1880s Art

Medium: original etching. Executed by Tissot for the "Rene Mauperin" suite of etchings, published in Paris in 1884 by Charpentier in a limited edition of 550. This is a nice impressi...

Medium: original etching. This impression was printed on laid paper and published in 1887 by the New York Etching Club. Plate size: 6 x 4 inches. Not signed.

This impressive painting by Edward Moran does justice to the epic America’s Cup Challenge of 1885. Moran’s point of view captures the day’s enormity to the world’s yacht racers and designers. This account portrays PURITAN’s second and decisive victory of the match on the 40-mile course, 20 miles leeward from the Sandy Hook Lightship and back. PURITAN reached the line a scant 1 minute 38 seconds in front, the closest margin of victory to date. Well publicized and awaited on both sides of the Atlantic, the race held the public’s interest while knowledgeable yachtsmen waited to see if Boston’s Edward Burgess had innovated the centerboard sloop design to a degree capable of holding off the challenge of a true English cutter. GENESTA was designed by John Beavor-Webb, for her owner, Sir Richard Sutton...

Medium: original etching. Printed in 1881 and published by Cassell & Company. Plate size: 5 7/8 x 8 5/8 inches (150 x 220 mm). Sheet size: 8 x 11 3/8 inches (204 x 288 mm). Signed in...

Amédée Elié Servin — (1829-1884) : Children playing in a forest A nice and confidently painted scene of three children playing in the midst of a dark forest. Through clever use of colour and light and dark effects, Elié Servin creates a mysterious and fairytale-like scene in which all attention is drawn to the playing children. Amédée-Élie Servin (1829-1884) Servin Amédée-Élie was a French painter and engraver, founder of the artistic community of Villiers-sur-Morin. Servin was born to a tanner, who, disappointed by his son's failure in his studies, apprenticed him to an upholsterer where he learned to draw cartoons. He then entered the École des Beaux-Arts and studied under the painter Michel Martin Drolling. At this school, he befriended students of his generation, such as Jean-Jacques Henner, Benjamin Ulmann and Paul Baudry...

Medium: etching. Etched by James D. Smillie after this charming pastoral composition by Barbizon artist Charles Emile Jacque. This is a rich, dark impression on wove paper, printed i...

"Venetian Scene with Gondoliers" is an evocative portrayal of Venice, capturing the essence of the city’s romantic allure and bustling waterways. Created during Allan Österlind’s stu...

Medium: original etching. This impression on cream laid paper was printed in 1884 for the "French Etchers" portfolio, and published in New York. Image size: 9 x 11 3/4 inches (225 x ...

Medium: original etching. Executed by Tissot for the "Rene Mauperin" suite of etchings, published in Paris in 1884 by Charpentier in a limited edition of 550. This is a nice impressi...

Medium: etching (etched by Paul Rajon after Rembrandt). This impression (with retroussage) was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cas...

After the original by Henrika Langus (Slovenian, 1836-1876) and painted circa 1880. Unsigned. Framed dimensions: 17.25 x 1 x 15.5 inches. A charming and antique study of a young, f...

Giuseppe Garibaldi - Il Secolo  is a national newspaper published on wednesday november 3th, Milan 1880. The cover is a lithograph realized by the artist Ernesto Fontana (1837-1918)...

1880s Large American Gilt Antique Frame Frame Size: Wight: 54.50″ X Height: 69″ Thickness: 10″ Picture Size: Wight: 36.60″...

A fine signed and dated 1880 Spanish oil on panel portrait of a man wearing a white shirt and waistcoat by Manuel Pla y Valor. The work is superbly ...

View of the Venetian Lagoon Oil on panel Venetian School, 19th century, without signature dated 1889 In the style of Pietro Galter Dimensions: 39 × 21 cm This composition depicts a t...

"Postface. La Femme et la Folie Dominent le Monde I" (1886) 1886 French illustration from Felicien Rops (Belgian, 1833-1898) depicting a young partially nude woman. The woman is st...

Medium: original etching. This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 5 x 6 3...

Medium: original etching. A nice impression on cream laid paper, published for the American Art Review in 1880; the American Art Review was a lavishly produced revue featuring origin...

Ancient Views of Panama city is a set of of 2 original albumen prints made in 1880s. Prints in excellent condition, applied on a single cardboard. Caption in Italian ink hand-written on hardcover under each print. Prints 17.5 x 23 cm, 16.5 x 21.5 cm, cardboard 26 x 33.5 cm In the photographs two different views of Panama City, Central Park and Cathedral Square...

