1820s Prints and Multiples

This early 19th century etching entitled "Veduta dello scavo del Foro Trajano" was created by Luigi Rossini and included in his publication "Le Antichita Romane" (The Rome of Antiquity), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst the rubble of broken columns that remain around it. The etching is presented in a black wood frame with a light brown outer mat and a dark brown inner mat. There are several frame abrasions. The print and mats are in very good condition. The frame measures 27" high, 29.07" wide and 0.5" deep. The print is framed and matted in the identical style as the another etching of an ancient Roman landmark, the Piazza Navona, which is also listed on 1stdibs, see item # LU117326144172. The pair would make an attractive display grouping of Roman architecture. A discount is available for purchase of the pair of prints. Luigi Rossini (1790-1857) like his predecessors, Giovanni Piranesi (1720–1778) and Giuseppi Vasi (1710-1782), was an architect and artist. Like Piranesi and Vasi, he wanted to glorify the architecture of ancient Rome, which he felt was deteriorating and needed to be documented. Several of the ruins he illustrated have, in fact, since disappeared leaving only his images as a record of their appearance. His images of the grand edifices of the city dramatically depict the power and glory...

(after) JOSEPH MALLORD WILLIAM TURNER (1775 - 1851) THE DELUGE, 1828. Mezzotint, Engraved by I. P. Quilly after a painting by J. M.W. Turner R.A.. Image ...

Théodore Géricault 'Cheval de Mecklembourg' (Mecklembourg Horse), lithograph, 1822, 2nd state of 4, Delteil 47. Signed in the matrix 'Gericault', lower left. Published by Godefroy En...

Artist: Jacob George Strutt (English, 1784-1867) Title: "Near Stoneleigh, Warwickshire" Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland *Monogram signed by Strutt in the plate (printed signature) lower right Year: 1828 Medium: Original Etching on chine appliqué on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Jacob George Strutt, London, UK Sheet size: 14.25" x 21.13" Image size: 10.38" x 13.94" Condition: Minor soiling and discoloration in margins. A few light areas of waterstaining at right and bottom edges in margins. It is otherwise a strong impression in very good condition Very rare Notes: There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland. Biography: Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...

Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...

The Courtesan Kashiwagi and the Kamuro Wakano - Japanese Woodblock Print Original Toyokuni III/Kunisada (Japanese, 1786 - 1864) Japanese Woodblock Print "The Courtesan Kashiwagi and...

Interno della Basilica della Fortuna Prenestina Image dimensions: 40x53 cm. From the collection “Le antichità de’ contorni di Roma (...)”, published in Rome, 1826 an artist's proof w...

Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...

This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...

Théodore Géricault (after), 'Tigre dévorant un cheval' (Tiger Devouring a Horse), lithograph, 3rd state of 3, Clement 97, c. 1820. Lettered 'Volmar ...

"Uditore di Rota. Suddiacono Apostolico" is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate a...

The Bishop Assistant at the Pontifical Throne is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on pl...

"Bussolante con Triregno Pontificale" is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and ...

"Uditore di Rota con Croce Papale" is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dat...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Antique hand colored engraving of grass or Panicum Sanguinale by W.Curtis, circa 1820. Artwork was intended to be actual size of specimen. Original artwork on paper displayed on a w...

The Nobel's Chief Bodyguard is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate on the right m...

Armenian Bishop is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on the right mar...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

The Consistorial Lawyers is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on the ...

The Greek Subdeacon is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on the right...

"Caudatario" in the Chapel is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on th...

"Mazziere" of the Pontifical Chapel is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate on the...

The Captain of the Swiss Guard is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated o...

The Noble Pontifical Guard is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). "Cameriere Segreto Cavaliere di Spada, e Cappa" is an Artwork realiz...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Veduta di Tivoli mista d'Antico, e moderno (...) From the collection: “Le antichità de' contorni di Roma ossia le più famose città del Lazio. Tivoli, Albano...

Il Festino is a beautiful etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The work, which presents a remarkable quality of strokes and brillian...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

I Moccoletti is a pleasant etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The work is unsigned, but it is part of the 20 plates engraved in 18...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Guillaume le Conquérant rapporté après sa mort à l'église de Boscherville (William the Conqueror brought back after his death to the church at Boscherville) Lithograph, 1823 As publi...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

"Coppiere del Papa" is an Artwork realized in 1829 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on the right...

The Cardinal wearing the cape is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on...

The Marshal of the Conclave is an Artwork realized in 1829 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on t...

