1820s Art

Watercolour on ivory colored paper stuck on ivory colored cardboard, 1820 c.a. Hand-signed and hand-titled "Costume di S.Giovanni", with autograph caption black ink "Vicino Napoli" ...

Costume di Chieuti-Albanesi, 1820 c.a. Watercolour on ivory colored paper, 1820 c.a.. Hand-titled "Costume di Chieuti-Albanesi", with autograph caption black ink "Provincia di Basili...

Watercolour on paper, 1820 c.a. Hand-titled "Uomo del Paese di Carafa Greci" (Man of Carafa Greci town), with the caption "Provincia Contado di Molise". Hand-signed on lower-right m...

Watercolour on ivory colored paper, 1820 c.a. Representing a woman in typical Italian costumes of XIX century. Good conditions with burnished margins and some stains. Very beautiful...

Altra Veduta del Tempio di Sibilla in Tivoli Image dimensions: 46x65 cm. From the collection “Le antichità de’ contorni di Roma”(..), Rome, 1826 by L. Rossini, an artist's proof with...

Watercolour on ivory colored stuck on paper, 1820 c.a. Hand-signed on lower-right and hand-titled "Costume di Tortorella", with autograph caption black ink "Provincia di Salerno" on...

Like G.B.Piranesi, Rossini, well know as the “Piranesi’s heir”, trained as an architect and his etchings have the same tendency to emphasize the massive structure of the Ancient Rome...

Simulacro Di Diana is an original print realized by Giovanni Folo After Agostino Tofanelli. Original etching on copper. Hand-colored on black ink backgr...

Watercolour on ivory colored paper, 1820 c.a. Hand-titled and hand-signed (black ink) on lower margin. Representing a woman in traditional costumes. Excellent conditions with usual b...

Watercolour on ivory colored paper stuck onwhite cardboard sheet, 1820 c.a. Representing people attending the typical Sicilian"Operadei Pupi". Excellent conditionsexcept a little sta...

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A scene from the important representation of Tenno Kabuki's Play "Kanjincho", held during the Meiji Era in the House of Minister Kaoru Inoue at the presence of the Emperor Akinori Aki and of the Princess Akira Terada. Attributed to the Ukiyo-e Master Kinichika Toyohara (Oshima Yasohachi), specialised in the representations of Kabuki Scenes on Woodcut blocks...

Watercolour on ivory colored paper, 1820.c.a.. Representing a woman in typical Italian costumes of XIX century carrying some baskets. Good conditions with some minor stains. Very b...

Simulacro Di Diana is an original print realized by Giovanni Folo After Agostino Tofanelli. Original etching on copper. Hand-colored on black ink background. Designed by Agostino Tofanelli and engraved by Giovanni Foto (as printed on plate on lower right). Original title: Simulacro Di Diana detto volgarmente la ZIngarella Included frame: 60 x 50 cm From "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli.", by Ennio Quirino Visconti, published in Rome, 1821. It deals with two volumes of engravings showing the main antique monuments or statues collected by the Prince Borghese in his Villa in Pincio Hill. Remarkable contemporary artists like Luigi Cunego, Gio. Batta Leonetti, Pietro Bettelini, Gio. Brunetti, Giovanni Ottaviani, Angelo Campanella, Pietro Fontana contributed. Drawings are, above all, by Agostino Tofanelli, Bernardino Nocchi, Domenico de Angelis, Teodoro Matteini. Giovanni Folo Veneto (Bassano, 1764 – Rome 1836) Giovanni Folo Veneto was an Italian engraver of the Neoclassic period, active in Italy. He studied with Giulio Golini and G.B. Mengardi in Venice. In 1781 he moved to Rome to study with Giovanni Volpato, but later he followed the style of the Volpato's pupil, Raffaello Morghen...

Planetary System - From Nuovo atlante di geografia universale is an original print realized in 1820 by Luigi Rossi. Original black and white etching. Prin...

