Post-Impressionist Paintings

Maritime Scene signed by Édouard Righetti (1924-2001) dated 1958 mounted in a card frame oil painted on artist paper, beautifully painted. very good condition framed: 20.5 x 29.5 in...

Signature: Signed lower left and on the reverse Provenance: Shannon's Auctions D. Wigmore Fine Art Krushaar Galleries Christie's East October 3, 2000 Hand Carved Period Frame fr...

Riverside Town by Regine David (female French artist, 1910-2018) oil painting on board, unframed measures: 8.75 x 10.5 inches condition: the painting is in very sound and presentable...

Lausanne signed by Regine David (female French artist, 1910-2018) oil painting on canvas, unframed measures: 18 x 13 inches condition: the painting is in very sound and presentable c...

Provencal Landscape by Louis Bellon (French 1908-1998) signed From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measurements: 11 x...

Pink Dress by Josine Vignon (French 1922-2022) ink/watercolour/pencil drawing on card, unframed paper: 10 x 6.5 inches double sided very good condition provenance: from the artists...

Signed oil on board interior by French Les Nabis painter Edouard Vuillard. The work depicts a room with a large window, outside of which are bare trees. Inside the room are three chairs and a patterned rug on the floor. Signature: Signed lower left Dimensions: Framed: 20"x13" Unframed: 13"x6" Provenance: Prince Antoine Bibesco (1878-1951) - Special Envoy of Romania to the United States Piasa Encheres - Paris Lot no. 88 - 8th April 2005 - Sold EUR 118,000 hammer price Acquired at the above by Thomas Gibson Fine Art - London Acquired by the previous owner from Thomas Gibson Fine Art - TEFAF Maastricht November 2005 Literature: This work is included in the catalogue rasionne of the work of Edouard Vuillard under Ref Volume II No. 172 - illustrated and described Access to the raisonne online can be found at the Wildenstein Plattner Institute website. The work is described as being executed in the period 1899 to 1904 by Antoine Salomon and Guy Cogeval Édouard Vuillard attended the Lycée Condorcet in Paris, where he made friends with Maurice Denis, Lugné-Poe, and Ker-Xavier Roussel, later his brother-in-law. He studied in Maillart’s studio; for six weeks came under the tutelage of Jean-Léon Gérôme at the École des Beaux-Arts in Paris; and later under William Bouguereau and Robert at the Académie Julian, where he became closely linked with the Nabis group (from the Hebrew word for ‘prophet’). He met Marcel Proust in 1902. From 1908, he taught at the Académie Ranson. In 1937, he was elected member of the Institute. At first, Édouard Vuillard painted small subjects, disciplined and proficient, qualities for which the prestigious École Française was famous. His earliest still-lifes (1888) are astonishing in their decisiveness and subtlety. His empathy for the object had already compelled him to soften its appearance; the object, which, by virtue of its bright or glossy presence, remained the nonego and the ‘thing represented’ for so many others. ‘Intimacy’ developed immediately between the painter and this modest environment; inhabiting it every day enabled him to celebrate its splendour, and it was to remain his favourite environment. But he was already alternating between small portraits and still-lifes, which gained recognition because of their natural qualities and dignity of tone: a rare combination in a beginner. About 1890, influenced indirectly by Paul Gauguin, all the certainties which the self-styled Nabis painters had contented themselves with suddenly collapsed. Everything was called into question again: both the linear layout of the picture and its colour scheme; the choice of subject and its material aspect; its manufacture and its purpose. Vuillard’s paintings at that time show surprising, bold innovations and an arbitrary power, which one would expect 15 or 20 years later at the height of the Fauvist period. The preoccupation with an internal geometry set them apart from earlier studies. From then on, the paintings were based on forms, lines, and colours. Vuillard made concessions. He produced a portrait or interior with its furniture and its wallpapers, in which the family inhabiting it, evolves. Treated with flat areas of colour and solid shades of ochres, reds, blues, and saffron yellow, without modulation, they seem to prefigure certain paintings by Henri Matisse and Roger de La Fresnaye. In 1891, Édouard Vuillard painted an Elegant Lady, a silhouette seen from the back; a long vertical shape starting from the hair decorated with brown feathers; there is a kind of pink cloak, the tight and never-ending black skirt, erect in front of a half-open, bright orange door in a green wall, from where the light of another vertical shape emerges, which is bright yellow, and is reflected in red on the parquet at the feet of the elegant lady. This painting meets his concerns about the actual moment of creating ‘harmonies corresponding to our feeling’, and by virtue of its almost geometric structure, its drawing entirely free of detail, its light effects and colour harmonies, very much prefigures aspects of the future Abstraction movement and is oddly reminiscent of the final period of Nicolas de Staël. All too often, Édouard Vuillard is only admired in his role as the harmonist, the serene contemplator who combines an exquisite sense of nuance, rhythms, and values with the most acute observation. These singular investigations, these three-dimensional meditations including a table, a folding metal cot...

