1810s Art

James Loder of Bath (British, active early 19th century) Portrait of a Standing Terrier Signed and dated 1819, lower right Oil on board Presented in a period giltwood frame A refine...

This lovely 19th century Old Master portrait oil painting is by noted British artist William Owen. Painted circa 1810 the composition is a young girl kneeling to feed her chickens in...

Reloj Imperio; Imperio; Francia, c. 1810-15. Bronce dorado al mercurio. Medidas: 48 x 33 x 12 cm. La pieza ha sido concebida a través de un concepto escultórico característico de est...

Outstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters. William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school. Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours. He based his style on that of well-known Dutch maritime...

The French Landscape is an original etching realized by Henry Verger-Sarrat in the 20th Century. Good conditions except for some foxings. The artwork is depicted through strong str...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Jesus College...

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"Animal Studies, 1814" Charles Towne (British, 1763-1840) Oil on panel Signed and dated Chas. Towne/ Pinxit 1814 (lower right) 15 x 11 3/8 (21 x 17 ¼ frame) inches Provenance: Collec...

Attributed to John Nost Sartorius (1759–1828) Fox Hunter and Hounds Oil on canvas, circa 1810 Provenance: Ackermann & Johnson, London A fine and spirited example of early 19th-centu...

Rare, original hand colored etching (Aquatint) from the Poetical Sketches of Scarborough titled “A Tro to Scarbro’”. Condition is good. Executed in 1813. Under glass. The etching ...

The illustrated title page to The English Dance of Death, designed and etched by Thomas Rowlandson, one of the most celebrated British caricaturists and satirical artists of the late...

Sir William Beechey (Burford 1753-1839 Hampstead) Portrait of a Gentleman, c. 1810-20 Formerly identified as Joseph Greaves Esq., High Sheriff of Derbyshire (?-1780) Oil on canvas 76...

Etching realized by Thomas Rowlandson as frontispiece of "The English Dance of Death". Printed by J. Diggins and published by R. Ackermann's Repository of Arts. Hand-colored etching...

Drawing of Putti in the Clouds Jean-Jacques le Barbier l'Ainé (France, 1738-1826) Black pencil on paper Signed and dated lower left "Le Barbier L'ainé 1816" 10 1/4 x 12 1/4 inches ...

Ange-René RAVAULT (Montargis, 1766 – Montargis, 1845) Portrait of a family from the Montargis or Pithiviers region Oil on canvas H. 73 cm; W. 60 cm Signed and dated lower left 1819 ...

Portrait of Clemency is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge...

Antoine-Ignace MELLING (1763 Karlsruhe - 1831 Paris) View of the surroundings of Saint-Cloud from the terrace of Bellevue in Meudon Watercolor and gouache H. 62.5 cm; W. 93.5 cm Sign...

Romane ritornando dalla vendemmia is a precious hand-colored etching by Bartolomeo Pinelli. The inscriptions are at the bottom, inside the matrix, and just below the image. On the le...

This magnificent 1813 engraving, after a painting by François Gérard, portrays Joseph Napoléon Bonaparte, King of Spain, in full coronation regalia. Standing with composed authority,...

The English dance of death - The dance of life is an original pair of rare and fine books written by William Combe (25 March 1742 – 19 June 1823) and illustrated by Thomas Rowlandson (13 July 1757 – 21 April 1827) in 1816/1817. Original First Edition. Published by Ackermann, London. Format: in 8°. The dimensions of the book are indicative. The book includes 3 volumes with 295 + 299 + 285 pages. 2 frontispieces and 96 handcolored etchings. 252 pages and 26 handcolored aquatints. Good conditions. Thomas Rowlandson (13 July 1757 – 21 April 1827), he was an English artist and caricaturist of the Georgian Era, noted for his political satire and social observation. A prolific artist and printmaker, Rowlandson produced both individual social and political satires, as well as large number of illustrations for novels, humorous books, and topographical works. Like other caricaturists of his age such as James Gillray, his caricatures are often robust or bawdy. Rowlandson also produced highly explicit erotica for a private clientele; this was never published publicly at the time and is now only found in a small number of collections. His caricatures included those of people in power such as the Duchess of Devonshire, William Pitt the Younger and Napoleon Bonaparte. William Combe (25 March 1742 – 19 June 1823) was a British miscellaneous writer. His early life was that of an adventurer, his later was passed chiefly within the "rules" of the King's Bench Prison. He is chiefly remembered as the author of The Three Tours of Doctor Syntax...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

General Lord Hill is an original print realized by John Romney (1786-1863) in the 1814. Original hand watercolored lithograph . Title printed on plate on...

This early 19th century hand-colored double fold-out botanical engraving is entitled "Chelone Major" (Flowering Lyons' Chelone plant), plate 1864, published in London in 1816 in Will...

The Physiognomy - The owl and peacock is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge...

This very charming British 19th century Old Master portrait oil painting is attributed to the circle of Thomas Lawrence. Painted circa 1810 it is a seated half length portrait of a l...

Portrait is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lov...

The Revelation is an original etching artwork realized by William Bromley for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankin...

Wonderful Early 19th-century Still life of different fruits on an earth bank. Very much painted in the same way as George William Sartorius painted his still lives this piece has al...

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Francisco de Goya, Spanish (1746 - 1828) - The Custody is as Barbarous as The Crime, Year: circa 1810, Medium: Etching and burin on cream laid paper, Image Size: 3.75 x 3 inches, Si...

Kabuki Theatre Scene is a color woodblock print on paper, realized by Utagawa Toyokuni II around 1810 ca. This lovely ukiyo-e print depicts a kneeling actress, more precisely a geis...