A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Fourth state (of 5). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 113]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...

Seaside from Intermezzi belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroefer, 1881. Etching on paper. Signed on the plate Good ...

Etching and drypoint after Vermeer's The Soldier and the Laughing Girl (c. 1657). Published in 1881 on "L'Art". Very Good condition. Ref. L’Art, 1881, p. 301 I.F.F. 23 H.Bré, 268

A Dandy Time Was Had an interior Figural Scene by Walter Dendy Sadler 1880s Jovial evening of wine and good cheer by Walter Dendy Sadler (1854 - 19...

Medium: etching (etched by Leopold Flameng after the Sir John Gilbert painting). This impression on laid paper was printed in 1882 for the "A Group of ...

Ancient views of Santiago - Chile is a set of two albumen prints made in 1880s. Prints in excellent condition, applied on a single cardboard. Caption in Italian hand-written in in...

Medium: original etching. This impression on laid paper was printed in London in 1880 for P. G. Hamerton's "Etching and Etchers". Plate size: 6 1/4 x 8 3/4 inches. Signed in the plate.

Auguste Rodin, French (1840 - 1917) - Victor Hugo, de Face (State 6), Year: 1885, Medium: Etching, signed in the plate, Image Size: 9 x 6.25 inches, Size: 17.25 x 11.75 in. (43.82 ...

Georges Ferré (1853-1924) Portrait of a friend, 1886, signed, dated, and dedicated "à son ami P. Jallanchouze" on the uper right oil on wood panel 23.8 x 17.9 cm This portrait of ...

Medium: original etching. Catalogue reference: Rinder 28. Executed in 1889; this is a fine, dark impression on wove paper from "The Portfolio" edition, published in London by Seeley,...

Wonderful original orientalist gouache by the well known French artist, Paul B. Pascal. Signed lower right. Circa 1885. Condition is excellent. The scene depicts figures on camelback along the Nile with pyramids in the background. Newly professionally matted and framed in antique style frame. Under glass. Overall framed measurements are 11 by 13 inches. Provenance: A Sarasota, Florida estate. Paul B. Pascal (1839–1905) was a French landscape painter. He did landscape paintings of the Middle East and the Mediterranean coast with gouache. After he emigrated to the United States in 1893, he did paintings of the American wilderness...

Herman Hyneman (1849-1907) Untitled, 1885 Oil on wood panel 13 1/2 x 10 1/4 in. Framed: 23 x 20 x 2 in. Signed lower left: H.N. Hyneman 85 The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island." Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel, National Academy member, to Europe to study. They first went to Germany and then to France where Hyneman began eight years of study with Leon Bonnat, the French Master. In Paris, the twenty-five year old Hyneman resided in a studio building at 75 Boulevard Clichy, with expatriates Frederic Arthur Bridgeman, Charles Sprague Pearce, Milne Ramsey, and Edwin Blashfield. Hyneman was clearly exposed to the works of these more experienced artists, as well as that of Walter Gay. In 1879, one of Hyneman's genre paintings, entitled "Desdemona", was accepted into the Paris Salon. That painting received favorable reviews both in Europe, and later in Philadlephia where it was exhibited alongside the works of other Philadelphia Artists exhibiting at the Salon that included Thomas Eakins, Pearce, Edward May...

Medium: lithograph (after the poster). This lithograph (in reduced size) was published in Paris in 1884 by Gazette des Beaux Arts. Size: 10 1/2 x 6 3/4 inches (268 x 170 mm). Signed ...

Charles Henry Miller (American, 1842-1922) Untitled (Watermill), c, 1885 Oil on panel 10 x 14 in. Framed: 16 x 20 x 2 in. Signed lower left: Chas. H. Miller, N.A. Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

Gibbon Falls, Yellow-Stone National Park  is a chromolithograph from c.1880 showing two fisherman at the base of Gibbon Falls.  This chromolithograph is a dramatic view of the powerful Gibbon waterfall that cascades 84 feet into a small, clear pool. The setting is quintessential Yellowstone, with scrubby pine trees and rocky cliffs. The inscription on the bottom left corner below the image says Scenery From Nature on the Northern Pacific R.R.   Established by the U.S. Congress and signed into law by President Ulysses S. Grant on March 1, 1872  Yellowstone was the first national park in the U.S. and is widely held to be the first national park in the world. Native Americans have lived in the Yellowstone  region for at least 11,000 years. The Northern Pacific Railroad...

