1810s Art
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1,940
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14,945
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25,531
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13,651
5,339
266
160
1
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322
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11
484
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Period: 1810s
Portrait of a Man - Original Etching by John Hall - 1810
Located in Roma, IT
Portrait of a man is an original artwork realized by John Hall for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", London,...
Category
Old Masters 1810s Art
Materials
Etching
Portrait of a Man - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of a man is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind",...
Category
Old Masters 1810s Art
Materials
Etching
Heads of Johnfon - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Heads of Johnfon is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", Lo...
Category
Old Masters 1810s Art
Materials
Etching
Portrait of Knipperdolling - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of Knipperdolling is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Ma...
Category
Old Masters 1810s Art
Materials
Etching
Portrait of Moncrif - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of Moncrif is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind"...
Category
Modern 1810s Art
Materials
Etching
Portrait of Attila - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of Attila is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind",...
Category
Modern 1810s Art
Materials
Etching
Portrait After Raphael - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of After Raphael is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Know...
Category
Old Masters 1810s Art
Materials
Etching
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an original artwork realized by Johann Caspar Lavater (1741 - 1801).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and t...
Category
Old Masters 1810s Art
Materials
Etching
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mank...
Category
Old Masters 1810s Art
Materials
Etching
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an original artwork realized by Thomas Holloway (1748-1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love ...
Category
Old Masters 1810s Art
Materials
Etching
Fred King of Prussia - Original Lithograph by John Romney - 1814
Located in Roma, IT
Fred King of Prussia is an original lithograph, hand watercolored, realized by John Romney (1786-1863) in the 1814.
Title printed on plate on the lower ma...
Category
Modern 1810s Art
Materials
Lithograph
A Youth at His Devotions /// after Raphael Raffaello Sanzio Renaissance Italian
Located in Saint Augustine, FL
Artist: William Young Ottley (English, 1771-1836)
Title: "A Youth at His Devotions"
Portfolio: The Italian School of Design: Being a Series of Fac-Similes of Original Drawings, By th...
Category
Victorian 1810s Art
Materials
Etching, Intaglio
GALLESIO. A Group of Six Grapes.
Located in London, GB
Six hand-coloured plates of Grapes, printed in colour and finished by hand. Framed and glazed, overall size: 42.5 by 57.5cm. Pomona Italiana Ossia Trattato Degli Alberi Fruttiferi...
Category
Naturalistic 1810s Art
Materials
Handmade Paper, Engraving
Sui Marmi di Antonio Canova - Ancient Illustrated Book - 1817
Located in Roma, IT
Rare and precious lifetime edition published by the Venetian publisher Picotti in 1817.
Pages: 223 + 17 not numbered.
In-4° with editorial binding and original "varies" paper "alla b...
Category
Modern 1810s Art
Materials
Paper
University of Oxford Bachelor engraving by Agar after Uwins for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Servitor, Bachelor of Divinity, Collector (1814)
Aquatint with original hand colouring
24 x 29 cm
Published by Rudolph Ackermann (1764 - 1834).
A Servitor; Bachelor of Divinity; and Collector of the University of Oxford.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
1810s Art
Materials
Aquatint
Roman Costumes - Etching by Bartolomeo Pinelli - 1819
Located in Roma, IT
Hand-watercolored Etching, 1819,
Image Dim: cm 28 x 20, Dim: cm 29x40.
Etching and Watercolor technique. In Good condition. Signed and dated on plate lower margin "Pinelli dis. e ...
Category
Realist 1810s Art
Materials
Etching
Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm.
Liber Veritatis - Plate 95 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Claud...
Category
Old Masters 1810s Art
Materials
Etching, Aquatint
Trinity College, Cambridge Library engraving by Stadler after Westall
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850)
Trinity Library...
Category
Realist 1810s Art
Materials
Aquatint
Customs of Civitacastellana - Etching by Bartolomeo Pinelli - 1819
Located in Roma, IT
Hand-watercolored Etching, 1819,
Image Dim: cm 28 x 20, Dim: cm 28x39.
