1880s Art

➡️ Landscape A Country Lane with Figures school of Barbizon⬅️ ⏩It is signed - H Gomoh⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐...

A beautiful 19th century French impressionist oil on canvas depicting the entrance to a village with women washing clothes in a river. Excellent quality and very atmospheric landsca...

Medium: heliogravure (after the Rembrandt etching). This impression on Arches laid paper printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: ...

JOHN ANTHONY WHEELER Portrait of a Jack Russell Terrier John Anthony Wheeler, English, 1821–1903 Portrait of a Jack Russell Terrier British Sporting Art Oil on artist’s board, cir...

About this work: Before he became the celebrated chronicler of Montmartre’s nightlife, Lautrec was surrounded by a different kind of spectacle. At his family’s estates, the young art...

Héliogravure, etching and aquatint on Japan paper. Image dimension 23.5x15 cm. Signed in the plate lower right. Very good condition. Ref. Exteens 364; Rouir 501. This rare print...

Produced in 1889 by Boussod, Valadon & Co., this original chromotypogravure entitled The Eiffel Tower presents the celebrated Parisian monument in the year of its completion. Pub...

An important French painting from the second half of the 19th century. This oil-on-canvas painting, attributed to the celebrated French painter Henri Félix Emmanuel Philippoteaux (18...

Artwork signed by the artist. Sold with frame (101 x 140 cm) Jakob Wagner (1861–1915) was a Swiss painter known for his serene landscapes, tranquil waterscapes, and evocative scene...

Alfred Émile Léopold Stevens (Belgian, 1823–1906), Le Tréport, oil on panel, signed lower left and monogrammed on the reverse, painted circa 1885 — a moonlit marine from the Normandy...

Signed lower right, 'Stetson' for Charles Walter Stetson (American, 1858-1911) and dated 1886. Born in Rhode Island, Charles Stetson opened his first studio in 1878 in Providence an...

Italian painting from the late 19th century. Artwork oil on canvas, first canvas, depicting an impressionist mountain view of excellent pictorial quality. This large, impactful paint...

F. A. Fraser (British, 19th century) Autumn Woodland with Figure and Terrier Signed and dated 1881, lower left Oil on canvas Presented in a giltwood frame A finely observed and atmo...

Pierre Emmanuel Damoye was born in Paris in 1847. He studied under Camille Corot, Charles-François Daubigny, and Léon Bonnat at the École des Beaux-Arts beginning in 1875, the same y...

Female Head Study signed with monogram and dated 1883 lower right by Axel Kulle (1846–1908). Oil on canvas laid down on panel. Original giltwood frame with relief ornamentation. The ...

Few painters of the Orientalist school brought such theatrical precision to their work as Ludwig Deutsch. Trained in Vienna and later based in Paris, Deutsch became one of the great ...

Signed upper left, 'G. Rochegrosse' for George Rochegrosse (French, 1859-1938) and dated 1881. Framed dimensions: 15.5 H x 1.5 D x 13.5 W inches A finely-painted figural oil showin...

Pastoral Landscape by Eduard Gotzelmann (1890 - 1903) Austrian signed lower left and dated 1887 oil on cavas, framed framed: 37 x 31 inches canvas: 31 x 24.75 inches Provenance: priv...

Rooster and Hens in the Barnyard William Baptiste Baird (U.S./France 1847-1917) Oil on panel Signed lower right "W. Baird" 12 1/4 x 9 inches A stunning example of William Baptiste...

Antique English landscape oil painting attributed to Henry Turner Munns (1832 - 1898). Oil on canvas. Signed. Framed. Measuring: 35 by 44 inches overall, and 29 by 38 painting alone....

A. East Figures in an Extensive River Landscape Oil on card Circa 1880 Monogrammed lower right Original frame A finely painted late-19th-century English landscape depicting tra...

Study of a Manchester Terrier or a Dwarf Pinscher Jules Chardigny (1842-1892) Circa 1860s Oil on panel Signed upper left 6 x 4 1/2 (12 x 10 1/2 frame) inches The similarities betwe...