Signed lower right, "Valeur" for Mogens Valeur (Danish, 1927-1999) and dated 1963. A vibrant, Post-Impressionist seascape showing green breakers rolling in towards a sandy shore beneath an evening sky tinged with lilac and mauve. A prominent member of the Bornholm School, Mogens Valeur was, at heart, a colorist and focused on representing his chosen subject with line and forms. A student of Peter Rostrup...

Josep Puigdengolas Barella (1906-1987) - Mediterranean - Oil on tablex Oil measures 33x46 cm. Frameless. Josep Puigdengolas Barrella (Barcelona (1906 - 1987), was a Spanish landscap...

Quaint Village with Church Spire - Idyllic Oil Painting by Regine David (female French artist, 1910-2018) oil painting on board, unframed measures: 16 x 13 inches condition: This pa...

Notre Dame in the snow, early evening, along the Seine by the French artist, Henri Stenn. The painting has a wonderful tonal quality that is characteristic of the artist’s work. The...

Farm Buildings signed by Regine David (female French artist, 1910-2018) dated 1950 oil painting on board, unframed measures: 13 x 16 inches condition: the painting is in very sound a...

Lady at the bar by Josine Vignon (French 1922-2022) ink/watercolour/pencil drawing on thick paper, unframed paper: 13 x 9.5 inches stamped verso very good condition provenance: fro...

Bathers & Blossom by Regine David (female French artist, 1910-2018) oil painting on board, unframed measures: 12 x 16 inches condition: the painting is in very sound and presentable ...

Mountain Village by Regine David (female French artist, 1910-2018) oil painting on board, unframed board: 15 x 18 inches inscribed verso condition: This painting is in excellent cond...

Boris Buchet (French, 1917 – 1999) A bottle of wine, kitchen pots, apples and oranges Oil on board Signed and dated ‘B.Buchet 72’ (lower left) 21.1/8 x 28.5/8 in. (53.6 x 73 cm.)

The gallery presents the Norwegian artist Nadezda (Nadya) Stupina , a high professional who has been working in the international art market for many years. Professional artist with ...

by Josine Vignon (French 1922-2022) ink/watercolour/pencil drawing on thick paper, unframed paper: 8 x 6 inches signed double sided very good condition provenance: from the artists estate, France Josine Vignon (1922-2022) was a French artist living on the Rue Beautreillis in the Marais district of Paris. She painted with a beautiful style, largely influenced by the Impressionist and Post...

Large and historically significant post-impressionist painting by Albert André. Exhibition: Exposition Post et Néo-Impressionniste, Durand-Ruel Gallery, Paris, 10–31 March 1899, n...

Les Blanches Roses by Louise Derival, French early 20th century signed oil on canvas, framed in a beautiful period frame. framed: 31 x 31 inches canvas: 26 x 26 inches provenance: p...

"Old Town - that's what I called my painting, is painted en plein air with oil paints on canvas." said Anna about this painting. "The 15th century town of Werdenberg is depicted her...

Original oil paint on heavy card stock of a european thatched cottage near a stream by the American impressionist artist, Bird Lefever. Signed lower right. Condition is very good; n...

As a French Impressionist artist, most of the Renee Theobald's works were produced in the Mid-20th Century. She was known for her charming compositions ...

Signed lower left, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1935. Precocious as a child, Victor Isbrand painted professionally from a young age and was...

''Fleurs" by Édouard Righetti (1924-2001) Signed lower front and back, 1959. oil painting on canvas, beautifully painted with rick thick impasto oil and bold colors of deep greens...

"En Provence" signed by Regine David (female French artist, 1910-2018) oil painting on canvas, unframed measures: 13 x 18 inches condition: the painting is in very sound and presenta...

Provencal Landscape by Louis Bellon (French 1908-1998) Signed and dated 47' From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed meas...

