1810s Art

Jean-Victor Bertin and workshop (Paris 1767 - 1842) Landscape of the Île-de-France region Oil on canvas H. 38 cm; W. 46 cm Related work: painting of the same composition held at the...

Antoine-Ignace MELLING (1763 Karlsruhe - 1831 Paris) View of the surroundings of Saint-Cloud from the terrace of Bellevue in Meudon Watercolor and gouache H. 62.5 cm; W. 93.5 cm Sign...

Portrait After Raphael is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowled...

Reactions to Death is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind",...

Portrait of Julius Caesar is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Know...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 189 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

Beautiful, early 19th century, oil on canvas painting of a French noble boy in a luxurious, two-piece, velvet suit trimmed in intricate lace, and a pair of striking, crimson stocking...

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Bernard GAILLOT (Versailles 1780 – Paris, 1847) Portraits of two sisters Pair of oil on canvas H. 92 cm; L. 73 cm One signed Student of David, he presented his first works at the Sa...

Reloj Imperio; Imperio; Francia, c. 1810-15. Bronce dorado al mercurio. Medidas: 48 x 33 x 12 cm. La pieza ha sido concebida a través de un concepto escultórico característico de est...

This early 19th century hand-colored stipple engraving by Augusta Innes Withers entitled "The Brabant Bellefleur Apple" was plate 10 published in London in the 'Transactions of the H...

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Émile Bernard (French, 1868-1941) Autoportrait Self Portrait executed circa 1915 Oil on canvas Signed Emile Bernard (lower right) 20 x 18 1/2 in. (50.8 x 47cm) Frame: 28.5 x 26.5 x ...

Artist: (after) Hans Holbein (the Younger) (German-Swiss, c. 1497-1543) Title: "Catherine Howard Queen", "Jane Seymour Queen", "Anna Bollein Queen", a...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Scene from the Gospel is an original artwork realized by Philip Audinet for J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", London,...

This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Glutinosum" (Clammy Houseleek), plate 1963, published in London in 1818 in William C...

The Last Supper is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Manki...

This captivating work belongs to Elias Martin’s later period, characterized by his exploration of historical, biblical, and mythological themes. As Mikael Ahlund, Director of the Gus...

The Portraits of Masters is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love...

Etching realized by Louis Bouquet after Hamboldt. not signed. Very good condition.

"Group of Carnations" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, co...

Assaut is a Lithograph realized by Auguste Raffet in 1837. Signed in the plate. Good condition with foxing.

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 98 is a beautiful black and white etching and aquatint on paper realized by the Italian artist L...

The physiognomy - Profiles of Men is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 177 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

Original edition of 1815/16 including 50 etchings hand watercolored by Bartolomeo Pinelli. Oblong Album including 1 frontispiece and 50 richly watercolored etchings showing romans' c...

The English dance of death - The dance of life is an original pair of rare and fine books written by William Combe (25 March 1742 – 19 June 1823) and illustrated by Thomas Rowlandson (13 July 1757 – 21 April 1827) in 1816/1817. Original First Edition. Published by Ackermann, London. Format: in 8°. The dimensions of the book are indicative. The book includes 3 volumes with 295 + 299 + 285 pages. 2 frontispieces and 96 handcolored etchings. 252 pages and 26 handcolored aquatints. Good conditions. Thomas Rowlandson (13 July 1757 – 21 April 1827), he was an English artist and caricaturist of the Georgian Era, noted for his political satire and social observation. A prolific artist and printmaker, Rowlandson produced both individual social and political satires, as well as large number of illustrations for novels, humorous books, and topographical works. Like other caricaturists of his age such as James Gillray, his caricatures are often robust or bawdy. Rowlandson also produced highly explicit erotica for a private clientele; this was never published publicly at the time and is now only found in a small number of collections. His caricatures included those of people in power such as the Duchess of Devonshire, William Pitt the Younger and Napoleon Bonaparte. William Combe (25 March 1742 – 19 June 1823) was a British miscellaneous writer. His early life was that of an adventurer, his later was passed chiefly within the "rules" of the King's Bench Prison. He is chiefly remembered as the author of The Three Tours of Doctor Syntax...