Victorian English Landscape, Haymaking near Hazlemere, Surrey A Victorian English harvesting landscape by John Seymour Adams captures the essence of a bygone era, offering more than...

19th-Century Marble Torso of Apollo Impressive 19th-century white marble torso of Apollo, after the Antique, finely carved in the classical Greco-Roman tradition. The idealized male...

A fine large signed and dated 1882 portrait of a gentleman with a cigar, by French artist Ernest Constant Simon. Superb quality depiction of the gentleman wearing a dark suit, crisp...

Of Germanic descent, the painter Jean Krillé was born in 1923 in Switzerland. His father, writer and poet, oriented him towards art and culture. From the age of 16, he enrolled at th...

English School Farmyard Scene with Horses and Goat Oil on panel, unsigned The Circle of John Frederick Herring Sr. Circa 1880 Presented in a later gilt and painted frame This finely rendered 19th-century English farmyard scene captures the quiet dignity of rural life, with a group of three horses—white, chestnut, and black—gathered beneath a tree in the warm light of late afternoon. A small goat stands to one side near a rustic stable, adding a note of charming domesticity to the composition. The surrounding landscape, with its distant hills and careful play of shadow and cloud, speaks to the artist’s sensitivity to atmosphere and detail. Though unsigned, the painting is executed in a manner closely aligned with the work of John Frederick Herring Senior, one of Britain’s most celebrated animal painters of the Victorian era. The careful modelling of the horses, their distinctive postures and anatomy, and the tranquil farm setting are all hallmarks of Herring’s influence. Painted in oils on a wooden panel, the surface retains a fine, even gloss and a warm palette typical of the period. The composition is both balanced and lyrical: the interplay of form and gesture among the animals invites the viewer into a moment of repose between work and activity, emblematic of Victorian ideals of harmony between man, beast, and the land. A delightful example of 19th-century English rural painting...

Jasper F. Cropsey Moonlit Landscape, 1888 Signed dated lower left Pastel on board 9 x 12 3/4 inches Provenance Zigler Art Museum, Jennings, Louisiana Morton's Auction, New Orleans, ...

Medium: heliogravure (after the Rembrandt etching). This impression on Arches laid paper printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: ...

This intimate landscape from 1888 belongs to Anton Genberg’s early mature period and reveals the qualities that would later establish him as one of Sweden’s foremost painters of atmo...

"Portrait of an Elegant Woman in a Blue Kimono" French School, late 19th century, "Japonism" movement. Large oil painting on canvas mounted on a panel. Monogrammed on the lower right...

Henriëtte Ronner-Knip 1821-1909 Dutch-Belgian The Guitar Lesson Signed "Henriëtte Ronner" (lower right) Oil on panel Henriëtte Ronner-Knip ranks among the most celebrated painter...

Very well executed portrait of Jacob Dolson Cox. See the sitter’s biography below. Signed top right and dated 1881. Relined canvas, very good condition. The portrait is housed in a contemporary replica of a period frame. Overall framed measurements are 33.25 by 28.25 inches. Provenance: A East Hampton, Long Island collector. Biography George Peter Alexander Healy was born in Boston on July 15, 1813, the first of five children of William Healy, an Irish immigrant and captain of a merchant vessel, and his wife Mary Hicks. Healy showed an early artistic interest: by 1830 the self-taught painter had opened a portrait studio from which he hoped to help to support his family. Although commissions were at first sparse, young Healy received important encouragement from Thomas Sully (1783-1872)) who advised him to make painting his profession. His fortunes also improved in 1831 when Mrs. Harrison Gray Otis, a leader in Boston society, granted him permission to paint her portrait and recommended his talents to other potential patrons. In 1834 Healy went to France where he studied with Baron Antoine-Jean Gros (1771-1835). A year later he traveled through Italy, visiting museums and churches in the company of Lady and Sir Arthur Faulkner who soon provided his introduction to London society. It was in England that Healy met and, in 1839, married Louisa Phipps. The couple settled in Paris where Healy embarked upon the beginning of a long and happy marriage and thriving career. His diplomatic and affable demeanor, together with his obvious skill, brought him tremendous success throughout Europe and the United States. Prolific, as well as talented, he had by 1867 produced more than six hundred portraits. The constant stream of commissions included dignified, imposing portraits of such celebrated figures as Pope Pius IX and Queen Elizabeth of Romania, the latter of whom developed a warm friendship with Healy and his family. Although Healy, sometimes accompanied by his wife, traveled to the United States several times during the 1840s and early 1850s, it was not until 1856 that the entire family settled in America. They took up residence in the booming city of Chicago, which Healy used as a base for his work in Boston, Philadelphia, New Orleans, and other cities. During the Civil War years he often traveled to Washington to paint military figures and members of the President's cabinet. The family returned to Europe in 1867, but George Healy...

