Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Rudolph Ackermann
St John's College, Cambridge Library engraving by the Havells for Ackermann

1815

About the Item

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. D Havell (1785 - 1822) after William Westall (1781 - 1850) The Library of St John's College, Cambridge (1815) Hand-coloured aquatint 24 x 29.5 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of St John's College, Cambridge's marvellous library. It was built between 1623 and 1628, largely through the donations and efforts of two members of the college: Valentine Carey, Bishop of Exeter, and John Williams, Lord-Keeper and Bishop of Lincoln. The building's shell was completed in 1624, a date which appears on the south gable of the western oriel window. The building is constructed in the Jacobean Gothic style, and measures 110 feet by 30 feet wide. The tall two-light windows are a very early example of Gothic Revival, but the façade is Renaissance-inspired. The library contains 42 bookcases arranged at right angles to the north and south walls, and is the home of the College's double-manual harpsichord. William Westall was a British landscape artist. He was born in Hertford and enrolled at the Royal Academy schools in 1799. He later became the draughtsman for a voyage to Australia and the South Seas. After being shipwrecked, he travelled to Canton in China and to India, staying in Bombay for several months. He returned to England in 1805 but later set off for Madeira and Jamaica. He became a member of the Society of Painters in Water Colours (1811) and an associate of the Academy (1812). Following a mental breakdown, he regularly visited the Lake District and published ‘Views of the Valley and Vale of Keswick’ (1820). His series of aquatints of the Thames, the great universities, and England's public schools for Ackermann are among his most popular works. The Havell family of Reading, Berkshire, England, included a number of notable engravers, etchers and painters, as well as writers, publishers, educators, and musicians. Daniel and Robert Havell set up in partnership as aquatint engravers. Soon Daniel began to work independently, engraving plates for Rudolph Ackermann's History of Cambridge (1815) and hid history of various public schools including Eton, Winchester, and Rugby (1816), as well as a celebrated views of St Paul's Cathedral (1818) and various other London landmarks for Ackermann's Repository of Arts. Rudolph Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
  • Creator:
    Rudolph Ackermann (1764 - 1834)
  • Creation Year:
    1815
  • Dimensions:
    Height: 9.45 in (24 cm)Width: 11.62 in (29.5 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Good. Some age toning.
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU795311500382
More From This SellerView All
  • 1804 St George's Chapel Windsor Castle print
    By Frederick Nash
    Located in London, GB
    From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Meghan Markle; to see some ...
    Category

    Early 1800s Realist Landscape Prints

    Materials

    Etching, Aquatint

  • Samuel Howitt: 'Battle between Buffalo and Tiger' print after Thomas Williamson
    By Thomas Williamson
    Located in London, GB
    Samuel Howitt (1765-1822) after Thomas Williamson (1758-1817) Exhibition of a Battle between a Buffalo & a Tiger' from Oriental Field Sports (1819) Hand-coloured aquatint 35 x 47 cm Captain Thomas...
    Category

    Early 19th Century Realist Animal Prints

    Materials

    Aquatint

  • Students of Emmanuel and Trinity Colleges, Cambridge 1815 engraving by John Agar
    Located in London, GB
    To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Fellow Commoner of Emanuel College; a Nobleman; Fellow Commoner of Trinity College (1815) Hand-coloured aquatint 25 x 29.5 cm Published by Rudolph Ackermann...
    Category

    1810s Realist Prints and Multiples

    Materials

    Aquatint

  • Clare College, Cambridge / Clare Hall / King's College engraving by Stadler
    Located in London, GB
    To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Entrance to the Avenue, from Clare Hall Piece (1815) Hand-coloured aquatint 25 x 30 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of the gates of Clare College...
    Category

    1810s Realist Prints and Multiples

    Materials

    Aquatint

  • Jesus College, Cambridge 1815 engraving by Joseph Stadler for Ackermann
    Located in London, GB
    To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Jesus College...
    Category

    1810s Realist Prints and Multiples

    Materials

    Aquatint

  • Chapel of All Souls College, Oxford engraving by Joseph Stadler for Ackermann
    Located in London, GB
    To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after Frederick Mackenzie (1788 - 1854) The Chapel of All Souls College, Oxford (1814) Hand-coloured aquatint 29.5 x 21 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of All Souls' chapel. All Souls College was founded in 1437 by Henry Chichele, Archbishop of Canterbury, to serve as a memorial to Henry V and the English dead in the Hundred Years War. The Front Quad appears virtually unchanged since it was first built in the years 1438-1343, thanks to a sympathetic Victorian restoration. The chapel was modelled after that of New College, where Chichele was a Member. It has a superb hammer-beam roof, excellent medieval stained glass, and a large number of original stalls. All services in the chapel are according to the Book of Common Prayer; the King James Bible...
    Category