Image dimensions: 19 x 25 cm. Landscape is an original etching on paper realized by Claudio di Lorena. Signed on the plate, on the lower left. plate no. 23, written lower on the ri...

Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", Lo...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Doctors in Divinity, Esquire Beadle, and Yeoman Beadle (1815) Hand-coloured aquatint 25 x 30 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of two Doctors in Divinity and two beadles (administrative assistants to the Chancellor and Proctors of the University) from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. The four figures walk forward with ceremonial accoutrements, likely to a graduation ceremony. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

This is an original 19th century hand-colored stipple engraving by William Hooker entitled "The Red Doyenne Pear", published in London as plate 14 in the 'Transactions of the Horticu...

Portrait of Duke D'Urbino is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Know...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Trinity Library...

This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Smithii" (Hispid-Stemmed Tree Houseleek), plate 1980, published in London in 1818 in...

The portrait after Raphael is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...

Drawing of Putti in the Clouds Jean-Jacques le Barbier l'Ainé (France, 1738-1826) Black pencil on paper Signed and dated lower left "Le Barbier L'ainé 1816" 10 1/4 x 12 1/4 inches ...

Hand-watercolored Etching, 1819, Image Dim: cm 28 x 20, Dim: cm 29x40. Etching and Watercolor tecnique. In Good condition, worn paper on the marginal line, left. Signed and dated ...

This early 19th century hand-colored double fold-out botanical engraving is entitled "Chelone Major" (Flowering Lyons' Chelone plant), plate 1864, published in London in 1816 in Will...

Hand-watercolored Etching, 1819, Image Dim: cm 28 x 20, Dim: cm 29x40. Etching and Watercolor technique. In Good condition. Signed and dated on plate lower margin "Pinelli dis. e ...

James Basire & John Carter Floor plan of St Albans Cathedral Engraving 61 x 95 cm This engraving was originally published by the Society of Antiquaries of London, an organisation ...

Complete Title: Nuova Raccolta di Cinquanta Costumi Pittoreschi Incisi all'Acquaforte". Suite of original colored etching realized by the italian engraver Bartolomeo Pinelli in 1815-...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

The Physiognomy - Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 191 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

Portrait of a man is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", L...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Nobleman, Cambridge (1815) Aquatint with original hand colouring 30 x 25 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of a nobleman studying at Cambridge, from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

The Physiognomy - The Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and th...

Portrait of René Descartes is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognom...

Amorous Couple Watercolor on laid paper, c. 1810 Unsigned Provenance: Emile Wolf (1899-1996) The art collection of Emile Wolf was dispersed by Sotheby and Stair Galleries. Condition: Excellent 22K gold leaf finishes corner frame (see photo) “Mr. Wolf’s collection reflects a lifelong commitment to the arts. Although a mainstay of the Old Masters art scene in New York, Mr. Wolf’s collection spanned centuries and genres. He was an impassioned collector, and his Fifth Avenue apartment was filled with paintings and drawings that hung from floor to ceiling in every room. Space void of art was lined with an extensive library of art books that fueled his ardent collecting. Mr. Wolf took great joy in sharing this collection and his ideas with art historians, collectors, dealers and university students. The Wolf collection included masterworks from every influential and groundbreaking Impressionist and modern artist of the late 19th and early 20th centuries, ranging from an outstanding grouping of works on paper by Picasso, Pissarro, and Cezanne to a Renoir oil...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Doctor in Divinity (1814) Aquatint with original hand colouring 24 x 29 cm Published by Rudolph Ackermann (1764 - 1834). A Doctor in Divinity of the University of Cambridge, resplendent in academic dress. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

The Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind"...

General Lord Hill is an original print realized by John Romney (1786-1863) in the 1814. Original hand watercolored lithograph . Title printed on plate on...

Portrait is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lov...

The Physiognomy - The Eyes is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...

Portrait is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lov...

The Head - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...