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1820s Still-life Prints

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Period: 1820s
Flowering Crinum Plant: A 19th Century Hand-colored Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Crinum Speciosum" (Specious-flowered Crinum), plate 2217, published in London in 1822 in William...
Category

Naturalistic 1820s Still-life Prints

Materials

Engraving

A 19th Century Curtis Hand-colored Engraving of a Flowering Clerodendrum Plant
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Clerodendrum Macrophyllum" (Broad-Leaved Clerodendrum), plate 2356, published in London in 1824 ...
Category

Naturalistic 1820s Still-life Prints

Materials

Engraving

Flowering Crinum Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Crinum Arenarium" (Water-Island Sand Crinum), plate 2355, published in London in 1822 in William...
Category

Naturalistic 1820s Still-life Prints

Materials

Engraving

Panicum sanguinale, from "Flora Londinensis..."
Located in Houston, TX
Antique hand colored engraving of grass or Panicum Sanguinale by W.Curtis, circa 1820. Artwork was intended to be actual size of specimen. Original artwork on paper displayed on a w...
Category

1820s Still-life Prints

Materials

Engraving, Watercolor, Archival Paper

Iris /// Antique Natural History Botany Botanical Flower Art Science Garden
By Pierre Corneille Van Geel
Located in Saint Augustine, FL
Artist: Pierre Corneille Van Geel (Flemish, 1796-1838) Title: "Iris" Portfolio: Sertum Botanicum Year: 1828 (first edition) Medium: Original Hand-Colored Lithograph on wove paper Lim...
Category

Victorian 1820s Still-life Prints

Materials

Watercolor, Lithograph

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Dark Flora Autumn Weald in Floral arrangement of wild flowers and plants, Framed
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Art Deco 1820s Still-life Prints

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Rio Osmarin (boats on the canal Rio de S. Provolo o de l'Osmarin, Venice)
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Coconut Palm Tree, Large Botanical Print, Tropical Style in Blue Tones, Limited
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Late Night (Where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope)
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In "Late Night", Frederick Mershimer created a winter scene where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope. This image, the seventh in t...
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Gingko Leaf Explosion, Pressed Flowers, White and Blue Handmade Botanical Print
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. Details: + Title: Gingko Leaf Explosion + Year: 2024 + Edition Size: 100 + Stamped and Certificate of Authenticity provid...
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Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine Year: 1789-1810 Medium: Set of Six Original Hand-Colored Engra...
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"Crystal and Jade" Still Life Lithograph in Ink on Paper
Located in Soquel, CA
"Crystal and Jade" Still Life Lithograph in Ink on Paper Delicate and detailed lithograph of a crystal glass and jade vase by John Taylor Arms (American, 1887-1953). On the left side of the composition, there is a crystal martini glass, with intricate designs. Next to it is a jade vase or urn, with a carved surface. They are sitting on an ornate tablecloth, with a strand of beads, possibly a rosary. Numbered ("VI"), inscribed with a dedication ("To Georgiana Brewer and Jasper S. Mathews Jr from Dorothy and John Taylor Arms"), signed ("John Taylor Arms"), and dated ("1940") along the bottom edge. Presented in a wood frame with an off-white mat. Frame size: 16.5"H x 14.75"W Image size: 8.5"H x 7.25"W John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919. His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...
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Victorian 1820s Still-life Prints

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Holiday Pine Cones
Located in New Orleans, LA
This Holiday wreath adorns the door of a Brooklyn Mansion Frederick Mershimer (American, b. 1958) Moody, mysterious, majestic – these are some of the ways to describe the mezzotint...
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Vintage Pressed Flowers in Blue, Botanical Cyanotype on Paper, Nordic Style
Located in Barcelona, ES
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Previously Available Items
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