Gorgeous tonalist oil painting woman walking in field by pond with home in background by Willis Seaver Adams (American, 1844-1921), circa 1880. Trees and an amazing sky in the background add depth and interest to this beautiful piece. Signed "W. S. Adams" lower right corner. Condition: Previous restoration includes relining of canvas. Frame is vintage gilt molded and wood frame and shows previous repair of molding losses. Image size: 20"H x 24"W. Auctions records for the artist exceed $6,000. Willis Seaver Adams was known for his landscapes of the Connecticut River Valley. A relative recluse for much of his artistic life, his loneliness can be seen in much of his works. Oil miniatures were the focus for almost all of his later works. He is credited with over 425 oils, watercolors, and drawings. Willis Seaver was born in 1844 on a farm in Suffield, near the Connecticut River. He intermittently attended the Suffield Academy, and always wanted to be a painter. A wealthy doctor became his patron, and financed his studies in 1868 at the Royal Academy in Antwerp. When the doctor passed away, Adams returned home and struggled to make a living painting. After working for a photographer for three years, he opened his own studio. Adams helped organize Cleveland's first watercolor exhibit in 1876. Soon thereafter, he completed a portrait of Rutherford B. Hayes, then governor of Ohio, prior to his becoming President of the United States. This portrait enhanced Adams notoriety. In 1878, Adams traveled to Italy where he opened a studio in Venice, and became friendly with neighbor James Whistler. Prior to returning to Springfield, Adams lived in Florence, Italy for three years. He returned to became an instructor for the Springfield Art Association, and began to exhibit his works at the galleries of James D. Gill. His first one-man exhibit was held there in 1894. Other successful exhibitions took place in Chicago, New York, and Boston. Although his works garnered respectable prices and reflected his success, Adams felt he was due more recognition. In 1906, he moved to Greenfield, Massachusetts and converted a barn into a studio. There, he fell into relative obscurity, accompanied mainly by his dog, Collie. In 1921, Adams passed away. Examples of Willis Adams works can be seen at the Kent Memorial Library, the Wadsworth Atheneum, and the Suffield Academy. Several Suffield residents are thought to own Adams paintings.

A rare pair of marble busts from the second half of the 19th century. Finely carved from white marble, these works of art depict captivating mythological subjects: a satyr and a bacc...

A late 19th century, American School seascape showing a lyrical view of sunlit waves flowing in towards a rocky beach. The unknown artist shows exceptionally sensitive handling of li...

George Inness A Cloudy Day, 1886 Signed and dated lower center Oil on canvas 25 x 30 inches Provenance The artist Estate of the above Fifth Avenue Galleries, New York, Executor's Sa...

Robert De Rouge Canvas Size: 55 x 38" Outside frame Size: 65 x 48" Signed and dated 1881 Oil on canvas This was painted as a private commission with the crest of arms visible at the...

⏩Into the Wild⏪ This work blends playful portraiture with an experimental mixed-media approach. At first glance, the image of a dachshund bright-eyed, with an inquisitive head tilti...

This handsome British 19th century portrait oil painting is by noted Artist Rudolph Lehmann. Lehmann was born in Germany but settled in the United Kingdom in 1866. The portrait is a ...

