1810s Art
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19
517
28
25
6
4
Overall Width
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Overall Height
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7,476
21,065
160,097
233,347
1,940
2,227
4,770
6,398
5,824
14,945
20,284
25,512
17,772
13,649
5,305
266
159
1
1
1
322
244
11
484
218
217
207
187
126
100
97
72
56
50
32
20
13
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11
11
11
10
497
88
47
32
22
311
15
14
3
3
42
481
165
37
Period: 1810s
The Last Farewell of Calas - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The last Farewell of Calas is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater "Essays on Physiognomy, Designed to promote the Knowl...
Category
Modern 1810s Art
Materials
Etching
Heads of Animals - Original Etching by John Barlow - 1810
By John Barlow
Located in Roma, IT
Heads of animals is an original artwork realized by John Barlow (1759 - 1810).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote...
Category
Old Masters 1810s Art
Materials
Etching
Silhouettes - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Silhouette is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the L...
Category
Old Masters 1810s Art
Materials
Etching
Silhouettes - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Silhouettes is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the ...
Category
Old Masters 1810s Art
Materials
Etching
Portrait of J....I - Original Etching by James Caldwall - 1810
Located in Roma, IT
Portrait of J....I is an original artwork realized by James Caldwall (1739 - 1822).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge an...
Category
Old Masters 1810s Art
Materials
Etching
Heads of Men - Original Etching by James Neagle - 1810
Located in Roma, IT
Heads of men is an original artwork realized by James Neagle (1760 - 1822).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lo...
Category
Old Masters 1810s Art
Materials
Etching
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an original artwork realized by Thomas Holloway.
Original Etching from Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of ...
Category
Old Masters 1810s Art
Materials
Etching
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an original artwork realized by Thomas Holloway (1748-1827).
Original Etching from Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and ...
Category
Old Masters 1810s Art
Materials
Etching
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lov...
Category
Old Masters 1810s Art
Materials
Etching
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an original artwork realized by Johann Caspar Lavater (1741 - 1801).Original Etching from "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankin...
Category
Old Masters 1810s Art
Materials
Etching
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mank...
Category
Old Masters 1810s Art
Materials
Etching
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mank...
Category
Old Masters 1810s Art
Materials
Etching
Landscape - Etching and Aquatint on Paper by L. Caracciolo After C. Lorrain
Located in Roma, IT
Landscape is an original etching and aquatint on paper realized by Claudio di Lorena.
Signed on the plate, on the lower left. plate no. 183, lower on the right, edition "L. Caraccio...
Category
1810s Art
Materials
Etching, Aquatint
Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm.
Liber Veritatis - Plate 145 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...
Category
Old Masters 1810s Art
Materials
Etching, Aquatint
Liber Veritatis - B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm.
Liber Veritatis - Plate 98 is a beautiful black and white etching and aquatint on paper realized by the Italian artist L...
Category
Old Masters 1810s Art
Materials
Etching, Aquatint
Liber Veritatis - B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Plate 23 – From Liber Veritatis
Aquatint on Copper, Imag. Dim: cm 33x47.5, Dim: cm 21x27,
Beautiful Artist’s Proof, representing a shepherd with his herd pastouring at the shore o...
Category
Old Masters 1810s Art
Materials
Etching, Aquatint
Pensioner of Trinity Hall; Doctors in Law and Physic engraving by John Agar
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Art
Materials
Aquatint
Pensioner of Trinity Hall; Doctors in Law and Physic engraving by John Agar
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Art
Materials
Aquatint
Christ Church Cathedral, Oxford interior engraving by Bennett after Westall
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Art
Materials
Engraving, Aquatint
Peterhouse, Cambridge engraving by Stadler after Westall
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Art
Materials
Engraving, Aquatint
Trinity College, Cambridge Hall engraving by Bluck after Pugin for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
1810s Art
Materials
Aquatint, Engraving
Proctor, University of Oxford engraving by Agar after Uwins for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
1810s Art
Materials
Aquatint
Tom Tower, Christ Church, St Aldate's, Oxford by Hill after Pugin for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832)
St Aldate's From Carfax (1813)
Aquatint with original hand colouring
27 x 21 cm
Published by Rudolph Ackermann (1764 - 1834).
