1880s Art

A splendid painting from the second half of the 19th century. Oil on board artwork, signed C. Huber on the lower left, attributed to the Austrian painter and graphic artist Carl Rudo...

A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 4). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 112] A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...

Toulot Jules (1863-nc) Pianist officer in the Second Empire period Oil on canvas signed low right Old frame regilded with gold leaves Dim canvas : 65 X 43 cm Dim frame : 90 X 67 cm TOULOT Jules (1863-nc) French painter 19th century Born 11th November 1863 in Champeinx (Puy de Dôme...

PICOU Eugène Charles (1831–1914) - "Young Girl with parasol" - Oil on canvas signed lower left - Old frame gilded with leaf - Canvas size: 61 X 50 cm...

Medium: original etching. The full title is "An Italian Macaroni of the Eighteenth Century". A nice impression in reddish-brown ink on cream laid paper, published in 1887 by Frederic...

MOSNY Henry (19th Century) Landscape by the mountain Stream Oil on canvas signed below and dated 1882 Black and Golden wood Frame Dim canvas : 73 X 92 cm Dim Frame : 94 X 113 cm MOS...

A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Fourth state (of 5). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 113]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...

Medium: original etching. This bucolic landscape is located in what is now the borough of Queens in New York City. Printed on laid paper in 1880 and published by The American Art Rev...

Pierre BILLET Cantin (North), 1837 – Cantin, 1922 Oil on canvas 38.5 x 28.5 cm (48 x 36.5 cm with frame) Signed lower left “Pierre Billet” Stamp of the c...

Medium: original etching. Executed by Tissot for the "Rene Mauperin" suite of etchings, published in Paris in 1884 by Charpentier in a limited edition of 550. This is a nice impressi...

Medium: original etching. This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 8 1/2 x...

Medium: heliogravure (after the drawing). This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by S...

On the Moors - England Original Watercolor 19th Century Mid 19th century watercolor of the North York Moors in Spring by David Cox (English, 9 July 1809 – 6 December 1885), known as...

This late 19th-century maritime painting by George Stainton captures the dramatic return of a fishing boat to harbor, skillfully portraying the power of the sea and the resilience of...

The Nailsmith Houses, Late 19th Century Rattenberg Austria Historical Landscape Exquisitely detailed 1888 watercolor of The Nailsmith Houses, a historical building in Rattenberg, A...

Marti Alsina oil canvas signed Original Painting Ramón Martí Alsina, also Ramon Martí i Alsina (Barcelona, ​​​​August 10, 1826 - December 21, 1894), was a Spanish realism painter. S...

Oil on wood panel painting of a Worcester, Massachusetts view by local resident artist Mabel Blake. Signed M. Blake lower left. Circa 1880. Condition is good. The bucolic scene depicts a man in a boat...

Io Que Puede un Sastre! a black and White aquatint, drypoint and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886 . 6th Edit...

The Yale Football Team and Groups of Spectators at the Championship Game between Yale and Harvard which shows the eleven member Yale football team se...

"Spanish Cavalry Officer on Horseback, 1889 by Josep Cusachs" Oil on canvas. Signed and dated 1889 in the lower left corner. Framed dimensions: 52 × 43 × 5 cm (20.5 × 16.9 × 2 in.)....

Medium: original etching. This impression on japon paper was printed in 1880 by Francois Lienard (before letters were added) and published in Paris for a deluxe edition of L'Art. Pla...

GIUSEPPE CASTIGLIONE (1829-1908) was an Italian Jesuit brother and missionary in China, where he served as an artist at the imperial court of three Qing emperors – the Kangxi, Yongz...

Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...

Figures in the Highlands by Charles Leslie (1839-1886) British signed & dated 1883 oil on canvas laid on board, framed framed: 9.5 x 17.5 inches board : 9 x 16 inches Provenance: pri...

Medium: original etching. François Nicolas Augustin Feyen was known as Auguste Feyen-Perrin. This impression on cream laid paper was printed in 1884 for the "French Etchers" portfoli...

Paul Lecomte (1842-1920) Mortefontaine, les sables blancs signed lower right Watercolor on paper, 25.5 x 37 cm titled on the reverse of the sheet. In good condition, but some foxings...

Image dimension cm 29.7x19.9. Printed in the lower margin, center: «Max Klinger / Der Philisoph / (Aus «Vom Tode, II») / Pan I 2». Engraving from the art periodical Pan, vol. I, no...

Wonderful Autumn/Fall landscape by one of Englands finest landscape painters. Born as Benjamin Williams, the artist added the surname Leader (his Father’s middle name) to distingui...

Medium: original etching. Catalogue reference: Schneider 113. Executed in 1885; this is a fine, dark impression with full original margins on watermarked laid paper from "The Portfol...