Watercolour on ivory colored paper, 1820 c.a. Hand-signed on lower-right. Hand-titled "Costume di Ciociara", with autograph caption black ink "Provincia di Basilicata nel Regno di Na...

Ciociare, vicino a Subiaco; passato Tivoli is a precious hand-colored etching by Bartolomeo Pinelli. The inscriptions appear at the bottom of the artwork, inside the matrix, and just...

“Baccanale con Bacco, Sileno, Fauni, e Menadi” is a beautiful black and white burin and etching on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, ...

Acquaiolo In Strada is an original watercolor on paper, realized in 1828, by an anonymous artist whose signature seems to be G.M. (hand-written in pencil on lower left corner) Good ...

“Sarcofago rappresentante la morte di Meleagro” (Sarcophagus representing the Meleagro's death) is a beautiful black and white burin and etching on paper, realized by the Italian artist Giovanni Folo...

“Testa quasi colossale di Lucio Vero” (Almost colossal head of Lucio Vero) is a wonderful black and white etching on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, 1837), after Teodoro Matteini (Pistoia, 1754 - Venice, 1831), as the inscriptions on plates on lower margins report “Teodoro Matteini del./ Pietro Fontana inc. Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXVI" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints representing a precious piece of the Borghese's collection, the marble bust of the Roman Empero Lucio Vero, is in excellent conditions with a usual yellowing of the paper at the edges, some light signs of the time( some light thinning of paper along the margin do not affect the image) but with fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen...

“Testa muliebre” (Head of a woman) is a beautiful black and white burin and etching on paper, realized by the artist Giovanni Brunetti da Ravenna, after Bernardino Nocchi...

"Amore incatenato Statua” (Unchained Eros, Statue) is a wonderful black and white burin and etching on paper, realized by the Italian artist Francesco Cecchini (1790-1820), after Bernardino Nocchi (Lucca, 1741 - Rome, 1812) as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Francesco Cecchini incise Roma”. This original print is numbered on plate in Roman numerals on higher right corner “Tom. II.Tav. XXX” and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. The Borghese Collection is known to be the most important antique statue one, after the Torlonia Collection in Rome. This old master’s original prints representing a precious piece of the Borghese collection, an Eros statue unchained, is in excellent conditions with some minor stains on the margins, some signs of the time and a usual yellowing of the paper along the external margins, do not affect the image. Illustrazioni de'Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were found and made available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior...

Eremita Camandolese is the title of a beautiful watercolour on ivory-colored paper by the old master Michela De Vito in 1820 ca. Hand-titled "Eremita Camandolese", in black ink on t...

“Testa quasi colossale di Marco Aurelio” (Almost colossal head of Marco Aurelio) is a beautiful black and white burin on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, 1837), after Teodoro Matteini (Pistoia, 1754 - Venice, 1831), as the inscriptions on plates on lower margins report “Teodoro Matteini delineò./ Pietro Fontana incise a bollino Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXV" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a precious piece of the Borghese's collection, the marble bust of the Roman philosopher and writer and one of the "good Roman Emperor" (according to Edward Gibbon) Marco Aurelio, represented in neoclassical style and with the traditional iconography with a thick hair and a long beard. In excellent conditions with a usual yellowing of the paper on the lower margin and some light signs of the time with an imperceptible weaving of the paper on the lower right corner, this wonderful burin preserved his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen...

Eugène Devéria (1805-1865) A Family Portrait, 1826 pencil on paper Signed lower right and dated 1826 19.5 x 27 cm in a beautiful carved oak frame: 4...

“Amore che scherzo, Statua” (Joking Eros, Statue) is a wonderful black and white etching on paper, realized by the artist Giovanni Brunetti da Ravenna, after Bernardino Nocchi as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Gio Brunetti da Ravenna inc. Roma 1795”. This original print is numbered on plate in Roman numerals on higher right corner “Tav. XXIX” and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints representing a precious piece of the Borghese collection, an Eros statue caressing a sparrow, is in excellent conditions with some light signs of the time (some little whormholes on the left margin beyond the marginal line of the matrix) but with fresh impression. Illustrazioni de'Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were found and made available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior...

