Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 4

Tony Hernandez
Untitled

About the Item

tony hernandez was born in Atlanta in 1964 and has been painting professionally since 1988. while he is a southern artist, his works are far from the region. his subject matter delves into the lives of children of the holocaust, as well as those who struggled through the great depression, especially in the ghettos of the bronx where his grandparents lived. he is haunted by photographs of these children, often being consumed by the images until he puts pigment to canvas. hernandez conveys the worlds that children create for themselves when they feel powerless by the fallacies of adults. with effervescence and symbolism, his paintings of preadolescent children wrestle with two themes: powerlessness and imagination. this tango creates a realm where the "mind of wonder" is tangible. “requiem of mind and wonder” reaches for both the palpable and abstract. hernandez has investigated these leitmotifs over the last several decades, working exclusively on handmade birch wood panels using the technically-demanding process of encaustic painting. while his works are simple visually, their psychological tone is complex. In these void landscapes, he portrays children unabridged, drawing on emotional gravity. With nothing to distract from the subject, the viewer is pulled into this land of childlike curiosity and fear. even with evident melancholy throughout the body of work, such as the boy in the dunce hat, reaching for his shadow, there is hope within his shadowed, crowned self. hernandez often uses doves to imply this sense of hope, as they represent a bridge from the despondent into the ethereal. with the painting of the doves sitting before a lounging girl, they seem guardian-like, protecting her from the trials that presumably surround her. in another painting, a girl adorns a deep red dunce cap while two doves perch on her forearms, depicting that thin divide between reality and imagination. through his adroit portrayal of historical calamities and symbolism, hernandez has been contrasted with a litany of acclaimed artists, such as christian boltanski and anselm kiefer. even so, hernandez’s dexterity draws from his own instinct, which he developed after attending the art institute of atlanta as a high school student. after devoting himself to painting full-time in 1988, he distinguished his style further as he recognized that he paints for the primarily emotional connection. this disassociation from trends has allowed him to look inward before he looks outward, creating works that are overwhelming and frank. the art critic jerry cullum has said, "it’s rare to find an artist whose work functions so totally on a level that gives the subjective sensation of intellectual satisfaction without providing anything like an obvious conceptual agenda. his approach to figuration delivers a definable psychological impact, and that he does this with rather more complexity than most painters." tony hernandez exhibits internationally and his works are in numerous public collections throughout the u.s., notably the fine arts museums of san francisco. in 2018, he will be relocating his atlanta home and studio to charlotte, nc.
More From This SellerView All
  • Waiting from the Cold Country
    By Tony Hernandez
    Located in ATLANTA, GA
    tony hernandez was born in Atlanta in 1964 and has been painting professionally since 1988. while he is a southern artist, his works are far from the re...
    Category

    20th Century Conceptual Figurative Paintings

    Materials

    Mixed Media

  • Untitled
    By Tony Hernandez
    Located in ATLANTA, GA
    tony hernandez was born in Atlanta in 1964 and has been painting professionally since 1988. while he is a southern artist, his works are far from the re...
    Category

    20th Century Conceptual Figurative Paintings

    Materials

    Mixed Media

  • Femme VIII, 2015
    Located in ATLANTA, GA
    Born in 1951, Eishin Yoza was largely inspired by the 1970s growing up. The art sphere of the 1970s was epitomized by a desire to evolve and strengthen its...
    Category

    21st Century and Contemporary Minimalist Figurative Paintings

    Materials

    Mixed Media

  • Femme V, 2015
    Located in ATLANTA, GA
    Born in 1951, Eishin Yoza was largely inspired by the 1970s growing up. The art sphere of the 1970s was epitomized by a desire to evolve and strengthen its...
    Category

    21st Century and Contemporary Minimalist Figurative Paintings

    Materials

    Mixed Media

  • Femme VI, 2015
    Located in ATLANTA, GA
    Born in 1951, Eishin Yoza was largely inspired by the 1970s growing up. The art sphere of the 1970s was epitomized by a desire to evolve and strengthen its...
    Category

    21st Century and Contemporary Minimalist Figurative Paintings

    Materials

    Mixed Media

  • Femme VII, 2015
    Located in ATLANTA, GA
    Born in 1951, Eishin Yoza was largely inspired by the 1970s growing up. The art sphere of the 1970s was epitomized by a desire to evolve and strengthen its...
    Category