Etching realized by Alphones Charles Masson after Théodule Ribot, in 1880s. Not signed, as issued. It depicts a young man in three-quarter view, dressed in period clothing with a b...

'A Young Parisienne' by Christine Sundberg, 1888. Royal Academy of Arts, Academie Colarossi, Jeu-de-Paume ---- Signed center left, 'Christine Sundberg' (Swedish, 1837-1892) and date...

Medium: original etching. This etching from "The Hawthorne Portfolio" was printed in 1884 and illustrates a scene from Nathaniel Hawthorne's novel "The Marble Fawn. Plate size: 2 3/4...

This exceptional 1886 calendar, created by the celebrated Art Nouveau master Eugène Grasset for the renowned Parisian department store Au Bon Marché, is a sublime blend of commercial...

French Poet, visual artist, and female figure of street art, graffiti artist Miss Tic (1956 - 2022) is a contemporary French woman artist who printed her 'poc...

Etching on cream paper, copper plate, 4th final state of four. Titled on lower left, hand signed in pencil and dated on lower right by the artist. A signature on plate, hard to read,...

Medium: heliogravure (after the drawing). This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by S...

Etching realized in 1880, after Meissonier. Not signed, beautiful proof before the letter. The front image shows a finely rendered intimate interior scene with two elegantly dresse...

In the 1880’s Smith made a trip to Italy, which added a whole new dimension to his work. His tight style was highly suited to the depiction of the majestic architecture and complex c...

Original stone lithograph poster: Droit D' Ainesse (The Birthright) Opera. Early stone lithograph that is archival linen backed and ready to frame. Not mint; but in very good condition. A girl this old is allowed to show her age. Original linen-backed early 1880's vintage opera poster...

Wonderful late 19th Century Brittany scene of fishermen and fishwives on the dock collecting fish and folding nets by French artist S. Louis de Breze (French, 19th Century), circa 18...

US buyers pay no import tariffs on this item. This late 19th-century oil painting by British painter George William Mote (1832-1909) depicts a shepherd and his flock before an exten...

Medium: etching. Etched by Jules Jacquemart after Frans Hals. This impression on cream laid paper was published in Paris by L'Art in 1880. The image m...

‘A Scion of a Noble’ by Andrew MacCallum (1821-1902). The painting is signed by the artist and dated 1889, in which year it was exhibited at the Grosvenor Gallery in London. At fir...

Rare etching realized by Max Klinger in 1884. II state on 2. Image dimensions: 13.9x19 cm. Very good condition except for some diffused foxing in the margins. Ref. Singer, 284.

Chimera with Green Eyes is an original lithograph on Chine collé, realized by Odilon Redon in 1888, plate 7 from “Les tentations de St.Antoine” (1ère série), unique state, first e...

Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 7 3/4 x 5 1/2 inches (197 x 1...

Medium: original etching. Published in 1880 by the American Art Review. Plate size: 8 1/2 x 5 3/4 inches. Not signed. Condition: there is minor foxing.

Medium: original etching. This impression on cream laid paper was printed in 1880 and published by the American Art Review. The American Art Review featured original etchings by lead...

Eastman Johnson John Van Schaick Lansing Pruyn, 1883 Initialed and dated lower left Oil on canvas 28 x 18 inches For many years the foremost genre painter in the United States, Eas...

Medium: original etching. Printed in 1888 and published by The New York Etching Club. Plate size: 8 1/2 x 5 5/8 inches (215 x 140 mm). Signed in the plate, not by hand. Condition: t...

Medium: photogravure (after the watercolor). Samuel Palmer had always admired the work of John Milton, and executed a suite of watercolors which were made into photo-engravings for "...

Louis-Alexandre CABIE (Dol-de-Bretagne 1853 - Bordeaux 1939) Landes in Pessac - Gironde Oil on panel H. 31 cm; L. 55 cm Signed lower right Louis Cabié, re...

This richly detailed chromolithograph by Ángel Lizcano takes us into the solemn and intimate world of Spanish bullfighters, pausing for prayer in the "Capilla de los Toreros"—the bul...

Medium: lithograph (after the poster). This lithograph (in reduced size) was published in Paris in 1884 by Gazette des Beaux Arts. Size: 10 5/8 x 7 inches (265 x 180 mm). Signed in t...

Medium: original etching. Published in 1880 by the American Art Review. Plate size: 8 1/2 x 5 3/4 inches. Not signed. Condition: there is minor foxing.