Etching and Watercolor technique. In Good condition. Signed and dated on plate lower margin "Pinelli dis. e ...
Category
Realist 1810s Art
Materials
Etching
Emmanuel College, Cambridge hall engraving by Bluck after Pugin for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
1810s Art
Materials
Aquatint
Trinity College, Cambridge Great Court engraving by Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Art
Materials
Aquatint
Vice Chancellor, Esquire Beadle, Yeoman Beadle, Oxford engraving for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
1810s Art
Materials
Aquatint
Vive L'Empereur! - Lithograph by Auguste Raffet - 1813
Located in Roma, IT
Vive L'Empereur! is a Lithograph realized by Auguste Raffet in 1833.
First edition.
Signed in the plate.
Good condition with foxing.
Category
Modern 1810s Art
Materials
Lithograph
St Sepulchre, The Round Church, Cambridge interior after Pugin for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832)
St Sepulchre's - The Round Church (1814)
Aquatint with original hand colouring
24 x 29 cm
Published by Rudolph Ackermann (1764 - 1834).
An interior engraving of the Church of the Holy Sepulchre, Cambridge, the round shape of which is inspired by the rotunda in the church of the Holy Sepulchre, Jerusalem.
John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints.
Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
1810s Art
Materials
Aquatint
Chinese Craft on the Pearl River.
Located in London, GB
[CHINESE SCHOOL].
Chinese Craft on the Pearl River.
Canton, circa 1810.
Pencil, water colour and body colour drawings of craft, heightened with white on paper watermarked ‘J Whatm...
Category
Naturalistic 1810s Art
Materials
Watercolor
Kitchen of Trinity College, Cambridge engraving by Stadler after WH Pyne
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Art
Materials
Engraving, Aquatint
St Mary's Church, Oxford engraving by Lewis after Nash for Ackermann
Located in London, GB
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Frederick Christian Lewis (1779 - 1856) after Frederick Nash (1782 - 1856)
St Mary's Church, Oxford (1813)
Aquatint with original hand colouring
21 x 27 cm
Published by Rudolph Ackermann (1764 - 1834).
Frederick Nash was born in Lambeth. He studied architectural drawing under Thomas Malton and then enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton and Edward Wedlake Brayley, subsequently becoming a member of the Society of Painters in Watercolours - a group of painters who had left the Royal Academy following complaints of under-recognition of their works. Nash became primarily a landscape painter and toured the rivers of Germany.
Frederick Christian Lewis was an English etcher, aquatint and stipple engraver, landscape and portrait painter. He studied under J. C. Stadler and in the schools of the Royal Academy and aquatinted most of Thomas Girtin's etchings of Paris...
Category
1810s Art
Materials
Aquatint
Library of Trinity College, Cambridge engraving by Havell after Pugin
Located in London, GB
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Category
1810s Art
Materials
Aquatint, Engraving
Gentleman Commoner, University of Oxford 1814 engraving by John Agar
Located in London, GB
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Category
Realist 1810s Art
Materials
Aquatint
The Clarendon Building, Oxford engraving by Joseph Stadler for Ackermann
Located in London, GB
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Category
Realist 1810s Art
Materials
Aquatint
Quadrangle of Balliol College, Oxford engraving by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Art
Materials
Aquatint
Fellow Commoner, University of Oxford 1814 engraving by John Agar
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Art
Materials
Aquatint
Trinity Gate, Trinity College, Cambridge engraving by Stadler after Westall
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Art
Materials
Engraving, Aquatint
Trinity College, Cambridge library colonnade engraving by Stadler after Westall
Located in London, GB
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Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850)
Colonnade under Trinity Library...
Category
Realist 1810s Art
Materials
Engraving, Aquatint
Queens' College, Cambridge engraving by Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Art
Materials
Aquatint
Chapel of Trinity College, Cambridge engraving by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Art
Materials
Aquatint
Trinity College, Cambridge Bridge engraving by Stadler after Westall
Located in London, GB
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Category
Realist 1810s Art
Materials
Aquatint, Engraving
Amorous Couple
Located in Fairlawn, OH
Amorous Couple
Watercolor on laid paper, c. 1810
Unsigned
Provenance: Emile Wolf (1899-1996)
The art collection of Emile Wolf was dispersed by Sotheby and Stair Galleries.
