work. The artist would fold and rework a piece a number of times. Folding seems to concentrate the dialogue that attracts him. Reworking is part of his nature. The finished work normally is the result of this ebb and flow between the heightening and repositioning the relationship between forms. This drawing highlights the configurations of a large porch that Soriano used as a studio in Maine during Summer 2010. Peter Soriano is a Philippines-born French-American abstract artist who divides his time between New York City and Penobscot, Maine. Although he began his career as a sculptor, his work is now two-dimensional. He is known for his bold spray-painted wall murals...

The painting is being offered with a work and authenticity certificate

L.I.C. (Blue) (Abstract painting) Spray paint, pencil, ink, watercolor on paper. Unframed. L.I.C refers to Long Island City where Soriano currently has his studio. This drawing focuses of objects and elements within it, in particular the remnants of old closets...