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Period: 1810s
Profile of Woman - Original Pencil Drawing - 1818

Profile of Woman - Original Pencil Drawing - 1818, 1818

$353

Profile of Woman - Original Pencil Drawing - 1818

Located in Roma, IT

Profile of a Woman is original drawing realized by unknown artist of the early 19th Century. Dated on the lower 1818 and with description in pencil on the lower left. Pencil drawin...

Category

Modern 1810s Art

Materials

Paper, Pencil

Ichikawa Danjuro in the Role of Chobei - Woodcut by Utagawa Toyokuni - 1810s

Utagawa ToyokuniIchikawa Danjuro in the Role of Chobei - Woodcut by Utagawa Toyokuni - 1810s, 1810s

$706

Ichikawa Danjuro in the Role of Chobei - Woodcut by Utagawa Toyokuni - 1810s

By Utagawa Toyokuni

Located in Roma, IT

Ichikawa Danjuro in the role of Chobei is an original modern artwork realized by Utagawa Toyokuni (Edo, 1769 – Edo, 1825). Original Woodcut Print. Oban from a Triptych, around 1810. The actor Ichikawa Danjuro sitting on a bench and fretting, behind him a green curtain with peony motif. Signed: Toyokuni ga. Publisher: Yamamotoya Heikichi. Excellent impression, cut, centrefold, a little bit rubbed and soiled. Utagawa Toyokuni (Edo, 1769 – Edo, 1825), also often referred to as Toyokuni I...

Category

Modern 1810s Art

Materials

Woodcut

The Last Supper - Etching by Thomas Holloway - 1810

Thomas HollowayThe Last Supper - Etching by Thomas Holloway - 1810, 1810

$541

The Last Supper - Etching by Thomas Holloway - 1810

Located in Roma, IT

The Last Supper is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Manki...

Category

Modern 1810s Art

Materials

Etching

Portrait of J....I - Etching by James Caldwall - 1810

James CaldwallPortrait of J....I - Etching by James Caldwall - 1810, 1810

$411

Portrait of J....I - Etching by James Caldwall - 1810

Located in Roma, IT

Portrait of J....I is an original artwork realized by James Caldwall (1739 - 1822). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge an...

Category

Old Masters 1810s Art

Materials

Etching

1817 Oval Portrait of Gentleman Oil on Canvas Original Empire Gilt Bronze Frame
1817 Oval Portrait of Gentleman Oil on Canvas Original Empire Gilt Bronze Frame

1817 Oval Portrait of Gentleman Oil on Canvas Original Empire Gilt Bronze Frame, e.g. 1817

$1,550

1817 Oval Portrait of Gentleman Oil on Canvas Original Empire Gilt Bronze Frame

Located in Stockholm, SE

This accomplished portrait captures a distinguished young gentleman at the twilight of the Napoleonic era. His penetrating gaze and confident bearing betray not only his aristocratic...

Category

Realist 1810s Art

Materials

Bronze, Gold Leaf

Chinese Craft on the Pearl River.

Chinese Craft on the Pearl River., 1810

$5,157

Chinese Craft on the Pearl River.

Located in London, London

[CHINESE SCHOOL]. Chinese Craft on the Pearl River. Canton, circa 1810. A pencil, water colour and body colour drawing of craft, heightened with white on paper watermarked ‘J Whatm...

Category

Naturalistic 1810s Art

Materials

Watercolor

Trinity College, Cambridge Library engraving by Stadler after Westall
Trinity College, Cambridge Library engraving by Stadler after Westall

Joseph Constantine StadlerTrinity College, Cambridge Library engraving by Stadler after Westall, 1814

$412

Trinity College, Cambridge Library engraving by Stadler after Westall

By Joseph Constantine Stadler

Located in London, GB

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Trinity Library...

Category

Realist 1810s Art

Materials

Aquatint

Chinese Craft on the Pearl River.

Chinese Craft on the Pearl River., 1810

$5,157

Chinese Craft on the Pearl River.