Condition: Excellent
22K gold leaf finishes corner frame (see photo)
“Mr. Wolf’s collection reflects a lifelong commitment to the arts. Although a mainstay of the Old Masters art scene in New York, Mr. Wolf’s collection spanned centuries and genres. He was an impassioned collector, and his Fifth Avenue apartment was filled with paintings and drawings that hung from floor to ceiling in every room. Space void of art was lined with an extensive library of art books that fueled his ardent collecting. Mr. Wolf took great joy in sharing this collection and his ideas with art historians, collectors, dealers and university students.
The Wolf collection included masterworks from every influential and groundbreaking Impressionist and modern artist of the late 19th and early 20th centuries, ranging from an outstanding grouping of works on paper by Picasso, Pissarro, and Cezanne to a Renoir oil...
Category
Romantic 1810s Art
Materials
Watercolor
Merton College Chapel engraving by J Sutherland after Pugin for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
1810s Art
Materials
Aquatint
John Alcock, Founder of Jesus College, Cambridge engraving for Ackermann
Located in London, GB
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Category
Realist 1810s Art
Materials
Aquatint
Chapel of Caius College, Cambridge engraving by Joseph Stadler for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Art
Materials
Aquatint
St. Alban's Abbey Church, High Altar screen /// Robert Clutterbuck Hertford Art
Located in Saint Augustine, FL
Artist: Robert Clutterbuck (English, 1772-1831)
Title: "St. Alban's Abbey Church, High Altar screen"
Portfolio: The History and Antiquities of the County of Hertford
Year: 1815-1827 (First edition)
Medium: Original Engraving on wove paper
Limited edition: Unknown
Printer: Nichols, Son, and Bentley, London, UK
Publisher: Nichols, Son, and Bentley, London, UK
Reference: Brunet II, No. 112; Lowndes No. 483; BAL RIBA No. 666; Upcott I, page 623
Sheet size: 17.63" x 11.38"
Image size: 11.57" x 8.57"
Condition: Scattered foxing throughout sheet; it doesn't show much within the image. Creasing to upper left and right corners. Has been professionally stored away for decades. It is otherwise a strong impression in good condition
Notes:
Provenance: private collection - Aspen, CO. Engraved by English artist John Henry Le Keux (1812-1896) after a drawing by English artist Frederick Nash (1782-1856). Comes from Clutterbuck's three volume "The History and Antiquities of the County of Hertford", (1815-1827) (First edition), which consists of 54 engravings. Printed from one copper plate on one color: black. "Vol. I. p. 65" printed upper right in margin. "Proof" printed lower right in margin.
St Albans Cathedral, officially the Cathedral and Abbey Church of St Alban, also known as "the Abbey", is a Church of England cathedral...
Category
Old Masters 1810s Art
Materials
Engraving, Intaglio
University of Oxford The Divinity School by Lewis after Mackenzie for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Art
Materials
Aquatint
Radcliffe Library, Oxford engraving by Hill after Mackenzie for Ackermann
Located in London, GB
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Category
Realist 1810s Art
Materials
Aquatint
Doctor in Divinity, Cambridge engraving by Agar after Uwins for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Doctor in Divinity (1814)
Aquatint with original hand colouring
24 x 29 cm
Published by Rudolph Ackermann (1764 - 1834).
A Doctor in Divinity of the University of Cambridge, resplendent in academic dress.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
1810s Art
Materials
Aquatint
Radcliffe Astronomical Observatory, Oxford engraving by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Art
Materials
Aquatint
Sidney Sussex College, Cambridge engraving by Havell after Pugin for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
1810s Art
Materials
Aquatint
University of Cambridge Nobleman engraving by John Agar
Located in London, GB
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John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Nobleman, Cambridge (1815)
Aquatint with original hand colouring
30 x 25 cm
Published by Rudolph Ackermann (1764 - 1834).