Hush (Chiton) is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  ...

A dramatic, one of a kind oil study. Certainly not your run of the mill 19th Century portait! Depicted is a young man, whose face is brightly lit from what is likely is an open fire....

Medium: original etching and drypoint. This impression on on cream wove paper was printed in 1889. Plate size: 5 x 9 3/4 inches (125 x 250 mm). Signed and titled in the plate (not ha...

This powerful and allegorical original 1889 poster by E. Conrad was created for the celebrated Exposition Universelle de Paris, marking a high point in 19th-century France’s embrace ...

Original Ambassadeurs Les Cinq Demi-Vierges. Linen backed in B condition. It was folded at one time with the fold marks laid down during the linen backing process. There are som...

Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...

Original vintage exhibition poster - created on the occasion of the exhibition at Galerie Lelong, Paris 1988 Signed in print In great condition

Medium: original etching. Executed ca. 1880; this is a good impression with full original margins on laid paper from "The Portfolio" edition, published in London by Seeley, Jackson &...

Medium: original etching. Executed by Tissot for the "Rene Mauperin" suite of etchings, published in Paris in 1884 by Charpentier in a limited edition of 550. This is a nice impressi...

Nils Forsberg (Risöberg, Sweden, 1842 – Helsingborg, 1934) Kermesse, street scene in Versailles 1882 Oil on panel 26.8 × 36 cm 37 x 44 cm with it's frame View of Versailles, sign...

Ya Tienen Asiento is a black and White aquatint, drypoint and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886 . 6th Edition...

Medium: original etching. This impression on laid paper was printed in 1882 for the "A Group of Etchers" portfolio and published in New York. Image size: 5 3/4 x 8 1/2 inches (147 x ...

Medium: etching (etched by Leopold Flameng after the Sir John Gilbert painting). This impression on laid paper was printed in 1882 for the "A Group of ...

Medium: original etching. This impression was published in Boston in 1887 by Estes and Lauriat for the "Nature and Art" portfolio and is printed on cream laid paper. Size: 4 5/8 x 6 ...

Medium: original etching. Catalogue reference: Rinder 28. Executed in 1889; this is a fine, dark impression on wove paper from "The Portfolio" edition, published in London by Seeley,...

Dante et Virgile is an original artwork realized by Lucian Carred in 1886. Original etching on paper. Passepartout included (cm 32.5 x 50). Artist Proof after Eugène Delacroix. Bon à tirer...

Ancient Views of Panama City is a set of 2 albumen prints made realized in 1880s. In excellent condition, applied on a single cardboard. Caption in Itali...

Las Rinde El Sueno is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Editio...

SIR FRANCIS SEYMOUR HADEN (1818-1910) A LANCASHIRE RIVER, 1881 (Schneiderman 203 viii/ix; Harrington 215 ii/ii) Original etching with drypoint. Signed in pencil., image 11 x 16. A large sheet, 18 x 22 inches with 3 inch margins. In very good condition. According to British dealer...

Etching and Aquatint realized by Auguste Lançon (1836-1887) in 1883. Published by A. Quantin, Paris, in an edition of 250 copies. This Series depicts scenes from the daily life of T...

Medium: original etching. This impression on laid paper was printed in London in 1880 for P. G. Hamerton's "Etching and Etchers". Plate size: 6 1/4 x 8 3/4 inches. Signed in the plate.

Simplicius' Writing Lesson (Simplici Schreibstunde) (plate VII) belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroefer, 1881. Etchi...

Bear And Elf from "Intermezzi" is a print realized by Max Klinger in 1881. Signature and number of the print on plate. Black and white etching and aquatint. Original title: Bär und...

La Laitière is a black an white etching and drypoint realized by Charles Paul Renouard in 1880. This Modern artwork, representing a scene of ordinary life...

Etching realized in 1880, after Meissonier. Not signed, beautiful proof before the letter. The front image shows a finely rendered intimate interior scene with two elegantly dresse...

Medium: original etching. Printed in 1881 and published by Cassell & Company. Plate size: 5 7/8 x 8 5/8 inches (150 x 220 mm). Sheet size: 8 x 11 3/8 inches (204 x 288 mm). Signed in...

Medium: heliogravure (after the drawing). This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by S...

Medium: photogravure (after the watercolor). Samuel Palmer had always admired the work of John Milton, and executed a suite of watercolors which were made into photo-engravings for "...

Medium: heliogravure (after the drawing). This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by S...

Medium: original etching. Published in 1880 by the American Art Review. Plate size: 8 1/2 x 5 3/4 inches. Not signed. Condition: there is minor foxing.

Alfred Drury's (1856-1944) body of work locates him as a leading figure in the New Sculpture movement, yet his position as an innovator and conduit betwee...