Jean Chaleye. French ( b.1878 - d.1960 ). Still Life Of Carnations & Marigolds. Oil On Board. Signed Lower Right. Image size 20.9 inches x 25.2 inches ( 53cm x 64cm ). Frame size 27...

flower,fruts Enzo FARAONI (S. Stefano Magra, La Spezia, 1920/2017) Enzo Faraoni is a great painter and engraver from Florence; he expresses the poetic everyday life of simple and co...

Rustic Cottage signed by Regine David (female French artist, 1910-2018) dated 1943 oil painting on board, unframed board: 13.5 x 16 inches inscribed verso condition: This painting i...

Studying art in college helped prepare Julie for 17 years of traveling the world as a professional location photographer. Houck’s travels throughout Europe, Asia and across the Unite...

"Winter Blues" is a semi-abstract oil painting showcasing a serene winter landscape. With harmonious tones of blue and grey, this impressionist artwork evokes timeless tranquility. C...

"The painting "Golden Autumn" is filled with warm yellow tones." said Anna Shesterikova about artwork. "The picture shows autumn in Liechtenstein, on whose border I live. The picture...

Attributed to Hortense Mattice Gordon (Canadian, 1886-1961) and painted circa 1925. Attribution based on similar style, composition and subject matter of McGill University's 'Old Country Store, Ontario' (1925) by the artist (see last image). An exceptionally fine, early twentieth-century, Post-Impressionist oil showing a view of a rustic village with cottages dramatically dappled by the shade of large trees. Hamilton artist Hortense Crompton Mattice Gordon was one of Canada’s earliest non-representational painters, embracing abstraction in the 1930s. She was also an active member of Canada's first English-speaking abstract group, Painters Eleven. A scholarship recipient, Hortense Mattice first attended the Hamilton Art School and, subsequently, moved to Chatham, Ontario. Initially focusing on porcelain painting, Mattice quickly began building a portfolio of oils and, from 1908, was exhibiting both her porcelain and landscapes at what is now the Chatham Cultural Centre (1908) and the Art Gallery of Ontario (1909). During this time, Mattice frequently traveled to the United States and, in 1915, visited the National Gallery of Art in Washington, DC, where she would have seen early works by important modernists including Picasso and Matisse. She started her teaching career in Chatham but, having received a job offer from the artist John Sloan Gordon, returned to Hamilton to teach at the Hamilton Art School in 1918. The two artists married in 1920. In 1922, Gordon and her husband took a study trip to France and, inspired by the fervent of Modernist ideas in Paris, expanded her own approaches to art, developing an increasingly soft, loose paint handling style. It was not until the 1930’s, after a few more trips to France and her discovery of Piet Mondrian’s work, that elements of abstraction began to appear in Gordon’s work. After the death of her husband in 1940, Gordon attended the Cranbrook Academy of Art and studied with Hans Hoffmann (1941-1945) whose influence and friendship pushed her to explore non-objective painting. After her training with Hofmann and in Cranbrook, Gordon began to exhibit regularly and with success in both Canada and the United States including at the Riverside Museum (New York, 1947), Creative Gallery (New York, 1952), in Ann Arbor (Michigan, 1952), Phillips Gallery (Detroit, 1952), the Flint Institute of Arts (Michigan, 1952), Mount Allison University (New Brunswick, 1952), the Galerie Agnes Lefort in Montréal and Art Gallery of Hamilton (retrospective, 1960). She was a member of the Contemporary Artists of Hamilton (honorary president in 1948), the Ontario Society of Artists, the Hamilton Women...

Portrait Group European artist, mid 20th century Fauvist style work indistinctly signed oil on board, unframed board: 21.5 x 26 inches Provenance: private collection, Paris Conditio...

Oil on canvas painting on artist board by the American artist, Jean Leason Hitch. Signed lower right. Condition: good; no restorations. The painting is housed in a massive gold reproduction frame 24 by 22 inches. Jean Leasin Hitch began her artistic career in Melbourne, Australia, under the tutelage of her father, Percy Leason, a professional painter, well-known cartoonist and illustrator. After coming to the United States in 1943, she was appointed curator of art at the Staten Island Institute of Arts and Sciences, New York. While at the museum, she also began her restoration career and restored paintings from the museum's collection and other notable historic collections. Jean Leason Hitch was an active member in the Allied Artists of America, American Artist Professional League, Hudson Valley Art Association, served as vice president for the Catharine Lorillard Wolfe Art Club in New York, and in 1953, was listed in "Who's Who in American Art." Her work merited numerous awards; including the Kathleen Grumbacher Award, Council of American Artists Society Award, Anna Hyatt Huntington...