Image dimensions: 20 x 13 cm Saints John and Paul is an original modern artwork realized in the first decades of the XIX Century by the Italian artist Achille Parboni (1783-1841). ...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Simulacro Di Diana is an original print realized by Giovanni Folo After Agostino Tofanelli. Original etching on copper. Hand-colored on black ink background. Designed by Agostino Tofanelli and engraved by Giovanni Foto (as printed on plate on lower right). Original title: Simulacro Di Diana detto volgarmente la ZIngarella Included frame: 60 x 50 cm From "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli.", by Ennio Quirino Visconti, published in Rome, 1821. It deals with two volumes of engravings showing the main antique monuments or statues collected by the Prince Borghese in his Villa in Pincio Hill. Remarkable contemporary artists like Luigi Cunego, Gio. Batta Leonetti, Pietro Bettelini, Gio. Brunetti, Giovanni Ottaviani, Angelo Campanella, Pietro Fontana contributed. Drawings are, above all, by Agostino Tofanelli, Bernardino Nocchi, Domenico de Angelis, Teodoro Matteini. Giovanni Folo Veneto (Bassano, 1764 – Rome 1836) Giovanni Folo Veneto was an Italian engraver of the Neoclassic period, active in Italy. He studied with Giulio Golini and G.B. Mengardi in Venice. In 1781 he moved to Rome to study with Giovanni Volpato, but later he followed the style of the Volpato's pupil, Raffaello Morghen...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Utagawa Kunisada (Toyokuni III) Omori Hikoshichi, 1820 Oban Sheet size 36.5 x 24.5 cm A young 'innocent' woman has persuaded a warrior (Omori Hikoshichi, a samurai from the 14th c...

Print Sz: 16 1/2"H x 20 1/2"W Frame Sz: 24 1/2"H x 28 1/4"W Published by S & J Fuller Aquatint engraving by Mr. Sutherland Barefoot (1820–1840) was a British Thoroughbred racehor...

The Patriarch Siro in Pontifical Dress is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and...

Henry Alken hand-colour plate c1820 Hackney Published by T. McLean London Art Sz: 7"H x 9 1/4"W Frame Sz: 11 3/4"H x 14 1/2"W w/ birdseye maple frame

Gallo Gallina (1798-1874) Plate 77, Greek Statue and Coins Hand colored aquatint and engraving, 1820-1830 Engraved signature in the plate (see photo) From: Le Costume Ancien et Moder...

Artist: John Latham (English, 1740-1837) Titles: "Parrot-billed Grosbeaks" (Plate LXXXVII - 87), "White backed Coly" (Plate LXXXVI - 86), "Banksian Cockatoo" (Plate XXVII - 27), and "Variegated Tanager" (Plate XCIII - 93) Portfolio: A General History of Birds Year: 1821-1828 (second edition) Medium: Set of Four Original Hand-Colored Engravings on watermarked wove paper Limited edition: Unknown Printer: Jacob & Johnson, Winchester, UK Publisher: John Latham, Winchester, UK Sheet size (each): approx. 11.25" x 8.88" Image size (each): approx. 5.75" x 4.75" Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376 Condition: "Parrot-billed Grosbeaks" and "White backed Coly" have light offsetting to their sheets. "Banksian Cockatoo" and "Variegated Tanager" have moderate offsetting to their sheets. The "Variegated Tanager" also has a few light spots of discoloration at top in margins. They are all otherwise in good condition with strong colors Rare Notes: Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "Parrot-billed Grosbeaks" and "Variegated Tanager" have an unidentified "1821" watermark lower right and upper right respectively. "Banksian Cockatoo" as a partially visible "1820?" watermark lower right. Biography: John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...

Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...

Théodore Géricault, 'Garçon donnant l'avoine à un cheval dételé' (Boy Giving Oats to a Hitched Horse), lithograph, 1822, 2nd state of 2, Delteil 89...

Artist: John Latham (English, 1740-1837) Titles: "Kamtschatkan Thrush" (Plate LXXXIII - 83), "Spotted-sided Grosbeak" (Plate LXXXIX - 89), "Crimson-bellied Flycatcher" (Plate CI - 101), and "Black-headed Grosbeak" (Plate LXXXVIII - 88) Portfolio: A General History of Birds Year: 1821-1828 (second edition) Medium: Set of Four Original Hand-Colored Engravings on watermarked wove paper Limited edition: Unknown Printer: Jacob & Johnson, Winchester, UK Publisher: John Latham, Winchester, UK Sheet size (each): approx. 11.25" x 8.88" Image size (each): approx. 4.5" x 4.5" Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376 Condition: "Kamtschatkan Thrush", "Crimson-bellied Flycatcher", and "Black-headed Grosbeak" have some light offsetting to their sheets. "Spotted-sided Grosbeak" has some minor foxmarks and some light discoloration upper left in margin. They are all otherwise in very good condition with strong colors Rare Notes: Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "Kamtschatkan Thrush" and "Crimson-bellied Flycatcher" have an unidentified "1821" watermark lower right and upper right respectively. "Spotted-sided Grosbeak" has a "1820" watermark lower right. Biography: John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...

This striking circa 1820 engraving by Carle Vernet, titled “Cosaque en Bataille” (“Cossack in Battle”), captures the dramatic energy and movement that made Vernet one of the great mi...

J. R. Hutchinson, 'Broadway from the Bowling Green, 1828', hand-colored etching, 1828. Signed and dated in the plate, beneath the image, lower right. Ann...

Epinal Print Napoleonic Funeral Convoy is an original Hand-colored lithograph realized in 1821 by an Anonymous french artist. With the description on the lower. Titled at the top. ...

Illustrations to Punch and Judy is an original modern rare book illustrated by George Cruikshank (London, 1792 – London, 1878) in 1828. Published by Septimus Prowett, London. Original edition proofs on China paper. Format: in 4°. The book includes 24 etchings and loose leaves in publisher’s wrappers; there are additional sheet with four woodcuts. Only Eleven copies were issued. Mint conditions. Some foxing traces on the title page. George Cruikshank (London, 1792 - London, 1878). He was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...