An engraving of St Aldate's, overlooked by Christ Church's pale and magnificent Tom Tower.
John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints.
Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
1810s Art
Materials
Aquatint
Pastoral Drawing of a Young Man Resting by the Roadside
Located in Philadelphia, PA
Jacques-Laurent Agasse
(Swiss, 1767-1849)
Young Man Resting by the Roadside, 1819
Pen and ink and wash on paper, 5 1/4 x 6 1/2 inches
Framed: 13 x 11 3/4 inches (approx.)
Signed and ...
Category
Realist 1810s Art
Materials
Paper, Ink, Pen
Frances Sidney, Sidney Sussex College, Cambridge engraving for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Art
Materials
Aquatint
Elizabeth de Clare, Clare College, Cambridge engraving for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Art
Materials
Aquatint
The Radcliffe Camera library Oxford engraving by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Art
Materials
Aquatint
Clare College, Cambridge / Clare Hall / King's College engraving by Stadler
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Art
Materials
Aquatint
Doctors of Divinity, University of Cambridge 19th century engraving by John Agar
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Doctors in Divinity, Esquire Beadle, and Yeoman Beadle (1815)
Hand-coloured aquatint
25 x 30 cm
Published by Rudolph Ackermann (1764 - 1834).
An engraving of two Doctors in Divinity and two beadles (administrative assistants to the Chancellor and Proctors of the University) from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. The four figures walk forward with ceremonial accoutrements, likely to a graduation ceremony.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
1810s Art
Materials
Aquatint
MA Masters of Arts and Trinity College, Cambridge member engraving by John Agar
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Pensioner of Trinity College, Cambridge, Masters of Arts, and Sizer (1815)
Hand-coloured aquatint
25 x 30 cm
Published by Rudolph Ackermann (1764 - 1834).
An engraving of a pensioner of Trinity College, Masters of Arts, and a sizer (that is, an undergraduate who received some form of assistance such as meals, lower fees or lodging during his period of study, in some cases in return for doing a defined job) from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. The four figures walk forward with ceremonial accoutrements, possibly to a graduation ceremony.
At Cambridge, a sizar was originally an undergraduate student who financed his studies by undertaking more or less menial tasks within his college but, as time went on, was increasingly likely to receive small grants from the college. Certain colleges, including St John's and Trinity, distinguished between two categories of sizar: there were specific endowments for specific numbers of sizars who were called "proper sizars"; those who were not so endowed, but who were maintained by fellow-commoners and fellows were called subsizars. Isaac Newton matriculated as subsizar at Trinity College. Richard S. Westfall noted that sizars were considerably more successful in gaining degrees than the gentlemen who entered Cambridge in the seventeenth century. Pensioners, on the other hand, paid a fixed annual fee in order to study.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
1810s Art
Materials
Aquatint
Pembroke College, Oxford engraving by Joseph Skelton after G Vertue
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1810s Art
Materials
Engraving
"Field Fare" and "Sea Fare" Pair by Benjamin Blake
Located in Mere, GB
"Field Fare" and "Sea Fare" Pair by Benjamin Blake. Benjamin Blake and his studio produced a number of fine quality larder scenes in the regency period. Bo...
Category
Realist 1810s Art
Materials
Oil
$4,068 Sale Price
20% Off
Monastery of St. Augustine, Canterbury /// William Dugdale Monasticon Anglicanum
Located in Saint Augustine, FL
Artist: Sir William Dugdale (English, 1605-1686)
Title: "Monastery of St. Augustine, Canterbury"
Portfolio: Monasticon Anglicanum: A History of the Abbies and Other Monasteries, Hosp...