This superb vibrant Oriental Post Impressionist oil painting is by noted British artist Gerald Spencer Pryse. It was painted circa 1925 when Pryse first visited Morocco. He was so en...

CELSO LAGAR Spanish, 1891 - 1966 FAIRGOERS IN FRONT OF ROULOTTES signed "Lagar" (lower right) oil on canvas 18-1/4 x 15 inches (46 x 38 cm.) framed: 29-1/4 x 26 inches (74 x 66 cm.) PROVENANCE Private French Collector Celso Lagar Arroyo (Ciudad Rodrigo, 1891 - Seville, 1966) was an expressionist Spanish painter of the first generation of the School of Paris, where he lived most of his life. He was influenced by avant-gardes of all kinds, such as cubism and fovism. He painted mainly landscapes and still lifes...

Fruit Medley by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 13 x 20 inches good condition provenance: from the artists estate, France Jos...

Reuven Rubin Israeli 1893-1974 Orientala Signed “Reuven Rubin" Oil on canvas A striking and unique work rendered in a breathtaking jewel-toned palette, Orientala by Rueven Rubin ...

Suggestivo e luminoso interno cortile di una casa in campagna, melo in fiore Colori Verde e bianco

Artist/ School: French Pointillist School, contemporary, signed Title: Notre Dame, River Seine, Paris Medium: oil painting on canvas, unframed. Ca...

Jadviga Žilvinska (1918-2010) was born in Tallinn. She grew up in Liepāja, where her great interest in art began and strengthened, which led the young artist to study at the Art Aca...

Twentieth Century Landscape Oil Painting of Goodrich Castle Ruins by the side of the River Wye England. Goodrich Castle on the River Wye, Herefordshire Oil painting on panel, with o...

"I was fascinated by the beauty of the female body on one of the beaches of the windy volcanic island of Fuerteventura in the Canary Archipelago." said Anna Shesterikova about this p...

Born in New York City in 1906, Bertram George was the son of beloved Lyme, Connecticut artist George Bruestle. The younger Bruestle’s earliest works w...

Rafael Duran Benet (1931-2015) - Landscape - Oil on canvas Oil measurements 60x73 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter...

Simó Busom i Grau (Barcelona, ​​1927 – November 25, 2020[1]) was a Catalan landscape painter. He trained as a painter at the Acadèmia Baixas, and in his early works the influence of ...

"Bright Conversation" by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) signed lower right, oil painting on board, unframed painting: 25.5 x 21 inches A fine "mid century" oi...

Charming and colorful mid century watercolor of a small coastal neighborhood and orchard by Zella Mae (Wunderlich) Dickinson (1895 - 1982). Initialed and dated "ZD '64" lower right c...

Gabriel Casarrubios Martín (1953) - Maternity - Oil on panel Oil size 22x27 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at th...

Artist/ School: Suzanne Crochet (French c. 1930), French Impressionist artist Title: Church in a Landscape Medium: signed oil on board, unframed board: 9 x 13 inches Provenance: ...

Masterfully designed scene of an attractive young Redhead sitting by a canoe under a tree with hanging Spanish moss. It is rendered in a quick Arts and Crafts style that is as abstract as it is representational. The viewer can stare at it endlessly and still discover new pictorial relationships. Every brush stroke and every dap a paint is perfectly placed. Signed lower left. Most likely for Saturday Evening Post or Colliers. Louderback is a painter/illustrator of the Golden Age of Illustration...

Signed post impressionist landscape oil on canvas by French painter Henri Le Sidaner. This stunning piece depicts two fishing boats moored in a fishing village at sunset. The last l...

Beautiful. large oil on canvas, in excellent condition. Framed The Spätimpressionist Leopold Illenz was a student of Anton Azbe, and Simon Hollósy at Munich private schools...

"Strech the Noise" is an evocative acrylic painting measuring 60 x 73 cm that encapsulates the essence of serenity and harmony between humans and nature. At the forefront of the canv...

A beautiful painting of two young girls at the beach. One picking flowers and the other gazing out onto the beach. The painting is oil on wood panel and the condition is good. The s...

Pacific Coast in Spring - Watercolor Landscape Vibrant watercolor of Pacific coastal waters crashing in the the cliffs, by an unknown artist (American, 20th Century). Bright, fauvis...