Francesco I and Titian in the painter's studio is a wonderful original painting (graphite pencil, pen, China ink and watercolor) on squared paper, realized by Francesco Camuccini (Ro...

“Sagrifizio Trionfale” is a beautiful black and white burin and etching on paper, realized by the Italian artist Francesco Cecchini (1790-1820), after Agostino Tofanelli (Lucca 177...

Grundy 36, published by R. Acherman. Inscribed in stone lower left: 'James Ward R.A. Pinxt et Delt. / Dogs of the Dalmation breed-from an original picture in the possession of Sir Jo...

Watercolor on paper by the Swiss artist, Simon Daniel Lafond. Signed and dated lower right, 1820. In very good condition, wth minor toning. Colors are strong with incredible detail ...

Medium: Lithograph with tint stone Dimensions: Sheet: 13 3/4 x 10 1/2" (34.80 x 26.70 cm); Mat: 20 x 16" Publisher: G. Engelmann References And Exhibitions: Published by G. Engelmann...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

This superb British Old Master portrait oil painting is attributed to circle of Henry Harlow. Painted circa 1820 it is a half length standing portrait of a young lady in a landscape ...

Hendrikus van de Sande Bakhuyzen (The Hague 1795-1860) A winter landscape with hunters on a path along a stream Signed and dated 'H vd S. Bak...

Ramsay R. Reinagle (English, 1775-1862) Portrait of Lord George, Duke of Gordon, G.C.B., Founder of the Famous Scottish Regiment of "Gordon Highlanders" in 1795, 1828 27 x 22 inches ...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." George Hollis (1793 - 1842) Worcester College ...

This early 19th-century stipple engraving by George Kellaway (fl. 1821-1828) is after a painting by Thomas Stewardson (1781-1859). She turns and looks towards the heavens with hair ...

Hendrikus van de Sande Bakhuyzen (The Hague 1795-1860) A winter landscape with hunters on a path along a stream Signed and dated 'H vd S. Bak...

Pierre-Louis DUPLAT Villers-Cotterêts, 1795 – Auteuil, 1870 Lavis 15 x 20 cm (25 x 29 cm with the frame) Signed and dated lower left “L Duplat / 1829” Inscription on the right “Offered to my friend Otto"? Excellent condition This is a view of the Château of Falaise in 1829. This very old fortified castle is perhaps the oldest Norman stone...

Wonderfully painted early 19th-century English rural landscape with cattle in a cowshed. Very similar to the work of Edward Williams who was a very well-known English landscape pai...

Veduta degl’Avanzi del Cortile di Villa mecenate in Tivoli. Costruito di Opera incerta di piccoli pezzi di travertino. Image dimensions: 47x60 cm. From the collection “Le antichità d...

Tempio degli Stoici ove erano i sette Filosofi della Grecia in Villa Adriana Image dimensions. 34x51 cm. Tempio degli Stoici ove erano i Sette Filosofi ...

Graphite and watercolor attributed to the well known British artist, Henry Thomas Alken. Circa 1825. Unsigned. Condition: Good. Provenance: Christie’s London, 1993. Matted but presently unframed. Alken was born on 12 October 1785 in Soho, Westminster, and baptised on 6 November at St James's Church, Piccadilly. He was the third son of Samuel Alken, a sporting artist. Two of his brothers were George and Samuel Alken the Younger, also an artist. In 1789, the Alken family moved from Soho to 2, Francis Street East, Bedford Square. Young Henry first studied under his father and then with the miniature painter John Thomas Barber...

Big In-folio Volume Baldwin and Cradock, London Majestic work collection most of Hogarth’s graphic production, printed from the original plates. Restored by James Heath. The Volume ...