Bust and Cupid is an etching realized by Thomas Holloway for Johann Caspar Lavatera's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bens...

Rare and precious lifetime edition published by the Venetian publisher Picotti in 1817. Pages: 223 + 17 not numbered. In-4° with editorial binding and original "varies" paper "alla b...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

The English dance of death - The dance of life is an original pair of rare and fine books written by William Combe (25 March 1742 – 19 June 1823) and illustrated by Thomas Rowlandson (13 July 1757 – 21 April 1827) in 1816/1817. Original First Edition. Published by Ackermann, London. Format: in 8°. The dimensions of the book are indicative. The book includes 3 volumes with 295 + 299 + 285 pages. 2 frontispieces and 96 handcolored etchings. 252 pages and 26 handcolored aquatints. Good conditions. Thomas Rowlandson (13 July 1757 – 21 April 1827), he was an English artist and caricaturist of the Georgian Era, noted for his political satire and social observation. A prolific artist and printmaker, Rowlandson produced both individual social and political satires, as well as large number of illustrations for novels, humorous books, and topographical works. Like other caricaturists of his age such as James Gillray, his caricatures are often robust or bawdy. Rowlandson also produced highly explicit erotica for a private clientele; this was never published publicly at the time and is now only found in a small number of collections. His caricatures included those of people in power such as the Duchess of Devonshire, William Pitt the Younger and Napoleon Bonaparte. William Combe (25 March 1742 – 19 June 1823) was a British miscellaneous writer. His early life was that of an adventurer, his later was passed chiefly within the "rules" of the King's Bench Prison. He is chiefly remembered as the author of The Three Tours of Doctor Syntax...

Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, and ...

Historical scene is an artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", London, Be...

Attitudes is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", L...

Jesus is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love o...

Thomas Holloway, Noses, original Etching, 1810. The Physiognomy - The Noses is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiogn...

The Physiognomy - The Insects is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the...

Reactions to Death is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind",...

The Physiognomy - The Ears is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...

Plate 23 – From Liber Veritatis Aquatint on Copper, Imag. Dim: cm 33x47.5, Dim: cm 21x27, Beautiful Artist’s Proof, representing a shepherd with his herd pastouring at the shore o...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Martha Walter (1875-1976). Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylvania Academy of the Fine Arts. It was at the Academy that Walter’s artistic talent was discovered. An admiring instructor by the name of William Merritt Chase took young Martha under his wing, giving her both inspiration and direction. She additionally enrolled with Chase at his summer school in Shinnecock, Long Island and in 1903, was awarded the Cresson Traveling Scholarship by the Pennsylvania Academy. This sent Martha Walter on travels to France, Italy, Spain, and Holland, where she attended the Grand Chaumiere and the Academie Julian in Paris. Afterwards, she established a studio on the Rue De Bagneaux in France with several other American women artists. In 1909, Walter won the Mary Smith Prize from the Academy for a portrait she had painted while in Europe. At the onset of World War I, Martha returned home and began painting plein-air subjects, such as Ellis Island, the fishing village of Gloucester, scenes of cheerful children, and the quintessential American beach scenes which have brought her national acclaim. Throughout her life, Walter continued to travel with great regularity capturing in oil and watercolor a wealth of landscapes and cultures across the globe. Martha lived a charmed life...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

James Basire & John Carter Architectural fragments of St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

James Basire & John Carter Floor plan of St Albans Cathedral Engraving 61 x 95 cm This engraving was originally published by the Society of Antiquaries of London, an organisation ...

Beautiful, early 19th century, oil on canvas painting of a French noble boy in a luxurious, two-piece, velvet suit trimmed in intricate lace, and a pair of striking, crimson stocking...

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Artist: (after) Hans Holbein (the Younger) (German-Swiss, c. 1497-1543) Titles: "Jane Seymour Queen", "The Lady Mary after Queen", "Catherine Howard Q...

Jean-Victor Bertin and workshop (Paris 1767 - 1842) Landscape of the Île-de-France region Oil on canvas H. 38 cm; W. 46 cm Related work: painting of the same composition held at the...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Pensioner of Trinity College, Cambridge, Masters of Arts, and Sizer (1815) Hand-coloured aquatint 25 x 30 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of a pensioner of Trinity College, Masters of Arts, and a sizer (that is, an undergraduate who received some form of assistance such as meals, lower fees or lodging during his period of study, in some cases in return for doing a defined job) from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. The four figures walk forward with ceremonial accoutrements, possibly to a graduation ceremony. At Cambridge, a sizar was originally an undergraduate student who financed his studies by undertaking more or less menial tasks within his college but, as time went on, was increasingly likely to receive small grants from the college. Certain colleges, including St John's and Trinity, distinguished between two categories of sizar: there were specific endowments for specific numbers of sizars who were called "proper sizars"; those who were not so endowed, but who were maintained by fellow-commoners and fellows were called subsizars. Isaac Newton matriculated as subsizar at Trinity College. Richard S. Westfall noted that sizars were considerably more successful in gaining degrees than the gentlemen who entered Cambridge in the seventeenth century. Pensioners, on the other hand, paid a fixed annual fee in order to study. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

James Basire & John Carter Architectural details of St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an ...

James Basire & John Carter Specimens of the Architecture and Ornaments of the Abbey Church at St Albans Engraving 62 x 46 cm This engraving was originally published by the Societ...

James Basire & John Carter Floor plan of St Albans Cathedral Engraving 61 x 95 cm This engraving was originally published by the Society of Antiquaries of London, an organisation ...

James Basire & John Carter St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to ...

Grotesque Scene is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", Lo...