Category
Old Masters 1810s Art
Materials
Engraving
Robert Woodlark, St Catharine's College, Cambridge founder engravings
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Robert Woodlark Founder of Catherine Hall, Cambridge from a Picture at the Hall (1815)
Hand-coloured aquatint
24 x 20 cm
Published by Rudolph Ackermann (1764 - 1834).
A copy of this engraving is held by the National Portrait Gallery, reference NPG D4871.
Robert Woodlark (also spelled Wodelarke) was an English academic and priest. He was the Provost of King's College, Cambridge, and the founder of St Catharine's College, Cambridge. He drew up the original statutes for the governance of the college and obtained a charter from Edward IV...
Category
Realist 1810s Art
Materials
Aquatint
Westminster Abbey South Aisle engraving by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Bluck (early 19th century) after Frederick Mackenzie (1788 - 1854)
East End of South Aisle, Westminster Abbey (1812)
Hand-coloured aquatint
31 x 24 cm
Published by Rudolph Ackermann...
Category
Realist 1810s Art
Materials
Aquatint
Westminster Abbey Chantry Chapel Screen engraving by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Bluck (early 19th century) after Frederick Mackenzie (1788 - 1854)
Screen Over the Chantry of Henry V, Westminster Abbey (1812)
Hand-coloured aquatint
26 x 31 cm
Published by Rudolph Ackermann...
Category
Realist 1810s Art
Materials
Aquatint
French Fashion: Lady and her Maid, a Drawing by Horace Vernet, 1814
Located in Philadelphia, PA
Horace Vernet
(French, 1789-1863)
Lady and Her Maid with a Dress, 1814
Watercolor on paper, 8 1/4 x 6 1/4 inches
Framed: 15 x 13 inches (approx.)
Signed and dated at lower right: "H...
Category
Realist 1810s Art
Materials
Paper
French Fashion: Two Ladies, a drawing by Horace Vernet, 1814
Located in Philadelphia, PA
Horace Vernet
(French, 1789-1863)
Two Ladies Standing, 1814
Watercolor on paper, 8 x 6 1/4 inches
Framed: 15 x 13 inches (approx.)
Signed and dated at lower right: "H.Vernet--1814."...
Category
Realist 1810s Art
Materials
Paper, Watercolor, Pencil
19th century landscape of rome daily life by fine print master Sir Muirhead Bone
Located in Milan, IT
Original etching and drypoint, signed in the plate and in pencil in the lower right corner; Dodgson "Etchings and drypoints by Muirhead Bone", Print Collector's Quarterly, 1922, IX, p. 173-200; Mackenzie, British Prints, p. 57; 400 x 278 mm
Superb test with signs particularly rich in beards, a characteristic typical only of the first tests: the pictorial effect is very effective. Small uneven margins. In perfect state of conservation.
Rich of burr drypoint, 1916, printed on cream paper. Good margins all around. In good condition.
Sir Muirhead Bone (23 March 1876 - 21 October 1953) was a Scottish etcher and watercolorist who became known for his depiction of industrial and architectural subjects and his work as a war artist in both the First and Second World Wars. Bone was an active member of both the British War Memorials Committee in the First World War and the War Artists...
Category
English School 1810s Art
Materials
Etching
"A Peep Into The Pump Room Or The Zomersetshire Folk In A Maze" 1818
Located in Bristol, CT
Print Sz: 10"H x 14 1/2"W
Frame Sz: 16"H x 20"W
Artist: Fores, S.W.
The people are striving to see Queen Charlotte, who visited Bath to take the waters in November 1817. The Duke ...
Category
1810s Art
Materials
Lithograph
"Smuggling In High Life" c1814 Colour Engraving By W N Jones
Located in Bristol, CT
Art Sz: 10"H x 16"W
Frame Sz: 15 1/2"H x 21"W
Pub, January 1st 1814
Property from the Estate of Paula Peyraud
A reserved librarian from Chappaqua, New York, Miss Paula Peyraud wa...
Category
1810s Art
Materials
Paper