William Henry Williamson (British, fl. mid to late 19th Century) Fishing Boats off the English Coast Oil on canvas, signed lower left Circa 1870–80 Presented in a period gilt frame ...

Dating from circa 1884, this original French poster promotes La Révolution, a dramatic poem and historical drama written by the Comte Ottevaere-Larcher. Published by E. Dentu at the ...

This charming 1880s American genre scene, “At the Gates of Pinehurst,” depicts a couple driven by a coachman in horse-drawn Phaeton carriage approaching the gates of an estate just g...

William John Hennessy Thomastown 1839 - Rudgwick 1917 Portrait of the Artist's Daughters Circa 1880 Oil on canvas mounted on cardboard Signed bottom left 33 x 23.5 cm canvas 44 x ...

Medium: heliogravure (after the Rembrandt etching). Also called "Les trois Mendiants". This impression on Arches laid paper printed in 1880 for Philip Gilbert Hamerton's very scarce ...

A fine antique oil painting by Wilfred Constant Beauquesne (1847-1913), of a French cavalry soldier on horseback, 1883. The painting titled "The Despatch Bearer", depicts a French cavalry soldier riding his horse frantically to deliver despatches to the front. The soldier in full uniform with his cavalry trooper's sword hanging from his sadle & the horse hair from his Cuirassier helmet...

Medium: original etching. Catalogue reference Beraldi 218. Published in Paris in 1884 by Gazette des Beaux-Arts. A lovely impression in brown ink on laid paper. Plate size: 4 x 5 7/8...

A rare 19th-century oil by the aristocratic painter and distinguished collector, Count Charles Gaston Esmangart de Bournonville de Saint-Maurice. It depicts an equestrian gathering ...

Medium: original etching. This impression on cream laid paper was printed in 1884 for the "French Etchers" portfolio, and published in New York. Plate size: 10 1/2 x 7 3/4 inches (26...

Gibbon Falls, Yellow-Stone National Park  is a chromolithograph from c.1880 showing two fisherman at the base of Gibbon Falls.  This chromolithograph is a dramatic view of the powerful Gibbon waterfall that cascades 84 feet into a small, clear pool. The setting is quintessential Yellowstone, with scrubby pine trees and rocky cliffs. The inscription on the bottom left corner below the image says Scenery From Nature on the Northern Pacific R.R.   Established by the U.S. Congress and signed into law by President Ulysses S. Grant on March 1, 1872  Yellowstone was the first national park in the U.S. and is widely held to be the first national park in the world. Native Americans have lived in the Yellowstone  region for at least 11,000 years. The Northern Pacific Railroad...

A beautiful signed and dated 1887 French oil on canvas depicting caught fish in an interior, by Alexandre Courtines. Excellent quality depiction of several different species of fish...

Etching and drypoint on paper. Signed and titled on plate. Pubished on the "Gazette des Beaux-Arts". Printed b A. Porcabeuf, Paris. Image Dimensions : 15.5 x 11 cm Very good cond...

Hendricks Hallett Ships at Sunset Signed lower left Oil on canvas 22 x 27 inches Hallett, originally from Massachusetts, pursued his studies in Antwerp and Paris. He is primarily r...

Hand Signed. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 50 years ago by an artist who has died requires a licence for export re...

Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 4 1/2 x 7 inches (113 x 175 m...

Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches. Biography Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster. Life and work Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News. On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades. Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...

“Venice, 1889” by Louis Ritter (American, 1854-1892). A fantastic example of Ritter’s renowned European watercolors. This beautifully poised composition captures the sun-washed faça...

Here for your consideration is a brilliant sunset over a bucolic county landscape painting. The artist is the very well known Dutch victorian artist, Joseph Thors. Signed verso by th...

Original oil on canvas painting of a still life composed of an open melon, grapes, peaches, plums and berries. Signed illegibly lower right. German school. Circa 1880. Beautiful gol...

This painting titled "Portrait of a Girl" by the Danish realist painter Peder Mørk Mønsted captures an enigmatic young woman whose identity remains unknown. The girl, elegantly posed...