    21st Century and Contemporary Minimalist Figurative Paintings

    Materials

    Mixed Media

You May Also Like
  • Fresco. 2001, canvas, mixed media, 46x38 cm
    Located in Riga, LV
    Fresco. 2001, canvas, mixed media, 46x38 cm Ieva Iltnere (b. 1957) entered the Latvian art scene in the early 1980s. Together with other young painters of her generation she attracted much attention and radically changed prevailing conceptions about the Latvian figural painting. The fame of this generation of artists has not diminished since that time. In 1988 Ieva Iltnere took part in the young artists’ exhibition “Post-Traditionalism” at the Central Artists’ House in Moscow as well as in the exhibition “Riga – Lettische Avantgarde” at the Staatliche Kunsthalle in Berlin. It was the first important show of Latvian avant-garde art in Western Europe. In 1990 Ieva Iltnere and her like-minded contemporaries participated in the famous exhibition-action “Gentle Fluctuations” at the Exhibition Hall Latvija in Riga. This exhibition encouraged radical aspirations of the young painters’ group and promoted the adoption of new influences in Latvian art. In 1992 there was Ieva Iltnere and Jānis Mitrēvics’ joint exhibition “Works” and in 1994 – her solo exhibition “School” at the Art Museum Arsenāls. She took part in important Latvian art exhibitions at the Zvolle City Museum (2002), Frauen Museum in Bonn (1992), Grand Salle de l’Aubette in Strasbourg, Maison du Danemark in Paris (1997), Städtische Galerie im Buntentor in Bremen, etc. Ieva Iltnere is one of the most outstanding and creative artists of her generation. Her art is able to communicate great, significant ideas, important to both the individual and the society in general, through intimate subject matter. Iltnere has created a particular imagery that clearly marks her individual style. Her early works deal with themes of family, mother and child, depiction of intimate aspects of life. The artist raised everyday phenomena to the level of sacredness. Today the artist synthesizes traditional means of painting and conceptual approach, inspired by different cultures, Western avant-garde art of the 20th century and Biblical themes (solo exhibition “Stories”, 2002). Iltnere’s paintings feature subdued colouring and discrete intonation. The artist pays particular attention to light and composition. Each work is endowed with a personal touch. Iltnere’s works are found in collections of the Latvian National Museum of Art (previous title - State Museum of Art), the Artists’ Union of Latvia Museum (Riga), the State Tretyakov Gallery (Moscow), Ludwig Museum (Aachen, Germany), Jane Voorhees Zimmerli Art Museum (New Jersey, USA) as well as in private collections in Latvia and abroad. Selected solo exhibitions: 2008 "Beautiful fragile nature", Riga Gallery, Riga / Latvia 2007 "Eight Rooms", Riga Gallery, Riga / Latvia 2004 "The Happy Childhood", Riga Gallery, Riga / Latvia 2003 "Ieva's Painting", Gallery NoMi, St. Petersburg / Russia "My Room", Gallery Centrs, Riga / Latvia 2002 "Stories", Riga Gallery, Riga / Latvia* 2001 "Ieva Iltnere's United Images", Gallery Daugava, Riga / Latvia 1999 "Papers and Canvases", Gallery Daugava, Riga / Latvia 1998 "Paintings of Paris", Gallery Daugava, Riga / Latvia 1997 "Oil", Gallery Bastejs, Riga / Latvia 1994 "School", Art Museum Arsenāls, Riga / Latvia* 1993 Riga Gallery, Riga / Latvia Gallery G&G, Riga / Latvia* 1992 "Works", Art Museum Arsenāls, Riga / Latvia (together with Jānis Mitrēvics)* "Four New Paintings", Gallery Kolonna, Riga / Latvia 1989 Gallery Baltasar, Gothenburg / Sweden (together with Ivars Poikāns)* Selected group exhibitions: 2008 12th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* Rauma Biennale Balticum 08 "Flower Power", Rauman Taidemuseo, Rauma Art Museum/ Finland 2007 11th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* 2005 9th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* 2004 8th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* "The Rape of Europe", Eskilstuna Art Museum, Eskilstuna / Sweden* 2003 "Labyrinth", Gallery Vartai, Vilnius / Lithuania...
    Category