An engraving of a nobleman studying at Cambridge, from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
1810s Art
Materials
Aquatint
Benevolent Cottagers /// English Landscape Figurative Village Scene Engraving
Located in Saint Augustine, FL
Artist: (after) Sir Augustus Wall Callcott (English, 1779-1844)
Title: "Benevolent Cottagers"
Year: 1816
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown...
Category
Old Masters 1810s Art
Materials
Engraving, Etching, Laid Paper, Intaglio
Moroccan, Fez or Meknes: Tall bowl (Jobbana) with geometric designs
Located in New York, NY
Provenance:
Collection of Emily Johnston De Forest and Robert Weeks De Forest, New York, by 1911-until 1942; thence by descent until 2018.
Literature: ...
Category
1810s Art
Materials
Earthenware, Tin Glaze
Downing College, Cambridge engraving by Samuel Sparrow after Henry Barker
Located in London, GB
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Samuel Sparrow (active 1770 - 1806) after Henry Barker (1774 - 1856)
Downing College...
Category
1810s Art
Materials
Engraving
Chinese Craft on the Pearl River.
Located in London, GB
[CHINESE SCHOOL].
Chinese Craft on the Pearl River.
Canton, circa 1810.
A pencil, water colour and body colour drawing of craft, heightened with white on paper watermarked ‘J Whatm...
Category
Naturalistic 1810s Art
Materials
Watercolor
Westminster Abbey St Erasmus' Chapel 1812 print by John Bluck for Ackermann
Located in London, GB
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John Bluck after Frederick Mackenzie (1788 - 1854)
East Side of St Erasmus' Chapel, Westminster Abbey (1812)
Hand-coloured aquatint
28 x 19 cm
Published by Rudolph Ackermann...
Category
Realist 1810s Art
Materials
Aquatint
Whitehaven, Cumbria engraving by Elizabeth Byrne after Joseph Farington RA
Located in London, GB
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Elizabeth Byrne (1777 - 1849) after Joseph Farington RA (1747 - 1821)
North View of Whitehaven, Cumbria
Hand-coloured engraving
27.5 x 56.5 cm
A view of the cliffs and port of Whitehaven in Cumbria.
Joseph Farington RA was an 18th-century English landscape painter and diarist. He drew a north and south view of Whitehaven, which were engraved by Elizabeth Byrne in the early 19th century. Byrne was a London-born etcher and landscape painter, who was taught by her father, the etcher William Byrne...
Category
Realist 1810s Art
Materials
Engraving
Tree, Exhibiting the Various Congregations of the Benedictine Order /// Hollar
Located in Saint Augustine, FL
Artist: Sir William Dugdale (English, 1605-1686)
Title: "Tree, Exhibiting the Various Congregations of the Benedictine Order"
Portfolio: Monasticon Anglicanum: A History of the Abbie...
Category
Old Masters 1810s Art
Materials
Engraving
Portrait of Madame Leblond
Located in BELEYMAS, FR
French school circa 1815
Portrait of Madame Leblond
Oil on canvas
H. 66 cm; W. 55 cm
Named on the back
Comparable to the works of painters such as Louis Hersent, our portrait, unsig...
Category
French School 1810s Art
Materials
Canvas, Oil
Drawing of Putti in the Clouds by Jean-Jacques le Barbier l'Ainé (1738-1826)
Located in SANTA FE, NM
Drawing of Putti in the Clouds
Jean-Jacques le Barbier l'Ainé (France, 1738-1826)
Black pencil on paper
Signed and dated lower left "Le Barbier L'ainé 1816"
10 1/4 x 12 1/4 inches ...
Category
Academic 1810s Art
Materials
Paper, Pencil
Bust and Cupid - Etching by Thomas Holloway - 1810
Located in Roma, IT
Bust and Cupid is an etching realized by Thomas Holloway for Johann Caspar Lavatera's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bens...
Category
Modern 1810s Art
Materials
Etching
Design Fragment of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural Fragments of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist 1810s Art
Materials
Engraving
Design fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural Fragments of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist 1810s Art
Materials
Engraving