1820s Prints and Multiples

Avanzi delle Rovine della casa del console Ventidio Basso, non molto lungi da Quintigliolo nella Valle verso Tramontana in Tivoli. Image dimensions: 36x46 cm. From the collection “L...

Processione a San Pietro is a precious hand-colored etching by Bartolomeo Pinelli. The inscriptions appear at the bottom, inside the matrix, and just below the image. Not signed. Th...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Artist: William Roscoe (English, 1753-1831) Title: "Phrynium Myrosma", "Costus Maculatus", and "Kaempferia Galanga (Aromatic Ginger)" Portfolio: Monandrian Plants of the order Scitam...

Artist: William Roscoe (English, 1753-1831) Titles: "Hedychium Glaucum" and "Zingiber Elatum" Portfolio: Monandrian Plants of the order Scitamineae, Chiefly Drawn from Living Specime...

Veduta interna delle Sostruzioni dei Portici del tempio d'Ercole in Tivoli (...) is an original etching realized by Luigi Rossini. From the series “Le antichità de’ contorni di Roma (...)” it is an artist's proof with real technical virtuosity, with sharp details, representing the walkways under the portici of Hercules Temple in Tivoli. Signed on plate “Rossini dis. e inc.” lower-left corner, with indication of date and place “Roma, 1824”. In very good conditions. Luigi Rossini (1790 – 1857) Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...

Veduta degli Avanzi della Villa di Domiziano da altri chiamata le Terme di Pompeo Magno Image dimensions: 46x60 cm. From the collection “Le antichità de’ contorni di Roma (...)” an a...

Interno del Pronao del Tempio d'Ercole nella città di Cora is an original etching by Luigi Rossini. From the collection “Le antichità de’ contorni di Roma”(..), Rome, 1826 by L. Rossini, an artist's proof with sharp details, showing Cora’s Ruins. Signed on plate “Rossini dis. e inc.” lower-left corner, with date and place “Roma, 1825”. In very good condition. Image Dimensions: 45 x 57 cm Luigi Rossini (1790 – 1857) Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

"Amore incatenato Statua” (Unchained Eros, Statue) is a wonderful black and white burin and etching on paper, realized by the Italian artist Francesco Cecchini (1790-1820), after Bernardino Nocchi (Lucca, 1741 - Rome, 1812) as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Francesco Cecchini incise Roma”. This original print is numbered on plate in Roman numerals on higher right corner “Tom. II.Tav. XXX” and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. The Borghese Collection is known to be the most important antique statue one, after the Torlonia Collection in Rome. This old master’s original prints representing a precious piece of the Borghese collection, an Eros statue unchained, is in excellent conditions with some minor stains on the margins, some signs of the time and a usual yellowing of the paper along the external margins, do not affect the image. Illustrazioni de'Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were found and made available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior...

Artist: John Sell Cotman (English, 1782-1842) Title: "Cathedral Church of Notre Dame, at Séez (West Front)" (Vol. 2, Plate 99) Portfolio: Architectural Antiquities of Normandy Year: ...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Two actors in a fight scene with lightning and thunderbolt is an original artwork realized in the 1820s by Utagawa Kunisada (1786-1865). Diptych. Two colors woodcut. Format: 2 x ...

Fishermen is a lithograph on paper realized by an Anonymous artist in 1824. Good conditions with slight foxing, The artwork is realized through perfect hatching and deft strokes, c...

The original design for the top half was formally attributed to William Hogarth, according to the Met Museum, and published by John Bowles in 1728. The edition here has a second half...

Roman Views is an original etching realized by Agapito Franzetti in the 1820s. Signed on the plate. good conditions. Included a. Passepartout: 35 x25 cm...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Map of south America, engraved by Franz Pluth (Czech, 1800-1871), from the book "Neueste Länder - und Völkerkunde, ein geographisches Lesebuch für alle Stände" by Linder, F. L. (Prag...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

I Moccoletti is a pleasant etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The artwork is unsigned, but it is part of the 20 plates engraved in...

“Agrippina Giovane” (The young Agrippina) is an original etching realized by A. Tofanelli and A. Mochetti. Image Dim: cm 48x33, Dim: cm 59x44; Passepartout Dim: cm 69 x 49. Precious Etching on copper: Hand-colored subject on black ink bottom. Designed by Agostino Tofanelli and engraved by Alessandro...

“Tiberio con corona civica” (Tiberius with a civic crown) is a beautiful black and white burin and etching on paper, realized by the artist Pietro Fontana (Caslano 1763 – Rome 1829),...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Veduta Generale del Tempio della Sibilla, e Ponte della Cascata di Tivoli Image dimensions: 61x45 cm. From the series “Le antichità de’ contorni di Roma (...)” an artist's proof with...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Sepolcro Regio o Consolare inciso nella rupe del Monte Albano, or nel Convento di Fr. Frances. ni di Palazzuolo is an original etching realized by Luigi Rossini. From the series “Le ...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Altra Veduta presa sotto il grand' Arco dell'interno dell'Emissario di Albano is an original etching belonging to the series "Le Antichità di contorni di Roma” (…)". Beautiful proof...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Briganti assetati is a beautiful artwork realized by Bartolomeo Pinelli in 1820. Etching and Watercolor technique. In Good condition, worn paper on the marginal line and some little...

“Baccanale con Bacco, Sileno, Fauni, e Menadi” is a beautiful black and white burin and etching on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, ...

Image dimensions: 33.7 x 48.6 cm. “Ara con tripode” (Ara with tripod) is a beautiful black and white burin and etching on paper, realized by the artist Vincenzo Feoli, after Bernardino Nocchi as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Vincenzo Feoli incise in Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXVIII" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. Original Title: Ara con Tripode di quindecemviri, e la corona...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Beggars is an original Modern artwork realized in the first decades of the 19th Century by Dominique Vivant Denon (Chalon-sur-Saône, 1747 - Paris, 1825). ...

Napoléon à Montereau is an original artwork realized by Hippolyte Bellangé in 1828. Original lithograph on paper. Passepartout included (cm 32.5 x...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

“Amore che scherzo, Statua” (Joking Eros, Statue) is a wonderful black and white etching on paper, realized by the artist Giovanni Brunetti da Ravenna, after Bernardino Nocchi as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Gio Brunetti da Ravenna inc. Roma 1795”. This original print is numbered on plate in Roman numerals on higher right corner “Tav. XXIX” and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints representing a precious piece of the Borghese collection, an Eros statue caressing a sparrow, is in excellent conditions with some light signs of the time (some little whormholes on the left margin beyond the marginal line of the matrix) but with fresh impression. Illustrazioni de'Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were found and made available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

“Testa quasi colossale di Lucio Vero” (Almost colossal head of Lucio Vero) is a wonderful black and white etching on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, 1837), after Teodoro Matteini (Pistoia, 1754 - Venice, 1831), as the inscriptions on plates on lower margins report “Teodoro Matteini del./ Pietro Fontana inc. Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXVI" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints representing a precious piece of the Borghese's collection, the marble bust of the Roman Empero Lucio Vero, is in excellent conditions with a usual yellowing of the paper at the edges, some light signs of the time( some light thinning of paper along the margin do not affect the image) but with fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...