    1810s Realist Prints and Multiples

    Materials

    Aquatint

You May Also Like
  • The Thames, 1894 - Victorian aquatint etching of London by Joseph Pennell
    By Joseph Pennell
    Located in London, GB
    JOSEPH PENNELL (1857-1926) The Thames, 1894 Signed Aquatint Plate size 20.5 by 26.5 cm., 8 by 10 ½ in. (frame size 42 by 46 cm., 16 ½ by 18 in.) Pennell was born in Philadelphia where he studied at School of Industrial Art and the Academy of Fine Arts. In 1884 he was commissioned by the Century Magazine to supply a series of drawings of London...
    Category

    1890s Realist Landscape Prints

    Materials

    Aquatint

  • Pair of Early 19th Century "Conchology" Conch Shells Color Etchings c.1802
    Located in San Francisco, CA
    Pair of Early 19th Century "Conchology" Color Etchings c.1802 Fantastic pair of hand colored etchings titled "Conchology". Published in London on December 24th, 1802. Each plate s...
    Category

    Early 19th Century Realist More Prints

    Materials

    Engraving, Aquatint

  • Hong Kong
    By Richard Haas
    Located in New York, NY
    Richard Haas Hong Kong, 1990 Etching and Aquatint on wove paper Hand Signed, numbered and dated on the front Frame included; held in the original vintage hand made wood frame done by PSG This impressive, framed lithograph of Hong Kong is by Richard Haas - the world's foremost architectural muralist and trompe l'oeil artist whose prints and paintings are held and exhibited in many private, public and institutional collections. It is framed and ready to hang. Haas - who, aside from his many artistic distinctions, was profiled several years back by the prestigious CBS News...
    Category

    1990s Realist Figurative Prints

    Materials

    Etching, Aquatint

  • Zermatt Street Scene C.P., 2021 , Contemporary, 21st Century, Magic Realism
    By Peter Doig
    Located in Zug, CH
    Zermatt Street Scene C.P., 2021 — Peter Doig, Contemporary, 21st Century, Etching with aquatint, spitbite, Magic Realism Edition of 20 Signed recto in graphite, accompanied by Certi...
    Category

    2010s Realist Figurative Prints

    Materials

    Etching, Aquatint

  • Zermatt Street Scene P.D., 2021, Contemporary, 21st Century, Magic Realism
    By Peter Doig
    Located in Zug, CH
    Zermatt Street Scene P. D., 2021 — Peter Doig, Contemporary, 21st Century, Etching with aquatint, spitbite, drypoint, Magic Realism Edition of 20 Signed recto in graphite, accompanie...
    Category

    2010s Realist Figurative Prints

    Materials

    Drypoint, Etching, Aquatint

  • Zermatt Street Scene D.W., 2021, Contemporary, 21st Century, Magic Realism
    By Peter Doig
    Located in Zug, CH
    Zermatt Street Scene D.W., 2021 — Peter Doig, Contemporary, 21st Century, Etching with aquatint, spitbite, drypoint, softground, Magic Realism Edition of 20 Signed recto in graphite, accompanied by Certificate of Authenticity In mint condition PLEASE NOTE: Images of edition number are example references only. The seller can only provide the specific edition number to buyers at the actual point of sale. Please message the seller to request this information at the point of purchase. The pictures are only for illustrative reasons, the work is offered unframed. An avid winter sportsman, Peter Doig lived in Zermatt for six weeks in 2020 and for four months in 2021, working out of a studio on the mountain. With his inventive, painterly approach, the artist uses alpine imagery and traditional printmaking techniques to investigate landscape, material, and form. These diverse series of etchings reflects a self-referential process of experiment and innovation in which works continuously evolve into their final form. Together, this body of work pays homage to Doig’s passion for skiing and connection to Zermatt, while also referencing a rich tradition of alpine paintings...
    Category

    2010s Realist Figurative Prints

    Materials

    Etching, Aquatint

Recently Viewed

View All