    Early 2000s Conceptual Portrait Paintings

    Materials

    Mixed Media, Canvas

  • I Need Some Love 2
    Located in Ibadan, Oyo
    The focal point of the artwork, the man's free-flowing dreadlocks, serves as a potent symbol of individuality and cultural diversity. In many cultures, dreadlocks have deep-rooted historical and spiritual significance, representing a unique connection to heritage, self-expression, and identity. By emphasizing the man's hair in the portrait, Adetula calls attention to the fact that discrimination often arises from superficial judgments based on appearance, whether it be hairstyles, clothing choices, or language differences. The artwork's title, "I Need Some Love," conveys a heartfelt plea for compassion and understanding. It reminds us that discrimination and prejudice have no place in a harmonious and inclusive society. Adetula's creation urges us to break free from these harmful mindsets and cultivate a culture of empathy and acceptance toward one another. The message of the artwork resonates strongly with the call to let love prevail, irrespective of one's origin or outward appearance. Discrimination, whether conscious or unconscious, hinders our collective progress as a society. It erects barriers between individuals and communities, fostering mistrust and animosity. Adetula's artwork encourages us to dismantle these barriers and build bridges instead. Embracing diversity enriches our lives, broadens our perspectives, and fosters a climate of respect and unity. The man's free-flowing dreadlocks symbolize the beauty of embracing cultural differences and recognizing the uniqueness that each individual brings to the table. Moreover, "I Need Some Love" emphasizes the power of love as a transformative force. The artwork reminds us that by approaching others with love, compassion, and understanding, we can create an environment where everyone feels valued, respected, and heard. Correcting people with love, rather than judgment or hostility, allows us to foster meaningful connections and open up constructive dialogues, thereby nurturing a culture of growth and understanding. The man depicted in the artwork is a poignant reminder that every person deserves happiness and love, irrespective of their appearance, background, or language. Embracing diversity not only enhances our interpersonal relationships but also contributes to the betterment of society as a whole. When we treat one another with kindness and empathy, we foster a sense of belonging and acceptance that empowers individuals to thrive and contribute positively to their communities. In conclusion, "I Need Some Love" by Michael Adetula...
    Category

    21st Century and Contemporary Conceptual Mixed Media

    Materials

    Canvas, Charcoal, Mixed Media, Acrylic

  • Gaze is a Powerful Language
    Located in Ibadan, Oyo
    "Gaze is a Powerful Language," a creation by the talented artist Michael Adetula, is a compelling artwork that explores the captivating and expressive power of a young woman's gaze. ...
    Category

    21st Century and Contemporary Conceptual Mixed Media

    Materials

    Canvas, Charcoal, Mixed Media, Acrylic

  • Arewà
    Located in Ibadan, Oyo
    Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Michael Adetula...
    Category

    21st Century and Contemporary Conceptual Mixed Media

    Materials

    Canvas, Charcoal, Mixed Media, Acrylic

  • Far From Home
    Located in Ibadan, Oyo
    "Far From Home" by Michael Adetula is a poignant artwork that eloquently captures the essence of the human pursuit for a better life and the bittersweet experience of being far away ...
    Category

    21st Century and Contemporary Conceptual Mixed Media

    Materials

    Canvas, Charcoal, Mixed Media, Acrylic

  • I Need Some Love
    Located in Ibadan, Oyo
    The focal point of the artwork, the man's free-flowing dreadlocks, serves as a potent symbol of individuality and cultural diversity. In many cultures, dreadlocks have deep-rooted historical and spiritual significance, representing a unique connection to heritage, self-expression, and identity. By emphasizing the man's hair in the portrait, Adetula calls attention to the fact that discrimination often arises from superficial judgments based on appearance, whether it be hairstyles, clothing choices, or language differences. The artwork's title, "I Need Some Love," conveys a heartfelt plea for compassion and understanding. It reminds us that discrimination and prejudice have no place in a harmonious and inclusive society. Adetula's creation urges us to break free from these harmful mindsets and cultivate a culture of empathy and acceptance toward one another. The message of the artwork resonates strongly with the call to let love prevail, irrespective of one's origin or outward appearance. Discrimination, whether conscious or unconscious, hinders our collective progress as a society. It erects barriers between individuals and communities, fostering mistrust and animosity. Adetula's artwork encourages us to dismantle these barriers and build bridges instead. Embracing diversity enriches our lives, broadens our perspectives, and fosters a climate of respect and unity. The man's free-flowing dreadlocks symbolize the beauty of embracing cultural differences and recognizing the uniqueness that each individual brings to the table. Moreover, "I Need Some Love" emphasizes the power of love as a transformative force. The artwork reminds us that by approaching others with love, compassion, and understanding, we can create an environment where everyone feels valued, respected, and heard. Correcting people with love, rather than judgment or hostility, allows us to foster meaningful connections and open up constructive dialogues, thereby nurturing a culture of growth and understanding. The man depicted in the artwork is a poignant reminder that every person deserves happiness and love, irrespective of their appearance, background, or language. Embracing diversity not only enhances our interpersonal relationships but also contributes to the betterment of society as a whole. When we treat one another with kindness and empathy, we foster a sense of belonging and acceptance that empowers individuals to thrive and contribute positively to their communities. In conclusion, "I Need Some Love" by Michael Adetula...
    Category

    21st Century and Contemporary Conceptual Mixed Media

    Materials

    Canvas, Charcoal, Mixed Media, Acrylic

Recently Viewed

View All