Located in London, London

[CHINESE SCHOOL]. Chinese Craft on the Pearl River. Canton, circa 1810. A pencil, water colour and body colour drawing of craft, heightened with white on paper watermarked ‘J Whatm...

Category

Other Art Style 1810s Art

Materials

Watercolor

GALLESIO. A Group of Six Grapes.
GALLESIO. A Group of Six Grapes.

Giorgio GallesioGALLESIO. A Group of Six Grapes., 1817

$10,314

GALLESIO. A Group of Six Grapes.

Located in London, London

Six hand-coloured plates of Grapes, printed in colour and finished by hand. Framed and glazed, overall size: 42.5 by 57.5cm. Pomona Italiana Ossia Trattato Degli Alberi Fruttiferi...

Category

Naturalistic 1810s Art

Materials

Handmade Paper, Engraving

St. Alban's Abbey Church, High Altar screen /// Robert Clutterbuck Hertford Art
St. Alban's Abbey Church, High Altar screen /// Robert Clutterbuck Hertford Art

Robert ClutterbuckSt. Alban's Abbey Church, High Altar screen /// Robert Clutterbuck Hertford Art, 1815-1827

$300

St. Alban's Abbey Church, High Altar screen /// Robert Clutterbuck Hertford Art

Located in Saint Augustine, FL

Artist: Robert Clutterbuck (English, 1772-1831) Title: "St. Alban's Abbey Church, High Altar screen" (Vol. 1, Plate 65) Portfolio: The History and Antiquities of the County of Hertford Year: 1815-1827 (First edition) Medium: Original Engraving on wove paper Limited edition: Unknown Printer: Nichols, Son, and Bentley, London, UK Publisher: Nichols, Son, and Bentley, London, UK Sheet size: 17.63" x 11.38" Image size: 11.57" x 8.57" Reference: Brunet II, No. 112; Lowndes No. 483; BAL RIBA No. 666; Upcott I, page 623 Condition: Scattered foxing throughout sheet; it doesn't show much within the image. Creasing to upper left and right corners. Has been professionally stored away for decades. It is otherwise a strong impression in good condition Notes: Provenance: private collection - Aspen, CO. Engraved by English artist John Henry Le Keux (1812-1896) after a drawing by English artist Frederick Nash (1782-1856). Comes from Clutterbuck's three volume "The History and Antiquities of the County of Hertford", (1815-1827) (First edition), which consists of 54 engravings. Printed from one copper plate on one color: black. "Vol. I. p. 65" printed upper right in margin. "Proof" printed lower right in margin. St Albans Cathedral, officially the Cathedral and Abbey Church of St Alban, also known as "the Abbey", is a Church of England cathedral...

Category

Old Masters 1810s Art

Materials

Engraving, Intaglio

St Sepulchre, The Round Church, Cambridge interior after Pugin for Ackermann
St Sepulchre, The Round Church, Cambridge interior after Pugin for Ackermann

Rudolph AckermannSt Sepulchre, The Round Church, Cambridge interior after Pugin for Ackermann, 1814

$309

St Sepulchre, The Round Church, Cambridge interior after Pugin for Ackermann

By Rudolph Ackermann

Located in London, GB

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832) St Sepulchre's - The Round Church (1814) Aquatint with original hand colouring 24 x 29 cm Published by Rudolph Ackermann (1764 - 1834). An interior engraving of the Church of the Holy Sepulchre, Cambridge, the round shape of which is inspired by the rotunda in the church of the Holy Sepulchre, Jerusalem. John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints. Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Category

1810s Art

Materials

Aquatint

All Souls College, Oxford engraving by Bluck after Pugin for Ackermann
All Souls College, Oxford engraving by Bluck after Pugin for Ackermann

Rudolph AckermannAll Souls College, Oxford engraving by Bluck after Pugin for Ackermann, 1814

$666

All Souls College, Oxford engraving by Bluck after Pugin for Ackermann

By Rudolph Ackermann

Located in London, GB

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Bluck (early 19th century) after Augustus Charles Pugin (1762 - 1832) All Souls...

Category

1810s Art

Materials

Aquatint

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